So I have a lofty new years resolution for 2018 in music, and it’s one that my track record of consuming mainstream pop and thriving on the hyperbole of big-name indie-rock releases suggests that I’ll be unable to deliver upon. Regardless, I remain focused and intent on exposing only new/underground artists this year, particularly of the indie/folk/electronic variety. I’ve spent the better part of 9 years on this site covering artists who, for the most part, don’t need reviews from someone like me on a site like this. Sure, there have been your Astronauts, Tigers on Trains, et al sprinkled in – but now I’d like to make that my primary focus. I guess klap will have to review Taylor Swift every time from now on.
In light of this newfound direction in life (on Sputnik), I’d like to make this a somewhat regular blog. I realize that it borrows a lot of ideas (the name hype machine for starters, but Sowing’s Hype Corner just makes me want to punch myself), but it’s the best I can do for now. For each installment I’ll highlight three upcoming records that are not necessarily on most people’s radars, and then offer a quick synopsis, a sample track, and a “hype rating” that I shamelessly borrowed from Has It Leaked. Not that I’ve ever downloaded leaked music.
So enjoy, and hopefully this is the first of many beautiful unveilings that will help to bring hard working, “starving” artists into the sput-light. Look for…
If you’re anything like me, you’re probably done by now with the same tired-sounding retreads of Christmas classics. That’s why, like Rudolph, I’m here to save the holiday with alternative versions of the tunes we all know and love (and a few originals). This is just a brief 10-track, 35 minute collection that I spin every holiday season to help get me into the spirit and shake the radio-staples (although a couple of these may still get extended airtime, I don’t know) — I figured I might as well share it. Most of these you’re probably already aware of but for a long time I had no idea that Anberlin and The Shins made any Christmas songs, so hopefully you find something below that you enjoy. This is definitely not an exhaustive list of alt-rock/pop-ish holiday tunes, which is why I invite you to leave your favorite Christmas cover in the comments below. Merry Christmas, Sputnik (and happy holidays across the board)!
Since its launch in January 2005, Sputnikmusic has been a site where metal heads and indie-rockers alike have flocked to discuss, review, and share their love for music. Over the course of twelve years, some records have attained a certain sense of lore; this widespread recognition as what we often refer to as “sputnik albums.” These are albums that thousands of users have listened to and rated over the course of a decade, with the general consensus being that, even compared to annual best-of lists, have stood the test of time and earned elite recognition.
The Sputnik Hall of Fame works like this: beginning in 2017, we will evaluate the class of albums that is celebrating exactly ten years of existence. So this article is about the class of 2007. A site-wide vote was held over the course of several weeks to determine which releases would be forever enshrined into the annals of Sputnikmusic history. There are two classes of inductees: first tier and second tier. First tier hall-of-famers were within the top 3 receiving votes, while second tier hall-of-famers were within the top 6 of vote acquisitions. Our staffers worked together to celebrate and reflect upon each album via free-form discussions and debate.
Without further ado, we present to you the first ever class of inductees. Read below for the top tier.
Since its launch in January 2005, Sputnikmusic has been a site where metal heads and indie-rockers alike have flocked to discuss, review, and share their love for music. Over the course of twelve years, some records have attained a certain sense of lore; this widespread recognition as what we often refer to as “sputnik albums.” These are albums that thousands of users have listened to and rated over the course of a decade, with the general consensus being that, even compared to annual best-of lists, have stood the test of time and earned elite recognition.
The Sputnik Hall of Fame works like this: beginning in 2017, we will evaluate the class of albums that is celebrating exactly ten years of existence. So this article is about the class of 2007. A site-wide vote was held over the course of several weeks to determine which releases would be forever enshrined into the annals of Sputnikmusic history. There are two classes of inductees: first tier and second tier. First tier hall-of-famers were within the top 3 receiving votes, while second tier hall-of-famers were within the top 6 of vote acquisitions. Our staffers worked together to celebrate and reflect upon each album via free-form discussions and debate.
Without further ado, we present to you the first ever class of inductees. Read below for the second tier winners.
