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[Volume 1] | [Volume 2] | [Volume 3] | [Volume 4]

Thousands upon thousands of albums, EPs, mixtapes, compilations, and songs are released weekly. You might not be aware of the existence of 99% of those releases, but they’re there. So when each song released to the public is simply a drop in a pool that dwarfs even the Pacific Ocean, it can be hard to navigate the current music scene: it’s always moving and impossible to keep up with its speed. That’s where Share Some Singles comes into the picture. This series was formed to highlight songs released in 2017 that might not have been discovered by other listeners otherwise. I, alongside other Sputnikmusic users, have pulled together dozens of singles released in the recent past that we felt needed to be heard by the world. Or at least the Sputnik reader base.

Artists are listed in alphabetical order with corresponding YouTube, Soundcloud, and/or Bandcamp links. A Spotify playlist is also embedded below if the singles are available through that service. Enjoy! –wtferrothorn

ABRONCA – “Chegando De Assalto”

When thinking about abrasive and aggressive hip-hop, one usually imagines some ’90s gangstas, innit? Well, there is a trio of Brazilian ladies that would like to flip you off first, but then also convince you they are just as capable of delivering raw, in your face hip-hop harshness. –UniqueUniverse

The Afghan Whigs – “Demon in Profile”


Here’s a list of major new releases for the week of July 21, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.  As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.


Featured Release: Lana Del Rey“Lust For Life”

Lust For Life [Explicit]

Genre: Indie-Pop // Label: Interscope

Background:

Lana Del Rey’s career got off to a blazing hot start with Born To Die, and despite the subsequent cool off, she’s still a household name in indie-pop.  Ultraviolence was a sultry, dreamlike follow-up that ultimately proved worthwhile, but Honeymoon drew considerably less appeal from fans and critics alike.  Her style hasn’t changed much across the board, which might begin to explain the diminishing return.  With Lust For Life, she vies to recapture some of that initial luster.  For a taste of what is to come, check out her collaboration with The Weeknd below.

 Hear the title track, featuring The Weeknd:

 

 


– Full List of Releases: July 21, 2017 –

 Eucalyptus

Avey Tare: Eucalyptus
Genre: Experimental/Electronic // Label: Domino Recording Co.

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Universal High

Childhood: Universal High
Genre: Psychedelic/Rock // Label: Soundly Music

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Barefoot in the Head

The Chris Robinson


For me, it was “In the End”. Hit play on that sampled piano riff and damn, I’m immediately lost inside a thousand memories; pretty much all of which consist of either trying (and failing) to rap the verses with my high school friends, or sitting in front of the MTV channel wide-eyed, annoying my parents while I waited for that one video with the awesome moving statues in it. Pretty much everyone will have a different jumping-on point, though: were you drawn in by “Faint”, and its hyper-cool video where we only saw the band’s silhouettes from behind? Or “Numb” with that absolute monster of a chorus, potentially even the Jay-Z-ified “Numb/Encore” remix for extra cred? Could be you’re an obsessive fan who trawls through the LPUnderground catalogue in their spare time and names “QWERTY” as their favourite Linkin Park song, or maybe you missed the train on them entirely and roll your eyes at the rest of us buying in on this cheesy rap-rock trend. Wherever inside that spectrum you land, it’s cool, because love them or hate them, it was pretty damn impossible to ignore Linkin Park at the beginning of the new millennium.

It started with Hybrid Theory in 2000, an album that somehow manages to sound fresh and vital despite coming from the heart of the most dated genre to ever exist. It’s all in the energy of the thing, of course – “By Myself” with those copper-wire metallic shrieks, “Papercut”…


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Hello world, and welcome to a first-of-its-kind staff blog, one written by someone with no reviews and pedestrian/almost non-existent music taste. I joined the site when I was trying to find something to fall deeply into, and I thought being the only person I knew that liked Led Zeppelin meant that I could become a SERIOUS music listener. Of course, I failed and, besides a real weak stream of bands I like, I don’t listen to much music. As a result, I stopped regularly visiting the site after maybe 6 months of being a regular commenting member. Nevertheless, I returned to the site because I found a different interest.

Now, I’m not an expert in this kind of stuff. I didn’t actually get a degree in the kind of thing that would make one a said expert. More than anything I’m a diligent and creative googler, the level at which you can fake expertise. I like data. Since I decide I liked data, I have done SERIOUS data guy stuff. I started to keep track of my stats in video games like COD: BO and Rocket League, and I analyzed this here website. (That’s it. There’s not really a third thing, I tried making a tool to help me with a fantasy football draft once, but people were drafting so fast it actually was probably more costly than useful.)

