artificialbox
User

Reviews 5
Approval 92%

Soundoffs 23
Album Ratings 435
Objectivity 67%

Last Active 04-02-13 8:02 am
Joined 05-17-11

Review Comments 1,560

 Lists
04.27.24 Artificialbox's Record Collection ♦03.11.24 The Holy Trinity of Risecore
01.23.24 more albums like this pls01.20.24 Thursday Retrospective
01.14.24 A VERY ARTIFICIAL 202312.10.23 weird list but OK
12.02.23 re-discovering the waterfront10.25.23 five albums for each year of life
12.02.22 roasted for having no friends11.20.22 remembered my password
01.27.13 100

A VERY ARTIFICIAL 2023

top 25
28Militarie Gun
Life Under the Gun

I wasn’t a huge fan of the mix on Militarie Gun’s earlier EP’s. I liked what they were trying to do musically, but it sounded dry and flat, and vocalist Ian Shelton’s strained pleas for love hardly changed their inflection enough to keep me waiting on stand by.

My first impressions of this band were completely turned on their head and booted into outer space when I saw them live. Everything made sense. The mix from stage was loud and dynamic, with just enough room verb to slick up their sound. The songs were tight, catchy, and had enough punch to shake you to your core. Their performance that night left me awed, and I’m happy to say that version of the band I saw on the big stage is much better portrayed on this LP. What we get is 12 songs of 90s influenced, groove laden post hardcore that would make any fan of Fugazi, Lungfish or Self Defence Family happy.
27Cursetheknife
There's A Place I Can Rest

Oklahoma rock group cursetheknife caught me by surprise with this release. This was one of those unplanned listens that I checked on a whim because I was intrigued by their 2000s emo “no spaces allowed” type band name paired with a black and white still life painting of an urn and some… cubes? I like it.

This record is really great at being loud and quiet. Acoustic guitars and hushed, tired vocals are interrupted by a massive wall of crunchy guitars coloured by pretty harmonics and sustained tremolo bends. Reminds me of both the earth shattering gaze of Hum and the moody depressive folk of Pygmy Lush. A combo I never expected to hear but one that won me over without hesitation.
26PinkPantheress
Heaven Knows

Where are you feat. WILLOW was the first song to draw me into the downtempo bubble gum world of PinkPantheress. Downtempo and bubble gum might sound like distant, thrice removed descriptions, but melancholic piano leads, ambient backing vocals and breakbeat drum samples are combined with PinkPantheress’ signature high pitched and sweet vocal delivery, and highschool journal-esque lyrics in a way that hasn’t been done before.

Things are generally more upbeat on this album, and it’s good that way. I actually think her style works better when the energy is high and the drums are quick. This album is almost flawless with the exception songs like Bury me, Internet baby and Feelings where the bass lines slow down into a warp, the drums become more sparse, and the lyrics become more repetitive. It’s these moments where the energy and charm are lacking and the result is just meh. Trim the fat, take out a few of these songs, and the album would be a 5/5.
25Year of the Knife
No Love Lost

Woof, not only does this band have the grit and claws to survive and face real life tragedy, but their tough as nails resolve as individuals is fully apparent through the music they create as well. This album is punishing, frantically violent, but measured and controlled. This band absolutely smokes through powerviolence blast beats and nasty death metal riffage with a cool head, creating a record that teeters on the edge of deathcore at times without ever giving in to the cornball theatrics (which I love btw).
24End
The Sin of Human Frailty

Face melting, pummelling madness, blah blah name your adjective, this band has it. Disonant and chaotic metalcore that will make you feel like you’re being buried alive - face down in the dirt fighting for your life. The production on this thing is DENSE and begs to be played loudly. The layers of noise are packed together in a tight weave that really adds to the oppressive, suffocating nature of their music. Yet it all begins to break apart and show it’s intricate colours the more volume you pump into the speakers. If you’re not a fan by the time Hollow Urn hits you with that cinematic, theatre rumbling bass drop that sounds like a war horn from hell, then I don’t know what to tell you.
23Panopticon
The Rime of Memory

