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Johnnyofthewell

 

Oomori Seiko – “Saishuu Koen”

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Narrowing down an entire decade’s worth of music to two or three songs was a tough call, but I can’t think of a more appropriate top pick than this. On the face of it, Saishuu Koen (Last Performance) is a case study of the most beautiful, raw facets of indie folk, spinning a bitter snapshot of dejection into a stunning outpouring of frustration, heartbreak and loneliness. I used to think it would be impossible to recreate this song’s magic beyond the original version, but hearing the almost-as-good rock revamp on Seiko’s Pink Tokarev side project gave me bad ideas and it’s since become the only Japanese song I can cover by heart. Putting aside her incredible songwriting talent, one of the things about Oomori Seiko that has always spoken to me is her knack for turning her distinctly imperfect voice into a dazzling force of personality. Her lyrics and performance are presented in a way that foregrounds her own weaknesses, with a fierceness and boldness that a long way to explaining why her exemplary discography has stolen the show this decade.

 

The Knife – “Full of Fire”

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Finding a worthy runner-up for Saishuu Koen was a tough call. A lot of songs might have held the slot, but I gave myself a load of silly criteria: it shouldn’t be Japanese, it shouldn’t be overrepresented across the rest…


Here’s a list of major new releases for the week of November 15, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: November 15, 2019 –

Walk Beyond The Dark

Abigail Williams: Walk Beyond The Dark
Genre: Black Metal/Ambient
Label: Blood Music

Two: Live At The Sydney Opera House

Alva Noto + Ryuichi Sakamoto: TWO
Genre: Ambient/Minimal/Electronic
Label: Noton

Sahari

Aziza Brahim: Sahari
Genre: Folk/Jazz/Blues
Label: Glitterbeat

Sylva

Benoît Pioulard: Sylva
Genre: Ambient/Folk/Dream Pop
Label: Morr Music

I Made A Place

Bonnie ‘Prince’ Billy: I Made A Place
Genre: Americana/Folk/Country
Label: Drag City

Courage

Celine Dion: Courage
Genre: Pop
Label: Columbia

Purgatory

Despised Icon: Purgatory
Genre: Death Metal/Metalcore/Hardcore
Label: Nuclear Blast

Our Pathetic Age [Explicit]

DJ Shadow: Our Pathetic Age
Genre: Trip-Hop/Electronic/Hip-Hop
Label: Mass Appeal

Gathered Out Of Thin Air

Half-Handed Cloud: Gathered Out Of Thin Air
Genre: Indie-Pop/Indie-Rock
Label: Asthmatic Kitty

Silencia

Hammock: Silencia
Genre: Ambient/Post-Rock/Shoegaze
Label: Hammock Music

Into That Good Night

Hanging Garden: Into That Good Night
Genre: Doom Metal/Melodic Death Metal/Post Metal
Label: Lifeforce

Iggy Azalea: Wicked Lips
Genre: Pop/Hip-Hop
Label: Bad Dreams

Juliana Hatfield Sings The Police

Juliana Hatfield: Juliana Hatfield Sings The Police
Genre: Indie-Pop/Alternative…


I was lucky enough to get in touch with Dan Barrett and Tim Macuga, the creative minds behind Have a Nice Life. Approximately 10 years ago, Dan and Tim quietly released what would become one of Sputnikmusic’s most continuously-praised albums, Deathconsciousness. Regardless of whether that distinction is worth much of a shit, the high praise extends towards many corners of the internet (and beyond, as they’ve recently upped their live show appearances). Initially, the album went mostly unnoticed; it’s through attrition (constant exposure at the hands of devout fans) that Have a Nice Life has garnered much-deserved recognition. Their early work was emblematic of many tireless bedroom producers: low-budget, impassioned, and resourceful. They toyed with aspects of shoegaze, black metal, drone, noise, post-rock, and so on, developing a sound that harkened back to the 80s, but was collectively unique, and emotionally situated in present-day sentiments. Moreover, there is a unique approachability when it comes to Dan and Tim that lends to a reciprocal fan community.

Their newest album is entitled “Sea of Worry”, and we talked about it a bit.

 


 

Tristan: I don’t know how deep the allegorical component of Sea of Worry’s title is meant to run, but can you elaborate on the name choice a bit? The promo blurb seems to only scratch the surface. Like, without spilling too many beans, is “Sea of Worry” meant to reference uncertainty about the world in a way that feels more pressing than the themes of nihilism in previous work?