So, as best I could tell, these blogs will go something like this: I’ll write some kind of description of…


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Friends and neighbours, I’ve got a theory. My thinking is this: pop songs, when executed to such a high degree we can basically round up to saying they’re perfect, achieve a level of embedded, canonised love in the minds of the public that no other genre can really hope to accomplish, partly due to pop’s pre-established advantage of being ever-present on radios and TV. In other words: perfect pop songs are better (or at the very least, more effective) than perfect songs of other genres. Of course the very thing that gives good pop songs their boost is the same thing that makes bad ones so insufferable – the fact that radio will pound them into the ground for months after release, their seemingly simplistic or shallow arrangements, and the ability (if not explicit goal) to stay stuck in your head for days on end. Pop has maybe the largest gap of any genre between its good stuff and its “Shape Of You”‘s, and this dichotomy is what causes ‘pop’ to be a dirty word in the minds of many even in the year of our Lorde 2017. But when a tune is done perfectly, with respect to the form and real feeling, it can become a symbol to represent entire periods of time, feelings or entire sub-cultures of people in a way that puts other genres to shame. Go on and have a small list of perfect pop songs, then, and tell me how hard you disagree.

 …

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Here’s a list of major new releases for the week of July 14, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.


– List of Releases: July 14, 2017 –

 Up in Arms

Bloodclot: Up In Arms
Genre: Metal/Hard Rock // Label: Metal Blade Records

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Dear

Boris: Dear
Genre: Drone/Doom Metal // Label: Sargent House

Stream Dear here.

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Kaleidoscope EP

Coldplay: Kaleidoscope EP
Genre: Pop // Label: Parlophone Records

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Emerging Adulthood

Dan Croll: Emerging Adulthood
Genre: Indie-Pop/Electronic // Label: Dan Croll

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Times Infinity Volume Two [Explicit]

The Dears: Times Infinity Volume Two
Genre: Alternative Rock/Experimental // Label: Dangerbird Records

Stream Times Infinity Volume Two here.

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Juniper Road

Dishwalla: Juniper Road
Genre: Alt-Rock/Indie-Rock// Label: Pavement Music

Stream Juniper Road here.

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Cosmic Man

Ewigkeit: Cosmic Man
Genre: Black Metal // Label: Svart Records

Stream Cosmic Man here.

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Return to the Void

Execration: Return To The Void
Genre: Death Metal // Label: Imports

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Nightmare Future [Explicit]

Expulsion: Nightmare Future
Genre: Thrash Metal // Label: Relapse

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Howling, for the Nightmare Shall Consume

Integrity: Howling, For The Nightmare Shall Consume
Genre: Hardcore/Metalcore // Label: Relapse

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Soft Sounds from Another Planet

Here’s a list of major new releases for the week of July 7, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.  As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.


Featured Release: Broken Social Scene – “Hug of Thunder”

Hug Of Thunder

Genre: Indie Rock/Experimental // Label: Arts & Crafts

Background:

After a seven year layover, Broken Social Scene has returned with all fifteen of its original members.  Hug of Thunder marks the follow-up to 2010’s Forgiveness Rock Record, as the band reunites for what Kevin Drew summarized as “…since we’re an anthemic band, we wanted to bring the celebration…It was important for all of us to come together because it’s the only thing we can politically do at this moment in time.”  To date, four songs from the record have been officially released, but you can now also stream the whole album via NPR [see below link].

Stream the entire record, or check out the lead single “Halfway Home” below:

 


– Full List of Releases: July 7, 2017 –

 

Agent Blå: Agent Blue
Genre: Metal/Hard Rock // Label: Nuclear Blast

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Hug Of Thunder

Broken Social Scene: Hug Of Thunder
Genre: Indie…


Here’s a list of major new releases for the weeks of June 16-30 of 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.

16 June
Alison Moyet: Other
2 Chainz: Pretty Girls Like Trap Music
Arcadea: Arcadea
Bad Cop/Bad Cop: Warriors
Barb Wire Dolls: Rub My Mind
B Boys: Dada
Beth Ditto: Fake Sugar
Big Boi: Boomiverse
Broadside: Paradise
Carach Angren: Dance And Laugh Amongst The Rotten
Cavernlight: As We Cup Our Hands And Drink From The Stream Of Our Ache
Chief Keef: Thot Breaker
Chuck Berry: Chuck
CKY: The Phoenix
Com Truise: Iteration
Currents: The Place I Feel Safest
Dead Head: Swine Plague
Doll Skin: Manic Pixie Dream Girl
The Drums: Abysmal Thoughts
Elegy of Madness: New Era
Entrails: World Inferno
Fleet Foxes: Crack Up
Gaytheist: Let’s Jam Again Soon
House and Land: House and Land
Hundredth: Rare
Iced Earth: Incorruptible
Igorrr: Savage Sinusoid
Impetuous Ritual: Blight Upon Martyred Sentience
Jefre Cantu-Ledesma: On The Echoing Green
Kevin Morby: City Music
Lorde: Melodrama
Matthew Sweet: Tomorrow Forever
Michael Nau: Some Twist
Oh Wonder: Oh Wonder
Palehound: A Place I’ll Always Go
Peaking Lights: The Fifth State Of Consciousness
Portugal. The Man: Woodstock
Ride: Weather Diaries
Royal Blood: How Did…