This is it, this is gonna be the album that finally reignites my love for black metal. Beautiful, atmospheric, sad. The opening two tracks are full of gothic folk passages packed with orchestral strings, acoustic guitars and even a softly blown flute. By the time the blasting drums, guitars and ghastly cries kick in 8 minutes into Winter’s Ghost, it feels like you just got snapped thru a speed run flash back of someone’s personal grief simulation. Your heart will sink through the fucking floor, but from that pain will rise immense beauty and the courage to trudge thru the brutal, frozen wasteland soundscapes of The Rime of Memory.
22Polaris
Fatalism

Polaris are good at what they do. Maybe too good. They are at the pinnacle of modern progressive metalcore alongside bands like Erra and Northlane, but whereas Erra excels in technical proficiency, and Northlane excels in synth pop integration, Polaris just brings down the emotional hammer. This band excels in the art of mixing heavy progressive riffs with soaring, passionate, radio ready choruses that just tug at your heart strings. I think Fatalism is overall heavier than their 2020 album The Death of Me, but they have doubled down on all the parts of their formula which make their songwriting so effective at simultaneously jerking tears and making your fists swing in a rage.
21Silent Planet
Superbloom

I’ve been watching Silent Planet from the sidelines for a couple years now, first being introduced to them through their 2021 effort Iridescent, and then dabbling in some of their older catalog which oddly made me think of an alternate timeline where La Dispute was a metalcore band.

This record ended up showcasing a heavier, more modern and electronic influenced side of the band than we’ve seen before. Anecdotally, when this was released I was in the midst of a Cyberpunk 2077 playthrough, and found it to be a very fitting soundtrack to the game. Colourful and archaic. There are a lot of fun and creative ideas on this LP, some of which aren’t given ample room to breathe, but are nonetheless present. I found some of the tracks a little unmemorable at first but it honestly sounds better the more time I give it between listens. Only time will tell how it continues to age.
20Night Verses
Every Sound Has a Color in the Valley of Night...

I was pretty adamantly opposed to instrumental music outside of electronic and ambient for a long time until I recently started reading books again. I wanted to see if I could get two birds stoned at once and listen to some tunes that I would usually avoid while I absorb words. I ended up enjoying this release so much that I started listening to it even when I wasn't reading books, but it does make every page you read play out like an intense action scene, so I'm inclined to continue listening in that fashion.

Night Verses are an instrumental metal band, but don't go into this expecting full gas technical wankery. Night Verses are pro's at utilizing restraint and softer textures to weave a narrative with their instruments. Never have I encountered a band so skilled at telling a story without words.
19Termina
Soul Elegy

I was first introduced to this outfit through their single "Parasocial" and was immediately sold. Sharp, twisting angular guitar leads over over deathcore inspired instruments and vocals. At one point the instruments drop out into an evil bass heavy hip hop beat with pitch shifted demon vocals before launching straight back into full auditory assault. It was just straight up one of the coolest switch ups I've heard in a metal song before and I was really hyped to hear what else they had in store. Ultimately I didn't enjoy the other singles on first listen as much as Parasocial, but the rest of the album really delivered upon release.

There are points during this record where I feel like it was written by an AI; algorithmically engineered to release the right amounts of dopamine in my brain at specific intervals to keep me engaged. I don't mean that as an insult, as the result is a highly addicting LP that hits all the hallmarks of modern metal while still feeling innovative and fun.
18Dying Wish
Symptoms of Survival

I was exposed to this band when they were on tour with Counterparts. The bill that night was supposed to be Counterparts, Dying Wish, Foreign Hands and SeeYouSpaceCowboy, but unfortunately Foreign Hands had their vehicle broken into in Washington and couldn't cross the border. I was still treated to a ménage à trois of metalcore excellence that night, but was especially blown away by Dying Wish as they were the only band on the bill I wasn't familiar with. My expectations were low and they spin kicked me in the teeth with their oldschool melodeath inspired riffs.

From that moment on I was eagerly awaiting this album. The singles they drip fed us showed a marked improvement in their songwriting and especially in Emma's performance as a vocalist. The full album proved to be a worthy contender, bringing back a solid nostalgic sound to an arena packed to the brim of tiresome modernity. I still can't get the sound of those crash laden breakdowns out of my head.
17fromjoy
fromjoy

This is a very recent addition to this list, but one that has swiftly earned it's place. There have been plenty of bands this year that have done this kind of chaotic, math influenced metalcore, but none that have blended the sound with electronics and haunting choruses the same way fromjoy has. I can get kind of tired of albums that are just 100% speed and brutality front to back, but fromjoy have injected enough elements of other genres here to offer moments of respite from their brain melting, hellish soundscapes. Songs like "of the shapes of hearts and humans", or the saxophone vaporwave of "Helios", are much like a bench atop a canyon vista. A moment to regroup and recover before you continue pushing that boulder up hill.
16Invent Animate
Heavener

Invent Animate are a progressive, atmospheric metalcore band. Sounds pretty fuckin cool to me, but I have a strange relationship with this album. It's an album that I've always liked, but have really struggled to connect with on an individual track basis. It took months of casual listening before I could really differentiate one track from another. It all sort of blurred together, which is on one hand a testament to the atmosphere they have created with this record, but on the other hand it created a challenge to find specific moments to draw me back in.

Despite that I still really enjoyed the general sound of what I was hearing; heavy polyrhythmic riffs backed by icy reverberated synthesizers which melted into breakdown ASMR in my headphones. It wasn't really a hard decision to continue giving it a chance to grow on me, and I'm glad I did.
15TesseracT
War of Being

I was a huge fan of "One" back in the early 2010's. I decided to revisit that album earlier this year just out of curiosity to see if I would still enjoy that kind of music, and I was pleased to find that the album still sounded just as good to my 28 year old brain as it did to my 16 year old brain. It's always a nice feeling to realize that your younger self didn't have terrible taste in music. During this time of re-listening to One I had no idea that they were on the verge of releasing a new album.

When the single "War of Being" dropped in July I was absolutely floored to find out that not only did their old material still hold up, but their newest material was absolutely on par with it. The groove, the heaviness, the atmosphere, Daniel Tompkins sultry sweet vocals and crushing screams. It was clear to me that TesseracT hadn't missed a single step in their newest endeavor. It was a full package that made the 16 year kid in me gleam from ear to ear.
14Mental Cruelty
Zwielicht

I didn't even really know what deathcore was until I saw Lorna Shore's "Pain Remains" plastered all over this website and users top albums of 2022 lists. I decided to give it a try out of morbid curiosity and discovered that I actually really loved the combination of heavy as fuck instrumentation, twisted pig squeal vocals and symphonic, fantasy soundtrack-esque passages. It was like nothing I had ever heard before and I loved the total absurdity of it.

Discovering Mental Cruelty just cemented my newfound love for this genre. Zwielicht is epic, grandoise, brutal, disgusting and beautiful all at the same time. The symphonic breakdown on Pest makes me feel like I'm listening to a metal record while witnessing firsthand the battle of Helm's Deep in Peter Jackson's adaptation of Tolkein's The Two Towers. Dark and dramatic, this album perfectly conjoins my love for both extreme metal and fantasy.
13The Republic of Wolves
Why Would Anyone Want To Live This Long?

The Republic of Wolves completely blindsided us with a surprise EP in December, just two weeks before Christmas. I had listened to this band very briefly back in 2011 when they released The Cartographer, but it wouldn't be until discovering Shrine a couple years ago that I really fell head over heels for them. Their moody, dim lit and introspective brand of post hardcore tinged indie rock felt like it was tailor made for my tastes.

To put it simply, this new EP is fantastic, but it comes with a caveat; the mix. It is raw and unpolished. Maybe a little thin and tinny sounding when compared to Shrine. This release is kind of like a haphazard demo tape thrown together just to remind the world that they still have the chops, and boy do they ever. Hidden below the rough edges of this recording is some of their most adventurous and rewarding song writing. Beautiful moments reveal themselves like treasure chests on the high seas, and the closer you get the more they glisten.
12Koyo (US)
Would You Miss It?

