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Upon being asked how they would like to be introduced, Victor Pakour and Wyatt Ininns admitted they were not quite sure how to do that themselves – and perhaps that is the best introduction to Ruby Haunt. While the dream pop duo have been putting out albums at a rapid pace since the mid-2010’s, their presence in the reverbed-out DIY Bandcamp scene can only be described as reminiscent of the very music they release: rather subdued and introverted. 

Thankfully, their music speaks for itself. This year’s Cures For Opposites is a gorgeous collection of ethereal songs blending synths and gaze in a way few other bands are capable of. While they may be in a state of constant creation with seven full lengths under their belt, the duo found some spare time to chat with Sunnyvale and JesperL (the proud co-founders of Sputnikmusic’s Ruby Haunt fanclub). 

 

This sheer size of the Ruby Haunt discography, some seven years in, might actually be the best place to start: could you describe what your process is like? How have you gotten to a point where you can release so much music without it detracting from the overall quality of the music? 

Victor: We don’t overthink the process or set unrealistic goals. We both love working hard and are very passionate about writing / making music. The feeling we get from making and subsequently sharing demos is so special and I don’t think that feeling will ever change. I think that’s why we

Regardless of your political stance on treating boys like sluts, daine’s ability to fit the lyrics “treat that boy like a slut” into the first second of ‘boythots’ is highly impressive. Moreover, it signals a gratifying shift in the Filipino-Australian artist’s style: where her previous output largely mimicked Lil Peep-isms by combining trap beats with spaced out twinkly riffs, this brand new single is much more energetic and immediate. Trading melodrama for drama, daine finds a newfound sense of life in wonderful lines like “Steppin’ in the club in my vegan Uggs / Slappin’ all these hoes in my Prada puff” and her crystal clear goal of, yes, treating a boy like a slut. It’s ambitious yet firmly embedded within reality; aware of limitations and more than willing to face them. 

While it’s a highly delicate exercise in vulgarity and meditation, ‘boythots’ also manages to be highly self aware. It’s snappy; it knows precisely what it’s doing. Clocking in at just over two minutes, the song delivers its message without overstaying its welcome or dragging at any point. Its framework comprises an addictively pulsating beat and enough ethereal qualities to feel like a natural progression from daine’s past output; nothing more, nothing less. While ‘boythots’ might last as long as its subject matter, it manages to feel much more satisfying and complete. 

4/5

Sputnik Singles Chart:

  1. Blut Aus Nord – “That Cannot Be Dreamed” (3.9)
  2. Regina Spektor – “Becoming All Alone” (3.9)

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