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By Sowing
Monday February 10, 2020
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Here’s a list of major new releases for the week of February 14, 2020. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: February 14, 2020 –
Archon Angel: Fallen
Genre: Progressive/Power/Heavy Metal
Label: Frontiers Records S.R.L.
BAMBARA: Stray
Genre: Post-Punk/Noise Rock
Label: Wharf Cat
Beach Bunny: Honeymoon
Genre: Indie-Pop/Emo
Label: Mom+Pop
Blaze Of Perdition: The Harrowing of Hearts
Genre: Black Metal
Label: Metal Blade
![BRKN LOVE [Explicit]](https://m.media-amazon.com/images/I/61-Psl5jWYL._SS500_.jpg)
Brkn Love: Brkn Love
Genre: Rock
Label: Spinefarm
Cindy Lee: What’s Tonight To Eternity
Genre: Pop/Lo-Fi/Post-Punk
Label: W.25th
![no future [Explicit]](https://m.media-amazon.com/images/I/81upJG9pNIL._SS500_.jpg)
EDEN: no future
Genre: Electronic/Indie-Pop
Label: MCMXCV LTD.
Frayle: 1692
Genre: Doom Metal/Stoner Rock
Label: Aqualamb/Lay Bare
![New Empire, Vol. 1 [Explicit]](https://m.media-amazon.com/images/I/81I39u50ZjL._SS500_.jpg)
Hollywood Undead: New Empire, Vol. 1
Genre: Hip-Hop/Nu-Metal/Rock
Label: BMG
Huey Lewis & the News: Weather
Genre: Rock/Blues
Label: BMG
Ihsahn: Telemark
Genre: Progressive Metal/Black Metal/Experimental
Label: Spinefarm
Justin Bieber: Changes
Genre: Pop/R&B
Label: RBMG/Def Jam
Kreator: London Apocalypticon – Live at the Roundhouse
Genre: Thrash/Death Metal
Label: Nuclear Blast
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By Sowing
Tuesday February 4, 2020
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Here’s a list of major new releases for the week of February 7, 2020. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: February 7, 2020 –
Aubrie Sellers: Far From Home
Genre: Country
Label: Aubrie Sellers
The Cadillac Three: Country Fuzz
Genre: Rock/Country
Label: Big Machine
Delain: Apocalypse & Chill
Genre: Metal/Gothic
Label: Napalm
Envy: The Fallen Crimson
Genre: Emo/Post-Rock/Hardcore
Label: Temporary Residence
![Father of All... [Explicit]](https://m.media-amazon.com/images/I/91zO4-6YphL._SS500_.jpg)
Green Day: Father of All Motherfuckers
Genre: Punk/Rock
Label: Reprise
The Homesick: The Big Exercise
Genre: Indie-Rock/Post-Punk
Label: Sub Pop
La Roux: Supervision
Genre: Electronic/Pop
Label: Supercolour
Lisa Loeb: A Simple Trick To Happiness
Genre: Indie-Pop/Alternative Rock
Label: Furious Rose Prod
Loathe: I Let It in and It Took Everything
Genre: Metalcore/Progressive Metal
Label: Sharptone
The Lone Bellow: Half Moon Light
Genre: Folk
Label: Dualtone
Makaya McCraven: We’re New Again – A Reimagining By Makaya McCraven
Genre: Jazz/Hip-Hop/Experimental
Label: XL Recordings
Nada Surf: Never Not Together
Genre: Indie-Pop/Rock
Label: Barsuk…
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By Sowing
Monday January 27, 2020
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Here’s a list of major new releases for the week of January 31, 2020. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: January 31, 2020 –
Amberian Dawn: Looking For You
Genre: Power/Progressive Metal
Label: Napalm
Ben Watt: Storm Damage
Genre: Indie Rock/Folk
Label: Caroline
![Foolish Loving Spaces [Explicit]](https://m.media-amazon.com/images/I/81yVOV14qzL._SS500_.jpg)
Blossoms: Foolish Loving Spaces
Genre: Indie-Rock/Pop
Label: Virgin EMI
Clint Lowery: God Bless The Renegades
Genre: Rock
Label: Rise
Dan Deacon: Mystic Familiar
Genre: Experimental/Electronic/Minimal
Label: Domino
Destroyer: Have We Met
Genre: Indie-Pop/Lo-Fi
Label: Merge
Drive-By Truckers: The Unraveling
Genre: Rock/Americana/Country
Label: ATO
Frances Quinlan: Likewise
Genre: Indie-Pop
Label: Saddle Creek
Isobel Campbell: This Is No Other
Genre: Alternative Rock
Label: Cooking Vinyl
Kesha: High Road
Genre: Pop/Electronic
Label: RCA
![To Dull the Blades of Your Abuse [Explicit]](https://m.media-amazon.com/images/I/61es18FOj5L._SS500_.jpg)
Leeched: To Dull the Blades of Your Abuse
Genre: Hardcore/Grind/Sludge Metal
Label: Prosthetic
Louis Tomlinson: Walls
Genre: Pop/Electronic
Label: Arista
Loving: If I Am Only My Thoughts
Genre: Psychedelic/Lo-Fi/Indie-Rock
Label: Last Gang
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By Willie
