21. Margot & The Nuclear So and So’s – Rot Gut, Domestic
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Listen: Ghost Mice – “John and Jodie”
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15-11
15. Submotion Orchestra – Fragments
14. Papercranes – Three
13. Beach House – Bloom
12. Killing Joke – MMXII
11. Farewell Republic – Burn the Boats
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10. The Tallest Man On Earth – There’s No Leaving Now
9. Dirty Projectors – Swing Lo Magellan
8. Tigers on Trains – Foundry
7. Anberlin – Vital
6. Yellowcard – Southern Air
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Listen: Tigers on Trains – “Mont Ventoux”
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Godspeed You! Black Emperor are no strangers to post-rock success. They found their calling early, with 1997s F#A#∞, an apocalyptic journey that painted the end of times as both a thing of beauty and an unspeakable calamity. Over time, their name has almost become synonymous with post-rock, and “Allelujah! Don’t…
Sputnik Music is dedicated to bringing you the best new music. Part of our endeavor includes this very blog, our “Infinite Playlist” – a user-submitted database consisting of quarterly, up-to-date tracks from your favorite artists (and hopefully a few ones you’ve never heard of before). Below you will find a list of songs from the third quarter of 2012. Each song is (if possible) accompanied by a download link, access to the artist’s home page, and a review of his/her latest album.
Sputnik’s Infinite Playlist is, as the title suggests, an ongoing project. You can contribute to future publications of Sputnik’s Infinite Playlist by submitting a song title, artist name, release date, and 5-10 sentence blurb to sowingsputnik@gmail.com.
All prior sections of the Infinite Playlist can be found below:
If you have any additional questions, drop me a message in my shoutbox. Q4 submissions will range from October to December, so feel free to send something in at your leisure. Not a user? No problem. You can register with the site here.
And as always, I would like to take a moment to recognize this issue’s contributors for their time and effort. Please give a round of applause for this quarter’s writers:
No matter how much you love music, there is quite simply too much out there to keep track of. Even in your genre of choice, it is possible to overlook an impressive release, which can be frustrating when you find it year(s) later only to regret every single day that you weren’t already listening to it. For me, the most recent discovery of this sort was Laminate Pet Animal, a 2011 psychedelic/indie release that took me almost a full year to stumble upon.
Laminate Pet Animal is a brilliant effort from Snowmine, a band hailing from Brooklyn that is too little-known considering the heights they effortlessly ascend to. Their stellar blend of pop-accessible vocals (think James Mercer of The Shins) and challenging-yet-melodic atmospheres beckons casual listens as well as late night headphone sessions. Their sound works as one cohesive wave of beauty, flowing over your ears and engulfing them in one gorgeous instrumental arrangement after another.
Laminate Pet Animal is consistently jaw-dropping, so attempting to pick a standout track is like trying to pick out a date from the Victoria’s Secret Fashion Show. Nevertheless, one that exemplifies the album’s true nature, as well as what Snowmine is capable of, comes via “Let Me In”, a song driven by downright stunning vocals and a spacey atmosphere. Enjoy, and be sure to check out Snowmine’s bandcamp page for a name-your-own-price download of the album (It may be free, but it’s worth dropping a few bucks on to support the…
I’m still waiting for that girl who will be impressed (and find it romantic) that I listen to songs like these:
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Track of the week: “Impregnable Question”, Dirty Projectors
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I, too, want someone to want to assassinate a president for me…”John and Jodie”, Ghost Mice
Welcome back! For those of you who don’t know, this is one of the site’s best resources for discovering up-to-date, diverse staff and user selected tracks. Every quarter, a new issue is published bringing you some of the best individual songs from the past few months. The first quarter received an overwhelming response, gathering over 20 submissions accompanied by some fine writing. Thanks to your dedication, we’re here to keep things rolling with the second quarter of 2012’s feature. Below you can find the archive for Sputnik’s Infinite Playlist’s History, which is young but rapidly growing.
http://www.youtube.com/watch?v=85Kk0q2WIl4
If you live outside of Scotland, chances are you’ll not be familiar with Admiral Fallow, the nation’s second best indie folk collective. That may not be the case for long, though, with the band’s second album Tree Bursts In Snow making clear strides towards a wider audience while losing none of their unequivocal reflective…
In anticipation of Keane’s fourth studio album Strangeland (to be released this Tuesday, May 8th), Sputnik will be hosting a prize pack giveaway. The contest is based upon the music video to their latest single, “Disconnected”, which was filmed by directors Juan Antonio Bayona and Sergio G. Sanchez inside a haunted house in Barcelona while following a distinct 70’s horror aesthetic. The contestant who submits the best movie slogan/tagline in 15 words or less (i.e. Jaws‘ “Just when you thought it was safe to go back in the water”) will receive the following:
-Strangeland CD
-Strangeland 12” vinyl record
-Strangeland poster
The winner will be chosen based on originality, cleverness, and/or humor, as well overall quality of the slogan. All answers should be sent via email to sowingsputnik@gmail.com. The deadline for submissions is Sunday, May 13th.
The music video can be viewed below. Good luck to all of the contestants involved!
I’ve always felt like this is the perfect song to start off spring. Not only does the title conjure up images of blossoming life, but the music nestles itself between icy winter-like pianos and the warm swelling of strings. The whole thing makes me picture a thawing landscape…ice melting and trickling down a hillside, tiny patches of green sprouting up through the cracks…this is the sound of life overcoming death.
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This is one that packs a surprising punch, considering its all-natural and effortlessly fluid beginning. The sound of crickets and the bubbling water of a stream nuzzle your senses into a state of complete calm before the song erupts into all of its splendor with a magnificent riff and and epic string section…even the quiet, subdued vocals transform into a fit of passionate shouting akin to a triumphant arrival – not all that dissimilar to spring time coming into full force.
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“The Fisherman Song” reminds me of morning. A lake who’s waves have just begun to curl and ripple, erasing the evening’s glass surface and setting the day in motion. The way the guitars are gently picked does an excellent job of depicting something soothing, such as water. Hell, even the squeaking fingers sliding up and down the strings remind me of a creaky old row boat. As the song gradually increases in tempo, it feels…
It’s rare for me to draw inspiration from an artist as commercialized and famous as Shinedown. Typically, I like to find songs by bands so anonymous to the general public that I feel like they only apply to me. But for some reason, I have felt a particular connection with the title track off of Shinedown’s most recent album. ‘Amaryllis’ is a towering ballad, complete with shimmering acoustic guitars, crashing electric riffs, and a movie-climax type of chorus. It’s all so easily accessible yet emotionally intense at the same time. I compare it to The Goo Goo Dolls’ “Iris”, with which I feel that it shares many parallels. Even though the album itself was a disappointment in my opinion, ‘Amaryllis’ just might be my favorite song of the year so far. If you haven’t heard it yet, give it a chance. If you don’t like it at first, give it a few more listens and see if it sinks in. I think you might be surprised at how well this song relates to you (or alternatively, it just relates to me a whole fucking lot right now and I’m projecting that onto all of you). Either way, I present to you Amaryllis – the song that is keeping me going right now. Enjoy.
So in case you haven’t heard, indie-pop legends The Shins are releasing their fourth studio album, Port of Morrow, this Tuesday. The entire album is actually streaming via iTunes (and it is pretty damn good) but “Simple Song” really stuck out to me. Its breezy, carefree chorus takes me back to the days of Oh, Inverted World. Listen and let me know what you think.
I for one am very excited.
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If you have navigated through the vast interweb desert in search of great, up-to-date music, then I present to you the oasis. As part of a new feature here at Sputnik, we are composing a quarterly mixtape of sorts – one where black metal can be found alongside indie, and where staff and user tastes coalesce into one reliable knowledge bank. Here, any registered user can submit one song from this year that they feel stands above the pack. Below is a list of some of our favorite songs from the first three months of 2012. Feel free to listen to our selections, browse the descriptions, or even register and submit your own song for next time!
Special Thanks To The Contributing Writers For This Issue:
Yeah, we all know how reunion tours/albums/productions are mostly cash grabs for the artists involved. Why should we waste our time (and money) on those poor, rehashed ideas when we can instead relive the better times?…
A brief look back at a band that left its mark on a generation
Many would tell you that Fall Out Boy was finished long before the release of their full-length finale, Folie A Deux, but the record certainly had something of a goodbye feel to it. There is no way of discerning whether or not it was intended to be a farewell album, but the cumulative resume-to-date of singles tidily collaged together in the background of “What A Catch, Donnie” certainly seems to imply that they knew the end was coming. And for someone who grew up with the awkward looking, off-key underdogs, that probably had more of an impact than it did on most. It’s true that the band had begun to overstay their (very brief) welcome, saturating radio stations to the point of nausea while their albums were infiltrated by guest musicians like Jay-Z – whose presence on “Thriller” was arbitrary and purely promotional. But even in the “selling out” of their sound, FOB never lost their down-to-earth touch; in fact, they could often be heard mocking their own commercialization. Popular single “This Ain’t A Scene, It’s An Arms Race” is a prime illustration, with lyrics comparing the music scene to an arms race and proclaiming, “as long as the room keeps singin’ / that’s just the business I’m in.” It was moments like this that, even in the midst of an enormous popularity explosion, offered a glimpse into the heart of a band that…
From Ingrid’s upcoming January 2012 release, Human Again, I invite you to get swept up in “Ghost” with me. Personally, I thought Everybody was a bit unimaginative for this whimsical, often quirky pop star…but it seems like she is on the right track again after teaming up with producer David Kahne (Imogen Heap, Bangles).
Enjoy.
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I always used to think of new year’s resolutions as an inane exercise. Whoever conceived the idea seemed to be proposing that we should only target improvement once a year, a notion that we all would dismiss promptly and adamantly. As inconsequential of a gesture as it is, the new year’s resolution has actually begun to carry some weight to me. I don’t view it as a single goal for for the next 365 days, but rather as an impetus for change. For example, my 2011 resolution was to get a “real person” job. It’s not like I wasn’t providing a valuable service to the community at my local grocery store, but as a college graduate with a B.A. in mathematics and a B.S. in education, it was rather underwhelming…even considering the abysmal state that the economy was in. I was always on the prowl for a career-oriented opportunity, but I knew that I wasn’t completely applying myself. That admission alone was enough to compel me to set a clear, definable goal – and it just so happened that the new year (and new year’s resolutions, subsequently) coincided perfectly with my desire to take my professional life to the next level. I put myself on a strict weekly schedule for submitting applications, made an effort to visit more potential employers on location, and I even branched out and started my own tutoring program. It only took three months to pay off. I’m not saying that I wouldn’t have gotten a…
(25) Kevin Devine – Between the Concrete and Clouds
Between The Concrete and Clouds is perhaps Devine’s calmest album, but it is also his fullest instrumentally. Lush atmospheres complement Devine’s sensitive crooning like we have never heard before, and his lyricism here is brilliant enough to stand alongside former tour mates Jesse Lacey and Andy Hull. This is an essential listen for anyone whose taste leans towards alternative rock and/or acoustic songwriting…definitely one of Kevin Devine’s most mature and complete recordings.
Sample: “Off-Screen”
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(24) Sleepingdog – With Our Heads in the Clouds and Our Hearts in the Fields
Utilizing a minimalist approach to achieve a sense of calm still, this album is strikingly reminiscent of an afternoon spent lazily staring out the window while droplets of water collect on the outside edge of the sill. The soft, supple arrangements and electronic inclusions contribute to a natural flow within the album that makes it quite the cohesive work – with nary a forced or artificial moment to break up the magic created by string after string of beautiful, almost celestial, atmospheres. Full of spacey, haunting, and charged atmospheres, Sleepingdog have once again shown us that less can be more.
Sample: “He Loved to See the World Through His Camera”
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(23) 1,2,3 – New Heaven
New Heaven sounds eerie, unfamiliar, and unpredictable the majority of the time. This can be…
I don’t know about you, but oftentimes I find myself analyzing the music behind a movie just as much as the film itself. It’s difficult to determine to what extent a soundtrack influences my opinion of a movie’s quality…technically it shouldn’t, but I always favor movies with indie-geared soundtracks (500 Days of Summer, Garden State) all the same. It’s something that annoys the hell out of my friends, which is why I’m not sure if this is common or if there is just something really wrong with me. But anyway, I glanced through my library and pulled out notable soundtracks (some good, others very bad) and decided to evaluate them for their contributions to the movie and their overall quality. Since it’s Halloween today, let’s begin with Tim Burton’s The Nightmare Before Christmas:
The Nightmare Before Christmas
This is one of those movies with a cult following, and I totally get why. It’s stunningly original, visually appealing for its time, and it features a thoroughly enjoyable plot. For music enthusiasts, the soundtrack has to be another reason. It follows the storyline extremely closely, sometimes even narrating through song or spoken word (via Danny Elfman). It has been remade, but nothing touches the original which, if you ask me, is a classic.
Sample: “This Is Halloween” by Danny Elfman
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Grade: A
Across The Universe
Now this one I never understood the hype for. I was a sophomore in college…