Here’s a list of major new releases for the week of November 8, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: November 8, 2019 –

III

Bask: Bask III
Genre: Psychedelic/Jam Rock/Stoner Rock
Label: Season of Mist

CHAMPION [Explicit]

Bishop Briggs: CHAMPION
Genre: Indie-Pop/Alt-Rock/Gothic
Label: Island Records

A Pyrrhic Existence

Esoteric: A Pyrrhic Existence
Genre: Doom/Death Metal
Label: Season of Mist

MAGDALENE (Amazon Exclusive) (Bonus Logo Stickers)

FKA twigs: Magdalene
Genre: R&B/Electronic/Trip-Hop
Label: Young Turks

Girl

Girl Ray: Girl
Genre: Indie-Pop
Label: Moshi Moshi Records

Sea of Worry

Have a Nice Life: Sea of Worry
Genre: Shoegaze/Post-Punk/Industrial
Label: The Flenser

Jason Derulo: 2Sides
Genre: R&B/Pop/Hip-Hop
Label: Beluga Heights Records/Warner Records

Back to the Basics of Love

Je Suis France: Back To The Basics Of Love
Genre: Indie-Rock
Label: Ernest Jenning Record Co.

2042

Kele: 2042
Genre: Electronic/House
Label: Kola

Sand Enigma

Land Of Kush: Sand Enigma
Genre: Psychedelic/Experimental/Jazz
Label: Constellation

ross.

Low Roar: ross.
Genre: Indie-Folk/Post-Rock/Dream-Pop
Label: Tonequake Records

Analog Fluids of Sonic Black Holes

Moor Mother: Analog Fluids Of Sonic Black Holes
Genre: Hip-Hop/Experimental/Industrial
Label: Don Giovanni Records

Lost Wisdom

Mount Eerie with Julie


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Frank Zappa – The Yellow Shark

Tuesday November 2nd, 1993. This day marks the release of Frank Zappa’s magnum opus – his terminal triumph. I use the word ‘terminal’ delicately here, given the context of which this very album is surrounded by, but for a man of Zappa’s stature, to have him feel like he’d accomplished something that he’d been striving towards his entire life, that should be more than enough to verify the weighty importance of The Yellow Shark: Frank Zappa’s final album. The sheer scale of Zappa’s works goes beyond even the measures of calling it intimidating. His discography alone is an intricate, sprawling, idiosyncratic maze that becomes a colossal nightmare just to work out where to start. Sitting on a massive 62 albums (over one hundred plus if you include the posthumous releases made from archived material), this is a man that explored every walk and style of music available; deconstructing these boxed and linear categories into esoteric compositions that are as perverted and humorous as they are challenging. Starting out in The Mothers of Invention, a psychedelic rock band from the 60s, he soon ventured out into the unknown reaches of sonic creativity on his own, and quickly began his mission to challenge everything popular music stood for. But for anyone who has done a little bit of research on the man, they will know that for all the good he did in the realms of rock music, his propensity…


Here’s a list of major new releases for the week of November 1, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: November 1, 2019 –

The Undivided Five

A Winged Victory for the Sullen: The Undivided Five
Genre: Ambient/Classical
Label: Ninja Tune

45

Anavae: 45
Genre: Alternative Rock/Electronic
Label: A Wolf At Your Door

Angel of Light

Angel Witch: Angel of Light
Genre: Heavy Metal
Label: Metal Blade

From Enslavement to Hydrobliteration

Cannabis Corpse: Nug So Vile
Genre: Death Metal/Grind
Label: Season of Mist

New Age Norms 1

Cold War Kids: New Age Norms 1
Genre: Indie-Rock/Pop
Label: Cwktwo Corp.

Nothing Left to Love

Counterparts: Nothing Left To Love
Genre: Metalcore/Hardcore/Emo
Label: Pure Noise

Cruelty and the Beast - Re-Mistressed

Cradle of Filth: Cruelty and the Beast (Re-Mistressed)
Genre: Black Metal/Gothic/Death Metal
Label: SIN/MFN

Rehab (Bonus Tracks Version) [Explicit]

Eskimo Callboy: Rehab
Genre: Metalcore/Electronic/Post-Hardcore
Label: Century Media

One Of The Best Yet [Explicit]

Gang Starr: One of the Best Yet
Genre: Hip-Hop/Jazz
Label: Gang Starr Enterprises LLC

