John Terry celebrates another successful moon landing.
After a slightly surprising opening defeat to hosts Ukraine, Sweden are aiming to rescue their campaign with a result against England, to whom they’ve never lost a competitive game. England, for their part, played out the bore draw of the tournament to date against a French side who may struggle to score goals.
Sweden: Hardcore Superstar – ‘Bag on Your Head’
If there’s one thing the Swedes do better than anybody else, it’s heavy metal of any subgenre. Like everything else, they were leading lights on the hair metal scene, and were also at the forefront of the glam revival of the ’00s. Hardcore Superstar were the best of the lot, and the hilarious ‘Bag on Your Head’ is one of the catchiest tracks on their 2005 self-titled record.
-v-
England: The Wildhearts – ‘My Baby is a Headfuck’
The Wildhearts toughened up their image and beefed up their riffs in the early ’90s, dumping the glam stylings that were rapidly going out of fashion, yet they were a glimmer of light for the pop-metal genre during a decade when a chorus might as well have been contraband in rock music. ‘My Baby is a Headfuck’ is taken from the group’s classic 1993 album, Earth vs the Wildhearts and features the last ever appearance on record by the legendary Mick Ronson.
What better way to warm up on the first day of winter than to head along to your local sweat-box and listen to some quality music? On the said date in 2012, I thought I’d take in an interesting trio of acts put together at Festival Hall in Melbourne, with seemingly the only thing linking The Jezabels, Lights & Snakadaktal being that all three outfits contained female vocalists.
First up it was the distinctively named young local quintet Snakadaktal. Playing a kind of folky brand of indie-pop, the band impressed me with their tight musicianship and overall maturity. Sure, their sound is probably not suited to a 5,000 odd capacity venue, but they thankfully didn’t compromise their style for the sake of the occasion. Interestingly, Snakadaktal ordered their set so as to initially suggest to a potentially unknowing crowd that Sean Kelly was the outfit’s only vocalist. Of course, those in the know would anticipate Phoebe Cockburn taking over for the most part, even if her voice seemed just a bit too fragile in a live setting. Overall, however, this was an impressive support slot for an up-and-coming band whose forthcoming debut LP should hopefully make for a rewarding listen.
Next up was Canadian electro-pop artist Valerie Poxleitner… Better known as Lights. Since her sound wasn’t exactly similar to the night’s headliners, it was always going to be fascinating as to how the crowd would take the diminutive brunette… And I think it’s fair to say that the reaction…
Now that Ireland have become the first team to be eliminated from the competition (the Dutch can still mathematically do it) after meekly surrendering to the Spanish last night, it’s important to acknowledge that we’re still the best in the world at singing and waving flags and singing and waving flags at the same time, so here are two examples of the deep breadth of influence Irish folk music has had on the heavy metal genre. Allez Shevchenko!
France: Aes Dana – ‘Mer de Glaces et t’Ombre’
With Ireland now out of the tournament while the cheating French remain, it’s with no little irony that we return to the French doing what the French do best: stealing from Ireland what is rightfully Irish. To be fair, Aes Dana are one of the more imaginative Celtic metal acts around, and they do at least sing in French, so they get some points. But not many.
-v-
Ukraine: Drudkh – ‘Everything Unsaid Before’
Elusive Kharkiv act Drudkh are probably the best-known of Ukraine’s four black metal acts, all of which are fronted by Roman Saenko, who must be fucking knackered at this stage. ‘Everything Unsaid Before’ is taken from their 2009 album Microcosmos and is a perfect example of their bleak take on folk and black metal.
Today’s 1-1 draw between Croatia and Italy (how the Italians managed to screw that up I do not know) means the stage is set for a three-way dogfight for the two qualifying spots in the group – or possibly four-way, if Ireland manage to pull off an unlikely win over the Spaniards. As the saying goes, “Spain have Xavi and Iniesta, but Ireland have Long-Cox.” I can neither confirm nor deny these rumours.
Spain: Diabolus in Musica – ‘St Michael’
Diabolus in Musica are arguably the biggest deal in Spanish metal, combining thrash and symphonic metal with male and female vocals. ‘St Michael’ is taken from their Metal Blade Records debut Secret, which was released in 2010.
-v-
Ireland: Wizards of Firetop Mountain – ‘Onwards Toward the Sun’
Old school metal outfit Wizards of Firetop Mountain hark back to an era (the 70s) when a man wasn’t ashamed to rock a poodle perm alongside dirty stubble and a denim waistcoat while singing about warlocks or some shit. The Wizards have yet to release a full-length record, but their first major single will stick to yer ears so hard you’ll be chanting it for months.
Saturday saw the unfancied Danes do a 1992 and beat the Netherlands, thanks in no small part to the inspired leadership of Niklas Bendtner, the uncrowned king of Denmark. The Portuguese didn’t fare so well, dominating for spells against Germany before going down to a scrappy Mario Gomez goal (is there any other kind of Mario Gomez goal?) This hotly anticipated duel with bring together two of European football’s most hypnotic hairstyles – Fabio Coentrao and Nikla Bendtner.
Denmark: Mercyful Fate – ‘Come to the Sabbath’
God bless King Diamond – wonderful falsetto, not so great on spelling. ‘Come to the Sabbath’ is taken from the band’s 1984 classic Don’t Break the Oath, and is a beautiful and evocative account of Tony Iommi’s ultimately successful attempts to woo Ronnie James Dio away from Rainbow.
Portugal: Moonspell – ‘Scorpion Flower’
Moonspell are arguably Portugal’s most successful heavy metal export, having played virtually every style on the metal spectrum since forming in the mid-nineties. ‘Scorpion Flower’ is one of their gothier productions, from 2008’s Night Eternal.
My introduction to dredg was as them as a live band in the fall of 2005. At that time dredg were already over a decade into their career and it wasn’t until almost a decade later, last night, that I was able to see them again, but it was not to celebrate a new album or a long tour. Instead, it was to hear their 2005 album Catch Without Arms which was played in its entirety. So in a way it was almost as if those seven years in between performances was instantly zapped out of existence for an hour and a half on a cool June night. Their set began promptly at 10:20 PM to a packed and sweltering Roxy. Having seen The Gaslight Anthem play the small Sunset strip club only weeks earlier, it seemed as though capacity was raised by over one hundred for dredg, as the floor was packed into an airtight mass of young and old. Dredg knew exactly why we all were there and got things started with “Ode To The Sun”. The crowd surged forward, creating an ever tightening knot of raised voices and pumping fists. As they worked their way through the album, it was obvious that dredg had thoroughly prepared for the event as every interlude and sample used on the studio recording was heard blaring out of the PA in an eerie weirdness between songs, even when the band themselves were lightheartedly conversing with the audience underneath the noise. After…
Today things will likely get bad for the English as French-speaking people gear up to grab an unapologetically boring 1-0 victory over them. In a move that would make the proudest indie rock journalist happy, there is a weird layer of self-awareness going around in the English press for this game. Thanks to it, I have never been more optimistic that I am totally not optimistic about our chances in this game. I am daring to dare to not dare to dream. Also, since the majority of our userbase is American, please don’t make fun of us today. It’s not our fault.
Also, something something about the French.
/
England: Los Campesinos! – Every Defeat A Divorce (Three Lions)
Pretty hard to know what to choose for this one but if the nation’s hopes have been toned down to some sort of footballing nihilism, we should probably call upon Los Campesinos! to make thinly-vieled analogies comparing the sport to sex and the disappointment in both areas. I honestly think if this was our national anthem, our team would sing it proudly before games. Contrary to popular belief (and much to Gareth Campesinos!’ massive dismay), Los Campesinos! are not a Welsh band. This has happened before- I think the sadly misplaced Ryan Giggs would be happy at home in this band.
Though it’s only been a country for about 20 years, Croatia has easily the greater football pedigree of these two nations, having appeared in almost all major finals since rejoining UEFA in 1993 and finished 3rd in the 1998 World Cup. Nevertheless, as the smallest nations in the competition with ~4.5 million people apiece, both tend to punch above their weight in competition play, and this promises to be a very competitive group despite the presence of the last two World Cup winners, Italy and Spain.
Croatia: Rawbau – ‘Vatreno Ludilo’
It couldn’t really have been anything else, could it? Croatia manager Slaven Bilic, who bill bid farewell to the Croatian national side after six years in charge at the end of the championships, wrote this song for the nation’s last appearance at the Euros and reached #1 in his homeland. Rawbau have that kind of Rise Against vibe going on, where you can tell they have a strong punk influence but are still totally douchebaggy enough to make music that would sit well on an ad for a fast food restaurant.
-v-
Ireland: Sultans of Ping F.C. – ‘Give Him a Ball and a Yard of Grass’
I was tempted to go for the (possibly awful) Horslips-sampling classic ‘Put ‘Em Under Pressure‘ here, but have instead fallen back on the astonishingly underrated Sultans of Ping F.C. (see the football link here) and ‘Give Him a Ball and a Yard of Grass,’ a title…
A few years ago this fixture would have had a very different set of standard pundit clichés riding on it (the perennial underachievers vs. the mighty defenders), but this meeting of two European greats nonetheless promises, as it has in its first half, to be one of the hottest contenders for least interesting game of the tournament. Bring on Bono V Croatia!
Italy: port-royal – ‘Flares Pt. 2’
…And what could be more fitting for the Italian defensive geniuses with an “educating” manager than some seriously academic ambient and/or post-rock music? port-royal don’t speak much, which makes their tenuous link something to do with their great defensive prowess. The silent 1-0 victory of instrumental music.
////
Spain: Los Planetas – ‘Parte de lo que me debes ‘
To keep in theme with the classical geniuses Dave was showing off for that wonderful Czech Rep/Russia game, here’s my take on the classics: Spanish indie pop. Twee but in seductive voices; Shout Out Louds could learn from this.
Portugal and Germany last met in the 2008 Euros with Germany running out 3-2 winners despite being outplayed for the entire game. Alas, Portugal weren’t able to channel their disappointment into any notable musical feats, but at least they’ve got Ronaldo. Germany’s rock and metal scene, on the other hand, has managed to produce a multitude of world class acts, seemingly to spite their shitty dad rock-loving population.
Portugal: Rui Jorge – ‘Touch Me’
I wasn’t exaggerating about Portugal. Rui Da Silva was the first Portuguese musician (well, with one kinda-exception we’ll find out about in later rounds) ever to have a record chart in the UK when ‘Touch Me’ hit #1 in 2001.
These two sides contested the semi-final of the 1992 Euros, with a star-studded Denmark side featuring Torben Piechnik and John Jensen triumphing over a team of obscure Dutchman featuring forgotten names like Marco Van Basten and Frank Rijkaard. The Danes would go on to beat the recently unified Germany in the final, prompting the type of wild celebrations on the streets of Copenhagen not seen since the birth of Niklas Bendtner four years earlier.
Netherlands: The George Baker Selection – ‘Little Green Bag’
The Dutch contribution to pop culture has never really lived up to its fine art history – I see your Johannes Vermeer and raise you a Vengabus – but all sins against good taste are forgiven when you consider the Netherlands gave us the soundtrack to one of the finest moments in cinematic history – the Reservoir Dogs intro. ‘Little Green Bag’ was, remarkably, only the second-biggest hit for the awfully Dutch-sounding George Baker Selection.
-v-
Denmark: Alphabeat – ‘Fascination’
From America’s greatest ever export to its second best: industrial-strength paint stripper. The really-quite-good Danish pop group Alphabeat provided the delightfully camp theme for Coca-Cola adverts in Europe a couple of years back. Like all Danish people, Alphabeat dress and style their hair like their king, Niklas Bendtner.
Like most ex-communist nations, neither of these countries is noted for its astounding contribution to modern music, but it was very much the opposite case in the Romantic era when both were at the forefront of European culture. Curiously, the communist era was boom-time for football in both states, whereas Russia have struggled since independence and the Czechs have often flattered to deceive.
Czech Republic: Antonin Dvorak – Symphony No. 9: From the New World
As its title suggests, Prague-born Dvorak composed his ninth symphony while living in New York in the late 19th Century. Fans of my work will be delighted to know I once performed a part of the New World Symphony at music camp when I was like 8.
#
-v-
Russia: Modest Mussorgsky – Pictures at an Exhibition
Aha! You all thought I was going to go for Tchiakovsky. In fact, it’s one of the Mighty Five Russian nationalist composers and the one-man Modest Mouse cover band and his piano suite Pictures at an Exhibition.
Sputnik has a long and proud history of supporting the world’s best and most popular sport. Two years ago, Nick Butler used the football World Cup as an opportunity for a fascinating study into the musical history of the 32 participating nations. This year, not so much.
We will, however, be using the 32 games taking place over the next 4 weeks to showcase some of the better music that’s come out of each of the 16 European nations taking part, and we begin with the opening game, featuring co-hosts Poland and those lovably spendthrift Greeks.
Use this thread to talk about the match, Lewandowski and, of course, who makes the better music. (Hint: Poland)
Poland: Riverside – ‘In Two Minds’
Warsaw’s most passionate Middlesbrough fans skanked heavily off Porcupine Tree on their mesmeric 2004 debut album, Out of Myself, but originality is overrated when you’ve got tracks as beautiful as ‘In Two Minds’ massaging yer earholes.
-v-
Greece: Rotting Christ – ‘Keravnos Kyvernitos’
With a name like Rotting Christ, Greece’s premier black metal act were never likely to curry much favour with The Big Misogynist In The Sky, but it’s worth noting that coming from the Greek Orthodox church they were going to hell in any case.