Pop punk! A genre that I always thought was kinda corny and lame until I started listening to The Story So Far and realized that it can actually be incredibly potent, emotionally charged and energetic form of catharsis. Koyo really fit the bill when I was searching for more bands that would satisfy my TSSF cravings. Although I'm not a huge fan of "gruff bearded IPA guy" vocals in punk music, Koyo's songs were so catchy and impactful that even the singer eventually won me over, and this record found itself in constant rotation.
11Maruja
Knocknarea

My friend randomly sent me a song from this, saying that it auto played for him on spotify and he thought I would like it. I was enthralled by it immediately and it ended up being the best thing he has ever recommended to me. I am a huuge sucker for saxophone and firmly stand behind the opinion that horns can improve almost any genre of music, especially when that genre is moody post punk blasting straight out of the smoky stairwell exit of an underground english club. Maruja's use of the saxophone is much more than just a garnish though, it is woven into the structure of each song the same way a guitar would be. When paired with the anguished croons of vocalist Harry Wilkinson, the result is an atmosphere almost oppressive with it's heavy yet deeply moving temperament.

This will undoubtedly be a band to pay close close attention to in the coming years.
10Johnny Booth
Moments Elsewhere

I had never heard of this band before this album dropped, and I only checked it out because their name sounded weird as hell to me. I thought we left name-names like Billy Talent in the dust years ago. What I wasn't prepared for was the scourge of angry-fun math infused metalcore behind it's surreal cover art.

One thing that made this album stand out to me was the pure variety of sounds and influences available. Everything from Botch worship, dreamy alt rock reminiscent of the softer cuts on Loathe's 2020 mammoth ILIIAITE, and Blood Brothers inspired "four on the floor" dance punk. This album portrays itself like a psych-ward colouring book, and the result is an album that never feels boring or out of touch.
9Spiritbox
The Fear of Fear

Falling in love with Spiritbox was not on my 2023 bingo card, but this EP is impossible not to love. The Fear of Fear is extremely succinct, all killer no filler, and just a really great example of all the strong suits this band has to offer. Songs like Cellar Door and Angel Eyes are just heavy and intense, purely utilizing harsh vocals to convey the feeling of anxiety that comes with grappling your sense of self. Nothing has resonated with me this year more than Courtney screaming "I can't live in this world while I breathe in another one" right before the heaviest fucking breakdown. Too Close / Too Late, The Void, and Ultraviolet are all shimmering and beautiful alt-metal tracks with no harsh vocals present at all. Jaded sits firmly in between, open arms firmly grasping from all corners of Spiritbox's repertoire to create a perfect balance of screaming, frost bitten metallic riffs and a chorus so catchy it could rival some of the biggest pop R&B artists on the radio today.
8nothing,nowhere.
Void Eternal

Given the fact that this album features Pete Wentz, Shane Told, Buddy Nielsen, Underoath vocalists Spencer and Aaron, as well as some more contemporary artists such as Will Ramos, Connie Sgarbossa and Olli Appleyard, it confuses me to see how little it is talked about. I don't know if this album completely flew under the radar of post hardcore and metalcore fans, or if it was just written off as over produced studio nostalgia bait.

Naysayers be damned as there are some seriously catchy, well written songs here. Even when the album ventures into Linkin Park nu-metal rap territory, Joe Mulherin is just such a talented vocalist and song writer that he always brings the songs back to earth with a bangin chorus or death defying breakdown.
7Wednesday
Rat Saw God

Kind of the oddball addition to this list, but god damn I love this album so much. Even though I come off as a huge metalcore kiddie on this site, a lot of my favourite artists are actually 90s indie rock bands of the slacker variety, and adjacent americana influenced singer songwriters.

