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Posts Tagged ‘deadmau5’

One of the blogosphere’s more interesting stories of late has been the rapid rise of Sonny Moore, better known now as Skrillex, in the electro scene. With only two EPs to his name on deadmau5’s label, Moore at one point had six songs near the top of the Beatport Top 100, a site that specializes in electronic releases and is an excellent barometer of artist success. This is a feat that has never happened before, and it’s even more fascinating when you learn that Moore, who was the former frontman for post-hardcore band From First To Last, only began DJing in the past couple of years. His debut EP came out in June, while Scary Monsters and Nice Sprites, featuring this rather filthy dubstep remix by everyone’s favorite Dutch drum ‘n bass trio Noisia, was just released last month. Who knew all that pent-up hardcore aggression would translate so well to electro?

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If I thought Day 1 was packed, Day 2 took things to a whole new level, making it extremely hard to walk anywhere efficiently (and definitely not without a group constantly linking hands), and making the floor of the main stage a lost cause before I even arrived. I dared to see some trance at the Neon Garden when I first arrived, catching Aly & Fila and a whole bunch of fluorescent-painted individuals who must’ve been the happiest concertgoers I’d seen yet just fist-pumping like it was Jersey Shore West Coast-edition. Next up was will.i.am at the main stage, who stuck out like a sore thumb on the lineup sheet and played a predictably oddball set heavy in funk classics to liven the crowd up as the sun began to set.

Filipino/Dutch DJ Laidback Luke followed will.i.am, and was playing when what was easily the most surreal experience of the festival occurred. The floor had long been closed to any more spectators, but as Luke continued to play unruly concertgoers began to wash over the high fences barricading the stands from the floor, spilling onto the floor and causing absolute havoc among security. The sound was soon cut off, and from my vantage point way up in the stands, the combination of what looked to be a surefire riot, helicopters suddenly swooping low overhead, and the stadium in a frenzy, was terrifying but really, really fucking cool all at once. Then who comes on the mic but…

Over 80 artists and DJs. Five stages running the gamut from house to dubstep to trance and more. 185,000+ people attending and dancing until 2 a.m. over two days. More Ecstasy pills than the population of Los Angeles. Calling the annual L.A. Electric Daisy Carnival a mere “rave” is an insult to something that has to be considered one of the largest music events in the world, not to mention an intense kaleidoscope of sounds and visuals that require far more work and setup than your average festival show. Oh, and don’t forget the varied array of carnival rides, from your standard Ferris wheel and fun house to spinning tops and massive swings (best ridden sober). With such a breadth of artists and experiences to be sampled it’s practically impossible to catalogue every highlight of the weekend, and the fact that the Coliseum grounds where the event was held was nearly impossible to traverse effectively past sundown made it difficult to see everyone I wanted, but those I did rarely disappointed.

…and this was EARLY

Opening at 2 in the afternoon every day, the festival was already jam packed by the time I arrived (usually around 4-ish), and like Coachella before it, EDC’s popularity has skyrocketed over the past couple of years. The main stage (the Coliseum stadium including the floor) was half empty during the Friday headliner in 2009; this year they closed off floor access before sunset,…

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