Here’s a list of major new releases for the week of February 24, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. Calvin Klein Tanga As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Genre: Indie-Rock/Experimental // Label: Domino Recording Co Ltd
Background:
For a decade now, Brooklyn-based experimental rockers Dirty Projectors have been providing an unconventional listening experience. Their penchant for throwing odd time signatures, thumping bass lines, mesmerizing vocals, and electronic elements into a blender and seeing what comes out the other side has yielded surprisingly consistent results – especially considering their brazen exploration of any and all things weird. Bitte Orca became one of their most well received albums in 2009. Boxer Calvin Klein Al Mayor After developing some pop sensibilitiesto match their burgeoning experimental energy with 2012’s Swing Lo Magellan, their music became the perfect blend of what was interesting and what made sense. The band’s self-titled record not only marks another step in that direction, but it also makes a hefty push towards the artsy offerings of peers like Justin Vernon.
Here’s a list of major new releases for the week of February 17, 2017. Tangas Calvin Klein Baratos Please feel free to request reviews for any of the following albums from staff or contributors. Calvin Klein Ropa Interior Hombre As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
– Full List of Releases: February 17, 2017 –
The Away Days: Dreamed at Dawn Genre: Indie-Pop // Label: Pasaj
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Battle Beast: Bringer Of Pain Genre: Heavy Metal // Label: Nuclear Blast
Here’s a list of major new releases for the week of February 10, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Teen Daze: “Themes for Dying Earth”–
Genre: Electronic/Ambient Dream Pop // Label: Flora
Background:
“Pastoral Ambience” is how many have referred to Teen Daze’s sound; a fusion of ethereal pop vocals with layered synths, sampled sounds, and heavily filtered acoustics. If Jamison Isaak and his surrounding project earned this reputation on 2013’s Glacier, then the latest offering is sure to cement their niche as one of the most gorgeous-sounding ambient indie-pop acts around. With tightly crafted hooks and subtle remnants of chillwave and shoegaze flowing effortlessly, Themes for Dying Earth is an album you should probably listen to while laying down in the grass; staring up at the sky with a good set of headphones to reveal every small intricacy that this stunning record has to offer.
Listen to Teen Daze’s’ effervescent opening number, “Cycle”:
– Full List of Releases: February 10, 2017 –
Andrew McMahon In The Wilderness: Zombies On Broadway
Genre: Pop // Label: Vanguard Records
Disclaimer: I’m no Depeche Mode expert. My experience with them is pretty much limited to the famed Violator, as well as a few singles here and there. That didn’t stop the band’s latest single, “Where’s The Revolution”, from capturing my interest immediately though. It’s tough not to notice when a band comes out of nowhere to capture the essence of everything that’s been going on in the world, effortlessly, as if it’s just one sentence out of an entire novel that they’re ready to heave our way this March . But my God, what a statement this is.
If Bob Dylan scored our parents’ anti-war sentiments of the 60s during Vietnam, and Green Day’s American Idiot reigned in a whole new generation of political punks during the post-9/11 hysteria, then there is certainly a musical void to be filled with regards to the chaos going on right now in America and across the world. I can’t know beyond a shadow of a doubt what this song’s intentions are – much less what the entire album will dictate – but there’s no way in hell that Depeche Mode wasn’t aware enough of their surroundings to know how this song would be perceived. So if it aims to capture the essence of the confusion, anger, and fear of Trump’s America, then it succeeds in every imaginable way.
I’m not aiming to take a political stance here either, because whatever side of the spectrum you…
Here’s a list of major new releases for the week of February 3, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: The Menzingers: “After The Party”–
Genre: Punk // Label: Epitaph
Background:
Punk group The Menzingers release their 5th LP this Friday, on the heels of some pretty damned consistent critical praise. If the singles are any indication, this will be one of their most explosive, passionate, and melodic releases to date. Already garnering a 4.3 average across 25 user ratings, After The Party is clearly Sputnikmusic’s most anticipated release this week. If you’re new to the party – pun intended – check out the album’s heartfelt title track below.
Listen to The Menzingers’ title track for After The Party:
– Full List of Releases: February 3, 2017 –
Andy Suzuki & The Method: The Glass Hour
Genre: Pop Rock // Label: self-released
What began as an idea to post on a quarterly basis has evolved into something of a whenever-I-please due to an influx of excellent indie/alternative tracks and a need for me to document them all in one place. There’s no specific timetable for this continuing blog, but every time my queue of interesting, upcoming alt/indie tracks starts to get high I’ll just purge them onto my spotify list and share with the Sputnik community (joy!).
As I mentioned, these are all singles or tracks that have been officially released, but have not seen their respective EPs/Albums actually drop yet. This gives readers the opportunity to keep with the best new and upcoming indie releases as they happen. And you know you’re getting nothing but the best, because I’m picking the songs. I hear Train has an album coming out in 2 days, so get hyped.
