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By Sowing
Friday January 14, 2022
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50-31 | 30-11 | 10-1 | EP/Live/Compilation

[Bandcamp] // [Spotify]
While progressive sludge metal might be a rather sparsely-inhabited sub-sub-genre, Dvne have assuredly claimed their kingship over its fertile lands with Etemen Ænka. Standing tall as an epic journey built upon the stones of crushing virtuosity and wizard-level songwriting festooned in ribbons of grandiose, this Edinburgh quintet have procured an especially astute amalgamation of poise and power with their sophomore LP.
Compared to their 2017 debut longplayer Asheran, the whole affair is noticeably tighter as it follows the story of a civilization’s journey through the centuries. The ‘float like a butterfly, sting like a bee’ production job helps these matters by offering a wide breadth for the myriad layers to breathe, and moreover, work in harmonious fashion to maximize the emotive gestures and unbelievably devastating heavy sections (think Cult of Luna’s Salvation here). There are parts, like the epic peak of “Sì-XIV”, that hit so fantastically hard you’d swear you can feel the tectonic plates below the soil shift to the movement of the riffs. It’s all very dynamic, with every player sounding loose and totally electrified as they tap into the very tactile power of the music they’re conjuring. Truly cohesive and utterly gripping through its entire runtime, this is prog for the peasantry and sludge for the sommeliers. –Evok

[Official site] // [
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By Sowing
Thursday January 13, 2022
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50-31 | 30-11 | 10-1 | EP/Live/Compilation

[Bandcamp] // [Spotify]
Here and Now sees Gates return with their first new music since 2016. Frankly, it’s like they never left, with the EP’s six songs residing firmly in the band’s sweet spot, ensconced in the lush middle of the triangle of post-rock, emo, and indie rock. It’s all good, although the staunchly post-rockian (that’s a word) intro “Out Of Nothing” and the melodious anthem “We Are” stand above the rest. If Here and Now doesn’t quite reach the quality level of the group’s two full-lengths, that’s quite OK. Hearing something new from these New Jersey boys is always a treat, especially given the long drought between releases. –Sunnyvale

[Facebook] // [Spotify]
Hello and welcome to 2021’s most satisfying “redemption arc” — in quotation marks because I don’t think any teen star with approximately zero creative control over her past output requires any ‘redemption’ whatsoever. Nonetheless, Rebecca Black Was Here managed to divert some of the attention Rebecca Black still gets from the 2011 single “Friday” to some genuinely good music. The new 20-minute project fully and successfully embraces PC music aesthetics, featuring metallic production and hooks for days. Black’s vocal performance suits the stylistic choices brilliantly, detailing unremarkable but well-written tales of maturity, love, and drama. The
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By Sowing
Wednesday January 12, 2022
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50-31 | 30-11 | 10-1 | EP/Live/Compilation

[Official site] // [Spotify]
Leave it to JPEGMAFIA to create hip-hop that’s equal parts abrasive, experimental, and just plain bold. I guess it comes as no surprise when looking at his list of influences, which includes artists as stylistically disparate as Kanye West, Bjork, MF DOOM, and even Hanson. However, LP! might just be the best record of his career thus far: the balance between accessibility and risk-taking is at its strongest here, leading to a record that never stays in one place — musically or emotionally — for too long. “Hazardous Duty Pay!” and “Tired, Nervous & Broke!” bring out the aggro side of JPEG perfectly and manage to be two of the biggest bangers he’s ever put out, but it’s impressive that he’s able to juxtapose these songs so well with more tender, melancholic moments. You’ve got the gospel-inspired “What Kinda Rappin’ is This?”, the low-key vibes of “Thot’s Prayer!”, and even a goddamn Animals as Leaders sample on “End Credits!”. Moreover, LP! can be seen as JPEG’s “fuck you” to the hip-hop industry, which is even more apparent on the ‘(Offline)’ version, which he considers “the true LP!“. LP! largely acts as a commentary on exploitation and favoritism, as well as JPEG’s disillusion with an industry that “never had my best interest at heart.” Really, it’s no wonder that he wanted to go all-out with LP!, and thankfully, he did. –Brendan Schroer
29. Failure
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By Nocte
Tuesday January 11, 2022
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Here’s a list of major new releases from the week of January 14th of 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases from January 14th, 2022 –

Aethereus: Leiden
Genre: Technical Death Metal
Label: The Artisan Era

Anna von Hausswolff: Live at Montreux Jazz Festival
Genre: Classical, Experimental
Label: Southern Lord Records

