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The following is something I wrote up a few months ago while trying to consolidate my thoughts on what to tell more-novice writers when they ask “But why can’t I write about every track?” Keep in mind this shows me trying to speak for Sputnik as a whole, but is also my personal opinion, so feel free to chime in as well as discussing my own reasons. Enjoy.

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Track-by-track reviews are frowned upon on Sputnikmusic. Why? Because, at best, the site tries to be “professional.” And, obviously, there are different definitions on what makes a review that way, but the one generally agreed-upon rule is that explicitly track-by-track reviews don’t look good, especially beside full paragraph-by-paragraph album analyses. There are a number of explanations for this, and I’ll include a few here. First, track-by-track reviews typically have really, really short paragraphs. Which can be fine, but in almost all types of critical writing paragraphs should have at least a few sentences. We all probably learned this in elementary school: intro sentence, three body sentences, concluding sentence. And that’s probably the bare minimum, and usually even that’s not enough – typically, my paragraphs are about 8-12 sentences, which I think is a pretty good length as it’s beefy but not threateningly long. To reiterate: track-by-track reviews lead to too-short paragraphs, which really doesn’t look well-written and complete.

Second, track-by-track reviews are almost always incredibly disjointed. A review should have some sort of coherent structure (and no, brief intro – every track – brief conclusion is not a coherent structure), and if the writer is jumping from track to track without connections then the review becomes really difficult to follow. After all, it’s the writer’s job to make the review readable – the reader doesn’t have to read the review at all. If the review flows nicely from beginning to end, then that’s a major plus and everyone goes home happy. Believe me, figuring out how to do this takes a good bit of experience, but a writer has to work out of his comfort zone to figure out his reviews will flow easily. And, in the end, a good writer will usually realize that track-by-track reviews are really damn hard to tie together.

Third, no music blogs/sites with much credibility do track-by-track reviews. Aside from staff/contributor reviews on Sputnik, look at Pitchfork, Resident Advisor, Tiny Mix Tapes, Consequence of Sound, or any of the other dozens of really good sites all across the Internet. Look at any print magazines, like Under the Radar, Mixmag, etc. None of them do track-by-track reviews – the only established place who does track-by-track reviews is iTunes. Which is fine if you want to write for iTunes, but we’re not trying to emulate them because the reviews there are usually incredibly biased to the point of inducing nausea no matter the album. Again, this is because full-length reviews are easier and more satisfying to read, among other reasons.

Fourth, and probably most importantly, Sputnik consists of album reviews. Not reviews of every track on an album – album reviews. If you get lost in each individual track, it’s easy to miss the overarching themes, elements, and techniques found throughout, and it’s important to zoom out and view the album as a whole (though it can be good – and sometimes necessary – to focus on certain tracks). The format of the review basically allows the writer to say whatever he wants relating to the album. His/her job is to guide the reader through the review he/she has written, and with any luck expose the reader to a convincing opinion. The track-by-track stifles the review format, allowing for a very tight, “objective” interpretation of the album only, essentially squeezing all life out of the music. That’s not what we want.

Hopefully this helps you, the aspiring writer, to understand the site’s collective rationale when it says, “TBT IS BAD, NEG.” There’s a reason it’s such a prevalent mindset, and as you write more I hope you begin to understand it as well – someday you might be the one writing a post like this! Good luck, and keep on writing.





Brostep
08.10.14
this was on GDocs for a while but I've gotten tired of going all the way into my archives to link to it every time so here it is on the blog! yay!

ExplosiveOranges
08.10.14
This is probably one of your best blog posts, Will, not just because of the fact that it's well-written and informative, but because it's also actually important to the future of Sputnik itself.

tommygun
08.10.14
didn't realise people still wrote tbt revs in 2014 but agreed good post

17WordHaiku
08.10.14
i decided to start writing reviews occasionally so this is helpful. thank you!

Judio!
08.10.14
Such a great write up, Brostep.

