Blood Incantation – Absolute Elsewhere

By all accounts, what Blood Incantation has done with Absolute Elsewhere shouldn’t work. A core of sophisticated, tasteful death metal (yes it exists, shut up), a big gulp of Pink Floydian psychedelics and a cheesy science fiction sauce, blended together roughly and without much stirring. It has all the ingredients for a disaster that’s just sour all over. Yet apparently yuck-face and stank-face are in close proximity to one another, because despite its shortcomings, it delivers a fucking marvel.

You could make the argument that a lot of good parts individually does not a good album make. The metal and ambient parts aren’t so much mixed together as bluntly glued in a way that shouts whiplash city for any other band with even a smidge less skill. It creates heroes out of riffs and passages that border on the grandiose. I could go on, there is a lot to critique here. And yet it’s still a close frontrunner for my album of the year. The normal rules go out the window when everything on my plate just tastes so god damned awesome. Whether it’s the breathtaking conclusion of “Stargate [Tablet III]”,  the fast drumming over the clean broken chords sprinkled throughout “The Message [Tablet I]” or the blissful guitar solos in multiple songs, Absolute Elsewhere has so many highlights on offer that it doesn’t need to become more than the sum of its parts to be amazing. Yet it still manages to become more by having a clear vision, a consistent vibe and very tight songwriting.

With basically just 2 songs split over 6 movements, it leaves you wanting just that little bit more to lick your lips off to. But in my experience, that’s what most great records have in common, knowing where to stop.

-Scheumke