Blood Red Shoes: Ghosts On Tape
Genre: Garage Rock, Alt
Label: Jazz Life

Bonobo: Fragments
Genre: Electronica
Label: Ninja Tune

Broken Social Scene: Old Dead Young
Genre: Ambient, Indie, Instrumental
Label: Independent

Cat Power: Covers
Genre: Singer Songwriter
Label: Domino Records

Chavi Leons: Pilot
Genre:
Label:

Cordae: From a Bird’s Eye View
Genre: Rap
Label: Hi-Level Records

Descent: Order Of Chaos
Genre: Death Metal/ Grind
Label: Redefining Darkness Records

Earl Sweatshirt: Sick!
Genre: Rap/ Hip Hop
Label: Warner

Elvis Costello & the Imposters: The Boy Named If
Genre: Rock n’ Roll
Label: EMI RECORDS

Enterprise Earth: The Chosen
Genre: Death Metal / Core
Label: eOne

Ereb Altor: Vargtimman
Genre: Pagan/Viking Metal
Label: Hammerheart Records

Fickle Friends: Are We Gonna…
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By Sowing
Tuesday January 11, 2022
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50-31 | 30-11 | 10-1 | EP/Live/Compilation

[Official site] // [Spotify]
Although Lord Huron have been of note in indie folk circles for a while, the group’s fourth LP Long Lost really sees them come into their own. While still treading indie folk/Americana waters, here the band have moved into a much more lush sonic direction (think Honey Harper with a tinge of Ruston Kelly), while also leaning into classic country influences. While the country aspects of this record can feel like pastiche, they work, especially as it’s pretty clear that Lord Huron mastermind Ben Schneider is self-aware enough to understand he’s not Waylon Jennings. For listeners who, like most of my music-loving friends and I, are enthralled by forlorn old songs drenched in bourbon and steel guitar, this album is a godsend. Before the sunset haze of a lengthy ambient drone closer brings us home, Long Lost leaves us with the repeated mantra, “What does it mean if it all means nothing?” — a line that ultimately isn’t just a reflection on familiar tropes of long lost love and hard-drinking wandering songsmiths. More than anything, it’s a reminder that simple words can capture elusive and quite deep concepts. Now that’s a true country music tradition! –Sunnyvale
49. Porter Robinson – Nurture

[Official site] // [Spotify]
Have no fear, ladies and gentlemen:…

When you look at industrial as a genre, I don’t think it has an equal in terms of just how broad, vague and elusive it can be. On the one hand, the sounds pertaining to industrial are tangible, distinct, and inimitable; on the other hand, the genre has fragmented and infected so many other styles of music over the years, it gets to the point now where you wonder what prerequisites are required to even make an “authentic” industrial record anymore – if there is such a thing. I recently gave Skinny Puppy’s magnum opus Last Rights a spin; the jam had such a lasting felicity, it made me want to go through some of my favourite industrial albums again. After all, as some of you may well know, the genre is somewhat of a staple of mine, albeit one I tend to overlook these days – which is a shame, because in recent years, incidental or otherwise, industrial has been getting a resurgence that’s creeping back into the stratosphere (mainstream or otherwise) again. Bands and artists from all walks of life are implementing industrial’s cold, sterile drum snaps and dystopian electronic backdrops into their own styles of music – styles of music as far-reaching as pop, or the deepest crevasses of metal’s underbelly. So, if you’re new to this genre and you want some of my essential recommendations (for whatever they’re worth), grab a coffee and dive into the disparate world of industrial with the Doctor.…
Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking antics: Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations.
Today we embrace the softest boi of all the bois. He is wonderful, we all love him, and I am now going to think deep thoughts about hugging him instead of beefcaking up an uncomely introduction. Pleae make some candid noises of appreciation for… BlushfulHippocrene!
Hello!
Salam.
Who are you, and why does your name begin with Blushful?
My username, BlushfulHippocrene, is a Keats reference (from ‘Ode to a Nightingale’: ‘O for a beaker full of the warm South, / Full of the true, the blushful Hippocrene’). Pretty embarrassing, but aptly so I guess. I don’t remember what my thinking was; but I’d been studying Keats in high school literature, I probably thought the phrase was interesting, I forgot the p/w to my old account, I was dying of boredom in Pakistan, and I wanted to 5.0 a Bon Iver album. Hence, the first thing I could come up with: BlushfulHippocrene. I’m glad people started calling me Blush; I wince when I have to read the full thing.
You’re one of the most floaty huggable chillpeople on the interspace. I love this, but I also love bursting balloons: what’s something unexpected that makes you lose your cool,…

Here’s a list of major new releases from January 1st to January 13th of 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: From January 1st to January 13th, 2022 –

Apes: Lullabies For Eternal Sleep [EP]
Genre: Black Metal / Grindcore
Label: Self released

Dark Millennium: Acid River
Genre: Death Metal / Doom
Label: Schoolkids Records

Deaf Club: Productive Disruption
Genre: Powerviolence / Post Hardcore
Label: Three One G

death’s dynamic shroud.wmv: ENDLESSメガタワー III
Genre: Experimental
Label: Ghost Diamond

Decoherence: More Is Different [EP]
Genre: Black Metal / Death Metal
Label: Self released

Dope Lemon: Rose Pink Cadillac
Genre: Singer Songwriter / Folk Rock
Label: BMG Ariola

Fragments of Lost Memories: Divagate
Genre: Funeral Doom
Label: Self released

Ghost Creek: II
Genre: Funeral Doom
Label: Self released

Imperio: Su Mágico Elixir
Genre: AOR
Label: Self released

Infected Rain: Ecdysis
Genre: Metalcore
Label: Napalm

Kalmankantaja: Metsäuhri
Genre: Atmospheric…
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By Sowing
Friday December 31, 2021
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2021: Q1 | Q2 | Q3 | Q4 | 2022 | 2020
One hundred and thirty nine songs. Eleven hours. That’s what we’ve poured into our collective playlist this year, as we continue compiling what will hopefully be an infinitely growing resource for registered users and general readership alike. All songs have been hand-selected by individual members of our staff, and the final product represents a melting pot of musical tastes covering a diverse range of genres. No matter your personal preferences, there should be more than something for everyone. Who knows, you might even find yourself dabbling in genres that you’ve never considered approaching before! That’s part of the magic of this place. We’re unpaid, unbought music critics who play for the love of the game.
Everything you’ll hear below meant something to us at one time, and every word you’ll read in the blurbs (see our quarterly installments, linked above) was a labor of pure passion. As we put a lid on 2021 and look ahead to 2022, we hope you’ll join us in revisiting some of our favorite tunes from this year. Feel free to shuffle the below tracks for more of an even-flowing experience, or play it in order for a chronological/retrospective journey through 2021.
Protip: Spotify’s embedded playlist only shows the first 100 songs of our expansive 139 song collection. To hear…
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By Nocte
Thursday December 23, 2021
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Not long ago most of us death-nerds found ourselves listening to the new Obscura record. ‘A Valediction’ came out in a particularly busy release week alongside other names such as Adele, Converge and Chelsea Wolfe, Exodus, Swallow The Sun, Pathology and many others. Naturally I thought we’d make the band’s release week just a little busier and singled out Obscura personality, head-honcho and guitarist, Steffen Kummerer.
Here’s how it went.
Hello, Steffen, and welcome to the obscure reaches of the internet we like to call Sputnikmusic[dot]com. We’re home to a myriad of peoples and argue constantly over which albums are the best of their respective years — sometimes we even agree. Maybe you’ve heard of the site before?
There is nothing better than arguing about which band, album or song might be better than anything else with people you don’t even know. Yes, I am aware of the page and especially the well-written reviews on Sputnikmusic.
While the site looks like it hasn’t crawled out of the early-to-mid 2000s we at least try to keep up with as much modern music as we can get our fingertips to. Some of us feel quite spoiled with the quality of music being released during 2021. Are there any releases that have tickled your fancy this year?
Every year, new great albums see the light of day. In 2021, Hypocrisy, Nestor, Unanimated, Archspire, Lucifer and many more released new records I listen to constantly. A while…
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By Willie
Wednesday December 22, 2021
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50-31 | 30-11 | 10-1

[Official site] // [Spotify]
How did we get here, to The Killers dropping one of the most conceptually sound, consistently affecting albums of 2021? If the solid-but-safe Imploding the Mirage was a whisper of a shift in their sound towards a revitalised version of their classic-rock worship, Pressure Machine is a whole fucking sea change, a tidal wave reshaping the entire geometry and geography of The Killers’ landscape.
God only knows what Brandon Flowers has been through in the intervening years. It’s hard to believe the man whose lyrics seemed like they were written with fridge magnets is the same one sculpting the journey of Pressure Machine. With a semi-self-aware Springsteenian eye for detail, he shifts his focus to the imperfect lives of damaged people in a small town that resembles the one he was born in, a gambit that pays off in the form of a portrait that will be achingly recognisable to anyone from a similar place. The album wanders along discursive paths, touching on the glamourisation and demonisation of teenage beauty (“the chute opens, bull draws blood, and the gift is accepted by God”), the opioid crisis (anyone who thinks Flowers narrates this album from a remove missed the righteous anger that creeps into his voice singing “somebody’s been keeping secrets, in this quiet town”) and the sacrifice it takes to simply get up day…
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By Willie
Tuesday December 21, 2021
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50-31 | 30-11 | 10-1

[Bandcamp] // [Spotify]
Toby Driver is still the most reliable Renaissance man of our times, and his latest project a majestic netherscape of translucent haze and dreamless sleep. In many ways, it’s been a while coming: while Driver’s albums as Kayo Dot play out as vivid forays into esoteric fantasies, there’s something out of time and almost ritualistic in his sparser solo outings. They Are The Shield is an obvious touchstone, but his rather overlooked dance piece Ichneumonidae sums up the quality in question, too: something graceful and expansive unto itself, but so clearly estranged from familiar reality that it carries a distinct sense of claustrophobia. It’s cleansing and alienating in equal measure, “ritualistic” in steady rate at which it metes out demands and dividends for a patient listener, and eerily beautiful and meticulously detailed each step of the way. As far as Sounds go, that ain’t too shabby a foundation.
Alora Crucible does a marvellous job of taking the most palatable side of this atmosphere along with Driver’s exemplary solo violin arrangements, transposing both over a delicately synth-padded, dryly guitared new age palette. Primarily instrumental and never more than understated, its composition retains obvious depth, but the subdued (and quite lovely!) tones of Driver’s chamber arrangements together with his serene dynamics make for the closest thing to easy listening he’s put his name to. Don’t get hung up…
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By Willie
Monday December 20, 2021
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50-31 | 30-11 | 10-1

[Official site] // [Spotify]
Multiple Personalities — and, well, Coevality in general — came out of nowhere and hit me like a ton of bricks at the beginning of the year. The first release of an otherwise unknown band, Multiple Personalities harnesses big Cynic energy sans robot vocals and with more of the wandering cosmic spirit you see in the album’s artwork. A wholly instrumental experience curated and performed by only the trio comprising Coevality — guitarist Jon Reicher, bassist Derrick Elliott, and drummer Andy Prado — all of whom move boulders in terraforming a composite prog landscape on Multiple Personalities.
While that’s feat enough on its own, it really is worth hammering home just how tactfully interwoven and interlaced Multiple Personalities is without becoming an immemorable headache. In fact, it’s quite the opposite — with theme and melody always blazing the trail and making it a memorable journey that’s easy to recall and revisit. And with so many exciting variations strung along in each piece of the composition, there’s always something new and interesting to uncover on each return trip as the unconscious mind follows the familiar and the conscious digs into sidewinding paths of fretless bass, frenetic drumming, and fascinating guitar. –AtomicWaste

[Official site] // [Spotify]
Screen Violence is too damn…
Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking antics: Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations.
Today we welcome the most expensive cocoa in the Staff chocolate cupboard. He is a gentlemen among warthogs. He prances heavenwards while the rest of us wipe our noses with our unpaid utility bills. He knows how to write, he’s the essence of charm and dignity when on duty, and he’s too nice to do much more than ignore the hell out of your sorry arse if you’re not up to standard. Believe you me, that’s the treatment most of us deserve and (oh fuckin’ yes) receive. Give it up for the one, the only… Pon!

Pon. Hi.
Henlo!
What is your alignment?
Based on others’ assessments of me I’m either lawful or chaotic neutral. So I guess I’m completely self-serving and my methods depend on the situation.
Why are you named after a Kyary Pamyu Pamyu song?![Stream Kyary Pamyu Pamyu - Ponponpon [cover] by nathfin | Listen online for free on SoundCloud](https://i1.sndcdn.com/artworks-000057029172-51clul-t500x500.jpg)
“Pone” gave way to “Pön”, which resulted in an attempt to have my Sput name changed to the latter. Regrettably, because Sput’s code is as old as the internet itself, the accented character broke the site…
Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking, Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations.
Today’s hot bod in the hot seat is a dreamer of dreams, an upside-down-er of opportunities, a cipher of ciphers, an animal for unexpected hype, and an unmasker of hidden faces in places you never knew faces were to be found. He has facets also. Please give it up for: Winesburgohio!
Who the hell are you?

I feel like this should clear things up. Otherwise! Eyes: Poo-brown. Hair: Balding remains of once leonine and voluptuous locks :O. Sex: if you insist! etc.
How did you originally arrive on this website, and what convinced you to stick around?
O.K. bear with me: I must have stumbled on this website in my teen years – surely one couldn’t have loved Circle Takes the Square and Kayo Dot in the ‘00s and not have cursorily browsed spitnuk at least once – but I was actually put onto it by Zach Savage, a man who I have never met and will never meet. I friended him on facebook because we were the only two people who had the wit to add “allocating resources” to our “likes”; he recommended sput and the rest was history! I’ve formed really strong friendships with…
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