The following is something I wrote up a few months ago while trying to consolidate my thoughts on what to tell more-novice writers when they ask “But why can’t I write about every track?” Keep in mind this shows me trying to speak for Sputnik as a whole, but is also my personal opinion, so feel free to chime in as well as discussing my own reasons. Enjoy.
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Track-by-track reviews are frowned upon on Sputnikmusic. Why? Because, at best, the site tries to be “professional.” And, obviously, there are different definitions on what makes a review that way, but the one generally agreed-upon rule is that explicitly track-by-track reviews don’t look good, especially beside full paragraph-by-paragraph album analyses. There are a number of explanations for this, and I’ll include a few here. First, track-by-track reviews typically have really, really short paragraphs. Which can be fine, but in almost all types of critical writing paragraphs should have at least a few sentences. We all probably learned this in elementary school: intro sentence, three body sentences, concluding sentence. And that’s probably the bare minimum, and usually even that’s not enough – typically, my paragraphs are about 8-12 sentences, which I think is a pretty good length as it’s beefy but not threateningly long. To reiterate: track-by-track reviews lead to too-short paragraphs, which really doesn’t look well-written and complete.
Second, track-by-track reviews are almost always incredibly disjointed. A review should have some sort of coherent structure (and no, brief intro – every track – brief conclusion is not a coherent structure), and if the writer is jumping from track to track without connections then the review becomes really difficult to follow. After all, it’s the writer’s job to make the review readable – the reader doesn’t have to read the review at all. If the review flows nicely from beginning to end, then that’s a major plus and everyone goes home happy. Believe me, figuring out how to do this takes a good bit of experience, but a writer has to work out of his comfort zone to figure out his reviews will flow easily. And, in the end, a good writer will usually realize that track-by-track reviews are really damn hard to tie together.
Third, no music blogs/sites with much credibility do track-by-track reviews. Aside from staff/contributor reviews on Sputnik, look at Pitchfork, Resident Advisor, Tiny Mix Tapes, Consequence of Sound, or any of the other dozens of really good sites all across the Internet. Look at any print magazines, like Under the Radar, Mixmag, etc. None of them do track-by-track reviews – the only established place who does track-by-track reviews is iTunes. Which is fine if you want to write for iTunes, but we’re not trying to emulate them because the reviews there are usually incredibly biased to the point of inducing nausea no matter the album. Again, this is because full-length reviews are easier and more satisfying to read, among other reasons.
Fourth, and probably most importantly, Sputnik consists of album reviews. Not reviews of every track on an album – album reviews. If you get lost in each individual track, it’s easy to miss the overarching themes, elements, and techniques found throughout, and it’s important to zoom out and view the album as a whole (though it can be good – and sometimes necessary – to focus on certain tracks). The format of the review basically allows the writer to say whatever he wants relating to the album. His/her job is to guide the reader through the review he/she has written, and with any luck expose the reader to a convincing opinion. The track-by-track stifles the review format, allowing for a very tight, “objective” interpretation of the album only, essentially squeezing all life out of the music. That’s not what we want.
Hopefully this helps you, the aspiring writer, to understand the site’s collective rationale when it says, “TBT IS BAD, NEG.” There’s a reason it’s such a prevalent mindset, and as you write more I hope you begin to understand it as well – someday you might be the one writing a post like this! Good luck, and keep on writing.
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It honestly never felt like that for me. My first review was in 2012 under a different account, it was a
track-by-track that got little to no response from the community, so I had no idea that the site didn't like 'em. And a week later, I forgot the password to the account and the email which I used it with, lucky me. fast-forward 1 year, I made a new account, started reading again, finally saw comments thrashing
t-b-t's, and decided not to do them anymore. And honestly speaking, it's much easier for me to write a thorough review in comparison to a tbt, as a lot less stuff is needed to describe an album as a whole in comparison to the individual parts.
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This article is great though, man, really, but I'm sticking to my guns here. I don't mean to sound arrogant, but I'm a pretty good writer if I do say so myself. I like writing and I've been doing it for a while, these track-by-track reviews that I write feel just fine to me because I actually know how to write a paragraph unlike some other pedestrian reviews that I've read in my time on this site. Track-by-track reviews get bad when a person can't admit the albums flaws and they become fan-girlish, claiming every track is out of this world awesome (I hate reviews that use 6/5 and what-not, this is supposed to be serious, not Spinal Tap). Anyhow, this is a really awesome article, man, it's got me thinking, that's for sure. The one thing I'll admit that I cannot stand about writing track-by-track reviews is that, sometimes, they can take forever to figure out, I'm always quick to go back and re-read them though because I hate errors and repetitions. It's fine in small doses, but as a whole... hell nah.
