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Here’s a list of major new releases for the week of June 16th, 2015. Please feel free to request reviews for any of the following albums from staff or contributors.

Active Child – Mercy (Vagrant)
Adam Lambert – The Original High (Warner Bros.)
Amos Lee – Live At Red Rocks With The Colorado Symphony (ATO Records)
Ben Browning – Turns (Yellow Year)
Calvin Love – Super Future (Arts & Crafts)
DJ Koze – DJ-Kicks: DJ Koze (K7)
Heartless Bastards – Restless Ones (PTKF) – Rudy K.
Hilary Duff – Breathe In. Breathe Out (RCA)
Hudson Mohawke – Lantern (Warp Records)
Ike Reilly – Born On Fire (Rock Ridge Music)
James Taylor – Before This World (Concord)
The Lonesome Trio – The Lonesome Trio (Sugar Hill)
mewithoutYou – Pale Horses (Run For Cover Records/LLC) – SowingSeason
Mika – No Place In Heaven (Republic)
Nate Ruess – Grand Romantic (WEA/Fueled By Ramen)
The Ongoing Concept – Homemade (Solid State)
Outfit – Slowness (Memphis Industries)
Ryn Weaver – The Fool (Interscope)
Third Eye Blind – Dopamine (Mega Collider)
Walk Of The Earth – Sing It All Away (Columbia)

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Album Streams:

Active Child – Mercy

Hudson Mohawke – Lantern

mewithoutYou – Pale Horses

Ryn Weaver – The Fool

Walk Of The Earth – Sing It All Away

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SputnikMusic’s Most Played Artists of the Week (according to Last.FM):

Staff :

1. Sufjan Stevens
2. Nirvana
3. Cairo Knife Fight
4. In Flames

With June shaping up as an excellent month for new album releases, I’m in between jotting together a few potential reviews at the moment. As these albums require more detailed listening and examination for the sake of an informative dissection, I’m often lacking the time to hear many other 2015 releases at the same time. What I often do in this case is stockpile a handful of EPs, for the obvious reasons that they take less time to listen to. By pure coincidence, I came across 3 consecutive EPs last week that were all acoustic based. For the record, I enjoyed all three, which were recorded by Pvris, Brigades and State Champs.

I recall looking at the track-listing for the State Champs EP (titled ‘The Acoustic Things’) and being disappointed that only one of my highlights from their album ‘The Finer Things’ was included. Yet, upon listening to the 7 included tracks, I found that the tune ‘Simple Existence’ stood out. I wondered why I had not included that as an LP highlight, so I went back and listened to the electric version. The answer was simple? The acoustic version was better!

Without harping on the pop-punk goes acoustic factor, it reminded me of a couple of years back when I was listening to the discography of (arguably middling) Massachusetts quintet A Loss For Words. Sure, they have a knack for a catchy hook, but so does 90% of pop-punk bands. The…

Tengger Cavalry. Nature Ganganbaigal. Names that are not part of everyday discussions here on Sputnik, which is exactly why I went out and shot an interview request towards Metal Hell Records some nights ago – to find out more. Only a day or so managed to pass, and already the wise Mongol chieftain in charge of Tengger Cavalry had answers for my written inquiries. Founded in 2009, Tengger Cavalry is currently the leading Mongolian folk metal band… in the world. The group has been more than active since its inception, due to the never ending creative flow of its mastermind, Nature Ganganbaigal. To date, the band has released four full-length albums in the span of six years, with their latest release – a re-recording of their debut Blood Sacrifice Shaman – dropping on May 18 of this year. Given that the latest addition to Tengger Cavalry’s discography is less a remaster and more an entirely new beast brought to life on the carcass of old ideas, it is safe to say that Tengger Cavalry is one of the busiest bands in metal today. Now that the new old album is out there for everybody to hear, Nature devoted some time to me, to answer a few questions about the band, himself, and his religion.

Good evening to you! As Tengger Cavalry is rather unknown on our site, would you be so kind as to give a short overview of what this band is all about?