A Blemish In The Great Light

Half Moon Run: A Blemish In The Great Light
Genre: Folk/Indie-Rock
Label: Glassnote

MCID [Explicit]

Highly Suspect: MCID
Genre: Alternative Rock/Stoner Rock
Label: 300 Entertainment

Imperfect Circle

Hootie and the Blowfish: Imperfect


Here’s a list of major new releases for the week of October 25, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: October 25, 2019 –

Boneshaker [Explicit]

Airbourne: Boneshaker
Genre: Hard Rock
Label: Spinefarm

Spiritual Instinct

Alcest: Spiritual Instinct
Genre: Shoegaze/Black Metal/Post-Rock
Label: Nuclear Blast

[USA]

Anamanaguchi: [USA]
Genre: Electronic/Indie-Rock
Label: Polyvinyl

A Flower That Wouldn't Bloom

Ancient Shapes: A Flower That Wouldn’t Bloom
Genre: Indie/Alternative Rock
Label: You’ve Changed

FIBS

Anna Meredith: FIBS
Genre: Classical/Electronic
Label: Black Prince Fury

Odditties Sodomies Vol. 2 [LP]

Ariel Pink: Odditties Sodomies Vol. 2
Genre: Psychedelic/Lo-Fi/Indie-Pop
Label: Mexican Summer

Balance [Explicit]

Armin Van Buuren: Balance
Genre: Trance/Electronic/House
Label: Armada Music Bundles

Bigger Than Life

Black Marble: Bigger Than Life
Genre: Post-Punk/Electronic
Label: Sacred Bones

Cry [Explicit]

Cigarettes After Sex: Cry
Genre: Dream-Pop/Shoegaze/Ambient
Label: PTKF

Vols. 11 & 12

Desert Sessions: Vol 11 & 12
Genre: Stoner Rock/Psychedelic
Label: Matador

The Sea of Tragic Beasts

Fit For An Autopsy: The Sea Of Tragic Beasts
Genre: Death Metal/Metalcore/Progressive Metal
Label: Nuclear Blast

Daylight

Grace Potter: Daylight
Genre: Pop
Label: Fantasy

Four of Arrows

Great Grandpa: Four of Arrows
Genre: Indie-Rock

Welcome to the final segment of Sputnikmusic’s Album of the Month – the September 2019 edition. For anyone that missed out and didn’t participate in this thing, every month I’ll be dropping a list where you vote on what you consider to be the best album from that said month. After the votes are in and we have our winner, I’ll be reaching out to the voters to see if they want to give a small blurb on why it’s the month’s best LP. September’s vote was a little late to the party, but going forward I’ll be doing these lists in the first week of every month (typically a Wednesday or Thursday), so keep your eyes peeled and your votes ready!

Getting to the topic at hand here, as voted by you, September’s vote was in almost universal agreement. Cult of Luna’s seventh album, A Dawn to Fear, has been praised and regarded as not only September’s strongest release, but a serious contender for 2019’s Album of the Year. Only time will tell… With that, I’ll pass you over to Robert Garland (Nocte), where he’ll dish out his words of wisdom on why it crushed the competition.

 

Cult-of-Luna-A-Dawn-to-Fear-01-500x500

SEPTEMBER 2019 AOTM: Cult of Luna – A Dawn to Fear

 

A Dawn To Fear isn’t an album full of comforts, relying on a core of pragmatic, yet highly transferable theology. There’s a complexity that’s both thoughtful and profound


Here’s a list of major new releases for the week of October 18, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: October 18, 2019 –

Image result for Ali BarterHello, I'm Doing My Best

Ali Barter: Hello, I’m Doing My Best
Genre: Indie/Alternative Rock
Label: Inertia Music

Fear Caller [Explicit]

The Almost: Fear Caller
Genre: Pop-Punk/Alternative Rock
Label: Fearless

Walk The Sky

Alter Bridge: Walk The Sky
Genre: Hard Rock/Metal
Label: Napalm

Juice B Crypts

Battles: Juice B Crypts
Genre: Math Rock/Electronic
Label: Warp

PANG [Explicit]

Caroline Polachek: Pang
Genre: Indie-Pop
Label: Columbia

There Existed an Addiction to Blood [Explicit]

Clipping: There Existed An Addiction To Blood
Genre: Hip-Hop/Industrial
Label: Sub Pop

On a Wave

Dave Monks: On A Wave
Genre: Indie/Alternative Rock
Label: Dine Alone Music Inc.