Wednesday January 22, 2020
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Well, another 10 years have gone by which means it’s time for another music list, and possibly some reflection on the last 10 years. I’ve got the music thing covered, but I’m not going to waste time on reflection. The artwork links to the album review (or the band page in the absence of a review). The recommended track will link to either bandcamp or Youtube. So, be proactive… read some descriptions, click some links, check out some music…
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50. Voivod – The Wake
Genre: Progressive Metal/Thrash // Released: 2018
Recommended Track: Obsolete Beings
** u kno when a dog dies in a movie and ur hella sad right well this album is like when the dog dies only he instantly comes back on a skateboard with a bong in his mouth and he is wearing a satan shirt and is talking about the benefits of tax evasion and he be mouldin’ young minds similar to pottery — ramon.
The Wake is the album that almost never happened. The band’s guitarist (and main songwriter) of twenty-three years died of Cancer in 2005, which left the remaining members with a pretty tough decision. They could either call it quits or try to get another guitarist/songwriter with the same unique flair and technique that made their original guitarist so special. They went with the second option and released Target Earth. While Target Earth was pretty great, it wasn’t until The Wake…
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By Sowing
Tuesday January 21, 2020
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Here’s a list of major new releases for the week of January 24, 2020. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: January 24, 2020 –
Σtella: The Break
Genre: Indie Rock/Alternative
Label: Arbutus
Andy Shauf: The Neon Skyline
Genre: Alternative Rock/Indie Folk
Label: Anti/Epitaph
![Ballistic, Sadistic [Explicit]](https://m.media-amazon.com/images/I/61IfYeiNLnL._SS500_.jpg)
Annihilator: Ballistic, Sadistic
Genre: Thrash/Progressive/Heavy Metal
Label: Neverland Music Inc.
![Sing In A World That's Falling Apart [Explicit]](https://m.media-amazon.com/images/I/71JV67m1yPL._SS500_.jpg)
Black Lips: Sing in a World That’s Falling Apart
Genre: Punk/Lo-Fi/Garage
Label: Fire
Bonny Light Horseman: Bonny Light Horseman
Genre: Folk
Label: 37d03d
Breaking Benjamin: Aurora
Genre: Rock
Label: Hollywood
Caspian: On Circles
Genre: Post Rock/Ambient/Post Metal
Label: Triple Crown
Marko Hietala: Pyre Of The Black Heart
Genre: Progressive Rock/Hard Rock
Label: Nuclear Blast
Nero Di Marte: Immoto
Genre: Post Metal/Progressive/Sludge
Label: Season of Mist
Nicolas Godin: Concrete And Glass
Genre: Electronic
Label: NCLS
![C'est La Vie [Explicit]](https://m.media-amazon.com/images/I/81j24NMrxNL._SS500_.jpg)
Novelists FR: C’est La Vie
Genre: Metalcore/Progressive Metal/Post-Hardcore
Label: Sharptone
Pet Shop Boys: Hotspot
Genre: Pop/Electronic
Label: X2
Pyogenesis: A Silent Soul Screams Loud
…
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By Sowing
Monday January 13, 2020
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Here’s a list of major new releases for the week of January 17, 2020. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: January 17, 2020 –
…And You Will Know Us by the Trail of Dead: X: The Godless Void And Other Stories
Genre: Indie Rock/Progressive Rock/Post Hardcore
Label: Dine Alone Music Inc.
AJJ: Good Luck Everybody
Genre: Folk Punk
Label: Specialist Subject
Algiers: There Is No Year
Genre: Post Punk/Soul/Industrial
Label: Matador
Alice Boman: Dream On
Genre: Indie-Pop/Folk
Label: Play It Again Sam
![20/20 Vision [Explicit]](https://m.media-amazon.com/images/I/91CoOjAVLKL._SS500_.jpg)
Anti-Flag: 20/20 Vision
Genre: Punk/Hardcore/Pop-Punk
Label: Spinefarm UK
Bill Fay: Countless Branches
Genre:Folk
Label: Dead Oceans
![This Way Lies Madness [Explicit]](https://m.media-amazon.com/images/I/81+cmMh+HVL._SS500_.jpg)
Bleed The Sky: This Way Lies Madness
Genre: Metalcore/Rock
Label: Art is War
Bombay Bicycle Club: Everything Else Has Gone Wrong
Genre: Indie Pop/Alternative Rock/Indie Rock
Label: Mmm…Records
The Courteeners: More. Again. Forever.
