Okay, so is it just me or is R&B getting, like, too good lately? 2011 saw The Weeknd, Frank Ocean, Drake and others, but those were the “cool” artists who were primed, in a way, to release some deliciously trendy beats and hooks with the latest producer close behind them. But look at 2012: Miguel, always a fantastic singer but never a captivating artist, had both the catchiest single and corresponding album in “Adorn” and Kaleidoscope Dream, respectively. Then there’s Jeremih, the dude who wrote, uh, “Birthday Sex”–he showed up with his Late Nights mixtape, a mainstay in the car-playlist rotation for those lucky enough to have sought it out on Datpiff.
Now we have Ciara, of all people, releasing the jam of at least the first quarter of the year. I don’t even really know who Ciara is–I had to YouTube “1, 2 Step” to remember its melody–but this has to be the last straw. Produced by Mike Will Made It (who also took the reins on Jeremih’s similarly awesome “773 Love”), “Body Party” is so convincingly sexy and catchy and lush that I’m pretty sure all R&B artists are forming a cabal and want to demobilize me with an onslaught of jams or something like that (also: that new Justin Timberlake album). It’s a conspiracy, guys. But what a sexy conspiracy it is.
Listen to it here:
03.13.13
r&b has always been good tho. nothing more annoying than someone discovering that ciara has good songs via a pfork blurb and then stating that r&b is suddenly getting better as a whole. i guess this blog is probably facetious but whatever
03.13.13
there have always been good/bad artists/albums but it seems like everyone from the tastemakers to the people who used to be lame are suddenly super attuned to this expertly produced and written kind of stuff. i obviously havent been around for that long but it seems only recently that you can look high and low and everyone is producing near-masterpieces
i can see ur point tho
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obviously there's so much of it that generalizations are hard to make but that's pretty immobilizing; regardless, i would say that in the last few years rap has honestly just gotten -better- than it was in like the late two thousands. w/e tho
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at the same time there have been some simply amazing r&b-related stuff that has came out this decade so idk
03.13.13
or whatever fuck u u made me all nervous about something completely harmless
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i mean you agreed that there's been a popularization of r&b among a certain, big crowd; is it so ridiculous to claim that that's given rise a new, unified--not COMPLETELY unified, i know that--aesthetic in r&b that might appeal more to lame hippies like me (= "getting better")?
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its ok, i listen to jodeci or whatever too
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but maybe you're right about r&b producers theoretically sitting in a room forging this New r&b. then you're right that's fine. bring on this New r&b and only listen to that and that's totally cool. i'm not saying listen to a bunch of corny ass shit like whatever or even listen to anything older. just don't say something is better bc it has your attention unlike other stuff that did not. this is my point i think
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whaaat, this seems like a denial of all that makes sense in the music industry. the type of stuff pitchfork is repping right now is popular, partly because pitchfork is repping it, partly because of other reasons i don't know, but it's popular and when things are popular more artists do them. the weeknd didn't necessarily invent a certain type of r&b but this and last year there are way more people doing weeknd-ish stuff than there were in the late 2000s or whatever because that's how, like, this thing works. the idea--and i simplified it in my post--isn't necessarily that people are "making music for pitchfork" but that pitchfork has helped create a pretty cohesive, pretty specifically This-Decade type of r&b. i don't know how to qualify "r&b songs that were made the same way they've always been made" but that doesn't seem true. Trends happen
"just don't say something is better bc it has your attention unlike other stuff that did not."
oh come on, you can't disarm me like that. this sounds like i'm not allowed to make judgments like "wow rap is really good this year" or "country seems really to have branched out in the past five years" because i haven't heard every album that may have prefigured such other albums off which i am making a judgment. that's how we make sense of music, is by generalizing. the late 2000s was a good time for r&b and produced a lot of good albums/artists. right now, though, in my opinion, it is producing better and better albums and artists at a faster rate. if i am rendered unable to make such a judgment because i have not listened to "enough" (? is this your contention) albums from each era to make a judgment, i'm not sure how i can talk about music at all. one thing i can say for sure is not a result of my own biases: r&b is definitely not the same as it's ever been. it is not static.--and right now, in my opinion, it is better than it's ever been (since the mid-'90s or so at least)
i dont even know what i just wrote
03.13.13
it just needs to be, like, better
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the early 00s were good times for all tho
03.13.13
If "Climax" isn't proof if R&B's ascendancy I don't know what is
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Also yes, and I guess my ultimate point is that he didn't create that in a vacuum but rather that song was the result of some specific and new and SPECIFICALLY NEW trends and forces in today's music scene and those forces/trends produced an awesome song in "Climax" and similarly have been producing a whole bunch of new artists or old artists taking new directions and these have all appealed to me moreso than R&B has in the last decade or so even though I have not extensively surveyed R&B from every year '03 to now but regardless to me R&B is, indeed, "getting better"
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in response to the first paragraph, i don't think that there is a cohesive theme in r&b right now. yes drake and the weeknd have a certain aesthetic that people are biting (although there are only like a couple of songs in take care that really commiserate as much as a weeknd song does but yeah. i get this.). but besides drake and the weeknd the people biting this aesthetic aren't really getting a lot of attention i don't think? and there's not a lot connecting frank ocean and miguel and the-dream and htdw and jessie ware and autre ne veut (and i know the last three stick out and that's another discussion) besides that they are r&b artists and are pfork-approved
second paragraph: i mean like you have to agree that these kind of statements are just kinda like generalizing the whole thing right? everyone (including myself) has these kind of opinions tho. and i understand this is a blog post but i don't think you can't discuss music without thinking first that you may not know everything there is about music
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Well obviously I agree, but then how far am I limited? Apparently we've established that saying "R&B is getting better" is too far -- where is the line drawn?
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and i'm sure i have old reviews that violate this but lets ignore those
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Eghhh this seems more like lame equivocation than anything
Like 'r&b is changing and I like these changes and they are producing music that appeals to me on a scale I haven't seen in the genre before these changes happened' (does that all check out to you?) seems to me categorically correct but also just sorta shying away from the word 'better' because it--maybe rightfully--sounds icky. But idk I guess I diverge in thinking that, just as you can have a favorite year of hip hop or even a favorite era or style despite not listening to every album or artist inside or outside that style/era/year, you can personally think R&B is on the up and up. Idk. Just seems ok to me
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i mean you can personally think that obviously. i just don't think you can say something like that in a review
03.13.13
damn i've been doing it wrong
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comments like these are why a lot of ppl hate you robertsonaona
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but Ciara probably won't make any big rises because this song was written by FEWCHA, who's blowin up
03.23.13