It’s been a while since a Davey-moderated ‘Sputnik Discusses’ went interactive and took a look at the best album art of all time, but fear not; I’m still sitting in a dark room somewhere thinking up discussion topics. Filling the breach for one of my missing weeks was our very own Lord of Brostep, Sir. Will Robinson, with his blog concerning life in college and a lot of cursing. I kid, I kid. Thanks to Will for stepping in, and if you are yet to read his thought-provoking discussion on hip-hop lyrics, I urge you to do so by clicking here

Today’s topic is a genuinely tough one for me to write about. I mean, I’m never wrong… So how the hell can I personally convey any situation where I was incorrect on anything? I guess that if I had reached school-age yet, I would have been wrong on Buster Douglas knocking out Mike Tyson, but even the statute of limitations would have forgiven me for that one by now. Plus, this is a music website.

I guess the closest time that such a music-related phenomena occurred was back in the mid-2000s when I heard Toronto punk rockers Billy Talent for the first time. Call me narrow-minded, but I just felt that it would be near impossible to overcome such negative first impressions of a band. Owning a voice that will be despised much more than it is liked, it’s an…

Almost a solid month ago, on the 9th of April – which was a clear and delightfully quiet spring evening, for me at least – I got in touch with Joe Tiberi, the brains behind the Chicago-based symphonic-industrial-extreme metal band Mechina, who in January 2015 released their 4th full-length album, titled Acheron. What was probably the longest interview I’ve ever done, we spoke a good two hours about Mechina, about his convictions, and eventually got thoroughly off-track by exchanging what we believe is to be the next step for us as humans, why we hate movie adaptions of games, and whether we are too sober for the conversation that we suddenly found ourselves in. Since the latter part of our talk was less an interview and more a pseudo-intellectual banter, I decided to cut the ending off, but the point is: if you ever get a chance to talk to Mr. Tiberi, I would highly recommend doing so, since he’s one of the more down to earth guys I’ve ever had the pleasure of interviewing. I’m not known for my punctuality, so a good month later, here it is – a very all-encompassing view into the life of Joe Tiberi and the workings of Mechina.

We can start off on a high, since you just released a statement to your fans that the first batch of your new album, Acheron, has sold out. Did you expect that to happen so quickly, being an independent band

Hello, wonderful users/contribs/staff/mods/lurkers/mx, and welcome to another edition of Sputnik Discusses! Davey’s MIA this week (my money’s on him having to stave off Australia’s terrifying wildlife), so I’ll be doing whatever I can to prompt and moderate the discussion this time around. I’m in the midst of our school’s “reading period,” which is essentially the lull before the maelstrom of finals in which we study as frantically as we can and/or procrastinate as frantically as we can, so I’ll hopefully have some time to respond to as many of you as I can in the comments section. Don’t be surprised if Davey manages to poke his head in here or there, though.

I’d like to broach the topic of potentially offensive or hurtful lyrics in hip-hop because that’s been a topic of contention on my school’s campus as of the past few weeks. A bit of context: Princeton University’s Undergraduate Student Government (USG) hosts a day-long festival called Lawnparties every fall and every spring, in which various campus organizations invite about a dozen artists to perform on a certain part of campus known as Prospect Ave. This past iteration of Lawnparties, held on Sunday, featured Detroit rapper Big Sean as the headliner. The choice was a divisive one. Almost immediately, a small but significant portion of the student body began to protest his selection, calling on our USG to “take down Big Sean.” According to Duncan Hosie, a junior and one of the students who spearheaded the protests,…

Fear not; ‘Sputnik Discusses’ has not been retired just yet. This blog’s absence over the past fortnight was simply due to the most deadliest of all diseases: the dreaded man-flu. Let me tell you folks: It got me good and proper this time around. You know that a music lover is sick when they’re just lying there for days on end doing nothing at all, yet can’t muster the energy to throw on an album or ten as background music. The dreaded lurgy isn’t completely gone either, so I had to think of a way to turn my lack of writing – and thinking – energy into a positive. What I’ve decided to do is write on a topic that I have no real strong feelings on, thus leaving the majority of the discussion up to you! It’s therefore fitting that the topic at hand actually came from one of you… So much thanks to elcrawfodor for the suggestion.