Primrose Path [Explicit]

Dream State: Primrose Path
Genre: Alternative Rock/Post Hardcore
Label: UNFD

Crush

Floating Points: Crush
Genre: Electronic/House
Label: Ninja Tune

Everything Not Saved Will Be Lost Part 2)

Foals: Everything Not Saved Will Be Lost Part 2
Genre: Indie/Math Rock
Label: Warner Bros.

Trillium Killer

Foxes In Fiction: Trillium Killer
Genre: Ambient/Dream-Pop/Lo-Fi
Label: Orchid Tapes

Dimly Lit

From Indian Lakes: Dimly Lit
Genre: Emo/Indie-Rock
Label: Little Shuteye

Heavy Lifter

I feel a certain sort of pride in knowing that the country I came from produced an artist like Nick Cave. It’s a feeling invariably mixed in with a kind of disappointment towards a lot, though far from all, of the music we’ve produced otherwise, and borderline bewilderment at how a country composed (as Australia is) 95% of quiet rural towns where nothing ever happens and there’s nothing to do produced an artist like this. An artist who somehow drew together like-minded art students like himself to bang out some of the craziest post-punk ever put to record with The Birthday Party; an artist who adapted like a chameleon to the bluesier, folksier talents of Blixa Bargeld, Thomas Wydler and the dearly missed Conway Savage in the 90s to create stunning albums that many justifiably consider his greatest work; an artist who can give us the wounded, desperate baroque love songs of No More Shall We Part in the same decade he hammered out some dirty garage rock with Grinderman and Dig, Lazarus, Dig!!!. In short, sometimes I wonder if Nick Cave was a total fluke.

If so, I’m happy to number one of the greatest living songwriters as my country’s lucky dice roll; it’s a distinction I’d award not just for the sheer breadth and consistency of his back catalogue, but because of Cave’s peerless ability to conjure an entire world with his words. Cave’s worlds aren’t a dark mirror reflection of our society or any cliche like that.


Here’s a list of major new releases for the week of October 11, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: October 11, 2019 –

Transmission Suite

808 State: Transmission Suite
Genre: House/Techno/Electronic
Label: 808 State

Metal Galaxy

Babymetal: Metal Galaxy
Genre: Pop/Metal
Label: Cooking VInyl

Alter Nature

BATS: Alter Nature
Genre: Post-Hardcore/Math Rock
Label: Great Old Ones

You Know What They Mean

Bent Knee: You Know What They Mean
Genre: Progressive Rock
Label: InsideOutMusic

Two Hands

Big Thief: Two Hands
Genre: Indie-Rock/Folk
Label: 4AD

Blood Orange: Fields
Genre: R&B/Electronic
Label: Cedille

Open Reduction Internal Fixation

Blue Hawaii: Open Reduction Internal Fixation
Genre: Indie-Pop/Electronic
Label: Arbutus

Hallucinogen (North American Exclusive Transparent Purple with Milky Merge 2LP)

Blut Aus Nord: Hallucinogen
Genre: Black Metal/Industrial
Label: Debemur Morti Productions

Born Hot

Chris Farren: Born Hot
Genre: Punk/Indie-Rock
Label: Polyvinyl

When I say to you Black Lightning

Common Holly: When I say to you Black Lightning
Genre: Indie-Folk
Label: Barsuk

Get Fixed [Explicit]

Cursive: Get Fixed
Genre: Post-Hardcore/Emo/Indie-Rock
Label: 15 Passenger

The Act

The Devil Wears Prada: The Act
Genre: Metalcore/Electronic
Label: Solid State

Giants of All Sizes

Elbow: Giants Of All Sizes
Genre: Britpop/Indie-Rock


Brown Pumpkin Halloween Decor and Gray Skull at Grass Field

It’s that wonderful time of year when we all try to figure out hilarious, and sometimes flat-out evil, ways to make each other cower in fear while having premature heart attacks. Yes, Halloween – which, let’s face it, spans all of October – is upon us, and with it comes the first Spooknik Soundtrack installment in what will hopefully become an annual series. Thirty users got together and shared their creepiest songs, which has been compiled and organized for your own personal horror.

I listened to this and can vouch that it’s quite terrifying, so if you don’t think you can stomach it, just click the “back” button at the top left corner of your browser. But if you think that you have what it takes, then dive right into the below playlist and let us know what you think!