Genre: Indie-Rock/Alternative Rock
Label: Ignition
Deserta: Black Aura My Sun
Genre: Indie-Pop/Indie-Rock
Label: felte
![A Change in Diet [Explicit]](https://m.media-amazon.com/images/I/8118p0UGOCL._SS500_.jpg)
Elliot Moss: A Change In Diet
Genre: Electronic/Downtempo/R&B
Label: Grand Jury Music
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By Sowing
Friday January 10, 2020
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50-31 | 30-11 | 10-1 | EP/Live/Compilation
[Official site] // [Spotify]
Whether you love Periphery or hate them, you can’t ignore them. Well, you can, but where’s the fun in that? 2019 was a pretty huge year for the shitposting meme-lords of the progressive metal world. They started their own record label and released Hail Stan, which is somehow simultaneously their most ambitious, cohesive, diverse, mature, and meme-y record yet. If you don’t believe me just look at the evidence: they named the album Hail Stan [sic]; opening track “Reptile” is an impressively epic and surprisingly engaging seventeen minutes long; they raised the heaviness bar with “Blood Eagle”; they raised the saccharine pop-savviness bar with “It’s Only Smiles”; they threw in a shockingly catchy industrial/synthwave track in “Crush”; and they capped an incredible Spencer Sotelo vocal performance on “Satellites” — Jesus, can that guy hit the notes or what? — the album, and hell, their entire decade, with an impersonation of Eric Cartman saying, “Suck my balls.”
I mean, if you can’t appreciate any of that, it probably means you’re a human being with taste, but it also probably means that you’re more than just a little dead on the inside. –SitarHero
[Bandcamp] // [Spotify]
Hype. Sweet mother of unholy hype. When I heard that Blood Incantation were releasing a follow-up to Starspawn I…
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By Sowing
Thursday January 9, 2020
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50-31 | 30-11 | 10-1 | EP/Live/Compilation
[Bandcamp] // [Spotify]
Sailing Narrenschiff (aka “Ship of Fools”) is like getting your ass kicked for 20 minutes straight by a bunch of deranged Swiss freaks. Nevertheless, this massive display of power never really gets out of control, just like an experienced fighter who always delivers his blows at the right moments. Nostromo’s 2019 EP mirrors maturity and capacity for synthesis without ever losing irreverence. It’s a relentless slab of European grindcore, whose lethal riffs, fierce vocals, and tight musicianship should not pass under the radar. –TheNoTrap
[Official site] // [Spotify]
A number of lineup changes have warped the Sodom sound over the years. Having once commanded thrash supremacy in M-16 and Agent Orange back in their heyday, there was sure to be a question of unreachable quality thrash when it comes to the band’s new music. If anything, Out of the Frontline Trench adds a glimmer to the hope that Sodom are on the up-and-up, bringing back the same classic edge the band used to live on and redressing old cuts to match their longing, greying hair. –Nocte
[Soundcloud] // [Spotify]
Latinx influence on popular music in 2019 is hard to overstate, but most online music discussion seems to circle back to maybe five different artists. Bad Bunny and Rosalia are certainly progress…
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By Sowing
Wednesday January 8, 2020
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50-31 | 30-11 | 10-1 | EP/Live/Compilation
[Official site] // [Spotify]
Sonic Citadel is a timely reminder of exactly how much colour and joy can be packed into a solid noise rock album. While last year’s big name releases in that field (Daughters and KEN Mode) were harrowing and monochromatic, Lightning Bolt smash their way through every note as though they’re having the time of their lives. It’s still heavy as hell – “Blow to the Head”‘s opening notes mean business from the word go — but Sonic Citadel is less a merciless beatdown than a raucous stomp — along with an open invite for all your friends and family. “Air Conditioning” explodes all over the shop, “Halloween 3” drops riffs like spare change, “Big Banger” does just that, “All Insane” is a cute melodic shuffle, and “Van Halen 2049” is the most conclusive proof since Melt-Banana’s Cell-Scape that a band this proficient can do whatever the hell they like for ten minutes at the end of a solid record without incurring the slightest flack for it. Not from me, at any rate. Anyhow, with its glib track names and distorted deadpan vocals both well placed for a further wry touch, Sonic Citadel is a thoroughly competent album pulled off with a keen sense for craft and consumption alike. –JohnnyoftheWell
