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Posts Tagged ‘covers’

I’m not somebody who’s prone to hyperbole, so I’ll say this in my own typically understated manner: this is the best thing ever to happen to me in my life.

On January 27, Ian Maleney’s Quarter Inch Collective will release Quompilation #1, a download/cassette-only compilation of 13 Irish acts covering their favourite songs from 2009 in their own inimitable styles. The compilation features the diverse line-up of Cloud Castle LakeFlokGinolaHipster YouthKid KarateMarket Force,No Monster ClubPatrick KelleherRhino MagicSacred AnimalsSpiesSquareheadand We Are Losers, although the exact tracklist is being kept firmly under wraps.

Luckily, we’ve been supplied with a couple of advanced screenings from the tape, and today saw Dublin scuzz-pop outfit Squarehead premiere their cover of labelmates Adebisi Shank‘s ‘(-_-)’  (in single quotes that almost looks like Napster propaganda.) It’s not just a straight cover though: the trio have added a sun-kissed vocal melody so that we can all now sing along to the tune without looking as demented as I usually do.

Squarehead – (-_-) (Adebisi Shank Cover) by Quarter Inch Collective

(Photo by Loreana Rushe, modified by Nialler9)

Were proof needed that ‘Fuck You’ is in fact the new ‘Crazy’/’Since U Been Gone’/’Poker Face,’ London singer-songwriter Eliza Doolittle is one of about a million artists (not an accurate estimate) to begin incorporating the song into live sets.

I shudder to think how many more artists would follow suit were there to be some sort of profanity-less version, but unfortunately that song simply does not exist.

Here’s Eliza’s cover recorded backstage with two awkward 14-year-olds she has charitably recruited to play in her band. Stripped down to just double bass and vocals, it’s got a nice laid-back jazzy feel, although it’s probably best not to actually watch the video because her actions and expressions are ill-fitting and really fucking annoying. I don’t think she’ll make it as an actress.

If you do watch the video, look out for the “oh shit she’s a gold digger…” line and the awkward expressions on the supporting cast’s faces as they struggle not to blurt out “nigga” at the end.

Last month, Villager-in-chief Conor O’Brien dropped by the Sun newspaper offices (for some reason) and recorded a cover of ‘Tightrope,’ the lead single from bequiffed soul sensation Janelle Monae’s excellent debut album The Archandroid (Suites II and III).

There are no ultra-choreographed dance moves that we can see or hear, unfortunately, but Conor’s simple acoustic guitar arrangement puts a whole new sinister spin on Monae’s vivacious dance number.

Villagers – ‘Tightrope’ (Janelle Monae cover)

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Photo by Lucy Bridger

James Blake is unstoppable. It’s gone beyond the point where everything he touches turns to gold… the man invents new elements to turn things into in the first place. Including this: a cover of Feist’s The Limit To Your Love, set to be the first single of his upcoming EP (yes, another one) and hot off the heels of the dazzling Klavierwerke EP. By now, he’s so far from his roots in dubstep that’s it’s only just perceptible in the deep sub bass horizon that takes this song – vocals and all – to a level I didn’t even know existed.

Directed by Martin de Thurah

Shakira’s decision to cover the xx’s ‘Islands’ (originally retitled ‘Explore,’ now re-retitled ‘Islands’ again) isn’t exactly a huge shock, having been signposted in the summer with strategically leaked samples and a televised live cover at Glastonbury.

It is rather good, however.

Shakira’s cover is faster and less intimate than the original, laying a thumping club beat below the tropical guitar riff, but it does somehow manage to work.

There’s this girl that calls herself vkgoeswild that is doing piano versions of various rock and metal songs and posting them on Youtube. Some of them don’t work as well as others, but this one is very good.

The Morning Benders – Excuses (with ukulele)

Coffee shops and small halls are filled with ‘cover bands’ specializing in reproducing classic rock hits and songs that your parents used to love. However, indie cover bands are exceedingly rare — especially attic-based ones that provide arguably higher quality recordings than the original song.

And for something slightly less serious, here’s Katy Perry – Hot N Cold

This version has convinced me that Katy Perry should sing with an Eastern European accent from now on.

And for the legion of post-rock fans:

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