Here’s a list of major new releases for the week of November 3, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Converge: The Dusk In Us
Genre: Metalcore/Hardcore/Punk // Label: Epitaph
Background:
It’s been five years since we’ve had new Converge, and the kings of hardcore are back to follow up their acclaimed eighth LP All We Love We Leave Behind. A band like this requires no introduction; they’ve long dominated their particular scene and The Dusk In Us will only continue to grow their legacy. For a hint of things to come later this week when the album officially drops, stream the lyric video for ‘Under Duress’ below:
“Under Duress”:
– Full List of Releases: November 3, 2017 –
Adimiron: Et Liber Eris
Genre: Death/Progressive Metal // Label: Indie Recordings
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Annihilator: For The Demented
Genre: Thrash/Progressive Metal // Label: Neverland Music
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Anti-Flag: American Fall
Genre: Punk/Hardcore // Label: Spinefarm
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AUTOBAHN: The Moral Crossing
Genre: Alternative Rock/Post-Punk // Label: felte
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Beast In Black: Berserker
Genre: Power Metal // Label: Nuclear…
Here’s a list of major new releases for the week of October 20, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
– Full List of Releases: October 20, 2017 –
Amenra: Mass VI
Genre: Post/Sludge Metal // Label: Neurot Recordings
Soundtracks have always played a big role in my enjoyment of music. Often I find myself paying more attention to the various melodies in the background of whatever film is playing, imagining how the soundtrack’s producers decided to match certain moods with specific frames. I don’t know, it’s just fascinating to me. I watch a lot of indie-romances and stuff that the average guy actively avoids, but one thing that frustrates me is that even in the so-called indie flicks, they always seem to draw from the same pool of hip artists. I guess I was just tired of hearing the same types of scenes matched up with the same types of musicians, every time. It’s like they’re getting lazy; either that or they all just want to emulate successful indie soundtracks of the past without actually attempting to go through the requisite discovery of unknown artists that makes an indie soundtrack worth exploring. I wanted something that would make me feel like Garden State did when I first heard it, before I knew of The Shins, Remy Zero, or Nick Drake — but that was a long time ago, and my musical depth and breadth has more than tripled. I needed outside help to dig a little deeper.
So when I did my brief little rec competition (thanks to everyone who offered a song!), I was trying to fashion a “sputnik indie-flick romantic comedy” type of soundtrack that would (1) turn myself…
Here’s a list of major new releases for the week of October 13, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
St. Vincent: MASSEDUCATION
Genre: Indie-Pop/Indie-Rock// Label: Loma Vista Recordings
Background:
St. Vincent’s fifth full-length LP MASSEDUCATION (pronounced “mass seduction”) marks Annie Clark’s follow-up to her celebrated self-titled 2014 venture into art-pop. Jack Antonoff (of Bleachers) is credited as a co-producer with Clark and there is a range of special guests featured on the album including Kamasi Washington, Jenny Lewis, and Thomas Bartlett.
Check out the music video for “New York” below:
– Full List of Releases: October 13, 2017 –
Altarage: Endinghent
Genre: Death Metal // Label: Season of Mist
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Ancient VVisdom: 33
Genre: Rock // Label: Magic Bullet
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Antisect: The Rising Of The Lights
Genre: Punk // Label: Rise Above
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Beck: Colors
Genre: Folk/Experimental/Alt-Rock // Label: Capitol Records
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Bigfoot: Bigfoot
Genre: Alternative Rock // Label: Frontiers Music
Here’s a list of major new releases for the week of October 6, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
– Full List of Releases: October 6, 2017 –
Alex Lahey: I Love You Like A Brother
Genre: Indie-Rock // Label: Dead Oceans
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Andrew Hung: Realisationship
Genre: Drone/Electronic/Psychedelic // Label: Lex
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Antarktis: Ildlaante
Genre: Post Metal // Label: Agonia Record
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August Burns Red: Phantom Anthem
Genre: Metalcore/Progressive Metal // Label: Fearless
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The Black Dahlia Murder: Nightbringers
Genre: Melodic Death Metal // Label: Metal Blade
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Blue Hawaii: Tenderness
Genre: Indie/Dream-Pop // Label: Arbutus
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Carbon Based Lifeforms: Derelicts
Genre: Ambient/Downtempo/Electronic // Label: Blood Music
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Citizen: As You Please
Genre: Emo/Grunge/Post-Hardcore // Label: Run For Cover
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Courtney Farren: Nothing Like It
Genre: Indie-Pop/Folk // Label: Courtney Farren
If the first half of Brand New’s career is what brought them into the public eye, then it was the second half that elevated them into the conversation of of being one of indie-rock’s greatest new millennium bands. While Your Favorite Weapon and Deja Entendu saw them master the art of pop-punk/pop-rock, it wasn’t until 2006 that many began to view them as serious innovators. For as large of a maturity leap as Deja represented on the heels of its relatively juvenile predecessor, The Devil and God Are Raging Inside Me marked an even more colossal evolution. Gone were the cheap feeling pop-punk chords and tongue-in-cheek self awareness, replaced with long, winding song progressions that culminated in and seething, searing riffs and lyrics that represented both an existential crisis and a total loss of innocence. It was the band properly coming into its own; the logical if unanticipated destination of Your Favorite Weapon‘s anger and Deja‘s biting cynicism.
