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Here’s a list of major new releases for the week of September 13, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

Anathema – Falling Deeper (Kscope) — Trey Spencer
Anterior – Echoes Of The Fallen (Metal Blade Records)
Anthrax – Worship Music (Megaforce)
Anubis Gate – Anubis Gate (Nightmare Records)
Apoptygma Berzerk – Black EP vol 2 (Metropolis Records)
Arch/Matheos – Sympathetic Resonance (Metal Blade Records) — Trey Spencer
Astronautalis – This Is Our Science (Fake Four Inc.)
Katy B – On a Mission (Columbia)
Blitzen Trapper – American Goldwing (Sub Pop)
Blondie – Panic Of Girls (Noble ID, LLC)
Bronze Nazareth – School for the Blindman (iHipHop Distribution)
Bush – The Sea Of Memories (Entertainment One Music)
Kathryn Calder – Bright And Vivid (FILE UNDER MUSIC)
CANT – Dreams Come True (RED GENERAL CATALOG)
Cephalic Carnage – Lucid Interval [Reissue] (Relapse)
Alice Cooper – Welcome 2 My Nightmare (Universal Music Enterprises)
Das Racist – Relax (RED GENERAL CATALOG) — Tyler Fisher
The Devil Wears Prada – Dead Throne (Ferrett Records)
Diary Of Dreams – Ego:X (Metropolis Records)
Download – FiXeR (Metropolis Records)
Dream Theater – A Dramatic Turn of Events (Roadrunner Records) — Trey Spencer
The Drums – Portamento {UK} (Universal UK)
Edguy – Age Of The Joker (Nuclear Blast)
Girls – Father, Son, Holy Ghost (True Panther Sounds)
God Module – Séance (Metropolis Records)
Imperative Reaction – Imperative Reaction (Metropolis Records)
The Jezabels – Prisoner {AU} (MGM Australia)
The Kooks – Junk of the Heart (Astralwerks)
Lady Antebellum –


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Agua de Annique – Feel Alive [Official Music Video]

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Anneke van Giersbergen is working on what is presumably the third album from her band, Agua de Annique. Of course it’s hard to tell for sure how it’s going to be released since sometimes her music is titled as just Agua de Annique, and other times it’s Anneke van Giersbergen featuring Agua de Annique. I guess she’s not really sure whether she wants to be part of a band or a solo artist. On the other hand, if this video is any indication, it’s solo artist all the way. The song is typical of what Anneke has been doing lately — alt. rock with an electronic undercurrent. It’s not bad and I’m sure the new album will be great, but the video is actually kind of boring. If you’re going to have the whole video be of you topless, at least tease a little 😉


Times are tough… Unless you are in the music industry yourself (or a retired millionaire), it is difficult to attend every single gig that passes through town. Local acts will usually give you multiple opportunities – sometimes in the one year – to see them, but when it comes to international outfits, who knows when they will be back around your parts again. Favored acts are usually given the benefit of the doubt, and so was the case with Floridian rockers Anberlin early in 2011, when yours truly saw them twice in the same week (Soundwave Festival & headlining sideshow). So when the Stephen Christian led quintet announced that they would be touring Australia once more in August, I met the revelation with ambivalence. I mean, it was not as if they had released a new album in the meantime, and simply throwing “An Evening With…” on the tour poster did little for me initially. Surely, they had to woo fans some other way. And that they did!

First up – and the only support act of the night – were Sydney pop-punkers Tonight Alive. Having been impressed by the quintet at a previous supporting performace, their placement on this show was most definitely a pleasing one. As per usual, charismatic front-woman Jenna McDougall was handing out lessons on the art of smiling, while woo’ing all the (ummm) gentlemen in attendance with a Led Zeppelin t-shirt covered by a flannel shirt. Looks really are not an issue with Jenna,…


Here’s a list of major new releases for the week of September 06, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

Am & Shawn Lee – Celestial Electric (ESL Music)
Anathema – Falling Deeper {UK} (Kscope) — Trey Spencer
Asa – Beautiful Imperfection (Naive)
Aidan Baker – Tonstreifen (Self Released)
Lindsey Buckingham – Seeds We Sow (Buckingham Records)
The Chemical Brothers – Hannah Soundtrack (Relativity Music Group)
Cipher System – Communicate The Storm {EU} (Nuclear Blast)
Einherjer – Nørrøn {EU} (Prosthetic Records)
The Front Bottoms – The Front Bottoms (Bar None Records)
The Horrible Crowes – Elsie (Side One Dummy) — Jom
Jessy J – Hot Sauce (Heads Up)
Grace Jones – Hurricane (Play It Again Sam)
Hugh Laurie – Let Them Talk (Warner Bros.)
Pistol Annies – Hell on Heels (Sony Nashville)
Princess Chelsea – Lil’ Golden Book (Lil’ Chief Records)
The Rapture – The Grace of Your Love (RED GENERAL CATALOG)
Tom Russell – Mesabi (Shout Factory!)
Samiam – Trips (Hopeless Records)
George Strait – Here For A Good Time (MCA Nashville)
Luke Temple – Don’t Act Like You Don’t Care (Western Vinyl)
Thrice – Major/Minor [Digital Only] (Vagrant Records) — Adam Thomas
Trek Life – Wouldn’t Change Nothing (Mello Music Group)
Darlene Zschech – You Are Love (COLUMBIA)

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The Chemical


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Insomnium – Unsung


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“Unsung” is taken from Insomnium’s upcoming album, One For Sorrow. The album will be released on October 17th in Europe and one day later in the United States. Apparently, the song is one of the faster, heavier tracks from One For Sorrow — an album that the press release describes as diverse. Personally, I truly hope that the album is diverse because this song sounds like it could have come from any of their previous album (minus the token clean singing). If there is one positive that I heard, it’s that the growls sound more powerful this time around.


Here’s a list of major new releases for the week of August 30, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

Anterior – Echoes Of The Fallen {EU} (Metal Blade)
Beirut – The Rip Tide (Pompeii Records) — Kiran S.
Blood Orange – Coastal Grooves (Domino)
Bombay Bicycle Club – A Different Kind Of Fix {UK} (Island UK)
Braille – Native Lungs (Humble Beast)
Glen Campbell – Ghost On The Canvas (Surfdog)
Cobra Starship – Night Shades (Fueled By Ramen)
Committed – Committed (Epic)
Cymbals Eat Guitars – Lenses Alien (Barsuk)
Mike Doughty – Yes And Also Yes (RED GENERAL CATALOG)
Juliana Hatfield – Speeches Delivered To Animals And Plants (Ye Olde Records)
Hella – Tripper (Sargent House)
I Break Horses – Hearts (PID)
Jacuzzi Boys – Glazin’ (HARDLY ART)
Tommy Keene – Behind The Parade (SECOND MOTION)
Killinger – Killinger (Red Distribution)
Kittie – I’ve Failed You (Entertainment One)
Lenny Kravitz – Black And White America (Roadrunner Records)
The Latebirds – Last Of The Good Ol’ Days (SECOND MOTION)
Lil Wayne – Tha Carter IV (Cash Money) — Tyler Fisher
Rene Lopez – ELS (Nat Geo Music)
Male Bonding – Endless Now (Sub Pop)
The Nightwatchman – World Wide Rebel Songs (New West Records)
The Nocturnes – Aokigahara (The Errant Child)
Jake Owen – Barefoot Blue Jean Night (Sony)
Paranoid Castle – Champagne Nightmares (Fake Four Inc.)
Puddle Of Mudd – Re(disc)overed…


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Anybody who’s known me for more than five minutes knows that I have a bit of a hard on for Irish music (I run a blog exclusively devoted to the stuff here) and those who’ve known me a little longer know that I have a special place in my heart for Irish hip hop, which is nothing like the oxymoron that it initially appears.

Ireland has been producing underappreciated rap for years, going back to the innovative trip hop of Marxman through Scary Eire and modern acts like Messiah J & the Expert, the Infomatics and Melodica Deathship. Unfortunately, the general view of Irish rap is dominated by half-baked acts like House of Pain (though some of Everlast’s solo output is legit) and… well I don’t even know what the fuck this is but it needs to be fucking put down immediately.



With the debut albums of both bands having occupied top 10 spots in my previous two year-end lists, the double bill of Australian rock acts Dead Letter Circus and Closure In Moscow at the Hi-Fi Bar in Melbourne sure looked like an appetizing gig. What would be unbeknownst to me at the time of entry however was that the third act on the bill – Perth outfit Wolves – would make the evening all the more attractive.

Playing a heavy, yet extremely accessible, brand of alternative rock, the quintet distinguish themselves via electric violin player Rachael Aquilina. And while she undoubtedly adds a satisfying sense of melody to proceedings, it would be foolish to overlook her colleagues, all of whom were accomplished on the night. Frontman Adam Burford has an impressive vocal range which can move from a soft croon to a harsh scream in an instant, while Russell Winter’s guitar-work was sporadically impressive. In fact, if there is one area of improvement to be highlighted, it was that Winter too often looked hesitant to steal the limelight from Aquilina. When they worked in tandem, the results were fantastic… As can be heard on Wolves’ lead single ‘Children’:

Often, the major concern with support acts is that they are going to bore the hell out of the majority of the audience who are there to see the headliners. With Wolves having done exactly the opposite, Closure In Moscow were next to step up and keep the…


Left Spine Down – X-Ray

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Left Down Spine have signed with Metropolis Records and are back with their second album of digital hardcore. Those familiar with the band will notice that major changes have taken place since Fighting For Voltage was released in 2008. The band have dropped all of their metal influences and wall-of-sound production in favor of a fun mixture of punk, industrial and electronics. “X-Ray” is the first single from the album, Caution. Caution was released on the 26th of August.


