On the third round of interviews, I’ve received the opportunity to pick at ‘ol Young Bloon, resident Ween fan #2 and devoted Goofcore (what is it???) follower. I proceeded to stuff my face with chinese food as he told me his life story and then some, but when it came down to it, Bloon was just like me: another dude on his computer on a Friday night. How did this turn out? Wonderfully…as wonderful as Billywitchdoctor.com showing up at your front door, perhaps. If you want to know Bloon some more, just peep his stellar review for Deen Ween’s Rock2 here.
You won’t like Bloon when he’s angry…
I’m gonna start this off relatively simple, something everybody’s gotta a story for: how did you find Sputnik? Were you forced to sign up one day at gunpoint or were you feeling ~experimental~ in your teenage curiosity? Although, I could be entirely off the mark and you may be some 40-something roleplaying as a teenage boy on the internet….just like my Dateline VHS!
Well, it’s probably more close to the first one. A very good friend of mine, on Sput as BBGames, called me one day on Skype and told me to make an account, saying we could keep track of the albums we listened to. I joined the same day and started rating my CD collection. I’ve only been on the site for a little bit but I am very glad he told me…
Here’s a list of major new releases for the week of March 23, 2018. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Featured Release
McCafferty: YarnGenre: Post Hardcore/Indie/Pop Punk // Label: Triple Crown Records
Mixing pop punk, post hardcore, and a little bit of indie rock, McCafferty are back with their latest release, Yarn. Picking up right where they left off, “Loser” is short, catchy, and features everything the band is known for; twisted, humorous lyrics and catchy, upbeat poppy post hardcore.
“Loser”:
– Full List of Releases: March 23, 2018 –
The Absence: A Gift For the Obsessed
Genre: Melodic Death Metal // Label: M-Theory Audio
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Blessthefall: Hard Feelings
Genre: Metalcore/Post Hardcore // Label: Rise Records
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Here’s a list of major new releases for the week of March 16, 2018. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
– Full List of Releases: March 16, 2018 –
Alva Noto: Unieqav
Genre: Electronic // Label: NOTON Records
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Bill Frisell: Music Is
Genre: Jazz // Label: Sony Masterworks
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Bishop Nehru: Elevators Act I & II
Genre: Rap // Label: Nehruvia LLC
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The Crown: Cobra Speed Venom
Genre: Thrash/Melodic Death Metal // Label: Metal Blade Records
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The Dean Ween Group: Rock 2
Genre: Alternative/Pop Rock // Label: Schnitzel Records
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The Decemberists: I’ll Be Your Girl
Genre: Alternative // Label: Capitol Records
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Earthless: Black Heaven
Genre: Psychedelic/Jam Rock // Label: Nuclear Blast Records
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Eyes Of The Sun: Chapter I (Reissue)
Genre: Doom/Sludge // Label: Metal Blade Records
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The Fratellis: In Your Own Sweet Time
Genre: Alternative/Indie Pop // Label: Cooking Vinyl
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Hot Snakes: Jericho Sirens
Genre: Punk/Post Hardcore // Label: Sub Pop Records
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Yet again, the review competition featured some fine entries in which I had to sit for a moment to evaluate my options. This time around, I had the pleasure of chatting it up with granitenotebook, who won the competition with his review of DJ Taye’s Still Trippin’, which you can read here.
(And to anyone interested in future iterations of the competition, I’ll further emphasize this aspect of the game: it’s bi-weekly. The next competition will take place on the week of March 16th. This allows for a week’s time for all entries and for me to not get burnt out on the process. A winning strategy hopefully? Now, on to the interview…)
Look, I could make a shitty joke here but I got nothin’.
…uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh so to start things off (along with congrats on winning this review comp) how did you stumble upon the website? Was it by curiosity or was it due to Wikipedia citing some bad 2006 staff review?