29. Jimmy Eat World – Surviving
[Official site] // [Spotify]
Emo bands aren’t known for ageing gracefully…
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By Sowing
Tuesday January 7, 2020
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50-31 | 30-11 | 10-1 | EP/Live/Compilation
[Bandcamp] // [Spotify]
In case you couldn’t tell from that gloriously stupid band name, Prince Daddy are a bit of an audacious bunch. Cosmic Thrill Seekers is the most ambitious emo release of the 2010s and can be counted as one of the best, too. Hung loosely on a narrative framework of watching The Wizard of Oz while tripped out on acid, this really just gives the band free rein to try pretty much anything they’d like. The fact that it results in a blissed-out masterpiece instead of a drug-addled mess instantly places Prince Daddy as one of the premier bands to watch in any genre. Combining Weezer-esque power-pop, outbursts of atonal punk outrage, and glistening emo theatrics, Cosmic Thrill Seekers deserves to be just as fondly remembered and endlessly influential as the likes of Whenever, If Ever or Nothing Feels Good Anymore within the always outwardly expanding genre of emo. –Slex
[Official site] // [Spotify]
Following on from the growing pains of the transitional Dark Bird Is Home, I Love You. It’s A Fever Dream. might just be Kristian Matsson’s most accomplished release yet. While it isn’t as raw or effortless as the landmark 2011 album The Wild Hunt, it’s exponentially more layered, musically and otherwise. There’s a juxtaposition of warm and weightless wide open space being…
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By Sowing
Monday January 6, 2020
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Here’s a list of major new releases for the week of January 10, 2020. Please feel free to request reviews for any of the following albums from staff and/or contributors.
– List of Releases: January 10, 2020 –
Alexandra Savior: The Archer
Genre: Indie Pop/Dream Pop/Psychedelic
Label: 30th Century
Apocalyptica: Cell-0
Genre: Classical/Metal
Label: Silver Lining Music
Beach Slang: The Deadbeat Bang of Heartbreak City
Genre: Punk/Emo/Indie-Rock
Label: Bridge 9
The Big Moon: Walking Like We Do
Genre: Indie-Pop/Indie Rock
Label: Fiction
Brothers Of Metal: Emblas Saga
Genre: Power Metal
Label: AFM
Brunori Sas: Cip
Genre: Indie-Pop/Folk
Label: Universal Italy
Circa Waves: Happy
Genre: Indie-Pop/Indie-Rock
Label: Prolifica Inc.
Craven Faults: Erratics & Unconformities
Genre: Electronic/Dance
Label: The Leaf Label
Echosmith: Lonely Generation
Genre: Indie-Pop/Alternative Rock
Label: Echosmith LLC
Field Music: Making a New World
Genre: Indie-Pop/Indie-Rock
Label: Memphis Industries
Georgia: Seeking Thrills
Genre: Electronic/R&B
Label: Domino Recording Co
Haru Nemuri: Fanfare
Genre: Pop/Hip-Hop/Noise Rock
Label: C62
Lotus Thief: Oresteia
Genre: Ambient/Doom Metal/Post Metal
Label: Prophecy
Poppy: I Disagree
Genre: Pop/Experimental/Electronic
Label: Sumerian Records
Public Memory: Illusion Of Choice
Genre: Electronic/Post-Punk/Post Rock
Label: felte
![Wings of Rage [Explicit]](https://m.media-amazon.com/images/I/81r4htTaIqL._SS500_.jpg)
Rage: Wings of Rage
Genre: Power Metal/Thrash Metal/Progressive Rock
Label: Steamhammer
![Rare [Explicit]](https://m.media-amazon.com/images/I/51BM9CYkF3L._SS500_.jpg)
Selena Gomez: Rare
Genre: Pop/Electronic
Label: Interscope
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By staff
Monday January 6, 2020
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This is part of a hopefully ongoing series in which I dissect the previous decade using media as a lens. As a first installment this is old, written about a year ago, and was published elsewhere on a website now defunct. I hereby resurrect it here, warts and all. Next installment: how The National Fucked Us Over. Cheers. Shaka.