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Exhibit A:

Exhibit B:

Actually Exhibit B is kind of cool but that picture is unforgivable. And I don’t remember Kevin Costner bullying a troll with a fish. Dude was just minding his own business under a tree. Fuck’s sake lads, get it together.

‘Robin Hood’ appears on Edguy’s new album, Age of the Joker, which is scheduled for release on August 26 a.k.a. tomorrow.


(EDIT: Playback must be seen on YouTube due to copyright reasons. It’s worth it!)

It was only a matter of time. The Decemberists’ third single from their new album The King Is Dead features a fantastic video with a finely detailed reenactment of a scene from David Foster Wallace’s mammoth tome Infinite Jest. For those familiar with the book, the legendary tennis academy scene featuring a full game of Eschaton, a sort of thermonuclear war simulation played with tennis lobs, is set to “Calamity Song” (quite the appropriate lyrical choice). Given Colin Meloy’s hyper-literary tendencies, the connection isn’t too surprising, and true fans of the book will have a good time spotting out all the slight references stuffed into each scene. It’s also a damn good looking piece of work.

Now if only the band’s next video somehow recreated “The Entertainment” from the same book, that would be a real treat…


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Rabbit Junk have always been an eccentric band. They’ve been known to mix anything from industrial and black metal to hip hop and hardcore, and this song is no different. “What Doesn’t Kill You Will Make You a Killer” is the first single from the band’s upcoming album (currently untitled). It features the return of the more fun, tongue-in-cheek Rabbit Junk and also the return of Sum Grrl. The song itself is really two parts — the hip hop influenced beginning and the metalish second half. Oh, and the video is pretty cool too.

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Rabbit Junk – What Doesn’t Kill You Will Make You a Killer

Download this song (and another from the album) free here.


Here’s a list of major new releases for the week of August 23, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

Active Child – You Are All I See (Vagrant Records)
Apathy – Honkey Kong (Dirty Version Record)
Zee Avi – Ghostbird (Universal Republic)
Balam Acab – Wander/Wonder (Tri Angle)
Black Tide – Post Mortem (Geffen Records)
Bunnydrums – PKD (Metropolis Records)
Circle Takes the Square – Rites of Initiation (Gatepost Recordings)
CSC Funk Band – Things Are Getting Too Casual (Fat Beats)
CSS – La Liberacion {UK} (V2)
Gabe Dixon – One Spark (Fantasy)
Darondo – Listen To My Song: The Music City Sessions (Omnivore Recordings)
Downhere – On the Altar of Love (Centricity Records)
Edguy – Age Of The Joker {EU} (Nuclear Blast)
The Game – The R.E.D. Album (Interscope)
Ganglians – Still Living (Lefse)
Ghost Brigade – Until Fear No Longer Defines Us (Season of Mist)
Global Noize – Prayer for the Planet (Lightyear)
Trevor Hall – Everything Everytime Everywhere (Vanguard Records)
Hard-Fi – Killer Sounds (Warner Bros UK) — Davey Boy
Hawthorne Heights – Hate (Cardboard Empire)
Heart – Greatest Hits (Audio Fidelity)
Heart-Set Self Destruct – Of Nightmares [EP] (Sound Mine)
ICS Vortex – Storm Seeker (Century Media)
Jorn – Live in Black (Frontiers Records)
Kourosh – Back from the Brink (Now Again)
Krum Bums – Cut The Noose (Century Media Records)
Left Spine Down –…


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It’s been over a decade since One Be Lo first burst on to the Midwest’s hip-hop scene as part of the now legendary Binary Star and he’s still more than alive and kicking. His fourth solo release since the original dissolution of Binary Star, L.A.B.O.R., is due out on September 6th and if its first single “The G.O.A.T.” is any declaration of what’s in store One Be Lo’s powerful wordplay and trade marked murky and soulful beats are back in full form.

http://www.youtube.com/watch?v=o3_JfmBejjw


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Thrice have posted a lyric video (?) to another song from their upcoming album, Major/Minor, entitled “Promises”.

Stupid lyric videos aside, “Promises” shows Thrice continuing in the direction they took on Beggars, away from the experimentation and expansiveness that led to Vheissu and The Alchemy Index. It’s another straightforward, four-minute rock song, and while it’s something that Thrice has done better than anyone for years now, it still feels a little underwhelming to hear them play their cards so close to their chest. Major/Minor is shaping up to be exactly what Beggars was, an album of tight songs that hardly expand the band’s sound palette.

Watch the video below.


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