The trials that the band endured during the recording process only fueled the record’s overarching sense of anger and depression: from a multitude of deaths and illnesses that befell band members’ friends and families to the leaking of a good portion of the album’s material midway through, it was probably the most difficult record that Brand New recorded. The album title itself came from a conversation Lacey had with a friend regarding Daniel Johnston, a musician who suffers from schizophrenia and bipolar disorder. Lacey and the rest of the band felt…
Here’s a list of major new releases for the week of September 29, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
The World Is a Beautiful Place & I Am No Longer Afraid to Die: Always Foreign
Genre: Post-Rock/Emo/Indie // Label: Epitaph
Background:
With a warm blend of post-rock, emo, and indie stylings, The World Is a Beautiful Place & I Am No Longer Afraid to Die return with their third full-length LP, and their follow-up to 2015’s Harmlessness. Early singles seem to indicate that their genre trajectory will continue down the indie-laden path of its predecessor, but with the lush moments of beauty and the intricate guitar work displayed on that effort, few will likely find fault with that decision.
Check out the 7-minute single “Marine Tigers” below:
Here’s a list of major new releases for the week of September 22, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Godspeed You! Black Emperor: “Luciferian Towers”
The fathers of post-rock are back at it. Two years removed from ‘Asunder, Sweet and Other Distress’, an album that for all intents and purposes reinvented Godspeed’s core philosophy (drone/ambient, shorter overall length), the band finds itself trudging further down that path while adding precious few wrinkles in the process. It’s once again shorter than some of their gargantuan efforts of the past, and it opts for emotive string sections and concise, calculated progressions over the sprawling, free-form drone passages of this album’s predecessor. Interjecting their fair share of political imagery, GY!BE ultimately prove that amid the minor tweaks this is still the same embittered, eccentric band that conceptualized the end of the world in 1997’s F♯ A♯ ∞. As our very own contributing reviewer LandDiving surmised in his review, “although previous Godspeed releases have spun sprawling post-apocalyptic narratives imbued with pathos, this new record engenders a last-ditch effort to prevent the end of the world from occurring, as if it plays out before both F#A# and…
Although it will inevitably frustrate non-fans of Brand New, especially in the midst of incessant discussion surrounding the group’s finale Science Fiction, there is no better time to reflect back upon one of the most important indie-rock bands of the new millennium. I say it not as a hyperbolic exaggeration designed to garner interest, but just for what it is at this point – a pretty indisputable fact. If Science Fiction reaching Billboard’s #1 chart spot isn’t an indicator of the cult following that Brand New has accumulated, then I’m not quite sure what would serve as evidence of their far-reaching influence. This pair of articles will likely end up reading as a eulogy, although that isn’t really my intention. I’d prefer that it be taken as a retrospective – a look back at the band’s noteworthy accomplishments, defining moments, and an overall distillation of what it all meant. The band has made it clear that 2018 marks the resolution of this almost two-decade long run, and as dramatic as it sounds, it’s a void that a lot of listeners won’t know how to fill.
As far as I’m concerned, Brand New’s existence can be separated into two distinct eras. Certainly, their progression was more intricate and fluid than that, but in terms of splitting up their anthology, The Devil and God Are Raging Inside Me was the clear divider. I’m not going to talk much about that record here though, because it resides on the other side of the line. Before Brand New…
Here’s a list of major new releases for the week of September 15, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Foo Fighters: “Concrete And Gold”
Genre: Rock/Grunge // Label: RCA Records
Background:
Foo Fighters are one of the few traditional 90’s rock/grunge bands whose relevance and longevity has extended all the way into 2017. That alone speaks volumes about the quality of their product, as they’ve remained the best and most consistent mainstream rock band around for well over two decades. Never groundbreaking yet almost always impressive, Dave Grohl and company return with their ninth LP – and for those who have taken a long vacation from Foo Fighters, this may mark a good point to start listening again. Easily their most enthralling and adventurous record in years, it is more Wasting Light than it is Sonic Highways, and there’s an exquisite balance between their trademark rock roots and a more sonically explorative curiosity. There’s a long list of reasons why these guys sit atop the throne of contemporary rock n’ roll, but Concrete and Gold is more than just another bullet-point; it’s a highlight.
Here’s a list of major new releases for the week of September 8, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: The National – “Sleep Well Beast”–
At this stage in their career, The National are established leaders in their scene. They have yet to produce an album that was not critically well-received, and they boast an array of masterpieces to their name: particularly Alligator, Boxer, and High Violet.With Sleep Well Beast, we see them on the verge of continuing their trend of excellence, which shouldn’t come as a surprise to anyone. Introducing a few new wrinkles to their sound, like the vibrant electric guitars in “The System Only Dreams in Total Darkness”, only serves to whet the appetite of an already hungry fanbase. So at this point the only thing to really say about this is that it’s The National; they are in and of themselves their most boastful asset. Here’s to another incredible outing by one of indie-rock’s most consistently flooring artists.
Listen to “The System Only Dreams in Total Darkness” below: