Perhaps what best sums up Eprhyme’s two passions are his synagogue performances. Signed to Calvin Johnson’s insanely DIY K Records, Eprhyme attempts to blend firm Jewish faith with a love for the traditions of hip-hop, and his strong affinity with the depth of Jewish stories finds an unusual home on his newest record, genuinely titled Dopestylevsky. It plays with both components: it is, at times, perhaps too good at honouring its musical influence (“Let’s Build” shows itself up with its whacky, somewhat cartoonish chorus), but its strongly conscientious focus fits snugly into the unusual backdrop: the lyrics on Dopestylevsky range from issues of religious identity to the strong environmentalism found here, but it never quite feels like a lecture buried in gimmick. Instead, Eprhyme’s music is created interestingly enough- and with two palettes from which he clearly draws inspiration- that his record works both as slightly over-indulgent hip-hop and a good natured show of faith.
07.11.11
07.11.11