Here’s a list of major new releases for the week of June 9, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.  As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.


Featured Release: Sufjan Stevens, Bryce Dressner, Nico Muhly, and James McAlister – “Planetarium”

Planetarium

Genre: Indie/Electronic/Experimental // Label: 4AD

Background:

In 2013, Sufjan Stevens joined up with Nico Muhly, James McAlister, and The National’s Bryce Dressner to create a composition thematically centered around our solar system (I guess he is too big for states now).  To date only performed in a live setting (the piece was debuted at Brooklyn Academy of Music over a multi-night span), it is finally being released as an official recording on June 9 via 4AD.  It’s pretty much the most hipster thing ever.

Listen to the project’s single “Mercury”:


– Full List of Releases: June 2, 2017 –

 Agent Blue [Explicit]

Agent Blå: Agent Blue
Genre: Indie/Lo-fi // Label: Kanine Records

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The Optimist

Anathema: The Optimist
Genre: Progressive Rock/Doom Metal // Label: kscope

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Barrabus [Explicit]

Barrabus: Barrabus
Genre: Hard Rock/Metal // Label: Undergroove

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Under Your Spell

Here’s a list of major new releases for the week of June 2, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.  As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.


–Featured Release: Alt-J: “RELAXER”

Image result for alt-j relaxer

Genre: Indie-Rock/Experimental // Label: Canvasback/ATL

Background:

Alt-J have become one of indie-rock’s surging experimental acts, thanks to their extremely well-received debut An Awesome Wave as well as their more divisive – but equally impressive – sophomore effort This Is All Yours.  If the singles are any indication, RELAXER will further the band’s legacy as innovators within their genre, expounding upon the brand of downtempo art-pop that illuminated sections of 2014’s This Is All Yours.  It feels like a defining moment for a band that continues to stretch the confines of its own comfort zone, joining a rather exclusive arena of indie’s most respected, forward-thinking artists.  Sink into the record’s lead single, ‘3WW’, for a taste of what is on the horizon.

Listen to Alt-J’s “3WW”:

 


 

 – Full List of Releases: June 2, 2017 –

 We the People

Adrenaline Mob: We The People
Genre: Hard Rock/Heavy Metal // Label: Century Media

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Last Young Renegade [Explicit]

Image result for broken social scene hug of thunder

Broken Social Scene’s “Skyline” is serenely pleasant, even if it’s a little watered down.

Euphoria.  That’s the word that keeps coming to mind with each new song released in advance of Broken Social Scene’s comeback record Hug of Thunder, set to drop on July 7th.  We heard it on “Halfway Home”, which sounded like a “we are back” statement with layered vocals in the chorus and its twin guitar assault.  Despite being somewhat generic in overall structure, it was simply a rush to hear these guys back in their element making music together.   The title track, in case you missed it, slowed things down a bit and showed a more vulnerable side to the album – but with “Skyline”, they’re back to the aforementioned wave of euphoria that is now appearing to be the unifying aura behind Hug of Thunder.

Broken Social Scene have worked with more complex and creative concepts before, but that’s not a totally scathing indictment.  Yes, all three of the tracks revealed so far tone down their experimental reputation in favor of more commonplace indie-rock aesthetics, but the results have never been so listenable or utterly pleasant.  The acoustic guitars wash over your ears, like you’re standing a few hundred feet away from a massive waterfall and just letting the mist hit you in the face.  Like with “Halfway Home”, the vocals are very much a gang effort, but the contrasting styles blend together so smoothly that you’ll wonder…


Cut To The Feeling

Other track reviews:  Sufjan Stevens/Bryce Dessner/Nico Muhly/James McAllister: “Saturn” (2017)  |  Weezer: “Feels Like Summer” (2017)  |  Double Feature: Alt-J “3WW” & Fleet Foxes “Third of May / Ōdaigahara” (2017)  |  Lorde “Green Light” (2017)  |  Depeche Mode “Where’s The Revolution” (2017)  |  Brand New “I Am A Nightmare” (2016)  |  Ariana Grande “Into You” (2016)  |  Radiohead “Burn The Witch” (2016)

Compared to this time in 2016, when Ariana Grande had just unleashed Dangerous Woman, it feels like 2017 is lagging a little bit behind in the department of fun, carefree summer jams.  I believe it is a necessity to have these kinds of songs: these melodic, sunny anthems of youth that remind us why it’s okay to pull our ears away from the emotional depth of our favorite indie record or the technical precision of the best new metal song out there.  Just as it is important to have those bands that comprise our musical foundations, it’s also valuable to occasionally indulge in surface-level pop that allows us to dismount from our collective high horse and simply let loose.  That’s Carly Rae Jepsen’s niche, and she delivers as strongly as ever with her latest synth-pop offering.

“Cut To The Feeling” is just one of E•MO•TION‘s purported 250 tracks.  We heard eight that failed to make the cut via Emotion: Side B, but that still left a pretty large void for those who felt the 2015 album was…


[Volume 1] | [Volume 2] | [Volume 3] | [Volume 4]

Thousands upon thousands of albums, EPs, mixtapes, compilations, and songs are released weekly. You might not be aware of the existence of 99% of those releases, but they’re there. So when each song released to the public is simply a drop in a pool that dwarfs even the Pacific Ocean, it can be hard to navigate the current music scene: it’s always moving and impossible to keep up with its speed. That’s where Share Some Singles comes into the picture. This series was formed to highlight songs released in 2017 that might not have been discovered by other listeners otherwise. I, alongside other Sputnikmusic users, have pulled together dozens of singles released in the recent past that we felt needed to be heard by the world. Or at least the Sputnik reader base.

Artists are listed in alphabetical order with corresponding YouTube, Soundcloud, and/or Bandcamp links. A Spotify playlist is also embedded below if the singles are available through that service. Enjoy! –wtferrothorn

Algiers – “The Underside of Power”

On their self-titled debut, Algiers came through with a blend of genres that was a breath of fresh air, but definitely could have been improved upon with later releases. That’s exactly what happened here: Franklin James Fisher’s soulful vocals are as passionate as ever, and this time around, his vocal style meshes with the punk…


Here’s a list of major new releases for the week of May 26, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.  As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.


 – Full List of Releases: May 26, 2017 –

 Denen die wir waren

8kids: Denen Die Wir Waren
Genre: Hard Rock/Metal // Label: Napalm

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No Grave But The Sea

Alestorm: No Grave But The Sea
Genre: Power Metal/Folk // Label: Napalm

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Different Days

The Charlatans [UK]: Different Days
Genre: Alternative Rock // Label: BMG Rights Management

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color-of-nothing-10-x-10-300

Collide: Color of Nothing
Genre: Electronic/Industrial // Label: Independent

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Black Laden Crown [Explicit]

Danzig: Black Laden Crown
Genre: Doom/Gothic Metal // Label: Nuclear Blast

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Six

Dream Evil: Six
Genre: Power/Heavy Metal // Label: Century Media

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Warfare

Evo: Warfare
Genre: Punk/Metal// Label: High Roller

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Corner

Football, etc: Corner
Genre: Emo/Indie-Rock // Label: Community Records

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Hi Vis High Tea

Frenzal Rhomb: Hi-Vis High Tea
Genre: Punk/Pop-Punk // Label: Fat Wreck Chords

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Kids In The Street

Justin Townes Earle: Kids In The Street
Genre:…


Here’s a list of major new releases for the week of May 19, 2017.  Please feel free to request reviews for any of the following albums from staff or contributors.  As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.


–Featured Release: Linkin Park: “One More Light”

Image result for linkin park One More Light

Genre: Pop // Label: Warner Bros.

Background:

If you ever – whilst wandering the halls of your middle school in 2000, blasting “Papercut” into one of your earbuds – wondered what Linkin Park would sound like in the year 2017, you would have likely envisioned every scenario except what we’re actually presented with here.  A transition away from nu-metal and into straightforward rock?  Seems plausible.  Electronic experimentation?  Sure, why not.  Melodic pop…Ehh what?  Linkin Park are using their seventh full-length LP to explore the boundaries of their pop abilities, and regardless of the fact that this will in all likelihood be really good or really bad – with little wiggle room in between – One More Light is sure to be the talk of most musical circles this week for better or worse.  It’s entirely possible that the members of Linkin Park resurrect their stagnant musical careers with this 180 degree departure, but it had better be damned good.  Otherwise, it will be all too easy for them to plummet from stagnant to the laughingstock of…


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