SharkTooth
08.10.14
" Believe me, figuring out how to do this takes a good bit of experience"

It honestly never felt like that for me. My first review was in 2012 under a different account, it was a
track-by-track that got little to no response from the community, so I had no idea that the site didn't like 'em. And a week later, I forgot the password to the account and the email which I used it with, lucky me. fast-forward 1 year, I made a new account, started reading again, finally saw comments thrashing
t-b-t's, and decided not to do them anymore. And honestly speaking, it's much easier for me to write a thorough review in comparison to a tbt, as a lot less stuff is needed to describe an album as a whole in comparison to the individual parts.

ChoccyPhilly
08.10.14
Good stuff. Brostep. I'm glad I didn't fall into this trap when I first joined

Shuyin
08.10.14
i still think we should have a 'Read this before posting' button in the review submission section, even tho most people wouldnt care

Friday13th
08.10.14
I still think it can be done right, but as a general rule, no tbt works for the greater good.

BMDrummer
08.10.14
good write-up

riffariffic7
08.10.14
I'd counter-argue that track-by-track reviews are necessary for the fact that they offer faster breakdowns of songs and could be easier for potential listeners to gain interest and insights into the band, the album and maybe a couple songs off of it as well. Nobody in their right mind is going to absolutely love every song on an album these days because there's always that ONE SONG that stands head and shoulders above the rest, I like to break the album down because normally when albums are arranged, they're never in the same order as played in the studio, it's pieced together and it's a delicate process for the artists these days so I feel it's best for me to break it down song-by-song to get a better perspective on what they were going for as a whole. Each song should stand on its own and, by the end, leave a listener satisfied, it's tough to understand that in a full album review that can sometimes deter off into the wrong direction with more novice writers at the keyboard.

This article is great though, man, really, but I'm sticking to my guns here. I don't mean to sound arrogant, but I'm a pretty good writer if I do say so myself. I like writing and I've been doing it for a while, these track-by-track reviews that I write feel just fine to me because I actually know how to write a paragraph unlike some other pedestrian reviews that I've read in my time on this site. Track-by-track reviews get bad when a person can't admit the albums flaws and they become fan-girlish, claiming every track is out of this world awesome (I hate reviews that use 6/5 and what-not, this is supposed to be serious, not Spinal Tap). Anyhow, this is a really awesome article, man, it's got me thinking, that's for sure. The one thing I'll admit that I cannot stand about writing track-by-track reviews is that, sometimes, they can take forever to figure out, I'm always quick to go back and re-read them though because I hate errors and repetitions. It's fine in small doses, but as a whole... hell nah.

jefflebowski
08.10.14
This post is correct but it always irritates me when people get all snarky and superior about new reviewers who start with TBTs when they were probably writing them with impunity 5 or 6 years ago

ChoccyPhilly
08.10.14
I'm with riff too. I mean, it's difficult to listen to a whole album as one song and I've always believed that songs (mostly) should stand on their own. There is a purpose for track by track reviews, like if the audience wants to know more about the songs themselves, rather than the entire album feel. Mostly people who are song orientated like me, I suppose

tommygun
08.10.14
@riffariffic - you can absolutely emphasise the importance of that ONE song without resorting to TBT bollocks though

read robin's review of the new sharon van etten for a good example of this

dimsim3478
08.10.14
>>Because, at best, the site tries to be “professional.”

stopped reading

Brostep
08.10.14
@jeff tried my best not to be snarky so let me know how that came out!

and @riffaraffic: hey, you do you, I can't tell you what you have to do! and your review was really in-depth so it's probably the one review which doesn't suffer from most of the ailments of the TBT syndrome. the one point I think your review falls into, though, is the second paragraph - I love your control of vocab, but it's hard to get through the review in one go simply because I lose where I am in your thoughts, you know? Like, you probably could have shoved that whole thing into one huge, ready-to-burst 6-paragraph thing, and I think that would be not only much easier to read than your current 15-paragraph beast but would also focus the reader's attention on the most salient points. it's a lot easier to point out what the absolute best of the album is if your review is 10 paragraphs shorter, making it easier to pick out

Brostep
08.10.14
also re: SharkTooth - I'm not talking about not writing tbts (which I've never done for Sput), I'm talking about making a review flow well and read easily (which took me at least 40 or so reviews to understand even a little bit)

Gyromania
08.10.14
this seemed kind of pointless to be honest and you can't really justify your points by pointing out that other sites follow a certain style of reviewing, because that's basically just saying 'they all do it so obviously it's the truth'. additionally, you rationalize certain points by saying 'a review should have this' - based on whose criteria? there's no set rulebook that dictates what style a review should follow, it's just become the norm. i've seen a lot of informative reviews that were track-by-tracks. i too would generally encourage people to stay away from this style of reviewing as it's a hard to have success with that format, but there's merit for that style. some people don't want to read a long piece delving into all this perceived subtext and talking about the artist more than the music. sometimes it's nice to see a person's opinions on individual tracks, especially if you're looking for a sampler of the record but are unsure where to start. in fact, i think so many people are burdened with trying to find something more to say about albums at times and how it relates to their life or whatever else that they end up sounding really forced when the music should have been the focal point.

Calc
08.10.14
^^^^ ding ding ding ding ding!!!!!!!!!!!!!!!!

riffariffic7
08.10.14
"i think so many people are burdened with trying to find something more to say about albums at times and how it relates to their life or whatever else that they end up sounding really forced when the music should have been the focal point."

Couldn't agree more, Gyro. I get lost when album reviews don't talk about the songs and focuses on the artist as if it's the tabloids or something. I don't care about the artists life after or before the album, I just care about the music because that's what they're aiming for you to enjoy, everybody has their own opinions, but usually an agreement can be met and it can be set clearer which song stands out among the rest. It's like a race, 1st, 2nd, 3rd, every place has relevance, even the song that's in last place could be just as phenomenal as the rest, especially through the eyes of another person who's seen and experienced different things than we have.

Brostep
08.10.14
I mostly write this because I find it impossible to get through an entire TBT for the most part. I mention other sites because their work is for the most part consummately readable, and I don't think I've actually been able to sit through an entire review which doesn't flow well from sentence to sentence. that's not to say a review should have "subtext" and blather on a while about an artist's career (look at my recent Seven Lions review to see what you probably shouldn't do) but adding a lot of padding with a full paragraph for every track is even tougher to read. like, Resident Advisor almost never goes over the artist's career and how it relates to life n shit for more than a paragraph and their reviews still talk about why the music is so good.

I guess re: the "sounding really forced" comment is that at best it shouldn't sound forced. and yeah that takes work but writing a tbt review (which most people regardless of experience level could probably do in their sleep) doesn't help writing ability at all for the most part. it takes many forced reviews to make a review that talks about whatever greater context is relevant without sounding forced at all, and I think those reviews are the best (i.e. like everything Robin's written) just because they're not dry as a Saltine or overly technical. again, this is my personal opinion, and there can be some merit to TBTs, but in general I don't really want to find out exactly how each track sounds because I can just listen to the music and find that out for myself - I want someone to help break down the whole hour-long behemoth for me into a few related paragraphs. maybe that's just me though

Winesburgohio
08.10.14
Gyro nailed it, this is dumb

also track-by-tracks can be used really effectively, and not just in terms of digestibility; it's a way of analyzing the album through it's constituent components piece-by-piece which is a method of criticism favored by a bunch of v. clever people (i will not namedrop Barthes i will not namedrop Barthes). Not that i endorse it one-hundred percent but this sanctimonious treatise that doesn't so much argue as assume it's a given isn't going to convince anyone

theNateman
08.10.14
I'm with brostep on this. His point of tbt's being a beast to get through is spot on. If I'm interested in the album, I look for shorter reviews describing the whole sound of the record and pinpointing standout tracks and sub par tracks. While I agree with riff about each song needing to stand on their own, I don't need to know about every song on an album before i decide to listen to it. Each song is gonna speak to me differently than they would to someone else. If any song on the record is good enough, the reviewer is going to mention it in the review anyway. For me, all I need to know in an album review is how well the album holds together, how well the band in question achieved their goals for the record, and what songs I should look out for during my listen through. Other than that, Everything else is just glue to make the thought processes of the reviewer flow. Maybe its my short attention span, but shorter, clear, and concise reviews help me decide on the spot whether or not i wanna check out to the album.

