When you look at industrial as a genre, I don’t think it has an equal in terms of just how broad, vague and elusive it can be. On the one hand, the sounds pertaining to industrial are tangible, distinct, and inimitable; on the other hand, the genre has fragmented and infected so many other styles of music over the years, it gets to the point now where you wonder what prerequisites are required to even make an “authentic” industrial record anymore – if there is such a thing. I recently gave Skinny Puppy’s magnum opus Last Rights a spin; the jam had such a lasting felicity, it made me want to go through some of my favourite industrial albums again. After all, as some of you may well know, the genre is somewhat of a staple of mine, albeit one I tend to overlook these days – which is a shame, because in recent years, incidental or otherwise, industrial has been getting a resurgence that’s creeping back into the stratosphere (mainstream or otherwise) again. Bands and artists from all walks of life are implementing industrial’s cold, sterile drum snaps and dystopian electronic backdrops into their own styles of music – styles of music as far-reaching as pop, or the deepest crevasses of metal’s underbelly. So, if you’re new to this genre and you want some of my essential recommendations (for whatever they’re worth), grab a coffee and dive into the disparate world of industrial with the Doctor.…
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Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking antics: Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations. Today we embrace the softest boi of all the bois. He is wonderful, we all love him, and I am now going to think deep thoughts about hugging him instead of beefcaking up an uncomely introduction. Pleae make some candid noises of appreciation for… BlushfulHippocrene! Hello! Salam. Who are you, and why does your name begin with Blushful?
You’re one of the most floaty huggable chillpeople on the interspace. I love this, but I also love bursting balloons: what’s something unexpected that makes you lose your cool,… Here’s a list of major new releases from January 1st to January 13th of 2022. Please feel free to request reviews for any of the following albums from staff and/or contributors. – List of Releases: From January 1st to January 13th, 2022 –Apes: Lullabies For Eternal Sleep [EP] Genre: Black Metal / Grindcore Dark Millennium: Acid River Genre: Death Metal / Doom Deaf Club: Productive Disruption Genre: Powerviolence / Post Hardcore death’s dynamic shroud.wmv: ENDLESSメガタワー III Genre: Experimental Decoherence: More Is Different [EP] Genre: Black Metal / Death Metal Dope Lemon: Rose Pink Cadillac Genre: Singer Songwriter / Folk Rock Fragments of Lost Memories: Divagate Genre: Funeral Doom Ghost Creek: II Genre: Funeral Doom Imperio: Su Mágico Elixir Genre: AOR Infected Rain: Ecdysis Genre: Metalcore Kalmankantaja: Metsäuhri Genre: Atmospheric… 2021: Q1 | Q2 | Q3 | Q4 | 2022 | 2020 One hundred and thirty nine songs. Eleven hours. That’s what we’ve poured into our collective playlist this year, as we continue compiling what will hopefully be an infinitely growing resource for registered users and general readership alike. All songs have been hand-selected by individual members of our staff, and the final product represents a melting pot of musical tastes covering a diverse range of genres. No matter your personal preferences, there should be more than something for everyone. Who knows, you might even find yourself dabbling in genres that you’ve never considered approaching before! That’s part of the magic of this place. We’re unpaid, unbought music critics who play for the love of the game. Everything you’ll hear below meant something to us at one time, and every word you’ll read in the blurbs (see our quarterly installments, linked above) was a labor of pure passion. As we put a lid on 2021 and look ahead to 2022, we hope you’ll join us in revisiting some of our favorite tunes from this year. Feel free to shuffle the below tracks for more of an even-flowing experience, or play it in order for a chronological/retrospective journey through 2021. Protip: Spotify’s embedded playlist only shows the first 100 songs of our expansive 139 song collection. To hear… Not long ago most of us death-nerds found ourselves listening to the new Obscura record. ‘A Valediction’ came out in a particularly busy release week alongside other names such as Adele, Converge and Chelsea Wolfe, Exodus, Swallow The Sun, Pathology and many others. Naturally I thought we’d make the band’s release week just a little busier and singled out Obscura personality, head-honcho and guitarist, Steffen Kummerer. Here’s how it went. Hello, Steffen, and welcome to the obscure reaches of the internet we like to call Sputnikmusic[dot]com. We’re home to a myriad of peoples and argue constantly over which albums are the best of their respective years — sometimes we even agree. Maybe you’ve heard of the site before? There is nothing better than arguing about which band, album or song might be better than anything else with people you don’t even know. Yes, I am aware of the page and especially the well-written reviews on Sputnikmusic. While the site looks like it hasn’t crawled out of the early-to-mid 2000s we at least try to keep up with as much modern music as we can get our fingertips to. Some of us feel quite spoiled with the quality of music being released during 2021. Are there any releases that have tickled your fancy this year? Every year, new great albums see the light of day. In 2021, Hypocrisy, Nestor, Unanimated, Archspire, Lucifer and many more released new records I listen to constantly. A while… 10. The Killers – Pressure Machine
How did we get here, to The Killers dropping one of the most conceptually sound, consistently affecting albums of 2021? If the solid-but-safe Imploding the Mirage was a whisper of a shift in their sound towards a revitalised version of their classic-rock worship, Pressure Machine is a whole fucking sea change, a tidal wave reshaping the entire geometry and geography of The Killers’ landscape. God only knows what Brandon Flowers has been through in the intervening years. It’s hard to believe the man whose lyrics seemed like they were written with fridge magnets is the same one sculpting the journey of Pressure Machine. With a semi-self-aware Springsteenian eye for detail, he shifts his focus to the imperfect lives of damaged people in a small town that resembles the one he was born in, a gambit that pays off in the form of a portrait that will be achingly recognisable to anyone from a similar place. The album wanders along discursive paths, touching on the glamourisation and demonisation of teenage beauty (“the chute opens, bull draws blood, and the gift is accepted by God”), the opioid crisis (anyone who thinks Flowers narrates this album from a remove missed the righteous anger that creeps into his voice singing “somebody’s been keeping secrets, in this quiet town”) and the sacrifice it takes to simply get up day… 30. Alora Crucible – ThymiamatascensionToby Driver is still the most reliable Renaissance man of our times, and his latest project a majestic netherscape of translucent haze and dreamless sleep. In many ways, it’s been a while coming: while Driver’s albums as Kayo Dot play out as vivid forays into esoteric fantasies, there’s something out of time and almost ritualistic in his sparser solo outings. They Are The Shield is an obvious touchstone, but his rather overlooked dance piece Ichneumonidae sums up the quality in question, too: something graceful and expansive unto itself, but so clearly estranged from familiar reality that it carries a distinct sense of claustrophobia. It’s cleansing and alienating in equal measure, “ritualistic” in steady rate at which it metes out demands and dividends for a patient listener, and eerily beautiful and meticulously detailed each step of the way. As far as Sounds go, that ain’t too shabby a foundation. Alora Crucible does a marvellous job of taking the most palatable side of this atmosphere along with Driver’s exemplary solo violin arrangements, transposing both over a delicately synth-padded, dryly guitared new age palette. Primarily instrumental and never more than understated, its composition retains obvious depth, but the subdued (and quite lovely!) tones of Driver’s chamber arrangements together with his serene dynamics make for the closest thing to easy listening he’s put his name to. Don’t get hung up… 50. Coevality – Multiple Personalities
