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Posts Tagged ‘Irish’

I’m not somebody who’s prone to hyperbole, so I’ll say this in my own typically understated manner: this is the best thing ever to happen to me in my life.

On January 27, Ian Maleney’s Quarter Inch Collective will release Quompilation #1, a download/cassette-only compilation of 13 Irish acts covering their favourite songs from 2009 in their own inimitable styles. The compilation features the diverse line-up of Cloud Castle LakeFlokGinolaHipster YouthKid KarateMarket Force,No Monster ClubPatrick KelleherRhino MagicSacred AnimalsSpiesSquareheadand We Are Losers, although the exact tracklist is being kept firmly under wraps.

Luckily, we’ve been supplied with a couple of advanced screenings from the tape, and today saw Dublin scuzz-pop outfit Squarehead premiere their cover of labelmates Adebisi Shank‘s ‘(-_-)’  (in single quotes that almost looks like Napster propaganda.) It’s not just a straight cover though: the trio have added a sun-kissed vocal melody so that we can all now sing along to the tune without looking as demented as I usually do.

Squarehead – (-_-) (Adebisi Shank Cover) by Quarter Inch Collective

(Photo by Loreana Rushe, modified by Nialler9)

I had a plan to close out this series’ final episode with an epic epilogue but whatdafuck it’s Christmas, and to celebrate here is the undisputed greatest Christmas song of all time.

Check back next year for all twelve songs in a slightly different order.

Merry Christmas everybody – enjoy it.

Over the course of the last 9 Days of Christmas, we’ve seen a wide range of emotional responses, from the romanticism of ‘White Christmas‘ and optimism of ‘Merry Xmas Everybody‘ to the longing of ‘All I Want for Christmas‘ and outright hostility in ‘Fuck Christmas.’

What we haven’t seen is perhaps the simplest joy of all: spending the Most Wonderful Time of the Year with the person you love. The Mighty Stef’s ‘Shit Christmas Without You’ might be crass and slightly ironic, but the ’50s rock swing, booming vocal and sweet higher-pitched notes all bring home the value of those pleasures  we all too often take for granted. For all those fortunate to be spending the Christmas period with somebody you love, make sure to make the most of what you’ve got.

But first, feel free to join me in a pint of Guinness or some other generic Irish drink for a singsong with one of Ireland’s greatest (and most overlooked) songwriters.

12 Days of Christmas: #1 – White Christmas / #2 – Popical Island / #3 – Last Christmas / #4 – Christmas in Harlem / #5 – All I Want For Christmas is You / #6 – Fuck Christmas / #7 – Merry Xmas Everybody#8 – Ferrell & Reilly / #9 – Shit Christmas Without You / #10 / #11 / #12

As the international media descended on Ireland in November to cover its impending financial crisis, their choice of imagery was striking. Almost all pictorial coverage, in the UK and American media at least, focused on one of three images: beggars, ghost estates or horses.

The first two are predictable enough – similar pictures exist in almost every major city across Europe and the United States – but the third is a puzzler. It appears that for all the rapid financial and technological advances we’ve achieved over the past twenty years, Ireland remains the only country in the world where a horse can freely roam the streets of a major city, with or without its owner, and nobody will bat an eyelid. Except for foreigners, of course, but they hardly count.

Limerick comedy rap duo Rubberbandits have made a small industry of this “only in Ireland” schtick, achieving unlikely success with Ireland’s usually hyper-conservative state broadcaster RTE. They first came to (indie) prominence with the hilarious ‘Up Da Ra,’ a sly satire of those radical Irish nationalists (many of them in the US) whose grasp of historical fact is only rivaled by their loose grip on intelligence. ‘Willie O’Dea‘ is no less funny for the fact only a few thousand people could ever understand it.

As comedians, Rubberbandits are as much miss as they are hit – like a crude, very esoteric, Irish version of the Lonely Island – but as musicians they definitely…

Ham SandwicH (there’s no real reason for that capital H – it doesn’t make it look any more symmetrical)  released their second album, White Fox, last week (stream here).

To coincide with the release they went on Irish and recorded this oddly brilliant cover of Britney Spears’ slut’s anthem ‘Piece of Me.’

It’s Britney, bitch. Not really.

Ham Sandwich – ‘Piece of Me’ (Britney Spears cover)

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To the uncultured ear (and that includes my own), searching for good post-rock can feel like a hiding to nothing. It’s not that there isn’t plenty of good material to choose from – there is – but otherwise it can take an awful long time to figure out that something is, in fact, shit.

Irish trio Halves gave me no such trouble – featured tune ‘May Your Enemies Never Find Happiness’ practically assaulted me the first time I heard it. It’s not that it’s particularly loud – they don’t seem to go to the same ear-splitting levels as other, more conventional bands (on record at least) – but it builds slowly and deliberately with soft vocals and a chiming blues guitar motif, so that the inevitable crescendos are just an aspect, rather than an aim, of the song.

It sounds like a typical post-rock track, and it is, but it’s also an incredibly moving one.

‘May Your Enemies Never Find Happiness’ is taken from the seven-track EP Haunt Me When I’m Drowsy.

Belfast’s finest vocal-averse rock troupe And So I Watch You From Afar stepped into the Music Maker in Dublin city centre a couple of weeks back to record the first “Intervention” in association with our friends at State magazine.

The concept of State Intervention is simple: impromptu gigs are arranged in diffuse spots around the city, from music shops and bars to parks and street corners. The featured act is announced on the morning of the gig via Facebook and Twitter, and the whole gig is professionally shot and plastered up all over the internet for the whole world to squeeze and poke and do all sorts of deranged shit to.

And So I Watch You From Afar – ‘S Is For Salamander / Set Guitars To Kill’

It seems I’m making something of a habit of posting whimsical, folksy music from the north of Ireland.

A couple of weeks back, I blogged ‘You’ve Been Released,’ the new single from London-based Sligo musicians Yngve & the Innocent. This week, I’m focusing on Belfast four-piece John, Shelly and the Creatures – who, by happy coincidence, will support Yngve & Co. at their record launch in Dublin on April 23. Don’t you just love it when a good plan comes together?

Today’s Track of the Day, ‘Long May You Reign,’ was the group’s debut single, and was buoyed by a prominent appearance in the Discover Northern Ireland tourism advertisements across the UK and Ireland these past months. ‘Long May You Reign’ is the driving force behind the band’s one and only album, Dinosaur, which was released back in March of this year, and  is the perfect showcase for the group’s ethereal brand of folk, blues and rock n’ roll. Frontman Walter’s layered, hushed vocals are reminiscent of Elliott Smith, while the song’s earthy acoustic guitar, prickly piano and crazed slide licks recall ’70s singer-songwriters of the Harry Nilsson and Jackson Browne ilk.

John, Shelly and the Creatures – ‘Long May You Reign’

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