Artist Bio: Nick & Jeff Discover Infinity consists of two friends who met in September 2021 and began making music together with the goal of being adventurous and avoiding confinement to one genre or sound. Sometimes catchy and immediate, other times hypnotic and ethereal, there is always something unexpected around the corner. They are currently writing and recording their second full length album and a punk EP.
I caught up with Deathconscious about his musical project Nick & Jeff Discover Infinity: from the meaning of the band’s name and its origins to where they see their pursuit of infinity taking them.
The name of your band seems to perfectly encapsulate what the music entails. There’s a sense of raw exploration in your songs, and while one can’t always be sure of where they’ll arrive, they typically – at the very least – make for an interesting journey. What inspired your no-limits approach to making music? Was there anything specific (a novel, movie, etc) or are you both just dreamers? Also, are there any musical acts that influence/play a role in shaping your art?
Denzel Curry’s work has always been a bridge between the old and the new, between the precise cuttings inherited from his influences and the exuberant energy of his contemporaries. It resulted in highly conceptual albums that also worked on a purely anthemic level. Now, Curry is ready to slow down. Ditching most of the roaring basslines and dynamic 808s to favor softer and jazzier hip-hop, Melt My Eyez, See Your Future is the rapper’s most suave album. Not that it induces somnolence, but rather that the Floridian’s other influences are more strongly felt than before: you can hear jazz, R&B, funk, soul, and even a bit of that punk energy Curry has always had.
And while some might regret the absence of a banger like “Ultimate” or “Ricky,” it’s gratifying to see Curry’s personal growth reflect his artistic maturation. The album ends with “The Ills”, where he states how his introspection drives him to take bold creative steps. It’s a powerful final thesis, illustrating why Denzel Curry felt it was time for him to take a new direction. He remains true to himself but still dares to venture into different spaces – proving that he is indeed the most artistically interesting Southern rapper these days. He constantly tests himself, opens up his possibilities, and manages to raise the bar with every album. Whether Melt My Eyez, See Your Future will be his definitive…
Here’s a list of major new releases for the week of April 8th, 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: April 8, 2022 –
Angel Nation: Antares
Genre: Power Metal Label: Inner Wound Recordings
Archive: Call To Arms & Angels
Genre: Progressive Rock Label: Dangervisit
BANKS: Serpentina
Genre: Electronica, Alt-R&B Label: AWAL
Bekëth Nexëhmü: De Dunklas Gravrit
Genre: Black Metal Label: Purity Through Fire
Black Swan: Generation Mind
Genre: Melodic Hard Rock Label: Frontiers Music SRL
Calexico: El Mirador
Genre: Alternative Label: City Slang
Camila Cabello: Familia
Genre: Singer/Songwriter Label: Epic Records
Concilivm: A Monument In Darkness
Genre: Black Metal, Death Metal Label: Iron Bonehead Productions
Destruction: Diabolical
Genre: Speed Metal Label: Napalm Records
Epitaphe: II
Genre: Blackened Doom Label: Aesthetic Death
Et Moriemur: Tamashii No Yama
Genre: Atmospheric Doom/Black Metal Label: Transcending Obscurity
Father John Misty: Chloe and the Next 20th Century
Welcome to the first installment of our 2022 quarterly playlist! Feel free to jam the playlist below while reading what our writers had to say about each selection. Tell us what your favorites are in the comments, as well as any new artists you may have discovered here – or, alternatively, tell us what we missed! Thanks for reading/listening.