Thanks, I actually don’t remember. I got here around 2013, lurked for a while, and then made an account in 2014 when I wrote a review I thought was good enough to publish (a tbt of Since I Left You (Avalanches), which kind of destroyed the point), but I don’t actually remember what led me to finding a website that didn’t even focus on the kind of music I liked at the time. it happened…
Here’s a list of major new releases for the week of March 9, 2018. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Featured Release
Between the Buried And Me: Automata I Genre: Progressive Metal/Metalcore // Label: Holy Roar Records
Background:
Between The Buried And Me is a progressive metalcore band that has been wowing the easily wowed for years. If BTBAM is your thing, then prepared to be wowed once more because Automata I is definitely the best thing they’ve done since their last thing.
“Condemned To The Gallows”:
– Full List of Releases: March 9, 2018 –
Albert Hammond Jr.: Francis Trouble
Genre: Indie Pop/Indie Rock // Label: Red Bull Records
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August Greene: August Greene
Genre: Rap/Hip Hop // Label: August Greene LLC
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Between The Buried And Me: Automata I
Genre: Progressive Metal/Metalcore // Label: Sumerian Records
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Conjurer: Mire
Genre: Technical Death Metal // Label: Holy Roar Records
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David Byrne: American Utopia
Genre: Post Punk/Pop Rock // Label: Nonesuch Records
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Drowse: Cold Air
Genre: Ambient/Shoegaze/Electronic // Label: The Flenser
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Drudkh: They Often See Dreams About the Spring
Genre: Post Black Metal // Label: Season Of Mist
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Hello fellow once-a-year-birthday-havers and welcome to a post that will answer how old people on this website are (or at least those that willingly posted their ages on a sputnik list). So, I surveyed you all to give me more ideas for Statnik, and many of you suggested things I had already done. No worries, the statnik/macman76 cannon is long and it bends toward being sometimes overly detailed and boring and, thus, easy to forget. One thing many of you did not suggest was letting me analyze data you had already collected.
In stepped our hero, Dewinged. He stalked my request list, waiting for the right time to spring on me… that he had asked the sputnik userbase what their birthdays were. So, I scraped the data from his twolists and will definitively answer once and for all what the average age for those 129 users is. And what the median is. And the range. And the standard deviation.
(Data cleaning note: Dewinged seemed unsure of some of the birthdays but I used whatever was listed, I threw out one entry because it involved googling a date, and added the 15th for the day of another since it only listed month and year).
Here’s a list of major new releases for the week of March 2, 2018. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Featured Release
Tech N9ne: Planet Genre: Rap/Hip Hop // Label: Strange Music
Background:
Tech N9ne has been delivering his rapid-fire lyrics over a dark and twisted version of hip hop since 1999. After nearly twenty years of solid releases, Tech N9ne returns with his twentieth release, Planets. First single, “Don’t Nobody Want None”, drops the twisted darkness and delves straight into the classic 80s scene, sounding like a blend of Tech N9ne and Debbie Deb. Throughout the rest of the album you get exactly what you’d expect… Tech’s rapid-fire delivery, multi-faceted, twisted hip hop, and a slew of guest appearances. The difference is Planet is delivered with more conviction than anything he’s done since All 6’s and 7’s back in 2011.
“Don’t Nobody Want None”:
– Full List of Releases: March 2, 2018 –
Andrew W.K.: You’re Not Alone
Genre: Rock/Metal // Label: Sony Music
Check out our Contributor Review of You’re Not Alone.
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Anna Von Hausswolff: Dead Magic
Genre: Experimental/Dream Pop // Label: City Slang
Hello, fellow numbers in a weighted average, and welcome to an investigation of how much weight this site really has. It may come as a shock to you or for some reason you’ve never even considered it, but metacritic collects the ratings from the staff reviews of this very website to make their average scores. Specifically, they convert the rating in the reviews, and they scale them to 100 by multiplying them by 20 (i.e. a 4.6 review becomes a 92 on metacritic). Then, for each particular album with more than 4 scores, they calculate a weighted average. Weights for each publication are assigned “based on their quality and overall stature“, and these weights are not revealed to the public. They include this question in their FAQ:
CAN YOU TELL ME HOW EACH OF THE DIFFERENT CRITICS ARE WEIGHTED IN YOUR FORMULA?
Absolutely not.