Those of a conspiratorially-minded constitution will probably already be aware of this, but a particularly bizarre one – as with all the good ones, it doesn’t have so much of an urtext but is rendered in variations the lucidity of which depends on your interlocuters sobriety or lack thereof, or how frequently they starting gumming themselves – involves the C.I.A. using what we now term “identity politics” to stifle proliferating socialist movements in 1970’s America. As with all good conspiracy theories, there’s more than a kernel of truth to it. Declassified documents reveal a sinister level of adroit manoeuvring by intelligence agencies on this front: when Black rights, Queer rights and Women’s rights movements throughout America were reaching peak agitation levels, Intelligence agencies didn’t stoke the fire exactly – but they did see a way it could be weaponised against the most unholy of Evils, Communism. It wasn’t as simple as sending a conventionally beautiful woman with a mission of collapsing socialist rhetoric to a women’s rally, although there was that. They augmented this predictable approach by bringing out the agent provocateurs. To those galvanised by the prospect of much-needed equality…
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By staff
Thursday January 2, 2020
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25 – 11 | 10 – 1
10. Earth Tongue – Floating Being
Genre: Heavy Psych/Fuzz | [Bandcamp]
Marrying the sound of bands like Big|Brave or True Widow with the imagery of Dr. Who (the connection makes a lot of sense in my head somehow), this couple from New Zealand were one of my most precious discoveries this year. Heavy fuzz, with emphasis on heavy, splattered with psychedelia, prog rock, and vocal acrobatics. In just 30 minutes, Gussie Larkin (also of psyche pop act Mermaidens) and Ezra Simons will take you on a journey through microscopic worlds and galactic wonders unlike anything you’ve seen. –Dewinged
9. Rachael Roberts – Rachael Roberts
Genre: Country/Folk | [Official site]
I’ve barely spent enough time with this record to be repping it this much, but needless to say I was immediately captivated by this hidden gem. If you’re someone who can accept its instantaneous turns between forlorn indie folk, straight-up country, and expansive alternative rock (and sometimes all three at once), then look no further. Roberts manages to spin all these contradictory elements into something that might not be wholly cohesive, but sells each individual feeling as true and exciting from moment-to-moment. So let’s make a deal: I’ll give this a few more listens while I give y’all a chance to catch up and get on this! –neekafat
8. Polo
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By staff
Wednesday January 1, 2020
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25 – 11 | 10 – 1
25. Homeshake – Helium
Genre: Indie Pop/Psychedelic | [Bandcamp]
When I think ‘under the radar,’ the words “underrated” and “underappreciated” are obviously synonymous. Still though, this album is a pretty hard sell with that abysmal 2.6 average, but I find it hard to discern the clear drop in quality between Helium and, say, Fresh Air or Midnight Snack that is apparently worth a full Sputnik point. I digress, ratings can hardly shake my appreciation for this smooth, wistful journey into the trendy psychedelic-pop waters, abandoning most guitars and live instrumentation for chime-like synth leads and coalescing colorful harmonies. Sure, it sounds a bit bare and even incredibly easy to replicate, yet the simplistic melodies and Homeshake’s knack for toeing the line between whiny and airy vocal lines help solidify the very original “milkshake for your home” sound. There’s also a coldness found within tracks like “Other Than” and instrumental rap-fusion highlight “All Night Long”, yet the eerie atmosphere tends to entice me rather than shock. The best surprise, however, comes in the form of a “(secret track)”, finally bringing back the warm, fluttering guitar for a simple yet evocative riff destined to reverberate within those chill nights on the couch with Mary Jane. Although it’s nothing extremely spectacular, it’s truly an album that is getting a lot of quiet hate, making it my 2019’s most…
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By Sowing
Sunday December 22, 2019
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One decade down, another on deck.
It’s almost surreal to remember reading this site’s 2000-2009 decade list like it was yesterday, and now be a part of the new one that’s on-deck. And just as clearly, I remember turning the page to the 2010s, with the likes of Titus Andronicus’ The Monitor, The Tallest Man on Earth’s The Wild Hunt, Kanye West’s My Beautiful Dark Twisted Fantasy, and Deftones’ Diamond Eyes all – among others – making early splashes. It’s weird to think that we’re all on the precipice of repeating that. What will 2020 bring? Surely at least a few releases that we’ll still be talking about in December 2029.
Decade milestones are huge, especially for time spent on a website. I’ve been here going on 12 years and there are others who have been here even longer. It’s caused some reflecting on my part, and I’ve put some serious thought into how I want to approach the next decade. As such, I’m going to put out a few “new decade resolutions”:
-> Stricter Rating: I’ve had as much fun as anyone handing out 4.5’s and 5’s to everything I enjoy, but the time to put things in perspective is long overdue. I’m not sure how this will impact my historical ratings and reviews, but moving forward I plan to reestablish some credibility to my assessments. I take pride in my writing and now I want my scores to reflect that. Expect future reviews/ratings to adhere much more closely…
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