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Posts Tagged ‘christmas’

Hi, my name’s Dave.

(Hi Dave!)

You may remember me from such adventures as: the last few years and generally stealthing around like a motherfucker while letting Jom take all the blame for the real shit that went down.

Last year, I counted in Christmas with 12 days of excellent (and some not so excellent, but topical) Christmas songs. I’d intended to reprise the series this year but, as one or two of you might have noticed, I’ve taken my leave from this place, and Christmas seems as good a time as any to say a formal goodbye and let you know I’m not going to be back.

I won’t patronise you all by saying it’s been a pleasure. Mederating Sputnik is a labour of love but it is hard and, ultimately, unrewarding work. I have had good times taking care of this place over the years, but I urge you to spare a thought for Trey, Jom and Chan. They do an incredible amount of work that you never see – every single instance of bullshit you pull falls squarely on their shoulders and quite frankly they’ve all got more important things in their lives.

Well, not Chan.

But seriously, I’d like to leave on a positive note. Sputnik is a great place to learn – it’s afforded me the tools to become a professional writer and I’m sure I won’t be the only one. Sputnik was built on a sense of community and…

I had a plan to close out this series’ final episode with an epic epilogue but whatdafuck it’s Christmas, and to celebrate here is the undisputed greatest Christmas song of all time.

Check back next year for all twelve songs in a slightly different order.

Merry Christmas everybody – enjoy it.

It’s fitting that we should begin Christmas Eve with a rendition of ‘Silent Night,’ for it was the song that was sung by British, French and German soldiers during the Christmas Truce that was referred to in yesterday’s post. It was the only Christmas song they knew that had been translated into all three languages, having originated as a German carol (‘Stille Nacht’) from the pen of Austrian school teacher Franz Xaver Gruber (music) and priest Joseph Mohr (lyrics).

It’s interesting to note that the original, besides being German, differed from the modern in that it was intended as a mid-tempo dance tune rather than the slow-paced lullaby that it has become. First performed in 1818, the song was a fast success and it spread quickly through the various churches of Europe, eventually making its way to America and its first English translation in 1859. More or less everybody is aware of the “standard version” so I’ll push right ahead and highlight artists who’ve put their own unique spin on the track.

First up, we have Enya. Ireland has been a recurrent figure in this series, but for once I have a reason other than familiarity for focusing on a song, as the former Clannad singer’s recording is ample demonstration of the song’s inherent flexibility: the original can be sung in at least 44 different languages with very little lost in the way of meaning.

By contrast, Simon & Garfunkel’s 1966 recording involves a radical rethink of the song’s…

Christmastime is a time when, traditonally, families come together. However, in coming together, we also tend to be more acutely aware of those that are missing: those we’ve lost and those that, for whatever reason, can’t be with us.

The story goes that, on Christmas Day 1914 (the first of the First World War), peace broke out. German, British and French trench troops crossed into no man’s land to exchange gifts and, famously, play games of football together. The scenes would not be repeated the following year, or any other. Whether motivated by basic humanity or naivety, those early gestures of solidarity quickly gave way to the horrors of the most brutal and senseless war in modern history.

It’s in the latter context that Jona Lewie’s greatest hit (it was only beaten to #1 by a re-release of John Lennon’s ‘Imagine’ shortly after the singer’s death, about as far from a fair fight as you can get) is set. Set to ironically regal horns, ‘Stop the Cavalry’ is one of the most established songs of the Christmas canon, worldwide but particularly in Britain, however it only contains one actual reference to the Season to be Jolly, in the lament of a frontline soldier: “Wish I was at home for Christmas…”

Modern wars bear little in comparison to the large-scale destruction of human life that were the World Wars. However, though we may all disagree on political issues, it’s imperative on all of us to spare a thought for military servicemen…

Over the course of the last 9 Days of Christmas, we’ve seen a wide range of emotional responses, from the romanticism of ‘White Christmas‘ and optimism of ‘Merry Xmas Everybody‘ to the longing of ‘All I Want for Christmas‘ and outright hostility in ‘Fuck Christmas.’

