Antonius
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Last Active 06-22-13 10:45 am
Joined 06-24-12

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Average Rating: 3.35
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Objectivity Score: 81%
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5.0 classic
AC/DC Back In Black
The album that was destined to pay tribute to Bon Scott becomes the band's most selling work. It is oftenly criticised because of it's simplicity and cheesiness and that is why many reject it. But the truth is that this is DC's best work and one of the best albums in history. 50 million copies are enough to substantiate this fact.
Black Sabbath Paranoid
Recorded in the same year, Sabbath's sophomore album is equally heavy and adventurous as the debut. A pure classic, an album that made Sabbath the heaviest act of its days, with four guys becoming legends. Ozzy's vocals are improved ("Electric Funeral", "Paranoid"), Ward's drumming has become more diverse ("War Pigs", "Rat Salad"), Butler's lyrics continue to be excellent ("Hand of Doom") and Iommi continuous to contribute onerous riffs ("Iron Man", "Fairies Wear Boots")
Black Sabbath Black Sabbath
It's not considered 'classic' only because it was pioneering and ahead of its time. With the title track representing the embodiment of everything for which 'metal' stands, this is a mysterious, ominous and brooding album with a raging distortion of the blues filtered through a British, working-class framework. Apart from the popular tracks ("The Wizard", "N.I.B") one should check "Evil Woman", "Wicked World" and definitely "Black Sabbath".
Boston Boston
Boston's self-titled debut is a landmark album of the 70s. It is a magnificent release that stretches beyond the boundaries of the classic 'More Than a Feeling'. The jazzy rhythm of 'Smokin' with its stellar organ solo, along with the story-telling in 'Rock and Roll Band' cannot also be overlooked. However, I found 'Foreplay/Long Time' to be the jewel on the crown. Boston is a solid release that can be listened without skips or fast-forwarding.
Bruce Springsteen Born in the U.S.A.
Camel Mirage
If Camel did not manage to convince the expectations of prog critics, Mirage certainly did so in a spectacular way. The band's second release takes all the elements of the debut and transforms the clever instrumental interplay, the soothing space textures and the energetic passages into an epic masterpiece. Mirage is essential for every prog collection. Recommendations: "Lady Fantasy", "Earthrise".
Crimson Glory Transcendence
David Bowie The Rise and Fall of Ziggy Stardust and the Spiders From Mars
Simply superb and flawless. The concept album that rocketed Bowie to fame. Recommendations: "Starman", "Moonage Daydream", "Ziggy Stardust"
Deep Purple Machine Head
From the motorvatin' opener "Highway Star" to the jam-oriented "Space Truckin', Deep Purple's Machine Head is the album that depicts the crystallisation of all the elements that made this band special. Everything flows smoothly and naturally, allowing some mesmeric performances. It even contains one of the most iconic riffs in the history of rock; "Smoke on the Water".
Deep Purple Deep Purple In Rock
Def Leppard Hysteria
All 12 songs were composed to become hits. For a strange reason, only the first half of songs did so. That doesn't mean that the rest of them lack of credibility, enthusiasm or coherence. It is just that radio stations were unkind with them and didn't give them much exposure. Rick Allen's willingness to continue behind the drum kit makes you appreciate it even more.Recommendation: the whole thing!
Dio Holy Diver
Dio The Last In Line
Dream Theater Metropolis Pt. 2: Scenes from a Memory
Judas Priest British Steel
Marillion Misplaced Childhood
A massive neo-prog rock album constructed around the idea of childhood during an overdosed LSD trip. Lyrically simple and imaginable, the album tries to incarnate certain events of childhood's innocence around tales of depression and heartbreak. The whole album flows so smoothly and elegantly, that a cherry-picking of songs will ruin its magic.
Metallica Master Of Puppets
I find Master of Puppets to be Metallica's finest hour. Compositions are concretely solid as there are no weak tracks. Performances are electric with Hetfield's aggressive vocals being supported by a mayhem of sharp and thrashy riffs and some instinctive drum patterns. This album contains some of my favorite tracks from the band's catalogue: "Master of Puppets", "Welcome Home (Sanitarium)", "Battery", "Orion".r
Mother Love Bone Apple
Mother Love Bone are one of the greatest "what if" of rock history. The short-lived, Seattle-based, rock band was established in the late 1990s by Jeff Ament and Stone Gossard following their exit from Green River, Andrew Wood of Malfunkshun, Bruce Fairweather, and Greg Gilmore. Apple is their sole studio album and is widely regarded as a foundational, transitional masterpiece between '80s glam and '90s grunge. Andrew Wood?s charismatic voice blends eloquently a Steve Tyler aesthetic with a unique, soulful Seattle sound, is the epicenter of the album. His attitude, mojo and vocal delivery is of a man that was born to be a star. This is an album that contains a mixture of energetic, all-guns-blazing rockers ('This is Shangrila', 'Holy Roller', 'Capricorn Sister') with melancholic, powerful ballads ('Stargazer', 'Man of Gold Words', 'Crown of Thorns') that lack the cheesy factor of their contemporaries. Unfortunately, Wood's heroin addiction led to his death only a couple of months prior to the release of the album. Recommendations: "This Is Shangrila", "Chloe Dancer/Crown of Thorns", "Stardog Champion", "Captain Hi Top", "Stargazer", "Gentle Groove", "Thru Fade Away"r
Nirvana Nevermind
Nirvana's sophomore release is a monumental record which has defined a whole generation. It perfectly marries the raw aggression of punk rock with undeniably heavy and melodic choruses. Driven by the explosive rhythm section of Krist Novoselic and Dave Grohl, and anchored by Kurt Cobain?s haunted vocals and songwriting, this is an essential, unbridled, filler-free album. Nevermind has given underground grunge rock a massive, polished, and radio-friendly punch without sacrificing its core grit. Many credit the dismantling of the hair-metal era to this record as it has propelled alternative rock to the forefront of the mainstream.
Pearl Jam Vs.
Ten's passion and primal aggression are two of the numerous characteristics that have made it an all-time classic. It was one of the records that marked the arrival of the grunge era. However, at the time of Ten, the focus on just getting the new band together and seeing what could come of it. During Vs., you had a band that was dealing with fame on a whole new level and quite suddenly. The pace at which the band grew, forced them into unchartered waters in which they found themselves ethically opposed: video shoots, endless radio and MTV promo shoots. At the height of MTV's popularity, they made a defiant step to consciously move away from the things that had put them in the spotlight and they didn't want to be a "videos band". Instead they wanted to focus more on the music. The album does a great job in exploring Vedder's vocals within the somber and more melodic realm as well as testing his aggression and growling ("Blood"). 'Daughter' exposes the realities of child abuse, 'Glorified G' saw them tackling gun culture while other songs addressed problematic policing and racism. Hands down, this is one of the most successful sophomore albums in rock history. Tony recommends: "Daughter", "Rear View Mirror", "Animal", "Dissident". "W.M.A"r
Pink Floyd Animals
In contrast to its predecessors, Animals does not rely on odd-time signatures, atmospheric synth patterns or experimentation. Inspired and influenced by Orwell's "Animal Farm", Pink Floyd compose a brilliant piece of songwriting that reflects the world's descent into capitalism, having cynicism at its core. Dividing allegorically the different tiers in the capitalist hierarchy into 'Dogs', 'Pigs' and 'Sheep', a representation of each respective character is created through ingenious lyrics and at times, musical expressions that are reflective of a particular character?s nature. In 'Dogs', you have the portrait of a ruthless and self-obsessed middle-class, the hounds of the upper class. These are the businessmen who utilize the free market system to their own and their superiors' advantage; ultimately to the disadvantage of the lower classes. 'Pigs' represent the greedy upper class, which are ignorant of the suffering of the working class, and exploit the 'Sheep' for their obedience and coerced submission. Animals is, without a doubt one of the greatest albums of all time because it will remain immensely relevant to societal status, no matter how many years pass. It is the pinnacle of conceptual prog-rock music.
Rainbow Rising
Ahead of sophomore release Rising Blackmore overhauled the band's line-up, retaining
only vocalist Ronnie James Dio in place. Of the new arrivals, drummer Cozy Powell was
pivotal as his drumming proved to be influential for the power/epic metal generations to
come. Opening with the ominous "Tarot Woman" and the duo of "Starstruck" and "Run with the
Wolf" providing energetic, bluesy hard rock, the album moves to its second half with two
sprawling, epic tracks often praised for seamlessly bridging the gap between progressive
rock complexity and hard-hitting metal: the thunderous "Stargazer" and the explosive finale
'A Light In The Black'. Rising is one of the greatest heavy metal albums ever.
Rush Moving Pictures
Sentenced The Funeral Album
At the zenith of their career, Sentenced decide to put an end. And this end does not come with periodic regroups and subsequent tours. Not many bands have the balls to do this. The Funeral Album is the most comprehensive work that the Finnish have recorded. Miika Tenkula and Sami Lopakka, the band's main songwritters make an effort to write the testament of Sentenced in the 'brightest' -if such a word can ever be used for them- way. From the splendid uptempo opening "May Today Become The Day" to the dark requiem "The End of The Road", Sentenced manage to channel the sorrowful, despair and dark feeling they've wanted to on their way to the music cemetery.
Sentenced The Cold White Light
The Cold White Light feels more of a natural successor to 1998's Frozen than the actual follow-up Crimson. It shows a band that has finally found the style they are comfortable with and this brings a noticeable improvement in overall quality. ?elodic and dynamic, The Cold White Light is a set of eleven homogeneous tracks of sorrowful, dark and melancholic content. Vesa Ranta's drumming is powerfull yet simple, so as to give space to both Sami Lopakka and Miika Tenkula to shine with their guitar work. Ville Laihiala delivers his most confident performance with his vocals being agonizing and emotional throughout. This is one of those albums which I hear from start to finish. r
Skid Row Skid Row
I found Skid Row's debut album a landmark release for the glam metal scene. The streetwise lyrics, the ferocious riffs and the persona of Sebastian Bach is what makes Skid Row a classic release in my ears. Recommendations: "Youth Gone Wild", "18 and Life", "I Remember You", "Big Guns".
