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Hail the Sun-Divine Inner Tension

Swancore has become a rather hot topic over the years, either met with thunderous applause or with largely exasperated groans. The one group that has stayed strong and avoided fan burnout is Hail the Sun. Their 2021 effort was met with critical acclaim, and their latest endeavor might somehow be even better. Divine Inner Tension is a showcase of divine (haha, like the album title!) power and energy that only they seem to be able to achieve anymore. With every technically driven lead and riff, there comes a beautiful transition to a much-needed respite of calm textures and melodies straight from the mouth of their virtuoso Donovan Melero. This group has had a long time to craft and perfect their sound, which they may have just accomplished. Hail the Sun have not only become veterans of a scene they once adored, they’ve grabbed their rightful seat on the throne.

-SteakByrnes


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Here’s a list of major new releases for the week of September 22nd, 2023.  Please feel free to request reviews for any of the following albums from staff and/or contributors.

– List of Releases: September 22nd, 2023 –

3teeth: Endex
Genre:
Industrial Metal / Alternative
Label: Century Media

Annisokay: Abyss Pt. 1
Genre:
Metalcore
Label: Arising Empire

Bakar: Halo
Genre:
Indie / Hip Hop / Electronic
Label: Black Butter Limited

Cannibal Corpse: Chaos Horrific
Genre:
Death Metal
Label: Metal Blade Records

Chappell Roan: The Rise and Fall of a Midwest Princess
Genre:
Pop
Label: Independent

Dayshell: Pegasus
Genre:
Post Hardcore / Alternative
Label: Independent

Doja Cat: Scarlet
Genre:
Hip Hop / Pop
Label: RCA Records

Dominique Fils-Aime: Our Roots Run Deep
Genre:
Soul / R&B / Dream Pop
Label: Ensoul Records

Emily Kinney: Swimteam
Genre:
Pop / Folk
Label: Julian Records

Follakzoid: V
Genre:
Psychedelic / Ambient
Label: Sacred Bones Records

Grails: Anches en Maat
Genre:
Psychedelic / Post Rock / Experimental
Label: Temporary Residence

Grrl Gang: Spunky!
Genre:
Indie Rock / Indie Pop
Label: Green Island Records

K. Michelle: I’m the Problem
Genre:
R&B / Pop
Label: Atlantic


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Here’s a list of prominent new releases for the week of September 15th, 2023.  Genres/labels are best guesses based on cursory Googling. Please feel free to request reviews for any of the following albums from staff and/or contributors.

– List of Releases: September 15th, 2023 –

Thirty Seconds To Mars

30 Seconds to Mars: It’s the End of the World
Genre: Alt/Pop-Rock
Label: Concord Records

Alkaloid

Alkaloid: Numen
Genre: Death/Progressive Metal
Label: Season of Mist

Baroness

Baroness: Stone
Genre: Sludge/Progressive Metal/Stoner Rock
Label: Abraxan Hymns

The Beaches

The Beaches: Blame My Ex
Genre: Alternative Rock
Label: AWAL Recordings


Chilly Gonzales: French Kiss

Genre: Experimental / Hip Hop
Label: Gentle Threat

Corey Taylor

Corey Taylor: CMF2
Genre: Hard Rock
Label: BMG

Corinne Bailey Rae

Corinne Bailey Rae: Black Rainbows
Genre: Pop/R&B/Soul
Label: Thirty Tigers

Electric Sounds

Danko Jones: Electric Sounds
Genre: Hard Rock/Heavy Metal
Label: AFM

Demi Lovato

Demi Lovato: Revamped
Genre: Pop/Rock
Label: DLG Recordings

Explosions In The Sky

Explosions in the Sky: End
Genre: Post-Rock/Indie-Rock
Label: Temporary Residence

Gridlink

Gridlink: Coronet Juniper
Genre: Grind/Metal
Label: Willowtip

K.Flay

K.Flay: Mono
Genre: Pop-Rock/Hip-Hop
Label: Giant Music

Kid Cudi 'INSANO'

Kid Cudi: INSANO
Genre: Hip-Hop/Alt-Rock
Label: Wicked Awesome Records

Previous Diagnoses:

Paradise Lost|Primus|Faith No More|Paramore

Young handsome physician in a medical robe with stethoscope

Good day denizens of Sputnik, and welcome to the fifth instalment of Dr. Gonzo’s “Diagnosis Series”. Today’s issue will be on L.A. trio HEALTH; looking through their mainline LPs, with a couple of recommended supplements for you to check out, just because they’re too good to pass up. So let me put on my gloves and let’s check out what this band is all about.