Tracklist:
40 Watt Sun – Behind My Eyes
Approaching twelve minutes in length, and devoid of most “exciting” musical elements, “Behind My Eyes” isn’t for the faint of heart. For those of the right bent, though, it’s a gold mine. Hazy slowcore (and a touch of folk) reminiscent of golden age Kozelek imbues the listener with just the right blend of melancholy and warmth. Spin at the required moment, and this listening experience can approach the feeling of a religious epiphany. –Sunnyvale
Astral Tomb – Traversing the Wandering Star
I’ve been searching around for the right album to throw a little more attention at all afternoon, but I couldn’t exactly throw the twelve minute track alongside the bite-sized morsels on this list. Astral Tomb have a small, cult-like following and for good reason.…
Here’s a list of major new releases for the week of April 1st, 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: April 1, 2022 –
Alabaster DePlume: GOLD – Go Forward in the Courage of Your Love
Genre: Jazz / Pop / Comedy Label: Debt Records
Bhleg: Fäghring
Genre: Black Metal Label: Nordvis
Black Death Cult: Diaspora
Genre: Black Metal / Doom / Death Metal Label: Profound Lore
Brainwaltzera: ITSAME
Genre: Electronic / IDM Label: FILM
Carpenter Brut: Leather Terror
Genre: Synthwave Label: No Quarter Prod
Centinex: The Pestilence
Genre: Death Metal Label: Agonia
Dare: Road To Eden
Genre: Hard Rock Label: Legend
The Dead Tongues: Dust
Genre: Americana Label: Psychic Hotline
Decrapted: Bloody Rivers Of Death
Genre: Death Metal / Black Metal Label: Xtreem Music
Artist Bio: Stray ghost mutt making strange noises. Gameboy music meets your favourite David Lynch film and gives birth to broken dreams. Digital ghost guitar screams. Cute/
I caught up with Johnny about his musical project Nightmare Puppy, from its formation to what he sees in its future.
Hugh Puddles circa 2017. Image has been blurred to protect his identity from Brazilian LDR stans.
I’m looking at the artist pic on your bandcamp page right now. Is that the elusive and ever-sought-after Hugh Puddles? Also, how long did it take you to grow that hair out? Is that a pornstache or just a shadow?
Hello heh, yes that was me five years ago. Can’t confirm how long the hair took because I was a hippy flake and never cut it, like, ever. Times have changed and I look like a moody square now, but it was fun while it lasted. The pornstache was and is real. It comes with a beard and lots of good intentions.
Tell us a little bit about how Nightmare Puppy formed. What sparked your desire to make music? What cumulative influences (artist, video game, or otherwise) led to the sounds that we hear on your latest endeavor, Nara Nara Voltsong For Shower?
Here’s a list of major new releases for the week of March 25th of 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: March 25th, 2022 –
ABBATH: Dread Reaver
Genre: Black/Death Metal Label: Season of Mist
Absent In Body: Plague God
Genre: Doom/Post/Sludge Metal Label: Relapse Records
Aldous Harding: Warm Chris
Genre: Alternative Folk Label: 4AD
Ande: Vehemence
Genre: Atmospheric Black Metal Label: Naturmacht Productions
Animals As Leaders: Parrhesia
Genre: Progressive Metal/Djentlemen Label: Sumerian Records
Architects: For Those That Wish to Exist at Abbey Road
Genre: Metalcore, Live Label: Epitaph
As The World Dies: Agonist
Genre: Death Metal Label: Transcending Obscurity Records
Bâ’a: Egrégore
Genre: Black Metal Label: Osmose Production
BillyBio: Leaders And Liars
Genre: Hardcore/Metal Label: AFM Records
Bomber: Nocturnal Creatures
Genre: Heavy Metal Label: Napalm
Camp Cope: Running with the Hurricane
Genre: Self-Described Power Emo Label: Run for Cover
Caracara: New Preoccupations
Genre: Alternative Label: Memory Music
Confidential: Devil Inside
Genre: Symphonic Metal Label: Massacre Records Crystal Viper: The Last Axeman
Arcade Fire are back. Does lightning strike twice? Are once-great bands entitled to a second lease on life in the same way cats are an additional eight? Are we excited? I dunno, excitement’s a pretty hot commodity with this band. Much as I love vintage Arcade Fire, I never found the inclination to listen to Everything Now in its entirety: 2013’s Reflektor had already exhausted much of my patience with its inflated mishmash of arthouse flim over occasionally decent songs that insisted both on taking an eternity to end and on orbiting incremental degrees of pastichey conceptual bollocks. I had no desire whatsoever to hear those wavelengths aggressively reconfigured into a smug “expose” of the Gritty Realities Of Everyday Life. Maybe this was unfair, maybe apathy won and society died, maybe I was spending my time listening to better music – we’ll never know.