But hey, to each his/her/their own. This site is for expressing thoughts and opinions freely on music, and exploring review formats and all that stuff.

tempest--
08.10.14
didn't read this yet, I will later, but it's probably because reviews are like

1. INTRO - this song is good but doesn't bring much to the album 4/5

2. SONG #1 - the vocals are good in this song but the drums are too fast 2/5

then users comment "terrible track by track review" and someone else will go and write a good review but analyse each song and users are still like "well this is a good review but it's a track by track!!! neg"

NordicMindset
08.10.14
It's a twosided argument.

tempest--
08.10.14
oh I thought this was titled "Why DOES Sputnik Frown etc." and you were writing a piece to defend tbt reviews.
Just gave it a geez and yeah, what you've said here makes perfect sense. There can still be good track by track reviews, it's just a little harder to pull em off.

ScuroFantasma
08.10.14
"There can still be good track by track reviews, it's just a little harder to pull em off."

exactly, but most people start with tbt's and that's why there's so many bad ones.

deathschool
08.10.14
This needs to be required reading before you submit a review.

Yuli
08.10.14
Sometimes I kick back with a beer and read myself a good track-by-track review

theacademy
08.10.14
smae omaha.

smae hard on that one.

Mongi123
08.10.14
Great write up man as always. Hopefully this will help newer writers and established ones alike.

Brostep
08.10.14
"we obviously he's know he's talking about said album so what's hard to follow from there?"

to me, it's the equivalent of a review which jumps from "guitars" to "production" to "lyrics" - all the elements are there, but the jumps from paragraph to paragraph are somewhat ragged and unfortunately difficult to follow - it's like everything is compartmentalized instead of everything relating to each other

BroFro
08.10.14
While it's true TBT is not as engaging to read, it is sometimes very helpful to have a breakdown of songs and learn the author's rating of each song, so that the reader can listen to a few choice tracks and determine if they will like the album or not. And for more professional style reviews, it's still nice to have a recommended tracks insert at the end for this reason.

Knott-
08.10.14
This is hilariously self-aggrandizing. You've turned one thought - "track-by-track reviews are generally frowned upon" - into a full blog post which manages to at once be condescending, poorly reasoned, and wrong. TBT reviews here usually suck because they're a lazy option taken by people that don't have the creativity and charm in their tone to pull off the format. But that doesn't make TBT reviews stupid in essence, and neither does the fact that nobody else uses it as their structure of choice. Damn, I haven't posted on Sputnik in *ages* but this was so dumb I had to log in.

hikingmetalpunk
08.10.14
could be something to this

theacademy
08.10.14
strikey!

Satellite
08.10.14
not sure you put enough quotes around the word "professional"

theacademy
08.10.14
lol

treeqt.
08.10.14
neg'd
point by point blog posts just aren't professional

treeqt.
08.10.14
you can write x by x without going
x.1:
x.2:
x.3:
btw

theacademy
08.10.14
people are being too harsh on this tbh (and i don't read the condescension or self-importance)

seriously look how shitty the blog has been as of late at least people are reading and commenting. and its something plenty of us have wondered just nobody takes the time to write out their thoughts on it.

Brostep
08.10.14
wait I was under the impression that tomtomato was a treeqt alt what happened

Brostep
08.10.14
and yeah tbh this was mostly so that I didn't keep having to link to GDocs when telling people why TBTs are frowned upon (you try linking there it's mad frustrating!). wasn't trying to be super condescending since I really don't think that's my personality, and I tried to word this in as soft and persuasive a way as I could. sorry if it came off that way since that was the exact opposite of my intentions

treeqt.
08.10.14
ya im just pretending to be a good user i'm actually an extremely good user in disguise don't be fooled

SeedsofNone
08.10.14
so epic XD

Trebor.
08.10.14
Rules of any kind are a detriment to good writing tbh. I'd rather read a well written track by track review then the same 5 paragraph schlock with your intro sentence, three body sentences, conclusion sentence structure like goddamn write from the heart

theacademy
08.10.14
"Rules of any kind are a detriment to good writing tbh."

laughed out loud so hard at this. yea this site is really full of writers so beyond rules and structure. we are the cream of the literary crop for fucking sure.