Band/Artist: HEALTH

Origins: Los Angeles, California U.S.

Founded: 2005

Current Members:
Jake Duzsik: (vocals, guitar)

John Famiglietti: (bass, pedals, electronics)

BJ Miller: (drums) 

Previous members:

Jupiter Keyes (guitar, synths)

Studio albums: 4

Active: Yes

 Health (2007)
HEALTH_-_Health_2007_Album_Art

The Doctor’s rating: 4/5

Analysis: HEALTH’s 2007 debut is in stark contrast to what the band is producing these days, but in spite of the stylistic differences, the band’s first album is still incredibly enjoyable and displays their promising potential for the future. Since the band’s genesis was founded in the underbelly of the L.A. noise rock scene, their sound here is vastly experimental, albeit, never to the point of being obtuse. The album largely lends its sonic influences from bands like Ex Models’ Zoo Psychology or a mid-noughties Liars album, like They Were Wrong, So We Drowned, but the distinction between these examples and this is that Health


Slowdive: A Sputnik Guide

This feature is part of a newly-rebooted series aimed at exploring the discographies of interesting and/or important bands whose wider body of work is often overlooked on this site. There will be lots of words and a few pictures, but the main deal is that if a band features here, they are good and you should listen to them! And if you already jam them, hit up the comments and explain where and why I went wrong! Get going!

Previously covered discographies:

StereolabSweet TripBlonde Redhead


Everyone loves Slowdive! One of the rare bands to come out of shoegaze and dream pop playing both genres their own while playing them to the best of their potential, their value has gone up and up and up over the last decade, and neither the past decade’s outpouring of soppy bedroom artists through every pore of the internet nor  shoegaze’s TikTok resurgence aren’t entirely to blame for it. Let’s all love Slowdive!

With Souvlaki‘s 30th anniversary back in June and Just for a Day’s 32nd just last week (along with a new LPEverything is Alive), it is time to remember this greatest of  it is time to dive once into the shoe, to gaze once more at the slow. I’m going to cover every individual release here (no comps!), and I ended up doing it so quickly that I entirely forgot that Frippertronics actually made his own version of this list in 2017 until I was 75% of the way through. Six years and…


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Here’s a list of prominent new releases for the week of September 8th, 2023.  Genres/labels are best guesses based on cursory Googling. Please feel free to request reviews for any of the following albums from staff and/or contributors. Or don’t, whatever. I’m not your mom.

– List of Releases: September 8th, 2023 –

(G)I-DLE – HEAT (EP)
Genre: K-Pop
Label: Cube Entertainment

Allison Russell – The Returner
Genre: Contemporary Folk
Label: Fantasy

Anjimile – The King
Genre: Avant-Folk / Art Pop
Label: 4AD

Ashley McBryde – The Devil I Know
Genre: Contemporary Country
Label: Warner Nashville

The Chemical Brothers – For That Beautiful Feeling
Genre: Alternative Dance / Progressive House
Label: Virgin EMI

Courtney Barnett – End Of The Day
(Music from the film Anonymous Club)
Genre: Ambient
Label: Milk!, Mom+Pop

Cryptopsy – As Gomorrah Burns
Genre: Technical Death Metal
Label: Nuclear Blast

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Cyanotic – The After Effect

Genre: Industrial
Label: Glitch Mode

Dying Fetus – Make Them Beg for Death
Genre: Technical Death Metal
Label: Relapse

Finsterforst – Jenseits (EP)
Genre: Viking Metal / Folk Metal
Label: AOP

The Flower Kings – Look at You Now
Genre:


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Here’s a list of major new releases for the week of September 1st, 2023.  Please feel free to request reviews for any of the following albums from staff and/or contributors.

