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Upon closer examination, the Saturday lineup proved to be the most stacked of the day, a result that proved a fortuitous coincidence with another smooth day of sailing through parking, security, and the festival lines to arrive at the fest just in time for Big Thief around 3 p.m. While I’ve always been a fan of their somewhat off-kilter live show, Big Thief’s confessional, contrasting components – their guitarist’s uh, unique style has to been seen to be believed – was always going to be a bit of an odd fit at Coachella. Singer and frontwoman Adrianne Lenker always performs like she’d rather be anywhere else rather than on stage, but the small crowd was thrilled nonetheless.

As great as the lineup was, it presented a series of conundrums that have me seriously trying to finagle a wristband for weekend two just to go again Saturday (see that Missed Connections list *crying emoji*). I’d seen bands like First Aid Kit and Django Django before – in the interest of trying something new, I ventured to the Yuma tent for the first time all weekend to check out former Daft Punk manager and Ed Banger mascot Pedro Winter aka Busy P spin some old fashioned electro house to get out of the rapidly increasing temperatures. The Yuma tent remains the preeminent vibe for people younger than me to get fucked up in, and while I continued to enjoy the air conditioned environs and the relentless grooves, the…

Another year, another Coachella won by the DJs. It was apparent seeing the massive crowd flocking to the Main Stage for Kaskade’s 7:30pm set that no matter the time, no matter the place, big electronic names have supplanted rock ‘n roll and pop acts as the biggest draw of the festival. Ever since Tiesto’s headlining set in 2010, electronic music and its den of iniquity, the Sahara tent, has consistently drawn the most packed crowds, with the requisite increase in dilated eyes and face paint. Not to say Kaskade’s set was a bust – indeed, it was quite good – but it failed to rise above the constraints of its audience, who know what they want and are happy enough to get it. Still, credit to Goldenvoice: where past Coachellas have gone heavy on the big names), the electronic acts this year pushed the boundaries of their genre, from Kygo, who’s languid house beats draw white girls like moths to a flame, to Jamie xx’s innovative, heavy set, to John Talabot, who proved the best avatar of the Yuma’s throbbing, mutating waves of bass music. Sure, David Guetta may have still closed out the Sahara Sunday night, but: progress! And that’s not even mentioning one of my favorite sets of the night, which rocked the top of the Mojave, of all places.

Placing Canadian indie-pop legends Sloan at a noon time slot on THE LAST DAY OF THE FESTIVAL is downright criminal – getting out of…

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