W.A.S.P. W.A.S.P.
If an album was to be judged by its sleeve, W.A.S.P.'s self-titled debut would probably be amongst the worst in the history of music. Thankfully however, the music does the talking and W.A.S.P. is a big, brash and solid release. From the thunderous drums of the opening "I Wanna Be Somebody" to the closing galloping riff of "The Torture Never Stops", the listener comes across a collection of energetic, raw and ferocious tracks that pass like a tornado. Recommendations: "L.O.V.E Machine", "I Wanna Be Somebody", "Sleeping In The Fire".
Yanni Live at the Acropolis
Yes Close to the Edge
The epitome of progressive rock. One of the few authentic albums that you'll find at the genre's core. So artistically executed, lyrically impressive and a concept beyond imagination. This is YES at their finest

4.5 superb
Airbag All Rights Removed
All Rights Removed is a wonderful release that builds on the foundations of the debut album Identity. In this sophomore release, the Norwegians refine their sound, stretch the melodies, inject a heavy dose of emotion and manage to record a modern prog masterpiece. The opening title track sets the tone and prepares you for a melancholic journey in a sea of emotions, mellow vocals and delicate guitar melodies that will end with the 17-minute odyssey "Homesick I-III". The structure of the songs is so simplistic that comes in full contrast with a typical 'prog' rock track. Such non-complexity makes each song segue into another in a slick and smooth way that ultimately brings a concrete solidity to the overall output. r
Alice in Chains Facelift
Although Dirt is generally regarded as the band's magnum opus, Facelift actually played a more pivotal role in the development of the grunge scene. The record proved to be a highly influential catalyst in introducing the Seattle grunge movement to a massive, mainstream heavy metal audience primarily thanks to the commercial success of "Man In the Box". Jerry Cantrell showcases a formidable talent for sludgy, and remarkably catchy riffs that bridge classic heavy metal with a gritty edge, while Staley's spine-tingling and powerful vocal performance laid the groundwork for the band's signature landscape. Facelift was the first grunge album to be certified gold. Recommendations: "Man in the Box", "We Die Young", "It Ain't Like That", "Bleed the Freak", "Sea of Sorrow".
Alter Bridge One Day Remains
I find One Day Remains to be one of the greatest post-00s debuts released. This is not a clone of Creed as you will read and hear over and there. It is the departure from the 90s rock for Mark, Brian and Scott. The musical marriage of the three with Myles Kennedy is one of the most splendid rock collaborations of the last 20 years. Music flows perfectly, lyrics are more meaningful than ever before with Creed. [I would have 5'd this but I save it for the next one]. Recommendations: "Metalingus", "One Day Remains", "Shed My Skin", "In Loving Memory".
Alter Bridge Blackbird
Asaf Avidan Gold Shadow
For anyone who wishes to hear something different, this should be a priority. I am thankful that I bumped on this album, even accidentally. Simplistic, sentimental, melancholic but above all melodic. However, in order to be grasped entirely must be heard from start to end. Definintely one of the best albums I've heard in 2015. Recommendations: "Ode To My Thalamus", "The Jail That Sets You Free", "Lets Just Call It Fate"
Avenged Sevenfold Hail To The King
Hail to the King is the first album that I have listed from A7X and it appears that this is their most contradictive release which has divided the band's fans. This is due to the fact that earlier releases had classified the band under the 'metalcore' genre while in this release they've emphasized more on the riffs and even more the vocal hooks. Personally, I found this one of the best heavy metal releases of the last decade. It is not attempting to redefine the boundaries of metal nor to re-invent the wheel. Its a collection of 10 tracks that reflects the metallic influences and disciplines of metal legends which is pretty obvious that they have been also the Californians' childhood heroes. Try listening to 'This Means War' without hearing echoes of Metallica?s Sad But True. Try not to think 'Enter Sandman' in the opener 'Shepherd of Fire'. Check out 'Heretic' and try not to imagine Mustaine's riffing over Symphony Of Destruction. 'Doing Time' could be a track not making the -Use-Your-Illusion-series at the last moment but I doubt that 'Coming Home' could not fit on a Piece of Mind, a Powerslave or at least a Somewhere In Time. Hail To The King is a beast of a record: ambitious, anthemic and concretely solid.r
Bad Company Bad Company
Barclay James Harvest Everyone Is Everybody Else
Big Big Train Grimspound
Grimspound is one of the best modern prog albums I have ever heard. It is full of songs stemming from the English history and folklore, delivered in an intricated and progressive way. The transition between songs is delicate and to perfection. Technical capabilities are of high standards but not over-complicated, lyrics are simple yet evocative and the overall inspiration is simply immense. Songs have the ability to stand-out themselves and be heard independently, however, a portion of the album's magic and atmosphere is lost if its note heard in its entirety. Recommendations: "Experimental Gentlemen", "Grimspound", "A Mead Hall In Winter", "Brave Captain"r
Black Sabbath Master of Reality
Master of Reality deviates somehow from the two previous albums. Here there are no jazz or blues elements; Iommi down tunes his guitar and riffs are slow and heavy. Lyrics are also great as they concentrate around anti-war and love for God, something that the media managed to ignore. If the previous two albums were pioneers this one was the most influential one. Recommendations: "Sweet Leaf", "Children of The Grave", "Lord of This World", "Into The Void"
Blind Guardian Nightfall In Middle-Earth
Blind Guardian Imaginations From The Other Side
Blind Guardian The God Machine
This is one of the Germans' finest efforts and represents a worthy addition to the band's commendable discography. Lyrically, The God Machine does not have a particular concept and drifts away from the Tolkien-esque theme and other epic topics that BG became famous for. The album opens in a power-metal hurricane as the three (out of a total four) singles come early and immediately attract attention. With a mixture of marauding riffs, relentless double bass and Hansi's trademark aggressiveness, this dynamic opening looks Somewhere Far Beyond and Imaginations from the Other Side straight into the eye. Personally,rI have found this the band's greatest release in the last 20 years and an AOTY contender. Recommendations: "Secrets of the American Gods", "Violent Shadows", "Deliver Us from Evil", "Damnation", "Architects of Doom"
Blues Pills Blues Pills
Having heard their two EP's, I was expecting Blues Pills to release a decent album that at the best case scenario would be interesting. However, this debut went beyond my expectations. Above all, Nuclear Blast did a very good job with the production. It had carved very skillfully the band's raw sound without lifting it's psych/bluesy attitude thus keeping the foundations untouched. This is not a flashy mainstream album, but an LP with character. Look at that album sleeve; full of late 60s psychedelic innocence and simplicity. And the content matches exactly that cover work. Song ordering was also excellent. It started with such an intensity, then lowered speed for atmosphere, then back to faster tempos and closed in a melodic tone. I was a bit disappointed that "Devil Man" did not have that passionate 'heeeeeey devil man' that the EPs had, but after a couple of listenings I got over it because this version is also great. There are so many great songs here that it would be a pain in the ass selecting only one as your favorite. Recommendations: "High Class Woman", "Ain't No Change", "Jupiter", "Astralplane", "Gypsy", "Devil Man"
Bon Jovi Slippery When Wet
Boston Don't Look Back
Such a great sequel two years after the mythical self-titled debut. This record substantiates the fact that the particular line-up had the perfect chemistry, as in the following albums the good songs become scarcer. Tom Scholz provides the same powerful and electric riffs, Bard Delp's vocals hit heavens once again and the music style is the same as in 'Boston'. Whatever you pick to listen from this one is great
Budgie Never Turn Your Back on a Friend
It is difficult to classify this under a single genre as it is powerful with sharp riffs at some moments, while at others it grooves and there are also times which is quite prog. Hell of an album. Absolute must!
Camel Moonmadness
Camel Camel
Very often I see Camel's self-titled debut to be overlooked and not getting the necessary praise it deserves. Indeed, Camel does not have the avant-garde status of King Crimson, the overambition of Yes or the theatrics of Genesis however, they keep the ground rules of progressive rock intact. The instrumentation in Camel is emotional, pleasant, melodic and above all coherent. Recommendations: "Mystic Queen", "Separation", "Never Let Go".
Captain Beyond Captain Beyond
City and Colour Sometimes
I was not aware that Sometimes is a fully acoustic album. Despite the fact, I have enjoyed it thoroughly and it deserves lots of credit. Dallas' sorrowful lyrics and soothing vocals in combination with the simplicity and catchiness of his chords are simply magnificent. Occasionally, I found some songs repetitive in terms of structure and composition, however, the overall result is so melodic and has the flow to keep you interested until the end. Recommendations: "Sometimes", "Coming Home", "Like Knives", "Save Your Scissors"
City and Colour If I Should Go Before You
One of the best albums of 2015 I've heard. Very expressive and atmospheric with the vocals being the strongest element of the record. The music is smooth, light, diverse, up-tempo at times-melancolic at others, simple and straightforward. I love the way it combines elements of prog ("Woman"), blues ("Killing Time"), country ("Map of The World") and also the flow in the tempos which never remains constant but it's cohesive to perfection. Recommendations: "Wasted Love", "Killing Time", "Northern Blues", "Woman", "If I Should Go", "Runaway", "Mizzy C"
Comedy of Errors Fanfare & Fantasy
Fanfare & Fantasy is one of the best examples that prog must not necessarily have complicated time scales and odd signatures to be great. Equally, it is not a necessity to be a concept album. What Comedy of Errors achieve here is an exceptional result of tasteful melodies stemming from sheer inspiration. The album flows so naturally that its 66 minutes pass very smoothly. It is difficult to distinguish amongst the top songs here, however, I would recommend the closing track "The Answer" mostly because of its lyrical content, "Merry Dance" for its swirling rhythm and solid composition and the opening "Fanfare for the Broken Hearted" for its uplifting character.
Cream Disraeli Gears
Creedence Clearwater Revival Bayou Country
Creedence Clearwater Revival Creedence Clearwater Revival
Crimson Glory Crimson Glory
Dave Matthews Band Before These Crowded Streets
Before These Crowded Streets is my favourite DMB release, surpassing even the exciting debut. This album is all about the diversity of emotions that Dave Matthews and his guest musicians manage to convey in the music and the lyrics. I would recommend to listen to this from beginning to end, however if I had to choose from it I would say "The Last Stop", "Halloween", "Crush", Don't Drink The Water", "Rapunzel".