– List of Releases: September 1, 2023 –

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Aviations: Luminaria

Genre: Math Rock / Emo
Label: The AV Collective

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Eclipse: Megalomanium

Genre: Hard Rock
Label: Frontiers

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Empire State Bastard: Rivers of Heresy

Genre: Grindcore / Alt Rock
Label: Roadrunner

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Frankie and the Witch Fingers: Data Doom

Genre: Rock / Funk / Prog
Label: The Reverberation Appreciation Society

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Hey Colossus: In Blood

Genre: Post Punk / Post Rock
Label: Wrong Speed

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Icona Pop: Club Romantech

Genre: Pop
Label: Record Company Ten

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Imperial Crystalline Entombment: Ancient Glacial Resurgence

Genre: Black Metal
Label: Debemur Morti

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Jeff Rosenstock: Hellmode

Genre: Punk
Label: Polyvinyl

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Jessika: World Ain’t Ready

Genre: Pop
Label: BMG

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Marduk: Memento Mori

Genre: Black Metal
Label: Century Media

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The Natvral: Summer Of No Light

Genre: Folk
Label: Dirty Being

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Outergods:


Previous Diagnoses:

Paradise Lost|Primus|Faith No More

Young handsome physician in a medical robe with stethoscope

Good day denizens of Sputnik and welcome to the fourth instalment of Dr. Gonzo’s “Diagnosis Series”. Today I will be looking at Paramore, the Franklin, Tennessee outfit that captured the hearts and minds of an entire generation back in the mid-noughties, with their own brand of pop-punk. So, get out of the waiting room chair and observe the doctor, as I go through all six of their studio albums and conclude if they’re worth half a damn or not. 

Band/Artist: Paramore

Origins: Franklin, Tennessee, U.S.

Founded: 2004

Current Members:
Hayley Williams: (vocals, keyboards)

Zac Farro: (drums, keyboards)

Taylor York: (guitar, keyboards)

Previous members:

Josh Farro (guitar)

Jeremy Davis: (bass)

Jason Bynum: (guitar)

John Hembree: (bass)

Hunter Lamb: (guitar)

Studio albums: 6

Active: Yes

All We Know is Falling (2005)

Paramore_-_All_We_Know_Is_Falling

The Doctor’s rating: 3/5

Analysis: For me, All We Know is Falling is fine. It’s a decent first album that lays down the groundwork for future records. Hayley delivers some great performances on the likes of “Pressure”, “Emergency” and “Conspiracy”, and the music does a decent job of toeing the pop-punk line with some energetic drum work and infectious guitar melodies. Other than that, there’s not much else to say here.


Previous Diagnoses:

Paradise Lost|Primus 

Young handsome physician in a medical robe with stethoscope

Hello music enthusiasts and welcome to the third instalment of Dr.Gonzo’s ‘Diagnosis Series’, where I go through a band or artist’s studio recordings and find their strengths and weaknesses, recommending a few things along the way. Today we’ll be looking at San Francisco’s venerable legends Faith No More to unpack their capricious career, which ultimately led to a sublime streak of near-perfect albums, as well as the iffy ones. So grab Bjork’s fish and prepare to gasp in excitement or terror.

Band/Artist: Faith No More

Origins: San Francisco, California, U.S.

Founded: 1979

Current Members:
Mike Bordin (drums)

Billy Gould (bass)

Roddy Bottum (keyboards, rhythm guitar)

Mike Patton (vocals)

Jon Hudson (lead guitar)

Previous members:

Mike Morris (guitar, vocals)

Wade Worthington (keyboards)

Courtney Love (vocals)

Mark Bowen (guitar)

Chuck Mosley (vocals)

Jim Martin (guitar)

Trey Spruance (guitar)

Dean Menta (guitar)

Studio albums: 7

Active: Hiatus(?)

We Care a Lot (1985)
Faith_No_More-We_Care_A_Lot

The Doctor’s rating: 2/5

Analysis: I feel like Faith No More’s trajectory was very similar to how Iron Maiden started out their career. Like Iron Maiden, FNM started out with a very different sounding vocalist for their first two albums, and although Di’Anno and Mosley both bring…


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Here’s a list of major new releases for the week of August 25th, 2023.  Please feel free to request reviews for any of the following albums from staff and/or contributors.

– List of Releases: August 25th, 2023 –

Alice Cooper

Alice Cooper: Road
Genre:
Hard Rock/Metal
Label: earMUSIC

The Armed

The Armed: Perfect Saviors
Genre:
Hardcore/Noise Rock
Label: Sargent House

Ashnikko

Ashnikko: Weedkiller
Genre:
Hip-Hop/Pop
Label: Parlophone

Asking Alexandria

Asking Alexandria: Where Do We Go From Here?
Genre:
Metalcore/Post-Hardcore
Label: Better Noise Music

Disharmonium - Nahab

Blut Aus Nord: Disharmonium
Genre:
Black Metal
Label: Debemur Morti Productions

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Camille: Magie
Genre:
Art Pop
Label: MOSTIKO

Candlebox

Candlebox: The Long Goodbye
Genre:
Alt-Rock/Grunge
Label: Round Hill Records

Charlotte Cardin

Charlotte Cardin: 99 Nights
Genre:
Pop
Label: Atlantic

Cinnamon Babe

Cinnamon Babe: Fatherless
Genre:
Nu Metal
Label: N/A

Concrete Castles

Concrete Castles: Brand New Me
Genre:
Alt-Rock/Pop-Rock
Label: Velocity

Metalocalypse: Dethklok

Dethklok: Dethalbum IV
Genre:
Melodic Death Metal
Label: Turner Music Publishing

Filter

Filter: The Algorithm
Genre:
Industrial/Alt-Rock/Metal
Label: Golden Robot Records

Heirloom & Judge & Jury

Heirloom: Romanticize
Genre:
Math Rock/Indie-Folk
Label: Judge and Jury Records


Previous Diagnoses: Paradise Lost

Young handsome physician in a medical robe with stethoscope

Hello music enthusiast, and welcome to the second edition of Dr.Gonzo’s ‘Diagnosis Series’ – where I go through a band or artist’s studio recordings and find their strengths and weaknesses. Today we’ll be looking at the eccentric El Sobrante trio, Primus, delving into their weird and wonderful world filled with renditions of old children’s stories, big brown beavers, race car drivers, and fishermen. So grab a cold one and prepare to sail the sea of cheese.

Band/Artist: Primus

Origins: El Sobrante, California, U.S.

Founded: 1984

Current Members:
Les Claypool (vocals, bass)

Larry “Ler” LaLonde (guitars)

Tim “Herb” Alexander (drums)

Previous members:

Todd Huth (guitars)

Vince “Perm” Parker (drums)

Peter Libby (drums)

Robbie Bean (drums)

Tim “Curveball” Wright (drums)

Jay Lane (drums)

Brain (drums)

Buckethead (guitars)

Danny Carey (drums)

DJ Disk (turntables)

Studio albums: 9

Active: Yes

Frizzle Fry (1990)
Primus-Frizzle_Fry

The Doctor’s rating: 5/5

Analysis: Primus are one of those rare cases where an act will walk right out of the gates with their sound, ready and willing to discharge it onto the placid masses. Unlike Paradise Lost who spent decades honing their craft, Primus busted out Frizzle Fry and unleashed a sound so idiosyncratic, it’s eccentricities would blindside an entire…


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Here’s a list of major new releases for the week of July 7th, 2023.  Please feel free to request reviews for any of the following albums from staff and/or contributors.

– List of Releases: August 18th, 2023 –

After Earth: The Rarity of Reason
Genre:
Melodic Death Metal
Label: Independent

Ally Evenson: Big Lie
Genre:
Indie Pop
Label: Independent

Amaka: Oasis
Genre:
R&B / Soul
Label: Venice Music

Atreyu: The Moment You Find Your Flame
Genre:
Metal
Label: Spinefarm Music Group

Birdy: Portraits
Genre: 
Indie Pop / Pop
Label: Warner Music UK

Ciara: CiCi
Genre:
R&B / Pop / Hip Hop
Label: Beauty Marks Entertainment

The Circle: Of Awakening
Genre:
Post Black Metal / Melodic Death Metal
Label: AOP Records

Caroline Cotter: Gently as I Go
Genre:
Indie Folk
Label: Independent

Cyhra: The Vertigo Trigger
Genre:
Melodic Death Metal
Label: Nuclear Blast

Dizzy: Dizzy
Genre:
Indie Pop
Label: Royal Mountain Records

Genesis Owusu: Struggler
Genre:
Hip hop / R&B
Label: AWAL Records

Gregory Alan Isakov: Appaloosa Bones
Genre:
Indie Folk
Label: MNRK Records

Gretta Ray: Positive Spin
Genre:
Folk / Pop
Label: Ballarat Pty

Horrendous: Ontological Mysterium
Genre:
Melodic


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Chepang-Swatta

Chepang are a mostly Nepali grindcore band. On Swatta, Chepang get a little crazy. The way they do it, a slow-motion, frenzied collapse of their furious machine through the gradual opening of the insanity throttle over 50 minutes resonates pretty deeply, given the various cultural crossroads we find ourselves at. The gleefully frenzied envelope-push of Sides B, and especially C, are grandma’s cozy cableknit sweater knitted from miles of talent and that wonderfully punked-out grind desire to get completely batshit. The hay we could make of Side D’s absolute fuckstorm of an AI driven genre disintegration could feed the entire farm. But Chepang’s thrills ain’t cheap, and even when they’re immediate, they’re well earned. There’s a carefully thought-out progression to their program, to their gradual rattling loose of all but the barest ideas of structure and composition and the tropes that make up the genre. It’s a program that tries, patiently and gradually, to shake off all order, to leave just the boiling cerebral fluid of the genre formerly known as grind. By the end of this thing, the feeling arises that punk is dead, grind is dead, humanity is dead, the idea of grind as a category characterized as the sum total of its musical elements has been fed through a wood chipper and glued back together like a grotesque humanoid meat sculpture. Things get a little crazy sometimes. Things fall apart, the center cannot hold, mere anarchy and all that. Sometimes our obsession with order, with


Young handsome physician in a medical robe with stethoscope

By absolutely no demand, welcome to Dr.Gonzo’s Diagnosis series, where I go over a band or artist’s career and by the end of it pick out their roaring strengths and vulnerable weaknesses. Today’s edition follows Northern England hard-lads Paradise Lost, on their epic thirty-five-year peregrination that sees a sprawling sixteen studio albums, a fuckload of drummers, and an impressively disparate array of genres to pick from. So sit still and await the verdict.

Band/Artist: Paradise Lost

Origins: Halifax, West Yorkshire, England

Founded: 1988

Current Members:
Nick Holmes (Vocals)
Gregor Mackintosh (Lead guitar)
Aaron Aedy (Rhythm guitar)
Steve Edmondson (Bass)
Guido Montanarini (Drums)

Previous members:

Matthew Archer (Drums)
Lee Morris (Drums)
Jeff Singer (Drums)
Adrian Erlandsson (Drums)
Waltteri Väyrynen (Drums)

Studio albums: 16

Active: Yes

Lost Paradise (1990)
lostparadise

The Doctor’s rating: 3.3/5

Analysis: Lost Paradise is the very definition of diamond in the rough. A good chunk of the band’s adulated elements are present here, but they are ill-defined and go largely unchecked. Lost Paradise’s biggest crime is its myopic scope which becomes samey after a while and lacks the distinction their other works would later seize. That said however, this thing can be fucking heavy at times and the band’s proclivity for turning their death metal leanings into this Sabbath-styled sludgy, doom-y dystopia serves them well overall.…


My wife and I spent a good chunk of yesterday evening at the Crystal Ballroom, a small venue in the Boston suburb of Somerville. The main attraction was The Clientele, a cult band making their very first live appearance in the US since all the way back in 2017, with this concert marking the kickoff of a short August tour through the US before fall tour dates in the UK and continental Europe.

 

The crowd to witness this was pretty small, even by the standards of a rather snug (if classy) venue. My untrained eye would estimate 150 people at most, or perhaps only a 100, all clustered close to the stage to watch the British trio do their thing. If it was a touch disappointing to see a thin turnout for a veteran act with an excellent discography who are still at the top of their game (as listeners of last month’s new record I Am Not There Anymore can attest), the relative quiet and intimacy of the small venue and even smaller crowd was ultimately fitting. The Clientele are, after all, a band known for their gentle and atmospheric sense of melancholy, and if their song interpretations were a bit more rocked-up and loud presented live compared to in studio, they maintained this trademark throughout. The results were captivating.

 

Following a set by Baltimore-hailing openers The Smashing Times (an interesting act with an album out Oct 30th which I will be checking), The Clientele’s time on


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