What I do know for sure is that “The Lightning I, II” is every inch The Song Destined To Make Me Believe In This Band Again – that is, insofar as it goes through all the motions that persuaded anyone to believe in them to begin with minus, unironically enough, a crucial pinch of electricity. As many have pointed out, it more or less sounds like one of the Suburbs‘ more expansive cuts (though I hear a subtle measure of Reflektor in the ’80s-tastic booming chords and twinkling accents of Régine Chassagne’s piano) – far as Canadian megaindie goes, this is all welcome but older hat than Kevin Drew’s baseball cap. The music video is also entirely appropriate for an Arcade…
Artist Bio: Allelic is a vessel of creation of atmospheric and melodically inclined black/folk metal through fictive yet deeply personal conceptual records for the band’s Principal Investigator. The project was born in 2017 in Montréal and is now based in Sherbrooke.
I caught up with Sputnikmusic member lalchimiste about Allelic, their influences, the latest single, and future plans.
While you’re certainly not the first artist to blend elements of folk and black metal, Allelic still manages to sound very unique/distinguishable compared to bands of a similar ilk. I think user reviewer DungeonBoy expressed it best when he wrote, as part of a review for your 2018 debut EP Reverberations, “To label it ‘black metal’ or ‘folk’ would be misleading as the two elements are more intertwined than fused.” How do you view this balance in your music, and is there a specific focus on your part to ensure that both genres/styles get equal representation?
I have always had a strong connection with acoustic guitar and recurringly used instruments in certain folk music be it flute, violin, percussions used as genuine tools for creating an atmosphere and not as a gimmick. Same goes for BM…
By now you guys have probably read dmat’s review for the new Lack The Low album, God-Carrier (and if you haven’t you really ought to go do that…right now yeah?). And while Mathias’ review pushed my own precarious dib aside like an uncle’s least favourite, annoying nephew…his review really hits the nail on the head. Kind of like Lack The Low’s God-Carrier. Anyhow… I got to chatting to the mastermind behind the tunes, multi-instrumentalist and Melbourne-based pop mastermind, Kat Hunter.
How do you think your music should be described. Baroque? Avant Garde? Pop? Pop-adjacent? What is Kat Hunter’s go-to style?
I think it’s pretty hard to describe even for me! I normally say avant-pop, but honestly the music just makes itself, and the classification comes later.
In regards to the album imagery? Are you bending over backwards to please a select few, or is there a deeper meaning to the arched back-ism, dark palette and the pillar which carries the weight of one (or many)?
The picture on the cover was taken by photographer Jeff Andersen Jr. When we were getting together to discuss my music and figure out ways of conveying it in photography, he came up with the idea of making some photos in the style of a Caravaggio painting. It was totally all Jeff’s idea and his ability to pull it off, but that’s where a lot of the ideas around dark shading and posture came from.
God-Carrier is relatively short. Do you think about length when composing? Did you have…
I haven’t had what I’d consider a true nightmare in at least a decade. I still have the occasional dream where something happens that makes me upset – perhaps I forget something important, or my car breaks down on the way to a big meeting – but the sort of haunting images that used to cross my mind when I was younger have entirely dissipated. No more shadowy figures standing at the foot of my bed, no more quiet laughter coming from downstairs, no more sitting straight up in bed after some kind of malformed, upright animal charges me in my own bedroom. Generally speaking, most people outgrow those kinds of fears – monsters and ghosts are replaced by adult stressors, and your dreams grow with you by reflecting those concerns.