More than that however, ‘Sputnik Discusses’ is going even more interactive than it already is. It’s simply not enough that you get to write what you want in the comments section. In this discussion’s case, some of your responses will actually make the blog itself, since I will update it (most likely on a daily basis) as the discussion heightens.

So what is the topic of discussion at hand? Well, as the title suggests; It concerns album art. Even back in my purchasing…

Before we get started, a quick round of applause to both Manosg and Paradox1216 who were recently promoted to the contributor pool. Congratulations guys, and we wish you well in your new surroundings. Just make sure you close the door behind you, we don’t want Hep Kat sneaking in.

Here’s a list of major new releases for the week of April 14th, 2015. Please feel free to request reviews for any of the following albums from staff or contributors.

Calexico – Edge Of The Sun (Anti Records)
The Damnwells – The Damnwells (Rock Ridge Music)
Dwight Yoakam – Second Hand Heart (Warner Bros.)
Earl Sweatshirt – I Don’t Like Shit: I Don’t Go Outside (Columbia) – Jonny Hunter
fLako – Natureboy (Five Easy Pieces)
Greg Holden – Chase The Sun (Warner Bros.)
Halestorm – Into The Wild Life (Atlantic)
James Pants – Savage (Stones Throw)
Jeremy Bass – Winter Bare (Self-released)
John Andrews & The Yawns – Bit By The Fang (Woodsist)
Keller Williams – Vape (Self-released)
Lee Harvey Osmond – Beautiful Scars (Latent Recordings)
Looper – Offgrid:Offline (Mute)
Lowland Hum – Lowland Hum (Self-released)
Now And On Earth – Blacked Out (Epitaph)
Reba McEntire – Love Somebody (Big Machine Records)
Second Storey & Appleblim – ALSO (R&S Records)
Stranger Cat – In The Wilderness (Joyful Noise Recordings)
Suuns And Jerusalem In My Heart – Suuns And Jerusalem In My Heart (Secretly Canadian)
Trickfinger – Trickfinger (Acid Test)
Villagers – Darling Arithmetic (Domino Recording Co.)

Fear not everybody, your second favorite weekly blog (Dev does run a mean ‘New Releases’ post, after all) has returned following a week’s rest over Easter. In its place was the staff’s quarterly mixtape (brilliantly compiled by Jom), which can still be listened to in all of its glory by clicking here.

Today, I thought I would chat about something that is very dear to my heart: Guilty pleasures. In all honesty, I dislike the term… Mainly because no-one should really feel guilty for liking any kind of music. If you like it, you like it… And it should be as simple as that. But, of course, life doesn’t usually work out that way, and there’s always someone just around the corner laughing at you for listening to a certain song, before they abruptly snap that “Your taste in music sux”. Sometimes, this so-called fact comes as a shocking revelation, but most of the time we are actually in on the joke and are listening to something purely because we enjoy it.

Over the past couple of weeks, I posted twenty videos from the Soundwave festival which I attended last month. While I probably wouldn’t say that they were the best act I saw, the one which gave me the most enjoyment may well have been Papa Roach. Now I know that some of their releases are just plain crap (see my two star review of their sixth LP ‘Metamorphosis’), but…

Here’s a list of major new releases for the week of April 7th, 2015. Please feel free to request reviews for any of the following albums from staff or contributors.

Aceyalone – Action (Bionik Music)
All Time Low – Future Hearts (Hopeless Records)
American Wrestlers – American Wrestlers (Fat Possum)
Blues Traveler – Blow Up The Moon (Loud & Proud Records)
Brian Wilson – No Pier Pressure (Capitol)
Darius Koski – Sisu (Fat Wreck Chords)
Delta Rae – After It All (Sire)
Doldrums – The Air Conditioned Nightmare (Sub Pop Records)
Drenge – Undertow (Infectious Music)
Drug Cabin – Wiggle Room (401K Music)
DTCV – Uptime! (Xemu Records)
East India Youth – Culture Of Volume (XL Recordings)
Enforcer – From Beyond (Nuclear Blast America)
Folk Family Revival – Water Walker (Rock Ridge Music)
Lapalux – Lustmore (Brainfeeder)
Lord Huron – Strange Trails (IAMSOUND)
Marriages – Salome (Sargent House)
Matt & Kim – New Glow (Harvest)
The Mountain Goats – Beat The Champ (Merge Records)
Only Real – Jerk At The End Of The Line (Virgin EMI)
Portico – Living Fields (Ninja Tune)
Priory – Need To Know (Warner Bros.)
Royal Thunder – Crooked Doors (Relapse)
Scuba – Claustrophobia (Hotflush Recordings)
Shlohmo – Dark Red (True Panther Sounds)
Sworn In – The Lovers/The Devil (Razor & Tie)
Toro Y Moi – What For? (Carpark Records)
The Very Best – Makes A King (PIAS America)
The Waterboys – Modern Blues (Kobalt)
Waters- What’s Real (Vagrant Records)
Waxahatchee – Ivy Tripp (Merge

Here’s a list of major new releases for the week of March 31st, 2015. Please feel free to request reviews for any of the following albums from staff or contributors.

Benoît Pioulard – Sonnet (Kranky)
Billy Woods – Today, I Wrote Nothing (Backwoodz Studioz)
Boxed In – Boxed In (Nettwerk Records)
Boz Scaggs – A Fool To Care (429 Records)
Darius Rucker – Southern Style (Universal Nashville)
Death Cab For Cutie – Kintsugi (Atlantic) – Rudy Klapper
Death Grips – The Powers That B (CMG)
Donato Dozzy & Anna Caragnano – Sintetizzatrice (Spectrum Spools)
Föllakzoid – III (Sacred Bones Records)
Godspeed You! Black Emperor – Asunder, Sweet and Other Distress (Constellation)
Hollerado – 111 Songs (Royal Mountain Records)
Hollywood Undead – Day Of The Dead (Interscope Records)
Jerry Paper – Carousel (Bayonet Records)
Jessy Malin – New York Before The War (One Little Indian)
Jodeci – The Past, The Present, The Future (Epic)
Lower Dens – Escape From Evil (Ribbon Records)
Ludacris – Ludaversal (Def Jam)
Marching Church – This World Is Not Enough (Sacred Bones Records)
Missy Mazzoli – Vespers For A New Dark Age (New Amsterdam)
Nightwish – Endless Forms Most Beautiful (Nuclear Blast US)
The Prodigy – The Day Is My Enemy (Warner Bros.)
Ringo Starr – Postcards From Paradise (UMe)
Ron Sexsmith – Carousel One (Compass Records)
Simon Joyner – Grass, Branch & Bone (Woodsist)
The Soft Moon – Deeper (Captured Tracks)
The Sonics – This Is The Sonics…

Last week, I posted videos of the first batch of 10 bands from Day-1 of Australia’s SoundWave Festival . This week, it’s time for the Day-2 contingent, with more rock, punk and metal acts to satisfy your urge for all things heavy and live. For various reasons, I could not attend both days of the festival, and it was this Day-2 group that best satisfied me personally. Of course, posting all of the bands that I saw would probably cause a riot at Sputnik, so hopefully the diverse range of bands seen below is a fair enough compromise.

As per usual, a disclaimer must first be aired for legal purposes: SputnikMusic shall take no responsibility for any motion sickness caused by unsteady hand-held cameras used in the making of the following videos. The same goes for deafness caused by varying volume levels, seizures caused by blinking lights, and blindness caused by the brightness of security vests.

And just in case you were thinking that the line-up for Day-2 looks a little thin, then please take into account that the following list of videos excludes the likes of The Smashing Pumpkins, Fucked Up, Millencolin, Mayhem, Of Mice & Men, The Wonder Years, Godsmack, Tonight Alive, and farewell performances from Conditions & The Swellers just to name another 10 who played on this particular day. In fact, the order of what you are about to view, roughly coincides with each band’s actual set time.…

 

Before I begin today’s column, a huge thanks to everyone who took part in last week’s discussion concerning “favourite lyrics”. It was by far the most popular ‘Sputnik Discusses’ thus far and I’m certain that many readers found it as enlightening as I did. Also, an apology if this particular column comes off a little half-hearted in comparison. In between reading all of those fantastic lyrics, writing 4 reviews and putting together a literal smorgasbord of live videos from Australia’s recent Soundwave Festival, it’s fair to state that my spare time has been scarce of late. Oh well, let’s see how it goes, shall we?

As per my usual orderly want to link my blogs, I’d like to point your attention towards last weekend’s Soundwave Festival post, which included ten live videos from Day-1 of the annual Australian event (My Day-2 wrap will be posted by this weekend). Just attending the festival got me to thinking: If given the choice of only one, would I prefer to get my dose of live music by way of (a) festivals or (b) headline gigs (with one or two support acts)? In all honesty, my decision on this has wavered from year to year… And there are more factors that go into the choice than one might initially think.

Now, a musical purist might feel that there is no competition in this debate. Surely it’s all about the music and a band’s “true”…

Here’s a list of major new releases for the week of March 24th, 2015. Please feel free to request reviews for any of the following albums from staff or contributors.

Action Bronson – Mr. Wonderful (Atlantic Urban)
Beautality – Einfallen: A Tale Ov Torment & Triumph (Nordavind Records)
Courtney Barnett – Sometimes I Sit and Think, And Sometimes I Just Sit. (Mom & Pop Music)
Etiquette – Reminisce (Hand Drawn Dracula)
Gabrielle Papillon – The Tempest Of Old (Self-released)
The Go! Team – The Scene Between (Memphis Industries)
Hit The Lights – Summer Bone (Pure Noise)
Humming House – Revelries (Rock Ridge Music)
Inventions – Maze Of Woods (Temporary Residence)
Jam City – Dream A Garden (Night Slugs)
JEFF The Brotherhood – Wasted On The Dream (Infinity Cat)
Jimmy Whispers – Summer In Pain (Moniker Records)
Joel Plaskett – Joel Plaskett & The Park Avenue Sobriety Test (Pheromone Recordings)
The Jon Spencer Blues Explosion – Freedom Tower – No Wave Dance Party 2015 (Mom & Pop Music)
Julian Moon – Good Girl (Warner Bros. Records)
Laura Marling – Short Movie (Ribbon Records)
Lightning Bolt – Fantasy Empire (Thrill Jockey)
Liturgy – The Ark Work (Thrill Jockey)
LoneLady – Hinterland (Warp Records)
Mind.In.A.Box – Memories(Metropolis Records)
People Of The North – Era Of Manifestations (Thrill Jockey)
Steve Grand – All American Boy (Grand Nation)
Strung Out – Transmission.Alpha.Delta (Fat Wreck Chords) – Jom
Them Are Us Too – Remain (Dais Records)
Too Close To Touch – Nerve Endings…

All the way back in 2011, I posted a blog titled ‘Maiden, Slash, Slayer & QOTSA Soundwavin’ Around Oz’ that included amateur video of five acts that toured around Australia with the rock, punk and metal festival that is Soundwave. Since then, I have decided to only post lists detailing my experiences at the annual extravaganza, but all that’s about to change in a big way. With 2015’s event being held over two separate days, I thought that this would be a good opportunity to return to the blog and allow all of you to see some live footage of a diverse range of bands. And since I personally saw 10 bands on the day that I attended, then you also get to see 10 bands… TWICE OVER! This week will include the first batch of ten from Day-1 and next week I’ll be back with 10 more from Day-2. How’s that for value!?

Before we begin, a disclaimer must first be aired for legal purposes: SputnikMusic shall take no responsibility for any motion sickness caused by unsteady hand-held cameras used in the making of the following videos. The same goes for deafness caused by varying volume levels, seizures caused by blinking lights, and blindness caused by the brightness of security vests.

And just in case you were thinking that the line-up for Day-1 looks a little thin, then please take into account that the following list of videos excludes the…

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