I’m fond of weighted averages. For instance, my user-usage adjusted means are weighted averages. They are simple mathematically and conceptually. “Imagine if you got 2 votes and everyone else had 1.” Boom. Weighted average. “Imagine if you got a vote proportional to your wealth.” Boom. Politics around the globe (and a weighted average). The problem with weighted averages (relative to, say, statistical models) is that assigning weights is an arbitrary exercise. For my user-usage adjusted average ratings, I assign a weight of 3 to the count of a user’s reviews, 2 to lists, and 1 to comments
So, with the blessing of those who will not be named though know who they are, our lovely expose on the users of Sputnikmusic shall make a bi-weekly return to no remarkable avail; with little haste on my end, the first of the revived series ended in a crossfire of three reviews that all took a trip to the ~features~ queue, but in the end, TheBoneyKing won an all-expense paid trip to meet yours truly for a one-on-one interview that ultimately revealed Boney’s level of thinking to be far superior to my pea-brained self and by proxy, all of Sputnik. In a way, he really made me think! And with such a fierce appetite for knowledge, Boney has an equally voracious hunger for Indie and Americana (or alt-country idk); his review of Brandi Carlile’s By The Way, I Forgive You can be read here.
~Boney’s true form~
Let’s start with the beginning of the user known to all as TheBoneyKing: how did you come to find sputnik in the first place? What drew you to this wonderfully outdated music website and its community?
I remember when I was first falling down the wonderful rabbit hole that is music, I spent a lot of time reading about albums on Wikipedia and Sputnik reviews would often be linked on those pages. Usually these were klap or SowingSeason reviews due to the kind of music I was exploring at the time. So I was aware…
That moment when you first hear a song, and you can’t fight the beginning of a smile. Uplifting music has sort of become a lost art, at least to me. I’m always searching for the next earth-shattering revelation, as if a song is going to help me understand the universe or something. I don’t often take the time to stop and appreciate the most basic benefit of music: making you feel good.
For me, I don’t ask for much: I just want something upbeat, catchy, and entertaining. I’m not sure why, but lately I can’t seem to stop finding these kinds of tunes – and in places I wouldn’t necessarily expect. These are not radio staples or bangers from female pop stars…they’re mostly intriguing pop-rock tracks from artists that haven’t really made it “big time” yet, which is perfect because it keeps with my theme of discovering under-the-radar music in 2018. Here’s 3 songs that lately have been making me want to dance through the day – or at the very least, be okay with the shitty realities of everyday life.
Enjoy.
(1) Mother Mother – “Love Stuck”
It’s like a ‘Mr Blue Sky’ or ‘You Make My Dreams’ for this generation. I dare you to listen to this and have a shitty day.
Here’s a list of major new releases for the week of February 23, 2018. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Featured Release
Cabal: Mark of Rot Genre: Blackened Death Metal/Djent // Label: Long Branch Records
Background:
Cabal is an upcoming band from Copenhagen, Denmark. Their sound is like a marriage between Meshuggah and Ulcerate with black metal synths. Mark of Rot succeeds because it manages to blend the varying influences into one seamless sound that mixes rhythmic riffs that are huge in sound with an oppressive atmosphere that transitions between black metal and industrial influences. The vocals, too, run the scope from guttural death metal to black metal shrieks.
“Blackened Soil”:
– Full List of Releases: February 23, 2018 –
All The Luck In The World: A Blind Arcade
Genre: Folk // Label: Self-Released
Check out our Staff Review courtesy of SowingSeason.
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Avslut: Deceptis
Genre: Black Metal // Label: Osmose Productions
Stream Deceptis here.
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Cabal: Mark of Rot
Genre: Blackened Death Metal/Djent // Label: Long Branch Records
Here’s a list of major new releases for the week of February 16, 2018. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Featured Release
Senses Fail: If There Is Light, It Will Find You
Genre: Post Hardcore // Label: Pure Noise Records
Background:
Senses Fail started out as an equal blend of pop punk and post hardcore, but with each subsequent album they slowly dropped the pop elements and increased the hardcore. Despite this slow build up, the sound of their fifth album, Renacer, was still a shock for fans. Suddenly, any hint of pop punk or even the friendlier side of post hardcore was missing — Renacer and it’s follow-up Pull The Thorns From Your Heart, were pretty much metallic hardcore with barely any clean singing or catchy choruses to speak of. As much as Renacer was a sudden swing in style, If There Is Light… is just as drastic, but in the opposite direction. Sounding like the golden era of Let It Enfold You and Still Searching, If There is Light… is the return of what most fans probably loved most about Senses Fail — huge hooks, pop punk vocals coupled with hardcore shouts, and enough emotional baggage for any three other people.
