Yune Pinku-Babylon IX

Wow. Another month has come and gone. Which means, of course, it’s time for a blog post. Dare I say 2023 is shaping up to be a very memorable year for music? Spring is in the air, the pandemic is finally over, and everyone is leaving their virtual discos in favor of good ol’ fashioned ragers. Who doesn’t love hearing loud trance music in dark tightly packed spaces? Maybe this year ACL can have a good lineup, who knows. Anyway, May 2023 is off to a weirdly boring start for music. I can think of several reasons why but the most obvious one is that April was just too damn exciting. Now that the Sheeran trial has run its course and musicians are safe again, we can all relax and play the new Zelda game or if you don’t have a Switch, Hyper Light Drifter is recommended on any platform. By the way, have you heard the new Yunè Pinku EP? The new Yunè Pinku EP is Sputnikmusic.com’s album of the month.

Yunè Pinku’s BABYLON IX doesn’t quite have the staying power of new Metallica, nor does it make me cry like the new National, but it kinda rules. Marvelously produced opener “Trinity” continues to amaze and uplift, even when it is boring and rainy outside or in the world of other music: quite a trick. It is not easy to make electronic music sound lush and inviting on first listen without sacrificing some element of re-listenability but Pinku has corralled a veritable buffet of melodies, beats, synths, samples, patterns, and bleep bloops into one hell of a tight package. Lyrics in electronic music often are less highlight than instrumental function (noot noot!) and yet here too the UK artist aims to defy expectation as her style and delivery sound like Grimes and at the same time, like, infinitely better. Great job, Yunè!

– DocSportello