Anyway, for installment #2 we see both Dude York and Temples – who are becoming my darling “under the radar” indie-rockers this year – make a return (both were featured on Indie Corner #1). The playlist also features new material from the likes of Spoon, Minus The Bear, Father John Misty, Conor Oberst, Dirty Projectors, Peter Silberman, and Real Estate. If you don’t already have a Spotify account (like seriously?), get one and then follow me. I have 16 dedicated followers so you still have time to get in good with me before…
Here’s a list of major new releases for the week of January 27, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Cloud Nothings: “Life Without Sound”–
Genre: Lo-Fi Indie-Rock // Label: Carpark Records
Background:
On Life Without Sound, Cloud Nothings drop their 4th LP with a slight shift in dynamics. Their scrappy lo-fi brand of punk appears to now be incorporating a melodic indie-rock aesthetic, and the results are often breathtaking. It won’t win over each and every diehard fan, but Life Without Sound still represents an important step outside of the band’s comfort zone that should help them earn more recognition while continuing to expand upon their sonic arsenal. Don’t miss out on Hype Machine’s stream of the new record, while those of you looking for a quick sample can listen to ‘Modern Act’ below.
Listen to Cloud Nothings’ uncharacteristically melodic “Modern Act”:
– Full List of Releases: January 27, 2017 –
Allison Crutchfield: Tourist in This Town
Genre: Pop Punk // Label: Merge
Here’s a list of major new releases for the week of January 20, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: AFI: “AFI (The Blood Album)”–
Genre: Punk/Alt-Rock // Label: Concord Music Group, Inc.
Background:
AFI (A Fire Inside) have a storied history as one of punk’s most long-lived and influential bands. As they find themselves now ten albums deep into their career, what should we be expecting from AFI (The Blood Album)? Even the most hopeful of fans know another Black Sails in the Sunset or Answer That and Stay Fashionable isn’t in the cards, because quite frankly the band is in its third decade and its members reside at a totally different juncture in their lives. The material released in advance of The Blood Album yielded singles with a sound more darkened, yet equally as melodic and accessible as – say – Crash Love. Thus, a more realistic target for this record may be a return to the band’s early 2000’s punk/emo heyday, something along the lines of Sing The Sorrow. It remains to be seen if the band will match the passion and energy of that era, but songs like ‘Snow Cats’ are a good indicator of what to expect. Give it a…
“I’ve got no right to be depressed,” whines Will Toledo on Teens of Denial‘s cerebral and prescient opener, “Fill in the Blank”. In it, he complains about nothing in particular, lamenting nothing whilst refusing to form an intelligent or informed opinion on anything. In many ways, he’s symptomatic of white, liberal, twenty-something naval-gazing, always finding problems but never caring to see if there’s solutions. But, in denying the illegitimacy of his malaise, and proclaiming with a sort of disenfranchised aplomb that he indeed ‘has a right to be depressed,’ Toledo flips the narrative; he welcomes introversion and entertains its possibilities. It becomes the central thesis of Teens of Denial, kicking against the little things with a sincerely sarcastic bent. Toledo writes bedroom pop songs around knotty compositions, exercising guitar theatrics whilst never emerging from his humbled performance style. In effect, he’s living a maladaptive daydream, wherein his lonely nights become cathartic rock concerts, celebrating his emotional fragility whilst having at least one foot on the distortion pedal. If you’ve ever spent a Saturday night at home, then you’ll recognize the sound. –Elliott
There are some questions as to why 3 Demos, Reworked even exists. Was it a hastily-recorded fixer to smooth over the grumblings when LP5 was delayed once again? Or was it planned out in advance, part of a bigger scheme leading up to whatever Brand New have in store for 2017? The cynic in me thinks the former, but the music on display seems to bear up the latter. 3 Demos is the tightest, least-forced music we’ve heard from Brand New since Daisy, and the fact that the songs are more than ten years old doesn’t seem to hurt that in the least. “Brother’s Song” and “1996” are clean, crisp and beautiful, with the former’s raw acoustic appeal translating weirdly well to a full-band electric version. “1996” has definitely changed the least, with Lacey’s best Morrissey impression still in the forefront amongst some of the finest and most cynical lyrics he’s ever penned. Only “Missing You” is a dud, with the original’s dirty electronic drive totally lost amongst the too-polished, too-slow reinterpretation. But “Missing You” doesn’t stop this being one of the stronger EPs of the year, and hopefully a sign that Brand New are getting back in the headspace that gave us The Devil and God… all those years ago. –Rowan
Jimmy Eat World perhaps saw the biggest return to form of any artist this year. After three albums passed and faced mixed reception from fans and critics alike, Jim Adkins took a step back and dove into more personal lyricism, with the band following suit. There is a lot more emotion in everything this time around without feeling like they are trying too hard, and Jim replaces the “you”s that he has been singing about since Bleed American and replaces them with “I”s. While the album dives into some territory the band have previously delved into – such as the incredible post-rock bridge of “Sure and Certain” and the swaying acoustic ballad of “The End is Beautiful” – there is something new to be found, such as the progressive rock conclusion of “Pass the Baby”. If there are any doubts about the band’s ability to write strong material, the final two tracks could go down as some of their best. Integrity Blues sees the return of Jimmy Eat World to their absolute potential, showing that maybe the best has yet to come. –Hogan
Here’s a quick look ahead at a handful of Q1 Alt/Indie tracks that have caught my ear in advance of their respective album’s release. If this is any indication, 2017 is going to be a vibrant year for electronically-influenced indie-pop and indie-rock, with the likes of The Flaming Lips, The xx, Dirty Projectors, and Temples shaping up this sheerly-for-shits-and-giggles compilation. I randomized the playlist’s order though, so there’s still a solid mix of more down-to-earth material, like Japandroids and Cloud Nothings.
Every song on this playlist is taken from an album that will be released between now and the end of March 2017. Give it a spin, skip around a little, or ignore it and go listen to something m/ as fuck. I just hope you give this a chance and perhaps discover a few new artists that you enjoy in the process.
Will probably return to this to do a Q2 playlist in due time. Enjoy!
Welcome back to Sputnik’s weekly news! After a short break we’re happy to be posting for the first time in 2017, on the prowl for the year’s best releases in every genre. For each album, you’ll be able to peruse the artwork, genre(s), label information, and any existing full album streams. This is our list of major new releases for the week of January 13, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews, links will appear below the art work so that you can read about the release, see how we scored it, and more. Enjoy!
–Featured Release: The Flaming Lips: “Oczy Mlody”–
Genre: Psychedelic/Experimental // Label: The Flaming Lips
Background:
The Flaming Lips just keep getting weirder, which in the field of music is a hefty compliment. The experimental band releases their follow-up to 2013’s The Terror this Friday, although the albums feel further apart in time than the four years that actually separate them. It’s been a dizzying time for fans – first there was the 24-hour track 7 Skies H3, then we witnessed them cover The Beatles’ iconic Sgt. Pepper’s Lonely Hearts Club Band album in its entirety, which featured a slew of guest musicians ranging from My Morning Jacket to Miley Cyrus in a cleverly titled homage With A Little Help From My Fwends. In short, this isn’t a group of musicians…
With names such as Aaron Turner, Brian Cook, and Nick Yacyshyn at the helm, there’s no doubt SUMAC were born to create thunderous music. Few bands can make such a massive sound with only three members. What One Becomes sees their brand of sludge become less riff-oriented and move more towards a plodding, pummeling approach. SUMAC aren’t content to stay at one tempo though; the band are just as comfortable pounding out menacing chords in separate octaves as they are launching into breakneck passages or suddenly giving way to spacey, fuzzy moments. This behemoth of a record is out to crush you, and Kurt Ballou’s production ensures it’s as organic-sounding as they come. –RogueNine
Some might argue that Devin Townsend is practically a god in the music industry. Ever since his debut album, Townsend has been creating some of the most surreal and entertaining music over these last twenty years, ranging from the modern pop-metal routines of the Devin Townsend Project albums to his more aggressive days in Strapping Young Lad. Transcendence is, in a way, the culmination of some of his best ideas thrown together into one hour-long record. While it certainly isn’t as reliable on…
What started as an ambitious project became a jaw-dropping odyssey that got bigger and better with each act. Undoubtedly, The Color Spectrum – and even Migrant to a certain extent – have helped expand mastermind Casey Crescenzo’s sonic horizons, so when the band returned to the Acts and released IV, the diversity level was considerably higher. The break felt necessary to keep their relevancy at an all-time high. Moreover, nobody expected to listen to the follow-up one year later, yet here it is in all its splendor. While it was written and recorded at the same time, this shares a different atmosphere.
Story-wise, Act V finds the protagonist (“The Boy”) during his last days, incapable to mend the wrongs he’d done during his ego-tripping. Plotting revenge on his nemesis (“The Pimp and the Priest”), the consequences lead to his imminent death. Such dramatic events call for a matching soundtrack, and The Dear Hunter deliver. From pop, rock, and Americana leanings to swing or folksy cuts, the tunes are constantly complemented by an entire orchestra, which sometimes takes the forefront, too. Building up to the grand finale, we arrive at it with “A Beginning”, an amazing and touching coda to this brilliant album. Acting both as an end and as a new start (as…
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