TalonsOfFire here – This is the second of a series of staff on staff interviews. Arcade and I decided to keep things conversational, but in the interest of clarity, my posts are bold. Enjoy!
I’m glad to finally see someone else enjoyed the new LCD Soundsystem as much as I did. Why do you think it got such a mixed reaction from so many fans that were initially excited that the band were back?
I’ll be honest, I wasn’t under the impression American Dream was doing too poorly until they cancelled their Australian tour recently and chalked it up to ‘scheduling conflicts,’ or some other code for ‘nobody’s buying.’ It’s especially jarring considering the hullabaloo around a year or 2 ago that made it seem like this was meant to be the next big comeback. Blogs were hyping this as a bigger deal than the Guns n’ Roses reunion, and now here we are, with what is probably their worst album yet.
But (and I hate to say this because it’s actually the stupidest thing to say and doesn’t articulate very much, but whatever I’ll say it anyway) that’s still pretty good, considering Sound of Silver and This is Happening are meant to be classics of that whole David Byrne soundalike New York thing that was inexplicably big about 15 years ago. In that sense, I think American Dream was sufficient synth bullshit for that audience of guys in their 30s with receding hairlines and a evangelical love of New…
The first month of 2018 proved to be a little slow for under-the-radar releases, as it typically is for any music in general. When We Land’s Introvert’s Plight was a pleasant surprise, offering up a very consistent indie-rock record that contained moments of lush folk amidst more sprightly, upbeat melodies. I initially gave that a hype rating of 7 (70%), and it actually earned a 3.8 (76%). On the other hand, EDEN’s Vertigo was underwhelming in just about every way. It did have some unique draw-ins, but they were never successfully strung together in a way that would make it worth revisiting. That album came in just short of it’s 5 (50%) projection, garnering just a 2 (40%) in my recent review of it. All The Luck In The World’s Blind Arcade is still set for a 2/23 release, and it’s very much near the top of my radar. Expect a review for that album soon after it drops!
Anyhow, it’s time for another batch of albums that I have at least some level of interest in. If you’ll recall, I am limiting my 2018 reviewing scope to artists who could be categorically “under-the-radar” – be it on Sputnik or in general. Some of the below artists do have more name recognition that what I’d typically aim for, but none of them are by any means popular and will likely only end up with a handful of reviews across the greater web. Thus, without further ado, here’s Sowing’s Hype Machine…
By 1975 in New York City, the first wave of punk had floated to the top of the underground, seeping into pop culture and making small doomed stars of its first insurgents. CBGB in the East Village had become a bastion of young iconoclasts re-shaping rock music into something decidedly more septic. Both the New York Dolls and Detroit’s Iggy Pop (fresh off the Stooges imploding) had become havoc-prone headliners through the city’s club circuit. And Lou Reed and Patti Smith had been flung onto the ambo as gutter sibyls, performance visionaries who seemed to know something most didn’t. Malcom McLaren had taken the bug across the pond and birthed the Sex Pistols and the fever caught. It was all happening, and new eager bands were springing up like lice. By ’77, in the midst of that mass push to forge froth-mouthed, frenetic rock n’ roll, a small seed of a meta-revolt was brewing inside punk’s inherently meat-headed tendencies. Stray architects who were looking to do away with glam-blam flash and the charming lobotomy of Ramones, to make music that was as agile as it was intellectual, all the while avoiding sounding sterile and over-meticulous, a pratfall that occasionally haunted both Television and Talking Heads. These were young kids who loved both the stylish hollowness of the French New Wave and the undiluted freedom that punk was crawling with before its first commercial take-over. Artists like Richard Hell, David Thomas, Lizzy Mercier Descloux and the like, were chasing the…
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