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Posts Tagged ‘Four Tet’

The best day of the festival almost turned out to be a disaster. Those aforementioned clear paths from the parking lots and sweet, smooth walks through a security staff with light hands did not extend to actually getting to the festival. Indio and Riverside County police turn the warren of gated communities and golf courses and miles-long blocks that surround the polo fields into a frustrating maze of blocked-off streets and unintuitive one-way turns that had me doubling back and retracing my drive more than once. And by the time I finally found a way to a parking lot, the line to get in was absurd and poorly directed. Note to Goldenvoice: please put a GPS address on your parking directions that actually works, and preferably more than one, so that I don’t have to miss all of Shura, Mitski, and Local Natives.

I did manage to see the tail end of Icelandic rock band Kaleo, a group that is appearing more and more to be the next Black Keys in terms of arena headlining potential. The group’s muscular delta blues rock is nigh indistinguishable from their American counterparts, and with a hit single that already went gold on the Billboard chart, likely only to get more and more omnipresent. A lot of the credit should go to frontman JJ Julius Son, whose deep vocals complemented the band’s deft, rootsy work with a showmanship that seems already a decade earned. Easy contender for band most…

There’s something enchanting about what electronic producer Four Tet does in the below video – rather, what dontwatchthat.tv forces him to do. You can tell the guy’s got mixed feelings about having to compose an entire track in only ten minutes, and furthermore, only with samples from Michael Jackson’s Thriller. It’s the kind of process that forces one to rely on creative intuition, nothing else- and you can see that side of the producer shine through as he places Thriller on the record player. He spins it, and lands on arbitrary moments, and then assesses- he considers each instant as a possible instrument for the tune he’s about to make, and then he proceeds based on how he feels about it.

It makes me think about music in a different way. We get so used to hearing entire tracks, and we music lovers sometimes convince ourselves that hearing a song in any other way besides start to finish is sacrilege. But you see Four Tet cobbling together random moments from the record, and you see how much fun it can be to hear snippets from really engaging records. Each time he lifts the needle and picks a new spot it sounds like a new artist, and so when he fuses all these ingredients to make his own song it feels so unlike Thriller, and yet so familiar to that record my parents used to play around the house.

Watch this video if you want to see how Four Tet works…

So four years and four Coachellas later for me, and you’d think the desert festival had lost the capacity to surprise. Indeed, the checklist for a Coachella Weekend goes something like this: Up-and-coming indie band makes good on their promise via rousing early afternoon set that ensures double the audience for next weekend; sunburns will be accrued at melanoma-threatening rates; sound problems will invariably affect what could have been an amazing set; the unholy signature dish that is Garlic Crab Fries will simultaneously thrill and torpedo my digestive system; the weather will turn on you; a band I never would have predicted beforehand will become my favorite set; the shadow of Daft Punk will hang heavy over the entire weekend, regardless of the fact that most of the attendant rumors come from neon-tank-adorned bros who first heard of the French duo after “Stronger” introduced the pair to a whole new audience of college-age Natty Ice fans. And on and on it goes.

So, to get it out of the way – no, Daft Punk didn’t play. This despite many a false sighting, including a literal stampede to the Gobi tent after a trailer played before TNGHT’s set, the same teaser that later played before the Yeah Yeah Yeahs’ main stage gig. There were no big surprises for the weekend – no offense to Phoenix, who killed it, but no one has been surprised by anything R. Kelly’s done since 2002 – and more people probably…

The 59th edition of FabricLive‘s mix sets features Four Tet aka Kieran Hebden, and this lovely future single culled from the end of it is now available for streaming. It’s graceful and hauntingly beautiful, perfect for that 5 am comedown. As Hebden noted: “This mix is not about my DJing. It’s about London and fabric and nights out and my take on all that. The memories and the influences. I used old and new music, I used recordings of fabric, and I made new tracks of my own for it. I hope people play it fucking loud and lose their minds in it and remember or imagine what it’s all about.” Check out the FabricLive compilation when it drops September 19th and for now, enjoy this fantastic single.

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Last month, Pantha Du Prince released “Stick to My Side”, a collaboration with Noah Lennox (Panda Bear) of Animal Collective, as a single. The song comes from his superb February release Black Noise. With the single came five remixes, two of which are posted here. The former is a Four Tet remix, which brings the song closer to a dancefloor jam a la “Love Cry” with enhanced bass and synths. The second takes a completely different spin on the song and makes it more of an Explosions in the Sky cum Toro y Moi affair, emphasizing the hidden guitar riff in the song and altering Panda Bear’s vocals with heavy delay and modulation. Both are excellent interpretations of an already great song.

Stick To My Side (Four Tet Version) by Pantha du Prince

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