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read robin's review of the new sharon van etten for a good example of this
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stopped reading
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and @riffaraffic: hey, you do you, I can't tell you what you have to do! and your review was really in-depth so it's probably the one review which doesn't suffer from most of the ailments of the TBT syndrome. the one point I think your review falls into, though, is the second paragraph - I love your control of vocab, but it's hard to get through the review in one go simply because I lose where I am in your thoughts, you know? Like, you probably could have shoved that whole thing into one huge, ready-to-burst 6-paragraph thing, and I think that would be not only much easier to read than your current 15-paragraph beast but would also focus the reader's attention on the most salient points. it's a lot easier to point out what the absolute best of the album is if your review is 10 paragraphs shorter, making it easier to pick out
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Couldn't agree more, Gyro. I get lost when album reviews don't talk about the songs and focuses on the artist as if it's the tabloids or something. I don't care about the artists life after or before the album, I just care about the music because that's what they're aiming for you to enjoy, everybody has their own opinions, but usually an agreement can be met and it can be set clearer which song stands out among the rest. It's like a race, 1st, 2nd, 3rd, every place has relevance, even the song that's in last place could be just as phenomenal as the rest, especially through the eyes of another person who's seen and experienced different things than we have.
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I guess re: the "sounding really forced" comment is that at best it shouldn't sound forced. and yeah that takes work but writing a tbt review (which most people regardless of experience level could probably do in their sleep) doesn't help writing ability at all for the most part. it takes many forced reviews to make a review that talks about whatever greater context is relevant without sounding forced at all, and I think those reviews are the best (i.e. like everything Robin's written) just because they're not dry as a Saltine or overly technical. again, this is my personal opinion, and there can be some merit to TBTs, but in general I don't really want to find out exactly how each track sounds because I can just listen to the music and find that out for myself - I want someone to help break down the whole hour-long behemoth for me into a few related paragraphs. maybe that's just me though
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also track-by-tracks can be used really effectively, and not just in terms of digestibility; it's a way of analyzing the album through it's constituent components piece-by-piece which is a method of criticism favored by a bunch of v. clever people (i will not namedrop Barthes i will not namedrop Barthes). Not that i endorse it one-hundred percent but this sanctimonious treatise that doesn't so much argue as assume it's a given isn't going to convince anyone
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But hey, to each his/her/their own. This site is for expressing thoughts and opinions freely on music, and exploring review formats and all that stuff.
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1. INTRO - this song is good but doesn't bring much to the album 4/5
2. SONG #1 - the vocals are good in this song but the drums are too fast 2/5
then users comment "terrible track by track review" and someone else will go and write a good review but analyse each song and users are still like "well this is a good review but it's a track by track!!! neg"
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Just gave it a geez and yeah, what you've said here makes perfect sense. There can still be good track by track reviews, it's just a little harder to pull em off.
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exactly, but most people start with tbt's and that's why there's so many bad ones.
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smae hard on that one.
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to me, it's the equivalent of a review which jumps from "guitars" to "production" to "lyrics" - all the elements are there, but the jumps from paragraph to paragraph are somewhat ragged and unfortunately difficult to follow - it's like everything is compartmentalized instead of everything relating to each other
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point by point blog posts just aren't professional
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x.1:
x.2:
x.3:
btw
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seriously look how shitty the blog has been as of late at least people are reading and commenting. and its something plenty of us have wondered just nobody takes the time to write out their thoughts on it.
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laughed out loud so hard at this. yea this site is really full of writers so beyond rules and structure. we are the cream of the literary crop for fucking sure.
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I'll revise my statement, rules can be fine, as long as they aren't inhibiting your creativity or stopping you from trying something new. When you stick strictly to the formula, all your reviews end up being the same
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the bottom line is that there is nothing wrong with trying to deconstruct these rules... or at least taking a shot at it. I dont think brostep's piece is perfect but its not like personally offensive lol.
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Albums are meant to be taken in as a sole entity and thus should be reviewed that way.
The main potential issue I see with this style is it can be too lengthy.
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