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It’s been said time and time again, but Melt-Banana are as unique as bands come. Now well into the third decade of their career, Yako (vocals) and Agata (guitar) are still writing and touring their brand of light-speed noise rock with rare, enduring levels of excitement and proficiency. Now on the verge of a 15-date UK tour (the band’s eleventh on British shores), the pair found time to fill us in at Sputnik on their past experiences in the UK, their hopes for this tour, and a few hints about their elusive upcoming record…


JohnnyoftheWell/Sputnikmusic: Hello! Thanks so much for taking the time to chat! Is this a busy time for Melt-Banana? Do you have much to do to prepare for your upcoming tour?

Agata: Hello. I think we are quite busy! Besides preparing for the UK tour, we are also working on new songs for our next album.

Yako: Hello. We constantly play shows in Japan when we are not on tour — like once or twice a month.

For anyone unfamiliar with you, would you mind explaining the essence of Melt-Banana?

A: If I need to explain our music to my parents’ friends, I say we play rock music, but a little bit faster, along with using noise sounds.

Y: Yes, we usually say we are a rock band basically. It is quite difficult to explain ‘sounds’. Maybe it is simple to say ‘fast loud rock with female vocals and effected, unique guitar, music like


For once, it’s truly pertinent for me to state where a band are from rather than it being a formality — Seizures, metalcore band from Dana Point, California, have created an album which encapsulates a complex relationship between band and hometown, as well as their past and present.  If you’ve heard The Sanity Universal, then you hardly need any introduction to the band; it definitively establishes Seizures’ dizzyingly detailed and dense songwriting, characteristics which the newly released Reverie of the Revolving Diamond embodies and expands on.  I spoke with guitarist Albert Navarro on the creation of Reverie of the Revolving Diamond; here, he describes the (intriguing) compositional process and his influences, and also provides insight into the themes and stories illustrated within the album.

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Claire: It’s immediately apparent that Reverie of the Revolving Diamond is a different beast from your last full-length album, The Sanity Universal — the former is more condensed and arguably more focused, with the introduction of a jazzy dynamic that I see has been aptly tagged as surfcore. What were your main motivations for this particular shift in sound, and what sort of experiences have shaped the creation of Reverie… in comparison to those informing The Sanity Universal? Furthermore, would you consider the split with Arms a precursor to this significant change?

Albert: TSU started off as a batch of songs, some newer and some way older than others. It wasn’t until the recording of it that we realized how much spontaneous experimentation was happening. Nathan (my brother, guitarist)…


Here’s a list of major new releases for the week of October 4, 2019.  Please feel free to request reviews for any of the following albums from staff and/or contributors.


– List of Releases: October 4, 2019 –

All Mirrors

Angel Olsen: All Mirrors
Genre: Folk/Indie-Rock
Label: Jagjaguwar

Closer Than Together

The Avett Brothers: Closer Than Together
Genre: Americana/Folk/Bluegrass
Label: Republic

Interrobang

Bayside: Interrobang
Genre: Pop-Punk/Emo
Label: Hopeless

LOVE & EVOL

Boris: LφVE & EVφL
Genre: Drone/Doom Metal
Label: Third Man

A Pill for Loneliness [Explicit]

​City and Colour: A Pill For Loneliness
Genre: Indie-Folk
Label: Still

uknowhatimsayin¿

Danny Brown: uknowhatimsayin¿
Genre: Hip-Hop
Label: Warp

Easter is Cancelled (Deluxe) [Explicit]

The Darkness: Easter Is Cancelled
Genre: Rock
Label: Cooking Vinyl

Deceiver

DIIV: Deceiver
Genre: Dream-Pop/Shoegaze
Label: Captured Tracks

Deserted

Gatecreeper: Deserted
Genre: Death Metal/Doom Metal/Hardcore
Label: Relapse

Garden of Storms

In Mourning: Garden Of Storms
Genre: Melodic/Progressive Death Metal
Label: Agonia

Heart Like a Grave (Bonus Tracks Version)

Insomnium: Heart Like a Grave
Genre: Melodic/Progressive/Doom Metal
Label: Century Media

Here, Right Now

Joshua Radin: Here, Right Now
Genre: Folk/Pop
Label: Nettwerk

Carrying On

Kacy & Clayton: Carrying On
Genre: Folk
Label: New West

White Noise / White Lines [Explicit]

Kelsey Waldon: White


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