Outside of “Blue Monday” being Orgy’s universally acknowledged claim to fame, the band very rarely come up in music discourse. There’s obviously good reason for that; the band fell into the NU-metal whirlpool at the height of the genre’s popularity and were quicky chewed out with the slew of other bands clambering to make a […]
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Conan – Evidence of Immortality With the release of their fifth full-length instalment, one thing about Conan is abundantly clear: It exists as a powerhouse of doom metal that embodies a distinct stubbornness. A stubbornness almost equalling the unstoppable forces of geology which created our very existence. Evidence of Immortality exhibits the staunch refusal […] Chat Pile – God’s Country A mere three days before the end of July, Chat Pile’s debut release became available to the masses after having been the subject of much hype. After the initial listen, God’s Country leaves one feeling like a corkscrew has been inserted into each ear and violently twisted. What has […] During the early ‘10s I went through a phase of listening to a lot of tech-metal, but there was one band in particular that really apprehended my intrigue. That band was Cyclamen, masterminded by one man, Hayato Imanishi. What impressed me back then and even more to this day, is that he lives his […] Artificial Brain – Artificial Brain Of all the bands I love, Artificial Brain is the one that has taken me the longest to wrap my head around. As someone who prefers the more freewheeling skronkfests of avant-garde death metal, Artificial Brain’s steadier, more nuanced approach to the genre was lost on me. Yet it […] Gospel – The Loser There was never an intense desire for The Moon is a Dead World to finally have a sequel. In the realm of screamo or screamo-adjacent music, one-offs are par for the course, with the genre littered with classics delivered by groups that endured for a handful of years at […] “In typical fashion,” a phrase synonymous with Tool and one you’ll be reading a couple of times during this review. Seventeen years ago, an ex-girlfriend of mine handed me a copy of Ænima and told me to listen to it. At the time, my very limited music taste hadn’t stepped outside of the realm of […] I’ve seen HEALTH on several occasions over the years, and even though their stage production is likely restrained by austere limitations when compared to the band playing in a high-end venue in a capital city, or one of their shows in the States, they’ve always been able to blow it out of the water – […] It’s 4:30pm on a dull, grey Tuesday afternoon in Manchester. The band have just arrived at their next gig, The White House in Salford; a music venue arbitrarily situated in an industrial estate just on the outer rim of the city. It begins to rain as I stand in the doorway of the club, staring […] Denzel Curry – Melt My Eyez, See Your Future Denzel Curry’s work has always been a bridge between the old and the new, between the precise cuttings inherited from his influences and the exuberant energy of his contemporaries. It resulted in highly conceptual albums that also worked on a purely anthemic level. Now, Curry […] It was only through watching the bland music video to Red Hot Chili Peppers’ new single, “Black Summer”, that I remembered John Frusciante had rejoined the band (again). The results are pretty evident of this reformation as well, because let’s be honest here – the band haven’t written a great song with Frusciante behind the […] Where did this come from? Bad Omens – once a generic Bring Me the Horizon wannabe band – are set to drop their most ambitious album to date on February 24th; and they are poised to make, dare I say, the best core album in a very long time – if we’re judging The Death […] When you look at industrial as a genre, I don’t think it has an equal in terms of just how broad, vague and elusive it can be. On the one hand, the sounds pertaining to industrial are tangible, distinct, and inimitable; on the other hand, the genre has fragmented and infected so many other styles […] Kayo Dot – Moss Grew on the Swords and Plowshares Alike Kayo Dot’s 10th LP, Moss Grew on the Swords and Plowshares Alike, is one more proof that Toby Driver’s genius is, fortunately, still with us. His borderless brand of experimental and progressive metal invites 80s synth music and post-punk/gothic vibes this time in this uniquely […] Trophy Scars – Astral Pariah A man had a dream where he nibbled at glory. The years went by and the man lived that glory but then left the known world. Eventually the man returned and had the wisdom of another reality. The man was rejected by his once fellow man for he had become […] |
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