Multiple Personalities — and, well, Coevality in general — came out of nowhere and hit me like a ton of bricks at the beginning of the year. The first release of an otherwise unknown band, Multiple Personalities harnesses big Cynic energy sans robot vocals and with more of the wandering cosmic spirit you see in the album’s artwork. A wholly instrumental experience curated and performed by only the trio comprising Coevality — guitarist Jon Reicher, bassist Derrick Elliott, and drummer Andy Prado — all of whom move boulders in terraforming a composite prog landscape on Multiple Personalities. While that’s feat enough on its own, it really is worth hammering home just how tactfully interwoven and interlaced Multiple Personalities is without becoming an immemorable headache. In fact, it’s quite the opposite — with theme and melody always blazing the trail and making it a memorable journey that’s easy to recall and revisit. And with so many exciting variations strung along in each piece of the composition, there’s always something new and interesting to uncover on each return trip as the unconscious mind follows the familiar and the conscious digs into sidewinding paths of fretless bass, frenetic drumming, and fascinating guitar. –AtomicWaste 49. CHVRCHES – Screen Violence
Screen Violence is too damn… Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking antics: Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations. Today we welcome the most expensive cocoa in the Staff chocolate cupboard. He is a gentlemen among warthogs. He prances heavenwards while the rest of us wipe our noses with our unpaid utility bills. He knows how to write, he’s the essence of charm and dignity when on duty, and he’s too nice to do much more than ignore the hell out of your sorry arse if you’re not up to standard. Believe you me, that’s the treatment most of us deserve and (oh fuckin’ yes) receive. Give it up for the one, the only… Pon! Pon. Hi. Henlo! What is your alignment? Based on others’ assessments of me I’m either lawful or chaotic neutral. So I guess I’m completely self-serving and my methods depend on the situation. Why are you named after a Kyary Pamyu Pamyu song? “Pone” gave way to “Pön”, which resulted in an attempt to have my Sput name changed to the latter. Regrettably, because Sput’s code is as old as the internet itself, the accented character broke the site… Hello and welcome back to our ongoing sexification of Staff past and present and hopefully present-and-future by way of deep-diving casual-reading power-lifting interview posi-sharking, Sputnik’s very own Meet the Spartans. Steel yourself as impossible questions are posed and the Staffers you wish you’d had the courage or attention span to acknowledge surpass your wildest expectations. Today’s hot bod in the hot seat is a dreamer of dreams, an upside-down-er of opportunities, a cipher of ciphers, an animal for unexpected hype, and an unmasker of hidden faces in places you never knew faces were to be found. He has facets also. Please give it up for: Winesburgohio! Who the hell are you? I feel like this should clear things up. Otherwise! Eyes: Poo-brown. Hair: Balding remains of once leonine and voluptuous locks :O. Sex: if you insist! etc. How did you originally arrive on this website, and what convinced you to stick around? O.K. bear with me: I must have stumbled on this website in my teen years – surely one couldn’t have loved Circle Takes the Square and Kayo Dot in the ‘00s and not have cursorily browsed spitnuk at least once – but I was actually put onto it by Zach Savage, a man who I have never met and will never meet. I friended him on facebook because we were the only two people who had the wit to add “allocating resources” to our “likes”; he recommended sput and the rest was history! I’ve formed really strong friendships with… Here’s a list of major new releases for the week of December 17th, 2021 through to the end of the year (31st, December). Please feel free to request reviews for any of the following albums from staff and/or contributors. This will be the staff’s last report on upcoming releases for the year. Fear not! We’ll be back early 2022. Age Of Athena: Gate to Oblivion Genre: Symphonic Metal Agnes Vein: Deathcall Genre: Black Metal / Doom / Post Metal Behemoth: In Absentia Dei (LIVE) Genre: Black Metal Charnel Altar: Abatement of the Sun Genre: Death Metal / Thrash Metal Che Noir: Food For Thought Genre: Hip Hop Decerebration: Follow the Scars Genre: Death Metal Diablery: Candles Genre: Atmospheric Black Metal Evadne: The Pale Light of Fireflies Genre: Doom Metal / Death Metal Label: Solitude Productions Feuerschwanz: Memento Mori Genre: Folk Metal Fokis: Seasons Change, People Too: The Experiment Genre: Hip Hop Funeral… Hiya. johnnyoftheWell here. A couple of weeks ago I found myself hospitalised, in severe pain and a 50/50 mix of unable and unwilling to listen to music. It sucked.Here’s a Digbox about how I got out of that.So, uh, welcome to a special edition of the Digbox. This is a little unorthodox and perhaps closer to straightforward diarism than