Trebor.
08.10.14
Would read the fuck out of Kerouac style reviews

I'll revise my statement, rules can be fine, as long as they aren't inhibiting your creativity or stopping you from trying something new. When you stick strictly to the formula, all your reviews end up being the same

deathschool
08.10.14
I'm kind of blown away at how many people are attacking this post. Most of whom I'm sure have bitched at someone for writing a TBT.

Trebor.
08.10.14
I just don't like the part of the blog about writing your reviews like a high school essay

theacademy
08.10.14
that last sentence a given... but i think the plan is that you refine your writing and grow creatively within an establshed set of rules. rules that were refined themselves within the discipline over a period of time longer than you or I have been breathing. rules that, despite their longevity, are constantly evolving and subject to change (if there is a good case made for it).

the bottom line is that there is nothing wrong with trying to deconstruct these rules... or at least taking a shot at it. I dont think brostep's piece is perfect but its not like personally offensive lol.

deathschool
08.10.14
I agree that the notion that you should write all reviews like an essay is somewhat off base. I mean, there's nothing wrong with doing it that way, but some of the better reviews on this site are not. I don't think it's bad advice to give someone if they are planning on doing a TBT though.

toxin.
08.10.14
I think what you really meant to say is "Most TBT reviews are shit so we discourage people from writing them. If you can write a good one, then by all means go for it." Because really, every single bullet point (besides "Well other magazines don't do it") is really a condemnation of shitty TBT reviews, not TBT reviews inherently.

SitarHero
08.10.14
tl;dr version: Don't do TBT because the cool kids don't.

trackbytrackreviews
08.10.14
Hey Brostep, Billboard also does track-by-track reviews, in case you wanna add that.

Yuli
08.11.14
I think you were personally offended by this blog post, Mr. TBT

trackbytrackreviews
08.11.14
I knew somebody was gonna mention my name, haha. But not really, I haven't written any reviews yet.

KriegdemKriege
08.11.14
neg

titanslayer
08.11.14
Dislikes track by tracks, uses a numbered list smh

ShadowRemains
08.11.14
i miss jom bombs in the banned thread

JohnnyoftheWell
08.11.14
This feature could have been scrapped and condensed into "Sputnik hates track-by-track reviews because the majority of the reviewers suck." Imo tbts are useful as a starting base for beginners and elements of tbts can fit very nicely into an analytical review. I also find them useful when considering whether or not to check an album out, even if they are poorly written; it's a like a more thorough tracklist.

savaah
08.11.14
while i agree with some points, some tbt reviews are actually pretty good and when done right i prefer them when checking new bands and stuff

deyp
08.12.14
I haven't thought too hard about this, but I reckon the danger with the tbt is that the reviewer can miss out transitions and song sequences. I mean a good album is probably one you can listen to from start to finish and not just individual tracks on a shuffled playlist right?

deyp
08.12.14
Good read. Disagree with the whole 'self-aggrandising' thing.

wwf
08.12.14
Good article. I understand the idea behind this, but it does make me more than a bit upset whenever I see a review is half backstory on the band and only mentions two tracks.

guitarded_chuck
08.12.14
TBT reviews are okay if they are preceded by a more general / typical album review.

Albums are meant to be taken in as a sole entity and thus should be reviewed that way.

The main potential issue I see with this style is it can be too lengthy.

TalonsOfFire
08.13.14
Not to mention they haven't really been done since 2007 it seems like

Ocean of Noise
08.14.14
Agree 100% with this article

xaml
08.15.14
@OceanMechanic How can you agree a hundred percent if a review, as many prosaic, possibly abstract paragraphs one might write, will in its core always be a track by track analysis, otherwise it would not be a review of an album comprised of a number of tracks?

mindleviticus
08.16.14
This article is bullshit

foseanusa2
11.22.21
This article good

foseanusa2
11.22.21
like it https://www.sputnikmusic.com/blog/2014/08/10/why-sputnik-frowns-on-track-by-track-reviews

theBoneyKing
11.22.21
Honestly, some of the most insightful music criticism has been in the form of track by track reviews. I mean, most TBT reviews on Sput are garbage, but on RYM Ive seen some incredibly detailed ones. I feel the flip side of what this article says is often true, that album reviews can overlook the individual details of what make particular songs great, and reading about more granular details in some reviews has helped me become a more critical and appreciative listener than any more holistic review ever has.

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