“That Cannot Be Dreamed” is the closest I’ve come to experiencing that sort of terror again. Don’t get me wrong, it’s an exhilarating terror – but still quite spooky. I’m admittedly not the most well-versed in Blut aus Nord’s expansive discography, or even black metal for that matter, but I’ve heard enough of them both to know “That Cannot Be Dreamed” is exceptional. It evokes the sort of hellish imagery that other bands strive for with twice the effort and half the affect – resulting in an eerily powerful blend of avant-garde metal and industrialized dissonance. Despite the visceral, primitive fear that the song invites, it also manages to be majestic, beautiful, and meditative –…
At the outset of Weezer’s career, The Blue Album and Pinkerton established them as one of the greatest new rock acts of their time. However, a run of six LPs from 2001-2010 saw their reputation tarnished by music that was occasionally good enough, but all too often disappointing. After a decade of mixed results, it seemed that Weezer had adopted a new identity – not one that wanted to please their loyal fanbase, but rather one that used meme-worthy album art and was obsessed with fame.
On the heels of 2014’s Everything Will Be Alright in the End and 2016’s The White Album, it seemed like Weezer had finally reclaimed control of their destiny. However, as with history, Weezer seems to repeat itself. Just as those two albums rekindled Weezer’s magic, we once again found/find ourselves mired in another excessive run of mediocrity. Pacific Daydream, The Black Album, and Van Weezer were all pretty bad, while The Teal Album gets a bit of a pass because it was a gimmicky covers album. OK Human has really been the band’s only post-2016 saving grace, and even that record – while quite beautiful at times – didn’t quite capture the full essence of Weezer. It was like Weezer does the Beach Boys (not that I’m complaining personally), sans any of the grittier punk/rock elements to keep them grounded.
So where does that leave us in 2022? Well, Weezer is embarking upon an ambitious…
Here’s a list of major new releases for the week of March 18th of 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: March 18th, 2022 –
Aeviterne: The Ailing Facade
Genre: Death Metal Label: Profound Lore
Aktarum: Trollvengers
Genre: Folk Metal Label: Art Gates
Agathodaimon: The Seven
Genre: Black Metal Label: Napalm
Babeheaven: Sink Into Me
Genre: Trip Hop / Soul Label: Self released
Black Fucking Cancer: Procreate Inverse
Genre: Black Metal / Death Metal Label: Sentient Ruin
Are you a member of Sputnik? Are you also a musician? Drop a message here for a chance to get your name out there to the community!
BACKGROUND
Artist Bio: Methadone Skies is an independent psychedelic rock group from Timisoara, Romania. Active since 2009, the instrumental quartet has released 5 full length records so far. Each LP shares its own musical direction, often leaning into stoner, post-rock and doom metal territories. There were never any boundaries set, so each affair is the sum of various influences and constant sonic exploration. Retrofuture Caveman is the latest album, released in May 2021. The LP mainly blends post-rock with stoner alongside doom metal touches. It is perhaps one of the most calibrated and cohesive efforts so far. Although we are not a heavy touring band, we managed to play over 100 gigs in our country and Central-Eastern Europe over the past decade. We shared the stage with multiple bands in the genre such as Yawning Man, Samsara Blues Experiment, Motorpsycho, My Sleeping Karma, Stoned Jesus, Acid Mothers Temple, Toner Low, Stonebride, 1000MODS and Zaum among others.
Genres: Stoner Rock/Psychedelic/Progressive
Band Lineup: Alexandru Wehry (guitar), Raul Stanciu (guitar, E-Bow), Mihai Guta (bass), Flavius Retea (drums, percussion, keyboards)
Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking antics: Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations.
Today we speak to a mav, a gonz, a true salt, a vagrant wordsmith. He will scratch your back, make you hungry, cook you dinner, steal all your houseplants, and win a big rusty bronze prize for it because he is just that good. He has never been sober. He will never drop the ball. He has the flow; everything is flowing. Is he a true disciple of Heraclitus, or the Dionysian we’ve all dreamed we could be? Don’t ask him – he don’t fuckin know! What do we know?
Yes this isMiloRuggles!
Milo.
J-Johnny? Is that you?
Hi.
Where are we? Can you loosen these straps on my wrists?
You tell me. This is an interview. You have the answers. Give them to me. But first, Sowing gave me a stop-and-search warrant: I’m going to need to see your three most recent jams and last meal itinerary before we can go any further.
You’ve caught me at a hell of a time. I might even seem cool! Check these out:
