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Posts Tagged ‘comedy’

Backlash is such a strong word, and perhaps not the most appropriate one given the level of antipathy the group evokes among the internet cognoscenti, but it’s impossible to avoid the term in reacting to the Lonely Island’s new single ‘I Just Had Sex,’ which features imaginary tough guy Akon.

As an unabashed fan of the Lonely Island’s first CD, 2009’s Incredibad, I’ve always found it difficult to reconcile my love of their music with my complete disdain for SaturdayNight Live, and in particular Andy Samberg’s turgid contribution as a sketch actor. Like most of the SNL cast, Samberg as an actor represents the banal strand of comedy that dictates saying something in a funny accent automatically makes it ha-ha funny, when in fact all it does is make him look like a douchebag.

It’s a similar concept that has prolonged the painful career of Kenan Thompson. Thompson, who most famously played the part of the unfunny half of Kenan & Kel, seems to most rational observers to serve one purpose on the show: to play black characters in sketches where it would be racist for the white members to wear blackface. That’s not to say that SNL producers are racist. In fact, it’s the opposite – they hold black comedians to the same low standards to which they hold themselves. It’s equal opportunity mediocrity, and it’s rampant on SNL.

Which brings us back to the Lonely Island.

Over the past three or four years, the Lonely Island…

As the international media descended on Ireland in November to cover its impending financial crisis, their choice of imagery was striking. Almost all pictorial coverage, in the UK and American media at least, focused on one of three images: beggars, ghost estates or horses.

The first two are predictable enough – similar pictures exist in almost every major city across Europe and the United States – but the third is a puzzler. It appears that for all the rapid financial and technological advances we’ve achieved over the past twenty years, Ireland remains the only country in the world where a horse can freely roam the streets of a major city, with or without its owner, and nobody will bat an eyelid. Except for foreigners, of course, but they hardly count.

Limerick comedy rap duo Rubberbandits have made a small industry of this “only in Ireland” schtick, achieving unlikely success with Ireland’s usually hyper-conservative state broadcaster RTE. They first came to (indie) prominence with the hilarious ‘Up Da Ra,’ a sly satire of those radical Irish nationalists (many of them in the US) whose grasp of historical fact is only rivaled by their loose grip on intelligence. ‘Willie O’Dea‘ is no less funny for the fact only a few thousand people could ever understand it.

As comedians, Rubberbandits are as much miss as they are hit – like a crude, very esoteric, Irish version of the Lonely Island – but as musicians they definitely…

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