Dave Matthews Band Busted Stuff
Busted Stuff represents the return of DMB into form after the release of an unconvincing Everyday. With enchanting lyrics and prolific songwritting, Busted Stuff is yet another astute result. Personally, i believe that this album can rival and probably surpass the band's peak moment, Before These Crowded Streets. Recommendations: 'Raven', 'Grey Street', 'Captain', 'Busted Stuff'.
Deep Purple Perfect Strangers
Def Leppard Pyromania
The involvement of John Lange with the production of the album, has an immediate effect to the band's sound. With this release the band shows its heaviest side: a blend of hard riffs and electrifying solos, topped with a collective vocal performance. rRecommendations: "Photograph", "Die Hard the Hunter", "Foolin'", "Rock of Ages", "Too Late For Love", "Action! Not Words"
Demons and Wizards Touched by the Crimson King
Touched by the Crimson King not only exceeded my expectations but became one of my favorite power metal albums. From the introductory "Crimson King" to the closing cover of "Immigrant Song" the riffing is relentless, aggressive and ominous. Lyrics are darker and more bitter than the debut with the majority of the songs based on Stephen King's The Dark Tower series. Recommendations: "Crimson King", "Love's Tragedy Asunder", "Seize the Day", "Beneath These Waves".r
Derek and the Dominos Layla and Other Assorted Love Songs
Dire Straits Dire Straits
Dream Theater Images And Words
Fish Weltschmerz
Weltschmerz is the first album I listen from Fish, the vocalist of neo prog-rockers Marillion. In Weltschmerz you will not hear Fish singing with the same passion, power and vigor of his Marillion days though. His lifetime experiences and inevitable wear and tear have consumed his whole energy. Thankfully however, his lyrical armory has remained strong, sharp and unassailable. He has been an admirable wordsmith who is able to describe stories and experiences with a sense of truth and meaning in the most allegorical and metaphoric way possible. Indeed, autobiographical threads are woven throughout the album. Take for example "Walking on Eggshells", in which the topic is about toxic and volatile relationships which draw on Fish's personal experiences, or "Garden of Remembrance", the story of absence and loss inspired by his mother's dementia. However, it's not all about introspection and soul-searching. The album's 17th-minute monolith "Rose of Damascus", ties together geopolitical upheaval, religious fundamentalism, terrorism, and immigration. Musically, the album could not have anything other than a progressive character and mindset, representing the artist's influences and perspective. As with all his previous works, the challenge has been how the musicians with whom he collaborates, can frame and fit those wordplays and lyrical passages, into a perfect companion of the music.
Free Fire And Water
Free Tons Of Sobs
Guns N' Roses Appetite for Destruction
I found this to be one of the best debuts in the history of music. Ranging between hard rock and glam metal, this LP produced 7(!) singles; all of them justifiable (with the exception probably of "It's So Easy"). It might seem instrumentally simplistic at some moments but it's energy makes you to overlook such fact. All members contribute equally in my opiniion and this is why it has such a high status. Recommendations: "Welcome To The Jungle", "Nightrain", "Mr. Brownstone", "Paradise City", "My Michelle", "Sweet Child O'Mine", "Rocket Queen"
Iced Earth Horror Show
Coming immediately after a trio of successful albums, it is easily understandable why this release often gets overlooked. Yet, Horror Show is a sensational concept album not only from a lyrical perspective but also from the perspective of individual performances. It's not an exaggeration to say that Barlow's final album before his first exit was a triumphant one. From the opening "Wolf" until the closing "The Phantom Opera Ghost", his vocals are emphatically dynamic and roaring. Richard Christy's addition brings a fresh breath of air with his energetic drum rhythms while his double bass furiosity complements perfectly Schaffer's signature razor riffs. The lyrical content touches various monstrous characters from the horror literature and the addition of choirs in various orchestral parts, gives a different dimension to some tracks. With the exception of "Ghost of Freedom" which is a great track but would make more sense to be included in Glorious Burden, Horror Show is a concrete release and one of my favorite albums. Recommendations: "Dracula", "Wolf", "Dragon's Child", "Damien"
Iced Earth Something Wicked This Way Comes
If The Dark Saga was a deviation from the heavy and aggressive tone of the first three albums, Something Wicked This Way Comes is definitely the album that took the band to the next level. Home of the band's most well-known tracks ("Watching Over Me", "Melancholy"), Something Wicked... has a clearer sound and overall, a better production. Songs are heavier and more diverse than The Dark Saga and while Schaffer throws his sharp riffs around and Barlow delivers some spirit-lifting vocals, Iced Earth records one of its finest albums.
In Flames Clayman
Despite the fact that many hardcore fans find Clayman to be the start of the band's decline, I believe its the the pinacle of their career up this point. The album is a career-defining moment as the Scandinavians become noticable in their effort to put melodic death metal in the map. Jesper and Bjorn (guitars) deliver some of their finest and most flashy riffs and with their strong melodies, they complement wonderfully Anders' growling savagery who takes an inward turn to get lyrical inspiration from his own personal state and mental health. The release finds In Flames introducting synthesisers while Anders sings cleanly more often here. A specific mention should be made to 'Only For The Weak', the band's most lauded anthem. The track illustrates the toxic damage of two individuals deteriorating one another?s mental health and its infectious melody can make a whole arena bouncing in unison. rRecommendations: "Only For the Weak", "Clayman", "Bullet Ride", "Pinball Map", "Square Nothing"
In Flames A Sense of Purpose
Iron Butterfly In-A-Gadda-Da-Vida
Iron Maiden Somewhere In Time
Iron Maiden A Matter Of Life And Death
Jess And The Ancient Ones Second Psychedelic Coming: The Aquarius
Their self-titled debut had certain moments of brilliance (ref. "Sulphur Giants", "Prayer For Death and Fire") and created a lot of expectations which I personally thought the band was unable to meet. And yet, their sophomore release is even more mature, qualitative, psychedelic, and complete than the previous one. I admit that it took me some listenings to adapt to the change but I am so jubilant to have taken this to the end. Second Psychedelic Coming opens with the storming "Samhain" and as it unfolds, presents an unparalleled mixture of 70s psychedelia, occult aesthetics, memorable riffing and captivating melodies. With her charismatic and unassailable voice, frontwoman Jess holds the quintet tight, intact and solid throughout the whole album. Recommendations: "Crossroad Lightning", "The Equinox Death Trip", "Goetia of Love".
Jethro Tull Thick as a Brick
King Crimson In the Court of the Crimson King
Kubb Mother
Mother is a beautiful album that remains unfortunately in the vault of the alt./indie world. It is fair to assume that this is probably due to the disbanding of Kubb, just a year after its formation. Kubb's music borrows characteristics from Radiohead ("Wicked Soul"), Muse ("Somebody Else") and Keane ("Alcatraz") and together with Collier's gentle and heartfelt falsetto, create a wonderful amalgamation of sweet and melancholic melodies. Overall, the album has a nice flow and a slick production. Too bad that this is a one-off album. Recommendations: "Wicked Soul", "Remain", "If I Can't Have You", "I Don't Mind", "Sun".
Led Zeppelin Led Zeppelin IV
Led Zeppelin Led Zeppelin II
Zeppelin's sophomore release begins even stronger than its predecessor. The dynamic opener "Whole Lotta Love" with its intoxicative, sexy and one of the most recognizable riffs in rock's history, sets the bar at a high point. An equally powerful track is a personal favorite of mine "Ramble On". while the vigorous and groovy "Living Loving Maid" cannot be overseen. "Heartbreaker" is often overlooked but definitely an interesting track. The monumental "Moby Dick" represents the instrumental track of Led Zeppelin II, while the bluesy "Lemon Song" is a fan favorite.
Linkin Park Hybrid Theory
Alhough I'm not the biggest fan of nu metal, I have my sympathies whether bands or albums. As of this I tend to support more Hybrid Theory than Linkin Park. I remember being very critical of this album those days because of it's style and attitude. Now, many years later I have realised it's importance in the music world. A groundbreaking album that combines many styles of music which not only enhances nu-metal's image but it also makes it more accessible
Live Throwing Copper
Throwing Copper by Live is considered to be a defining album of the alternative rock scene of the mid-90s. Released in 1994, a few weeks after the death of Kurt Cobain, one could argue that this album starts the post-grunge movement. With big melodies, emotive choruses and musical depth this sophomore release, ejects the drug-fueled nihilism and weaponized irony of grunge in favour of deeply rooted spirituality and relentless self-questioning that owes more to U2 and R.E.M. than it did to Nirvana or Soundgarden. I found 'Lightning Crashes', 'Selling the Drama', 'All Over You' and 'I Alone' to be the highlights however, songs like 'Shit Towne', 'Iris' or the opening 'The Dam at Otter Creek' are also notable ones.
Marillion Fugazi
To my disappointment, Fugazi does not often get the recognition and the applaud it deserves. I find this an inch shorter than Miscplaced Childhood but this is of personal preference rather than the level of its quality. Fish's lyrics are so dynamic and descriptive that you often admire such inspiration. Trewavas' vibrant bass lines and Mosley's thunderous drumming are supporting the rhythmic part very profoundly while Kelly's synthesizers are so seductive that they manage to give a perfect texture to the overall output. What is also great about Fugazi is that each song tells it's own story, sometimes very straightforward and sometimes magnificently masked behind Fish's metaphorical words.
Mark Lanegan Blues Funeral
Blues Funeral introduced me to the expressive and distinctive baritone of Mark Lanegan. This is a bold and captivating record, dominated by that beguilingly melodic, deeply soulful, often haunting, murky, voice. The album itself is extremely diverse as it jumps from the dark blues of "The Gravedigger's Song" and "Bleeding Muddy Waters", to the electro touches of "Gray Goes Black" and the plodding drum loops of "St Louis Elegy" and from there to the catchy synth-pop "Ode to Sad Disco" and the synth-laced psychedelia of "Harborview Hospital", just before ending with "Deep Black Vanishing Train" in a melancholic Cohen-meets-Cash-in-Hurt.
Metallica Ride The Lightning
A thrashy opening with Ulrich's double bass and Hetfield shrieking "Fight fire with fire.., sets the tone for Metallica's second album which begins exactly to the point where the debut ended. Its not until second track "Ride The Lightning" where James' trademark riff enters and you realize that there is an improvement from Kill 'Em All. "For Whom the Bell Tolls" and "Fade to Black" are the standout tracks of the album but for die hard fans, "Creeping Death" is the brightest star here.
Metallica ...And Justice For All
...And Justice for All finds Metallica stretching their songs above the time boundaries of 5 minutes. Compositions are lengthier and more complicated than before. Instrumentally, the highlight of this album is Lars as he has taken his skills to the next level. His drumming sounds more complex and he delivers innovative and instinctive drum patterns. The guitar duo of Hetfield and Hammet delivers another riff fest, while lyrics are darker and song structures prog-alike. On the flip side, Jason Newsted is nowhere to be heard as his basslines are almost silenced and give the sense that they do not exist at all. Still a massive result though. Recommendations: "And Justice for All", "One", "Harvester of Sorrow", "Eye of the Beholder".
Myles Kennedy Year of the Tiger
Through Year of the Tiger, Myles Kennedy discovers his individuality as a solo musician. It is an honest, emotional and fully autobiographical album, written with a bluesy approach within a folk-infused capsule. Vocals are of the usual high standards and lyrics are simply stellar. From the banjo-driven "Year of The Tiger" to the evocative "One Fine Day", Kennedy manages to engage the listener to his own direction and purpose as a solo musician. Personal favorites: "Songbird", "Love Can Only Heal", "Devil on The Wall", "Mother".
Nick Johnston Remarkably Human
Although I am not a die-hard fan of instrumental albums, Remarkably Human is a stellar album. It is captivating from the first note until the last and in its entirety is a fine piece of coherent music. Johhnston manages to keep a fine balance between technical solos and simple guitar melodies which along with the keyboard parts highlight his remarkable composition skills. This needs to be listened from end to end.
Oasis Definitely Maybe
Definitely Maybe sits proudly among the very best debuts and defining albums of the entire rock history. The band's ability to blend elements of the 60s pop psychedelia, the swirling haze of dream pop and the grind of guitars, let them slip nicely into what was happening in the music scenes of both the UK and the States at that time. Noel?s bittersweet lyrics, brash, drugged-up lyrics along with his blaring guitar tones and Liam?s untutored, weep but strangely resonant voice, provide the platform for an entire genre to emerge. Definitely Maybe is the sound of people who feel like they need to scream to be heard but the chances of anyone actually listening, seems depressingly unlikely. Oasis were amazing at wanting to be the 'biggest band in the world but when they made it, they were terrible. Recommendations: "Rock n Roll Star", "Live Forever", "Supersonic", "Slide Away", "Cigarettes & Alcohol"
Our Lady Peace Naveed
Naveed is a great debut album by Ontario-based rockers Our Lady Peace. Musically, this sits somewhere between the raw power and sheer energy of grunge and the more polished production values of post-grunge. Raine Maida's animated vocals, Mike Turner's heavy guitar work, Chris Eacrett's rhythmic bass lines, and Jeremy Taggart's thunderous drumming, deliver a coherent and solid set of tracks that is accessible and easily digestible. The album's best moments are concentrated in the first half, while the second half contains some decent bangers as well ('Dirty Walls', 'Denied', 'Julia'). Tony recommends: "The Birdman", "Naveed", "Supersatellite", "Julia", "Starseed".r
Pearl Jam Ten
Purson The Circle And The Blue Door
A couple of listenings were enough for me to fell under the spell of The Circle and the Blue Door. Purson's debut has an organic and predominantly analogue sound which borrows to a great extend from the psychedelic work of The Beatles, a band that has influenced the Cambridge quintet the most. Apart from an unparalleled balance of the correct ingredients for a 70s retro/psychedelic cocktail, I was also mesmerized by the effortless confidence and charisma that guitarist/vocalist Rosalie Cunningham exhibits throughout the album. Impeccably solid and consistent, it appears that she has absorbed the genre?s essence into her own DNA. From the opening haunting tone of "Wake Up Sleepy Head" and the narcotic bass groove of the following "The Contract" until the melancholic closing of "Tragic Catastrophe", there is a plethora of grooves, rhythms and mischievous psychedelic rock. Recommendations: "Leaning on a Bear", "Spiderwood Farm", "Mavericks and Mystics", "Well Spoiled Machine".
Q5 Steel the Light
Rage Against the Machine Rage Against the Machine
RATM's debut album is full of power, rage and heavy riffing. Home of some of the band's greatest tracks, Rage Against The Machine is probably the first album that blends so eloquently rap and metal with a particular lyrical focus on politics. Zach de la Rocha's vocals are full of wrath and fury and come out in a brutal form. Tom Morello offers his signature scratch technique with all the odd guitar effects, while Tim (bass) and Brad (drums) form a tight duet with a groovy, rhythmic and often funky section. Although not a fan of rap or hip hop, I was easily carried away by the band's energy and swagger. Recommendations: "Killing in the Name", "Bombtrack", "Bullet in the Head", "Know Your Enemy", "Take the Power Back", "Fistful of Steel".
Rainbow Long Live Rock 'N' Roll
Rammstein Sehnsucht
I never had the chance to dig the Germans all these years, but I am glad that I did so by starting with their sophomore release. Sehnsucht is the home of "Du Hast", a track that I have grow up with and been listening to for the last 20 years or so. To my surprise, the aforementioned track is not the only highlight in the album. Rammstein record tracks in their native language and although this is difficult for the listener to comprehend at first, the catchy choruses and the vigorous rhythms help the end result to be extremely accessible. In addition to the language, the band's trademark sound is shaped by the grinding guitars, the powerful vocals and the techno-keyboards that help to create this one-of-a-kind 'industrial' sound. Recommendations: "Engel", "Du Hast", "Sehnsucht", "Tier", "Spiel mit mir", "Eifersucht".
Red Hot Chili Peppers Californication
Red Hot Chili Peppers Blood Sugar Sex Magik
By neat coincidence, Blood Sugar Sex Magik was released on September 24, 1991, the same day as Nirvana's Nevermind. The band hires John Frusciante as a replacement of the deceased Hillel Slovak, and marks the start of the band's most creative phase. In the producer's seat, in comes bearded guru Rick Rubin and with his Midas touch, makes this album one of the standouts in the whole decade. The funk/punk style and Keidis's 'rapping' that had permeated previous RHCP albums is still there, but now its mixed with a strong melodic feel which adds a different dimension to the tracks. Frusciante is expressive with an instinctively melodic guitar play, while Flea takes his skills out of the spotlight in order to focus on a team approach - he just plays what is right for the song to make it sound good. Despite the numerous hidden gems, the jewel in the crown is the ballad 'Under the Bridge', a track which began life as a poem, with Kiedis reflecting on a rock-bottom moment when he was shooting heroin with a Mexican mafia member in downtown Los Angeles. Its obvious that he is opening his heart and beautiful words come out. Recommendations: "Under the Bridge", "Give It Away", "Suck My Kiss", "The Power of Equality", "Naked in the Rain", "Blood Sugar Sex Magic", "Apache Rose Peacock", "Breaking the Girl".
Rival Sons Pressure And Time
Rival Sons show their calibre with a series of ten exquisite tracks full of energy and passion. Lyrics are simple and straightforward, just like the music. These guys play some ballsy rock 'n' roll full of testosterone in their own distinctive style and character. But the main point is that they do it better than anyone who tried to mimic classic rock legends in the post 2000 era. Retrospectively speaking, Pressure and Time contains some of the band's greatest songs. It's very fluid, pleasant and enthusiastic. It's a punch in the face of those who say that rock is dead. Recommendations: 'Pressure and Time', 'All Over The Road', 'White Noise', 'Burn Down Los Angeles', 'Save Me', 'Young Love'
Rush Permanent Waves
Rush Hemispheres
Rush Clockwork Angels
Sabaton Primo Victoria
I found this to be one of the most emphatic power metal debuts I have heard: straightforward with powerful riffing, melodic vocals and descriptive lyrics; all wrapped up a combination of various tempos. In my opinion is the best album for someone to be introduced to Sabaton. If you find the self-titled track too mainstream, go for "Wolfpack", "Panzer Battalion" and "Purple Heart"
Starcastle Starcastle
One of prog's best kept secrets. A very-well balanced album in terms of the music and the songs. The similarities with YES are obvious, mostly in vocals. However, it's such an excellent effort that you simply ignore this fact and you repeat this spacey odyssey again and again.
System of a Down Toxicity
Despite the commercial success of "Chop Suey!" overshadowing every single song in SOAD's sophomore release, Toxicity contains some great tracks with numerous hooky choruses.rThe music inclines more towards a thrash sound but at the same time, maintains a nu-metal-style on vocals, albeit with some occasional growls by Serj ("Needles", "X"). Tankian's voice is sharper and the lyrical content remains contentious and categorical, slamming the politics harder than ever before. Malakian's supporting vocals are clearer and more focused. The production is distinctly of a better quality and this is arguably due to the involvement of Rick Rubin. Recommendations: "Chop Suey!", "Aerials", "Toxicity", "Psycho", "Deer Dance", "Needles", "Jet Pilot", "Prison Song".
The Black Keys El Camino
This album combines perfectly modern day blues and garage rock to a great extent. It is coherent, groovy and catchy as hell. It has the energy to change your mood and create positive and joyful feelings. For some, the simplicity of the songs and the similarity of the music in some situations may be of a disadvantage, thus older fans disapprove it. Personally speaking, this is easily one my favourite albums of 2011. Recommended tracks: 'Lonely Boy', 'Little Black Submarines', 'Run Right Back', 'Gold on The Ceiling', 'Sister'
The Butterfly Effect Imago
Objectively speaking this release is a bit different from what the band did previously. All that aggressiveness and rawness of the EP and the debut do not exist here and this will of course caused a loss of fans. However, ''Imago'' shows a mature band who knows what is doing and where to move. The vocal style, music and production are excellent. Personally, I think this is the band's best record and one of the best I've ever heard as it is spotless from beginning to end.
The Decemberists The King Is Dead
After two successful concept albums, Colin Meloy and his Decemberists depart from their epic storytelling (The Crane Wife and The Hazards of Love) for a breezy, country-folk escapade. The King Is Dead is full of catchy melodies and lavish harmonies, loads of simple and rousing melodies which are created by some elegant and sweet guitar chords, often ornated with fiddles, accordions and harmonica. The band pushes the limits of songwriting and most importantly, it does it in an over-simplistic manner. For all its rural pedigrees, The King Is Dead is a clean and meticulously crafted album; with a smooth production and unnervingly error-free performances. Recommendations: "Don't Carry It All", "This is Why We Fight", "Down By The Water", "June Hymn", "Rox In The Box".
The Doors Strange Days
The Parlor Mob Dogs
The band gives up that rawness of the debut album, in order to create a more fresh sound and achieves that perfectly. There is a perfect balance between 70s rock and modern rock, with the band borrowing characteristics from Zeppelin, White Stripes and RATM in order to develop its style. This results into the creation of a band with a clear music identity and as to what they want to achieve. Personally I classify this amongst the top albums of 2011. Lets hope that they will continue this way.
The Sound Defects The Iron Horse
This was probably one of the few instrumental out-of-rock albums that captivated me from the first couple of listenings. Footloose melodies and groovy rhythms which make excellent background music. This is of the stuff you find only accidentally. Recommendations: "Take Out", "Theme from the Iron Horse", "Ain't Right", "War"
The Verve Urban Hymns
Most of the songs here were initially intended for an Ashcroft (vocalist) solo album, but thankfully it ended being a Verve record. Like the resuscitated heart-attack victim who had cheated death once, this was a band that knew it was living on borrowed time. But this collection is a testament to what can happen when you make the most of it.Urban Hymns unmistakably sounds like the work of a band working in perfect harmony and unison. The album is full of catchy sing-alongs, elegant orchestration and huge, eminently chantable choruses. It soars with autumnal melancholy and heartbreaking declarations of failure. Other than the infamous duet of 'Bittersweet Symphony' and the melancholic 'Sonnet' which represent the record's primary charms, other noticeable tracks seated in the first half are the psychedelic 'Catching the Butterfly' and the drug-fueled 'The Rolling People'. The album?s second half is mostly given over to clear-eyed statements of devotion like 'Space and Time', 'One Day', and 'Velvet Morning' - the relaxed, contented sound of Britpop entering middle age, as a review very accurately put it. I have read that some critics found that Oasis?s third album of the same year (Be Here Now, was the moment that the Britpop movement ended, and Urban Hymns is often viewed as the hangover. This doesn?t do justice to the band and the record. This wasn?t so much the end of Britpop as much as it was the perfect evolution.
Tonton Macoute (UK) Tonton Macoute
Uriah Heep Demons And Wizards
Uriah Heep The Magician's Birthday
Volbeat Rock The Rebel/Metal The Devil
If you thought that the Danes' debut album was a solid release, wait until you listen to their sophomore one. Fewer songs, variety of tempos and hammering riffs. I found songs here catchier and more melodic than the debut with better lyrics. I also enjoyed the backing vocals in "Soulweeper Pt.2", a new element in their sound which shows that they still have new grounds to break through. Extremely difficult to distinguish which are the best songs here as the whole album rules hard. I would be surprised if they can record a better album. "Sad Man's Tongue" is such a sweet song.
Yes Fragile
An epic album, landmark in the progressive scene. This release was one of the reasons YES were put on the map and gained so much recognition. Only one album can outperform 'Fragile' and this is 'Close to the Edge'. Recommended tracks: ''Roundabout'', ''South Side of the Sky'','''Mood for a Day'', 'Heart of the Sunrise''

4.0 excellent
3 Doors Down The Better Life
AC/DC Highway To Hell
This one is the last album with the legendary Bon Scott on vocals. I believe it is also his best moment with the band as he performs excellently from beginning to end. I'm hearing a band that has become mature enough and knows exactly its direction & purpose in music, only three years after its debut. You can sense that they are ready to make the big hit and this comes 4 years later, but in a tragic fashion. Recommendations: "Highway to Hell", "Girls Got Rythm", "Touch Too Much", "If You Want Blood", "Night Prowler"
AC/DC High Voltage
Simple yet extremely catchy rock n roll. An excellent debut which might have been a bit better if it avoided some repetition in terms of style and riffs in particular. Great lyrics the kind that only Bon Scott knew how to write. Recommendations: "It's a Long Way", "Rock n Roll Singer", "The Jack", "TNT", "Can I Sit Next To You", "High Voltage"
Accept Balls To The Wall
Airbag Identity
Identity is a great debut portraying Airbag's influences in the likes of Porcupine Tree and Pink Floyd. It contains some memorable guitar melodies, while the melodramatic keyboards and Bjorn's enticing vocal harmonies consolidate into eight beautifully crafted prog tracks. Recommendations: "No Escape", "Sounds That I Hear", "Steal My Soul".
Alter Bridge AB III
Alter Bridge Pawns and Kings
The band's seventh studio album combines magnificently the heavy and sharp riffs of Fortress and the punchiness of Blackbird. With its seductive choruses and its anthemic potential, it invites listeners to some full-throated singalongs. Myle's soaring vocals are once again compelling, Tremonti's riffs get bigger and harder as the album moves between "Dead Among the Living", "Silver Tongue" and "Sin after Sin", while Scott Phillips and Brian Marshall support those riffs with instinctive drum beats and creative bass lines respectively. It's now been almost 20 years since their first album and AB are still managing so eloquently to flirt along the thin line between hard rock and heavy metal with a perfectly balanced album. Pawns & Kings is such a great and solid release that creeps into my personal top three AB albums. Recommendations: "Fable of the Silent Son", "Silver Tongue", "Dead Among the Living", "This is War".
Atomic Rooster Atomic Roooster
Audioslave Audioslave
Audioslave is an excellent debut full of swagger and testosterone. Cornell's emphatic roars ('Cochise', 'Show Me How to Live', 'Shadow on The Sun') and Morello's distinctive guitar play are the major highlights however, nothing would sound like this if it wasn't for the tight and vigorous rhythm section of Brad Wilk (drums) and Tim Commerford (bass). Although it starts brightly with some wonderful and memorable songs, midway through the record quality starts to decline. After multiple listenings you get the feeling that the exclusion of some tracks would have made this an even more solid release. Still, this a remarkable debut worth of listening throughout. Recommendations: "Show Me How To Live", "Like a Stone", "Cochise", "I am The Highway", "Shadow of the Sun", "Gasoline"
Bad Company Holy Water
Bad Company Desolation Angels
Beardfish +4626-Comfortzone
+4626-Comfortzone was definitely the best record I've listened during 2015. This is not a concept album, however the texture of the music is well-crafted and firm throughout. The dominating element in this one hour of impassioned prog tunes is without a doubt the melodies, either coming out of the organ or the guitars. Such an expressive use of the organ could only be found in an early 70s prog gem; not to mention the simplicity in guitar solos which has become a rare thing in the era of 'the complicated, the better'. I would recommend to listen to the whole album in order to absorb every detail of it. Still, if you have to be strict and picky, you either listen to the colourful "Hold On", the voluminous "Ode To The Rock 'n' Roller" or to the riveting "Comfortzone".
Beardfish Songs For Beating Hearts
Bringing experience from his work with Big Big Train during the nine-year hiatus, singer/guitarist/keyboardist Rikard Sjoblom becomes once again the creative force behind the Swedish prog rock act. The album is centered around the second track 'Out In The Open', a sprawling, 25-minute epic track of pure Beardfish. With the band's recognizable sound serving as a guiding light, in this five-part track you can hear old-school Yes ('Overture'), Genesis ('Oblivion'), and even Pink Floyd ('Around the Bend'). The follow-up 'Beating Hearts' is probably the highlight of the album for me: both creative and imaginative, this arrangement features various keyboard ruminations which are blended with acoustic guitars and polyrhythmic grooves. The album's shortest track 'In the Autumn' has an underlying medieval melody and features Amanda Ortenhag in the vocals. Her duet with Sj0blom creates some eclectic vocal harmonies and marks another highlight in this release. 'Torrential Downpour' is a stretched epic clocking around 8 minutes and talks about the death of Sjoblom's father. Overall, Songs For Beating Hearts is an album that has consistent musical and lyrical themes that are repeated throughout, a typical attribute of prog rock releases. It picks up where the magnificent +4626-Comfortzone left off nine years ago and despite that the band has been away for some years, they still carry that same quirky retro prog that reminds the 70s prog sound garnished with wonderful modern elements. Recommendations: "Beating Hearts", "Pt.2 - Oblivion", "In the Autumn"
Beaux Gris Gris & The Apocalypse Love & Murder
I found Love & Murder to be a very enticing and accessible blues-rock release. It is full of delicate melodies, narcotic grooves and hooky choruses with an astonishing Greta Valenti producing some soulful, vivid vocal performances. I have high expectations from this band and I hope they get the exposure they deserve. Recommendations: "Don't Let The Bastards Drag You Down", "Heart Breaker", "What's My Name", "Have Mercy".
Beaux Gris Gris & The Apocalypse Love & Murder
I found Love & Murder to be a very enticing and accessible blues-rock release. It is full of delicate melodies, narcotic grooves and hooky choruses with an astonishing Greta Valenti producing some soulful, vivid vocal performances. I have high expectations from this band and I hope they get the exposure they deserve. Recommendations: "Don't Let The Bastards Drag You Down", "Heart Breaker", "What's My Name", "Have Mercy".r
Big Big Train The Underfall Yard
This is the first album to feature David Longdon on vocals and Nick D'Virgilio on drums. It is the album where BBT find their sound and direction. The point where they will explore their English heritage through untold stories and folk tales. It would not be an exaggeration to state that The Underfall Yard is the point where BBT become a great prog band. Recommendations: "Winchester Diver", "Victorian Brickwork"r
Big Big Train Folklore
Folklore is a prog diamond and one of BBT's top 3 releases for me. It has a vibrant feeling and a positive aura that support some beautiful lyrics and a solid storytelling. There are some exquisite melodies which depict strong musicianship and it is easily understandable that BBT place a great attention to detail. The addition of Rikard Sjoblom (ex-Beardfish) adds depth, inspiration and prepares fans for great things to come. Recommendations: "Folklore", "Salisbury Giant", "Wassail". "Winkle"
Big Big Train Welcome to the Planet
Big Wreck Ghosts
Ghosts is one of the most attractive albums that I have heard for a while. It's simplicity is sandwiched between the attention to details and the excellent producution, elements that are rarely found in balance. What makes it more interesting though, is the great diversity found in its songs: at times they are prog ("A Place To Call Home", "Still Here"), at others they are classic a la Zeppelin ("Hey Mama") but they keep a modern rock sound at all costs. In moments you may think that you are listening to Foo Fighters ("Come What I May") and at others Blackstone Cherry ("Friends"), everything in a Chris Cornell vocal spell. However, excluding the unnecessary and unfair parallelisms, Thornley's performance was brilliant. Recommendations: "Ghosts", "My Life", "I Digress", "Still Here", "Friends"
Black Country Communion 2
Black Stone Cherry Folklore and Superstition
Blackberry Smoke The Whippoorwill
The heydays of Southern rock are long gone, however, there are bands like the Atlanta based quintet to remind us how this genre sounds like. With a frontman possesing the necessary country-style vocal qualities, guitars that deliver some sweet melodies and some honest and sincere lyrics, The Whippoorwill is a decent yet ignored album from 2012. Recommendations: "Six Ways to Sunday", "Pretty Little Lie", "One Horse Town", "The Whippoorwill", "Sleeping Dogs", "Shakin' Hands With The Holy Ghost"
Blackberry Smoke You Hear Georgia
There was always the danger that Blackberry Smoke would end up being too country for rock fans and too rock for the country mass. But in this seventh studio album, the southerners show not only their skill to balance perfectly their two main influences but also, make Georgia feel proud once again. No one can argue that the feature of Warren Haynes (Allman Brothers, Gov't Mule) and The Black Bettys who provide background vocals, give a greater substance to the southern ideology. You Hear Georgia blends eloquently meaningful songwriting, tight rhythms and solid riffs, making this a great southern rock release that stands proudly next to the band's previous robust releases, The Whippoorwill and Holding All The Roses. Probably the album's focal point is the title track which delves into the misguided stereotypes and highlights the perceptions inflicted upon people coming from the American South. However, the tracks I personally enjoyed most were the folky ballad "Old Enough to Know", the energetic mid-tempo "Ain't the Same" which reminded me of the band's earlier days and the frisky opener "Live It Down".
Blackfeather At The Mountain of Madness
Blackfield Blackfield
Steve Wilson's collaboration with Aviv Geffen results into a captivating and melancholic album that falls under the alternative rock umbrella. It is accessible from all sorts of music fans, but the beauty of it lies to the fact that it will never become a trend or a mainstream hit. It is of those albums where you sit alone hearing it and enjoy it to death. Recommendations: "Open Mind", "Blackfield", "Pain", "Hole In Me", "Hello"
Blind Guardian Somewhere Far Beyond
Blind Guardian Beyond The Red Mirror
Beyond the Red Mirror is a conceptual sequel to 1995?s Imaginations From The Other Side and although this one may not have the same impact as that magnum opus, it's still a magical effort. In an effort to have an epic and larger-than-life sound, the German power-symphonic metal machine worked with choirs and orchestras from around the world and the grandiose result is a confirmation that the target was achieved. The tone is set from the opening hymns of "The Ninth Wave", a bombastic nine-minute epic that is one of the album's finest moments. Follow-up "Twilight of the Gods" with its rampaging riffing and the catchy refrain, prepares for the tasteful "Prophecies". However, the track that highlights the magnificent orchestral parts is "At The Edge of Time" in which the group and orchestra complement each other in a wonderful way. "Ashes of Eternity" and "The Holy Grail" are the two tracks where the pace is picked up and both have a classic Blind Guardian aura. Recommendations: "Twilight of the Gods", "The Holy Grail", "Ninth Wave", "Prophecies".r
Bon Jovi Keep The Faith
Bon Jovi 7800° Fahrenheit
Bon Jovi New Jersey
Breaking Benjamin Phobia
Budgie In for the Kill!
Budgie record another solid album and it's now four straight masterpieces. In For the Kill! is a mixture of Squawk's grooviness and Budgie's heavy riffing.
Budgie Budgie
"Criminally under-rated" is a cliche, but there is no other phrase that would describe Budgie better. Their debut album is a primitive form of heavy metal full of colossal riffs, various tempos and soaring vocals. The music is oftenly described as a combination of Black Sabbath and Rush due to obvious similarities. So when it comes to influences and pioneers of heavy music, don't forget Budgie from your list. This is 1971! Recommendations: "Guts", "The Author", "The Rape of The Locks"
Budgie Squawk
Budgie show signs of consistency by releasing a solid follow-up album to their debut. Squawk is not composed around heavy riffs like it's predecessor; it's more groovy with some catchy lines and refrains. Recommendations: "Whiskey River", "Hot as a Docker's Armpit", "Rocking Man"
Children of Bodom Follow the Reaper
City and Colour Bring Me Your Love
Bring Me Your Love is an excellent sophomore release which has its foundations on Dallas' melodic chords and the distinctive prowess on his acoustic guitar. In contrast to the debut, this album is more folk-oriented and the use of mandolins, harmonicas, and mandolins make this a different experience. Lyric-wise, Bring Me Your Love is brutally melancholic and concentrates on various stories of loss, guilt, love, and loneliness. Recommendations: "Sleeping Sickness", "The Girl", "Waiting", "The Death of Me".
City and Colour A Pill For Loneliness
In a typical City and Colour melancholic tone, Dallas delivers once again a compelling result.
A Pill for Loneliness features Dallas' touring band for a second time now and their
simplistic yet solid instrumentalism provided is the perfect background to his soft and elegant
voice. The album has a sentimental, sorrowful and often lonesome character with Dallas' thoughful,
introvert and grievous lyrics exhibiting his maturity as an artist. Recommendations: "Astronaut",
"Strangers", "Young Lovers", "Imagination", "Living in Lightning"
Clutch Blast Tyrant
Well crafted, solid and powerful album. It combines heavy but catchy riffs, relentless grooving, a variety of tempos and nice lyrics. This album is overshadowed only by the magnificent Earth Rocker. Recommendations: "The Mob Goes Wild", "Cypress Groove", "Regulator", "Worm Drink", "Army of Bono", "Subtle Hustle"
Clutch Earth Rocker
A comprehensive album with intensity, chunky riffs and many grooves. One of my personal top releases for 2013, this stoner rock album will thrill you out. Recommended tracks: "Earth Rocker", "Crucial Velocity", "Mr. Freedom", "D.C Sound Attack!", "Gone Gold", "Oh, Isabella
Clutch Psychic Warfare
Fallon has his momentum in both lyrics and performance and what has started so blisteringly with Earth Rocker, continues with the same menace in Psychic Warfare. This one has many similarities with its predecessor, but it requires a couple of listenings before it starts growing on you. From the ferocious opening of "X-Ray Visions" to the closing melodiousness of the "Regulator"-like "Son of Virgina", there is plenty of power, riffing and masculinity. If we were searching for an excuse to substitute Earth Rocker from our playlist, this excuse is now called Psychic Warfare. Recommendations: "X-Ray Visions", "Son of Virginia", "A Quick Death In Texas", "Firebirds", "Our Lady of Electric Light", "Noble Savage", "Behold the Colossus"
Coldplay Parachutes
Comedy of Errors Disobey
Disobey is a solid and well-crafted debut album with impassionate performances. It represents a collection of nicely developed ideas, delicate melodies, meaningful lyrics and enthusiastic rhythms. It has great numerous prog elements but at the same time, sounds nothing like the typical progressive band with musical virtuosity. Recommendations: "Jekyll", "Carousel", "When Will I See You Again", "And So To Bed".
Cosmograf The Man Left in Space
The Man Left in Space is my introduction to the world of Robin Armstrong, a multi-instrumentalist who has a fondness to write concept albums with a contemporary character and 70s prog rock aesthetics. I found the album's concept to be simple and very astute. The lyrics tell the story of a man put in a capsule and send into space. However, Armstrong cunningly writes metaphorically about the notions of personal aspiration, success, and the costs associated with such pursuit: alienation, loneliness, distress, desperation and the resulting ultimate futility that comes at the end of it all. Supported by neo-prog legends from Big Big Train (Greg Spawnton-guitars and Nick Di Virgilio-drums), The Man Left in Space encapsulates the spacey connotations of Bowie's Ziggy Stardust, Floyd's lyricism, narratives and clean chords as well as Camel's pacifying guitar melodies. From this album, I would pick out "Aspire, Achieve" for its that sudden twist in riffage, "The Good Earth Behind Me" for its agonizing keyboards and the self-titled track "The Man Left in Space". r
Cream Fresh Cream
Creed My Own Prison
Creed Human Clay
Creedence Clearwater Revival Cosmo's Factory
Crobot Something Supernatural
Crobot's Something Supernatural is a pleasant album to listen as it is full of grooves, riffs, and some high-pitched vocals. No, this is not a metal band but a quartet that has managed to stretch classic rock fundamentals and create a stylish hard rock album. There were moments which I felt that songs could have been a bit more simple in terms of the music and this would contribute more in the overall quality. Nonetheless, the energy andrthe catchyness in the majority of the songs make this vibrating record a worth exploring one. Recommendations: "Nowhere To Hide", "The Necromancer", "Cloud Spiller", "Wizards", "Skull of Geronimo"
Damien Rice My Favourite Faded Fantasy
It took Rice 8 years but he delivered an exceptionally good album. He is one of the top in combining poetic songwriting and melancholic atmosphere with such a quality. Guitar parts are once more sweet and melodic but the orchestric parts on the background take the whole album to another level. Another positive is the fact that My Favourite Faded Fantasy is more consistent (at least in its majority) than 9 and O which makes it even more pleasant to hear. Recommendations: "The Box", "The Greatest Bastard", "It Takes a Lot To Know Man", "My Favourite Faded Fantasy"
Dark Tranquillity Projector
Dave Matthews Band Under The Table And Dreaming
Under The Table and Dreaming is a great debut from a bunch of very talented musicians. It is the best album to start exploring DMB and the probably the best indicator/guide towards the band's music style and direction. I found the first half of the album absolutely stunning with lots of energy and positiveness. However, as it progressed it became a bit weary for my tastes. Recommendations: "Ants Marching", "Rhyme & Reason", "Typical Situation", "What Would You Say", "Jimi Thing"
Days of the New Days of the New
Days of the New's self-titled debut record, also referred to as the "Yellow" or "Orange" album, is perhaps the most sonically distinct album from the 90's alternative /post-grunge era. It somehow managed to capture perfectly the brooding essence of post-grunge despite being entirely acoustic. Most of the album is slow-paced and the acoustics along with Travis Meeks' deep voice, work together to create a dark and haunting atmosphere. However, there are some up-tempo songs with faster strumming, including the popular "Touch, Peel and Stand," "The Down Town" and "Where I Stand". A remarkable note here is that Meeks was only 17 when the album came out. However, his mature songwriting is surprising as the lyrical themes of existentialism and loneliness were relatable to many. Too bad this band collapsed after this. Recommendations: "Shelf In the Room", "Touch, Peel and Stand", "The Down Town", "Face of the Earth", "Freak", "Where I Stand".r
Deep Purple Fireball
Deep Purple Deep Purple
Undoubtedly the best album in the Mark I era. The elements that the band kept to shape it's style are here and are obvious. It is such a versatile album that in some moments there is an inclination towards a progressive style, in others to psychedelic/acid one and never leaving the hard rock umbrella. rRecommended tracks: ''Blind'', ''The Painter'', ''Why Didn't Rosemary'', ''April''
Deep Purple =1
With producer Bob Ezrin behind the wheel, Deep Purple showcase why they remain the most prominent hard rock ambassadors of the 1970s. Despite the fact that Ian Gillan, Roger Glover, Ian Paice and Don Airey are currently in the seventh decade of their lives, they show no signs of stopping. They have recruited guitarist Simon McBride and carry on doing what they have been doing for 22 albums without sounding dated.rMcBride is no Ritchie Blackmore replica despite the fact that the groovy opening riff of 'Lazy Sod' may momentarily suggest otherwise. He brings a youthful energy and he is let loose to prove that he is the right man for this. Airey's keyboards sound as essential and appropriate as his predecessor Jon Lord?s once were. The rhythmic section of Paice and Glover is as solid and lively as ever, while Gillan's voice remains rich and unassailable throughout the record. The worst thing about =1 is probably its eeire name, which will hopefully end a trio of decade-long bizzare titles (?!, oo). Its such a wonder that these legends manage to deliver a high-calibre, 13-track record at this age. I only hope there is plenty to come. Recommendations: "Pictures of You", "Show Me", "A Bit on the Side", "Lazy Sod", "Sharp Shooter".
Def Leppard High 'N' Dry
If you wonder why Def Leppard are considered an influential NWOBHM band, this album clarifies the matter. Powerful riffs meet passionate vocals and the English band start to shape their sound. Apart from the classic ''Bringing On the Heartache", songs like ''Let Go", "You Got Me Running" and "Lady Strange" are my personal recommendations
Dire Straits Brothers In Arms
Dire Straits Making Movies
Dire Straits Communiqué
Dirty Honey Dirty Honey
Ballsy rock and roll with chunky riffs, tight grooves and positive energy. Already waiting the next release. Recommendations: "California Dreamin'", "Tied Up", "The Morning".
Disturbed Indestructible
Indistructible is my favourite album from Disturbed so far. It's comprehensive, full of catchy songs and great melodies. A notable change from previous releases are the guitar parts which are now more melodic with well-worked solos. Lyrics are also darker and Draiman performs better than ever. I find it very difficult for the band to record a better album than this. Recommendations: "Criminal", "The Curse", "Haunted", "The Night", "Inside the Fire"
Dokken Back For The Attack
Back for the Attack enters with 'Kiss of Death', probably the most vicious track of Dokken up to this point and I liked how the rest of the tracks have the same hunger and energy. The album contains also a couple of powerful ballads ('Heaven Sent', 'Dream Warriors'), but these blend perfectly in the overal picture. The band shows an appetite for success , glory and with this release they consolidate their position in the AOR map. Mick Brown's drumming has now reached the next level and its obvious in tracks like 'Mr. Scary' and 'Kiss of Death'. Bass is more lively and pompous while the duet of Don and Lynch is sharper and more lethal than ever. Personally, this is my favourite album by Dokken. Recommendations: "Kiss of Death", "Prisoner", "Standing in the Shadows", "Heaven Sent".r
Drowning Pool Sinner
Sinner is the only album that features the original vocalist Dave Williams. It is heavy and hook-filled, addictive and energetic but it has the misfortune of having the mega hit 'Bodies' in its track list, a song that dwarfed the album's quality and magnitude . Sinner contains a handful of nu metal classics such as the Alice In Chains influenced 'Tear Away', the punchy 'All Over Me', the aggressive 'Reminded' and the biting 'Pity'.
Edguy Vain Glory Opera
Edguy Mandrake
Editors The Weight of Your Love
This is the most complete work of the Englishmen to date. They move away from the electronica sounds that ruled the previous album and finally establish a more consistent sound. Tom Smith sounds better than ever with his baritone voice overruling most of the songs. Tempo is slower in contrast to previous releases. This allows more emphasis to be placed on the music and the lyrics and the end result is great. Recommendations: "The Weight", "Sugar", "A Ton of Love", "Two Hearted Spider"
Electric Swan Windblown
Windblown is a bluesy, hard-rock album which encapsulates a 70s feeling in its 56 minutes of playtime. The soulful vocals of Monica Sardella in combination with the groovy guitar melodies and the propulsive drum rhythms, build up an enchanting and cohesive outcome. The album's production was very good, however, if the Italians hope to establish a name, they need a well-known record label to get the necessary promotion. A must listen to Blues Pills fans. Recommendations: "Bad Mood", "Face to Face", "Here is Nowhere", "Cry Your Eyes Out", "Beautiful Bastard"
Elles Bailey Shining in the Half Light
Sometimes titles and honors do not say much. However, in the case of this British blues singer/songwritter, there is much substance and reasoning behind the consecutive 'UK Blues Artist of the Year' awards. With her third album since her 2017 debut, Elles puts Bristol in the blues map and delivers a wonderful album. Shining in the Half Light has stellar songwritting and a fascinating array of textures, with Elles' warm, soulful and expressive voice bonding everything in a great manner. None of the album's ten tracks is particularly long and the flow is ra smooth one. The selection of tracks is a difficult task here but I would keep "Sunshine City" for its upbeat character and the bouncing vibe, "Different Kind of Love" for its romance and tenderness and "Colours Start to Run" with its gospel-infused backing vocals.
Failure Fantastic Planet
Failure?s 1996 space-rock masterpiece Fantastic Planet is a lost gem from the 90s. Blending grunge, shoegaze, and ambient textures, the album is solid in production and full of haunting overtones of emotional disintegration. It is noted for its deep conceptual focus on drug addiction, alienation, and cyclical depression. With its dense layers of guitar distortion, gusts of compressed cymbal wash, the band creates a surprisingly deep sound with only 3 members, although Greg Edwards plays many instruments and double tracks many times. Tony recommends: "Sergeant Politeness", "Pillowhead", "Smoking Umbrellas", "Blank".r
Faith No More Angel Dust
Angel Dust is considered to be the band's magnum opus and surely Mike Paton's finest hour. His vocal acrobatics, whether these are the insane falsettos, the aggressive grunting, his loud singing or his wacky rapping, make him the standout figure here. Not far behind comes the rhythmic section with the extremely groovy bass lines and the fantastic drums to lay the foundations of this riveting album. Not as funky as its predecessor, Angel Dust is experimental and avant-garde for its time. I am not fond of all the tracks here, but the ones that I keep are serious bangers. Recommendations: "Small Victory", "Midlife Crisis", "Kindergarten", "Land of Sunshine", "Everything's Ruined".