Wedneday checks all the boxes that I love about 90s alternative music. Rough around the edges but infectious with it's melody. Reminiscent of both the untuned honesty of David Berman and the super charged, off kilter charm of Swirlies.
6Hail the Sun
Divine Inner Tension

Divine Inner Tension is one of Hail the Sun's strongest and most fun albums to date. These tracks are smart and witty, dazzling with it's technicality and playfulness. Math rock guitar harmonies, funky bass lines and spastic drum fills phase in and out of battle stances before breaking free into powerful choruses and descending back down their stairwell of madness. Vocalist Donovan Melero can be a bit of an acquired taste, but fans of The Mars Volta will feel right at home listening to the dramatic flair in the ceiling shattering range of Donovan's voice. Despite the fact that he can hold me back from recommending this band to people in my inner circle, I couldn't imagine a more perfect vocalist for the band. He knows how to command a room, and sometimes (if you close your eyes) the instruments feel like an extension of his voice, spreading from his open mouth like tendrils to do his bidding.
5Aviations
Luminaria

Beautiful melodies, progressive signatures, intricate harmonies, bright pianos and sweet, soaring vocals. This album engulfed me in it's gorgeous fiery glow and there was no looking back.

Despite technically being a metal band, pure heaviness is merely a fork in the road on Aviations journey, a stormy mountain passage per se. In fact, I think one of the most impressive aspects of this band is their ability to utilize downtuned guitars and hard hitting polyrhythms in the softest way possible. Screams are sprinkled here and there on different tracks for emotional emphasis, but fourth track Legend is the only song on the album where the band goes all in on the heavy. They offer us a brief, deafening glimpse into their realm of madness before switching gears with La Jolla back into a band that sounds suspiciously like a modern church worship group, almost as if Legend was just an accidental slip of the mask that you were definitely not supposed to see. Watch your back.
4Currents
The Death We Seek

Gonna preface this splurge by saying I am a newer Currents fan. I discovered The Way It Ends in 2022, and it was an album that honestly didn't sell me on the band right away. I flirted with it a few times, coming back for a track or two, mostly just to take in the sights and split a strawberry shake over the pre-chorus guitar wails of Monsters. The album showcased a different side of metalcore that I wasn't used to, but I kept returning to it for a reason I couldn't fully put my finger on. The singer didn't sound whiny. The screams were mostly mid ranged and heartfelt. The instrumentation was technical and heavy, but it was all backed by atmospheric, dreamy synths. Maybe it was just... good?

This is gonna be corny as all hell, but when The Death We Seek came out, it finally hit me why I became so intrigued by (and addicted to) this bands sound; the Currents of energy that are seemingly infused into the DNA of every song they write.

Hear me out...
3Currents
The Death We Seek

There is rarely a moment of quiet reflection on this album. From the very first song we are hit immediately by a wall of palm muted guitars, double kick drums and moody, driving synthesizers. The guitars are sharp and pushed to their limit, breaking apart at the surface and crumbling into a perfect distortion. The relentless chugging, while seemingly monotonous on occasion, is garnished with enough technicolour flashes of bends, harmonics and finger breaking licks that tear at the fabric of reality to keep the rhythm entertained.

The tempo hardly falters throughout the 10 tracks, and even when the pummeling instruments are eventually reigned in to make way for Brian to lead with his singing, arpeggiated synths and multi layered vocals swoop in to pick up the slack and move the song forward like pallbearers marching thru a storm of live wires.
2Currents
The Death We Seek

The inclusion of more variety in the range of Brian's screams, and the fact that numerous clean sung passages are layered with evil, guttural lows - like tarnished souls reaching out from hell - just further signifies the steps that they have taken to beef up the atmosphere and increase the tension in their songwriting.

The feeling of aforementioned electricity I get from this band comes almost entirely from their ability to accentuate negative space. Poltergeists haunt even the most measured and somber moments of the album. There is simply an energy present here at all times that is impossible to deny, whether it is tugging softly at the strings of a chorus, or bringing an entire song to it's knees with a breakdown flurry of sparks and solar flares.
1Currents
The Death We Seek

With "The Death We Seek", I believe Currents have managed to create their heaviest and most consistent record to date. A record that is simultaneously brutal and bursting at the seems with beauty and grace. A record that with enough living energy that it would command the needle of a turntable to descend upon it with zero human influence.

That is why it my AOTY :)
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