anything I’d usually allow to be published about music under my name, but there are circumstances and pressures and maybe even a story behind it. So there: get your shovel. Around mid-November I picked up inflammation under my wisdom tooth, which proceeded to turn into an abscess. I struggled through work and visited my dentist on the regular, but he didn’t pick up that my increasingly debilitated state pointed to an abscess until it was too late. Next thing I knew, the right side of my face was swollen to three times its usual size, my jaw was locked shut, and I was in a hospital bed with little to do but knuckle down and count the minutes between continuous rounds of painkillers and antibiotics. Up until the start date of this piece, I was only able to listen to music as a frayed-nerve distraction, which I stopped entirely once in hospital because I felt too washed out to process anything and the inflammation had spread to one of my ears anyway. So much for that end-of-year cram. Fortunately, and I guess inevitably,… Hello and welcome back to our ongoing sexification of current (and past) Staff by way of deep-diving casual-reading interview razzle, Sputnik’s very own Meet the Spartans. Allow your jaw to drop as impossible questions are posed and the Staffers you never acknowledged surpass your wildest expectations. Today’s willing participant missed the Pokemon hype train, but is more than happy to help, guide or just speak to anyone that wants to do so… oh and has also found the time to write 594 reviews (So Far). Please welcome Sputnik Music’s nicest moderator, SowingSeason — in we go! —————————————————————————————- Good day, Mr. Sowing. How is your day? It’s good! I’m settled in with a coffee and ready to bare my soul to sputnikmusic.com. Nice, nice. What Pokemon would you be if you were a…Pokemon? This may be heresy to some people, but I totally missed the Pokemon hype train. I remember it being huge when I was a kid – my friends all had Pokemon cards – but for whatever reason I simply didn’t care. Pikachu, I guess? That response is sort of “by default” because it’s the only one I know off the top of my head (thanks Mario Smash Bros.!) [response lol!] And yet, you are not a Pokemon, you are a Moderator! Disregarding the vast amount of largely unseen administrative work that this role entails for one moment, could you comment on the following community… An interview with Joseph Rabjohns & Lachlan R. Dale… Hey guys and thanks for taking time out of your day to have a little chat. Although given the weather currently hitting Australia’s East Coast there’s a chance I’m just saving you from a family Monopoly game or that novel you keep putting off? Lachlan: Man… we only just got out of a COVID lockdown of almost 4 months, so I’ve already taken the opportunity to finally read both Tolstoy’s War & Peace, and Dostoyevski’s Crime & Punishment (which was the last of his great novels I had left). I guess now I’m just practicing for my solo album launch, and for Hashshashin’s recording session just before Christmas. Joe: We’ve been lucky here with minimal lockdowns and not many cases. I’m not much of a reader, I’m still going on the Hobbit from year 10 on high school. I’ve just finished teaching guitar at school for the year and am now practicing and transcribing string arrangements for my solo album launch, and writing with my other musical projects. Tell us a bit about the collaborative album. How and why did you guys decide to do a split like this? I understand you guys were doing some shows for Kodiak Empire and Hashshashin around 2016? Lachlan: Split releases were a big part of me growing up in the extreme metal and hardcore punk scenes. I hadn’t realised that outside of those genres a split record is an anomaly. Truthfully, I didn’t… Here’s a list of major new releases for the week of December 10th, 2021. Please feel free to request reviews for any of the following albums from staff and/or contributors. – List of Releases: December 10, 2021 –Aeon Station: Observatory Genre: Alt Rock / Indie Rock Alicia Keys: Keys Genre: Soul Atlas: Ukko Genre: Metalcore Canibus: Kaiju Genre: Hip Hop Dziarma: Dziarma Genre: Hip Hop Ethereal Shroud: Trisagion Genre: Atmospheric Black Metal Funeral: Praesentialis in Aeternum Genre: Death Metal / Doom Jeff Parker: Forfolks Genre: Jazz / Soul / Ambient / Experimental Kitten: Personal Hotspots Genre: Indie Rock Lacrim: Persona Non Grata Genre: Rap Maladie: The Sick Is Dead – Long Live The Sick Genre: Black Metal
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