What we haven’t seen is perhaps the simplest joy of all: spending the Most Wonderful Time of the Year with the person you love. The Mighty Stef’s ‘Shit Christmas Without You’ might be crass and slightly ironic, but the ’50s rock swing, booming vocal and sweet higher-pitched notes all bring home the value of those pleasures  we all too often take for granted. For all those fortunate to be spending the Christmas period with somebody you love, make sure to make the most of what you’ve got.

But first, feel free to join me in a pint of Guinness or some other generic Irish drink for a singsong with one of Ireland’s greatest (and most overlooked) songwriters.

12 Days of Christmas: #1 – White Christmas / #2 – Popical Island / #3 – Last Christmas / #4 – Christmas in Harlem / #5 – All I Want For Christmas is You / #6 – Fuck Christmas / #7 – Merry Xmas Everybody#8 – Ferrell & Reilly / #9 – Shit Christmas Without You / #10 / #11 / #12

Not a lot of people know this, but as well as being an accomplished singer of showtunes and a country & western star, John C. Reilly makes a working man’s living as a comedic actor. Will Ferrell is also adept at saying ridiculous things with a straight face.

On a completely unrelated matter, here’s a video of David Bowie dropping into Bing Crosby’s house at The Most Wonderful Time of the Year for a spot of singing/jousting to the tune of ‘Peace on Earth’ and ‘Little Drummer Boy.’ Make sure to click through for a free download of the track.

12 Days of Christmas: #1 – White Christmas / #2 – Popical Island / #3 – Last Christmas / #4 – Christmas in Harlem / #5 – All I Want For Christmas is You / #6 – Fuck Christmas / #7 – Merry Xmas Everybody#8 – Ferrell & Reilly / #9 – Shit Christmas Without You / #10 / #11 / #12

OK, I guess yesterday confirmed that people don’t take too kindly to hardcore punk and f-worded sentiments in their Christmas cheer. Their loss.

Today, we continue on a Christmas classic buzz, albeit a much more mainstream one.

One of the great ironies of Christmas music, in the pre-internet era at least, is that the songs tended to be written and recorded in the summer, such was the lead time required to prep for a December release. English glam rockers Slade’s ‘Merry Xmas Everybody’ – often incorrectly titled ‘Here it is Merry Christmas’ – is no exception, having been recorded at the tail end of the band’s 1973 summer tour of the US in a sweltering New York City in August.

The upbeat lyrical content – summed up by the line “look to the future now, it’s only just begun” – can be interpreted as more than just standard holiday season escapism. The song came about against a background of unrest in Britain’s mining and industrial heartlands and the lyrics reflected the need for a good dose of optimism. This explains why ‘Merry Xmas Everybody’ is considered more than just a Christmas song in the UK. And if I can wear my Nick Butler hat for a moment, I’ll add that it was the UK’s Christmas #1 in ’73.

Slade’s recording of the song is light and bouncy with a hint of abrasion in Noddy Holder’s gravelly vocals. By contrast, the 2000 cover by Noel Gallagher of…

Users that are younger and more American than me might not really get this, but for somebody who didn’t get an internet connection until they were 16 and immediately set about using forums populated almost entirely by people over 3,000 miles away from them, the culture shock was surreal. I remember going into college and discussing all the crazy things we’d found out about the world at large from using forums the night before; learning that Americans think Blur are a one-hit wonder, for instance, was little short of mindblowing. The one discovery that stuck with me more than any other, though, was that no other country in the world cared about their Christmas #1.

It never occurred to me how silly this is until I had to explain it to a bewildered Canadian, but silly or not it’s true – the Christmas number 1 single is an absolutely huge deal in the UK. Getting it is a badge of honour for the bands that did, to the point where it even gets occasionally mentioned among the other major achievements of The Beatles (in ’63, ’64, ’65, and ’67) and Pink Floyd (1979 with “Another Brick in the Wall Pt. 2”), and has become the most commonly accepted barometer of the popularity of the Spice Girls. For some, their solitary Christmas #1 is enough to keep them famous among the general public for years to come – you’d be surprised how many parents in the UK started reminiscing about…

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