Fastball All the Pain Money Can Buy
Leading with hit single 'The Way', Fastball's sophomore release All the Pain Money Can Buy is a pop rock album driven by catchy guitar hooks and infectious melodies. This is an overlooked record with a number of great tracks, having many similarities with Deluxe from Better Than Ezra. An essential 90s alt. record which proves that smart, well-crafted pop doesn't have to be mindless. Tony recommends: "The Way", "Warm Fuzzy Feeling", "Charlie The Methadone Man", "Sooner or Later", "Fire Escape".r
Firewind The Premonition
Flying Colors Flying Colors
Stylish debut by a quintet of great musicians. I loved the way they have approached the sound of this record and the overall outcome. Recommendations: "The Storm", "Kayla", "Blue Ocean"
Foo Fighters Wasting Light
This is the best moment in the band's career. It is debatable if they can get better than this in my opinion. Very solid album, suitable for any style of rock fan. There are songs with killer riffs ("Bridge Burning", "White Limo"), radio-friendly rockers ("These Days", "Walk"), hard rockers ("Rope", Back & Forth") and songs which you can put your own label on ("Dear Rosemary","Arlandria")
For My Pain... Fallen
Fuzzy Duck Fuzzy Duck
Gary Moore Still Got The Blues
Gary Moore shows his versatility as a song writer, vocalist and guitar player. An essential blues album, especially if you are new to the genre. Strongly recommended tracks: 'Moving On', 'Oh Pretty Woman', 'Walking By Myself', 'Still Got the Blues'
Gentleman's Pistols At Her Majesty's Pleasure
Destined to revive the 70s rock spirit, the British quartet delivers an exciting and adventurous album. They take a variety of characteristics such as the groovy style of Zeppelin ("Some Girls Don't Know.."), the heavy and slow riffs of Sabbath ("Into The Haze") and also the immense vocal style of Deep Purple ("Comfortably Crazy") and blend it with the aggressive style of Clutch. However, in all this they manage to keep their own style and recognisable sound. The end result is great.r
Gin Lady Electric Earth
Electric Earth contains all the characteristics for a pleasant retro rock album, whether you refer to the vibe, the sound or the lyrics. From the opener "Flower People" to the closing Lennon-ish "Running For More", the Swedish quartet manages to encapsulate a 70s rock spirit that you rarely come across these days. There are simple song structures and delicate melodies on both guitars and keyboards (whether on the piano or the church organ mode), while vocals have velvet and harmonic tone throughout the record. Recommendations: "Brothers of The Canyon", "I'm Your Friend", "Rolling Thunder", "Flower People"
Grave Digger Tunes Of War
Gruntruck Push
Gruntruck's sophomore release is an overlooked, metal-leaning, grunge gem. Produced by the legendary Jack Endino, the album leans heavily into thick, metallic riffs and sludgy grooves. Driven by Tom Niemeyer?s down-tuned, crushing guitar riffs and the late Ben McMillan?s gritty vocals, the album has a dark, dense, rhythm-driven sound. Heavier and more polished than their debut, Push is an essential album of the early Seattle grunge scene. Tony recommends: "Machine Action", "Crazy Love", "Tribe", "Slow Scorch"
HammerFall Renegade
Hammerfall are at their pick here. What makes this album different from previous releases is that tracks are more solid, well prepared and executed. Recommendations: "Renegade", "The Way of The Warrior", "Destined For Glory", "The Champion", "A Legend Reborn"
HammerFall Threshold
Apart from sentimentals who claim that older Hammerfall albums are better, I believe this is the Swedes' finest moment. Solid compositions resulting from improvements mainly
in guitars and some excellent mixing and production. A notable difference is that here they don't record the traditional Hammerfall style ballads but instead some slow
tempo/heavy riffing tracks. Recommendations: "Threshold", "The Fire Burns Forever", "Natural High", "Howlin' With The Pack", "Shadow Empire", "Rebel Inside"
HammerFall Hammer Of Dawn
Hammerfall is probably the most consistent band in the field of European power metal. Hammer of Dawn is an uplifting, bombastic album where the traditional power metal of the Swedes is deliveredreffortlessly at varying speeds. Thunderingly powerful with harmonic riffs and emphatic melodies, Hammerfall has hit the nail on the head once again. Compositions and lyrics remain traditional while rthere are numerous rousing choruses with Joacim Cans being the driving force with his indestructible, evergreen and powerful voice.

Recommendations: "Hammer of Dawn", "Venerate Me", "Reveries", "Brotherhood"
Heavy Feather Mountain of Sugar
Heavy Feather's debut album draws numerous parallelisms with Blues Pills' and their self-titled debut released back in 2014: the psychedelic blues rock extravaganza, the vigorous vocals of a passionate frontwoman and that deep, vintage sound of Ludwig drums, being the basic ones. Mountain of Sugar was one of the most convincing and solid albums that I have heard during 2021, from a cultured Swedish band with manifested influences and vision. Already awaiting the follow up release. Recommendations: "Bright In My Mind", "30 Days", "Mountain of Sugar", "Rubble & Debris".
Helmet Betty
The addition of guitarist Rob Echeverria brought a polished tightness, while the teeth-grinding, drop-d guitar attack fronted by Page Hamilton remained intact. The rhythm section ? drummer John Stanier and bassist Henry Bogdan ? shines brilliantly here, giving the album a fluid, dynamic feel with punchy heaviness and incredibly catchy rhythms. Helmet have been cited as an influence by a number of nu metal & industrial metal bands such as Fear Factory, Papa Roach, Limp Bizkit and Betty is a very good example why. Tony recommends: "Milquetoast", "Wilma's Rainbow", "Tic", "Rollo", "Clean", "Street Crab"
High Spirits Another Night
Hootie and The Blowfish Cracked Rear View
As Nirvana and Metallica prepared listeners for the next wave of heaviness, Hootie & the Blowfish filled the gap between late grunge and the commercial rise of hip-hop and rap-rock. The band from South Carolina paved the way for smooth commercial rock as the likes of Matchbox Twenty, Dave Matthews Band, and many more were signed in the wake of Hootie?s success. Hootie was virtually unheard of in 1993, rising stars in 1994, and the best-selling act of 1995. Cracked Rear View blends splendidly some unflashy skilled southern rock and country with a twinge of folk, with the lyrics often rooted in regret and loss. In songs like ?Look Away?, ?Goodbye?, and ?Hannah Jane?, the tension is in romance gone bad but the optimistic harmonies in the music promise that things will turn out all right. Rucker's dynamic and sophisticated full of gravity baritone, sings about racism in ?Hold My Hand? andron the South?s reluctance to let go of the Confederacy in ?Drowning?. Cracked Rear View thrived in the face of indifference and ended up being certified as platinum 22 times. Recommendations: "Let Her Cry", "Only Wanna Be With You", "Hold My Hand", "Running From an Angel","Hannah Jane".r
Iced Earth The Dark Saga
The Dark Saga has been one of my favourite albums in the band's catalogue, despite its mediocre production and sound. Its an accomplished release with strong compositions and tight performances from all band members. A concept album based on the comic book character Spawn and although the idea might sound simplistic, John Schaffer manages to pen ten solid tracks with dark and emotional lyrics, ferocious riffs and powerfull vocals. Barlow's deep and heavenly screams showcase his remarkable vocal range and make him the point of reference. In general, the songs in The Dark Saga are not as complex as in previous releases and the duration of songs is below four minutes (with the exception of "Question of Heaven") however, this makes the release even more accessible. Recommendations: "I Died For You", "Dark Saga", "The Hunter", "A Question of Heaven", "Slave to the Dark".
In Flames Colony
To my ears, Colony represents the pivotal album in the band's career. It is the one where the Swedes have found their most suitable sound and style. Production is much more polished and improved here and this has contributed positively to the overall output. Anders delivers his best performance in the band's career so far and the guitar duet of Bjorn & Jesper offer some excellent melodic leads along with powerful riffs and solos, showcasing a wonderful chemistry. Recommendaitons: "Ordinary Story", "Colony","Man Made God", " Coerced Coexistence", "Clad in Shadows '99".
INXS Kick
Iron Butterfly Heavy
Iron Maiden Brave New World
Jess And The Ancient Ones The Horse And Other Weird Tales
Brief but comprehensive, The Horse and Other Weird Tales remains consistent with its predecessor and proves that JATAO have a role to play in the landscape of modern psychedelia. With the organ spearheading the psychedelic attack, the groovy rhythms together with some thrilling riffs, support the melodic and often mystic vocals of Jess, which remains at the top of her game. Recommendations: "Shining", "Minotaur", "The Rainbow Mouth".
Joe Bonamassa Blues of Desperation
Journey Escape
Probably the best up to this point and definitely one of their entire catalogue. They fully embrace the AOR sound in this record and it's multiplatinum success explains why they kept on with that in future periods. Steve Perry is at his best here while Schon and newly-recruited keyboardist Jonathan Cain unfold massively their composition skills. Despite the all-famous "Don't Stop Believin'", "Stone In Love" and "Who's Crying Now" there are more gems in this album such as "Keep On Runnin', "Escape", "Mother, Father".
Judas Priest Screaming For Vengeance
Karnivool Themata
Korn Issues
Kula Shaker K
A staple album of the 90s Britpop era, K is the debut from the London-based quartet Kula Shaker. Musically, the band has the crossover appeal of Oasis as the psychedelic elements from the 60s along with the vocal style of Crispian Mills, tick many similarity boxes with the Mancunian stars. However, what differentiates Kula Shaker from the kings of Britpop and other contemporaries such as The Verve and Stone Roses, is the generous usage of sitar and tamboura in many of the songs here. The use of such instruments along with certain lyrics in Indian, channel a mysticism which supports the band's obsession with the Eastern culture. Tony recommends: "Knight on the Town", "Hey Dude", "Start All Over", "Tattva", "Govinda", "303"
Led Zeppelin Led Zeppelin III
Led Zeppelin Led Zeppelin
Zeppelin's self-titled album is such an exciting and solid release that any plagiarism accusations are overshadowed by the content's sheer quality and coherence. It contains many classic tracks such as "Communication Breakdown", "Dazed and Confused", "Babe I'm Gonna Leave You", "How Many More Times" and my personal favorite "Good Times Bad Times".
Led Zeppelin Houses Of The Holy
Local H As Good as Dead
Local H is a grunge-influenced band of the mid-90s. Despite its stripped-down setup, the two-man band has a raw and direct sound which manages to sound like a full band. As Good As Dead is an underground gem: a blend of grunge, punk, and alternative rock elements with honest and often bitter lyrical content, exploring themes of disappointment, self-destructive tendencies, teenage angst and the feeling of being trapped in a mundane existence. Recommendations: "Bound For the Floor", "High-Fiving MF", "Fritz's Corner", "Eddie Vedder", "No Problem", "Nothing Special".r
Lost Horizon A Flame to the Ground Beneath
Madrugada Grit
Grit is divided into two types of songs: the energetic ones that pour adrenaline all around and the experimental ballads. There is a fine balance between perspiration and inspiration and personally I found this better than Nightly Disease as it contains some landmark songs. Recommendations: 'Majesty', 'Got You - Love's Institution', 'Madrugada', 'Blood Shot', 'I Don't Fit'
Madrugada Chimes at Midnight
Chimes at Midnight finds Madrugada delivering their unique brand of dark, country-tinged alt-rock in the same wonderful way they did fifteen years ago, following the decade-long hiatus after the death of guitarist Robert Buras. The moody opener "Nobody Loves You Like I Do" has the classic Madrugada flavor and shows that the Norwegians are in great shape. The "less is more" mindset dominates once again and this collection shows a mature band that has aged like a fine wine. Sivert's distinctive voice remains melancholically deep and gentle, leading the songs with consistency. Guitar melodies are simplistic yet magnificent, while drum parts are more instinctive than creative, setting the tempo somewhere between slow and medium. Hopefully Chimes at Midnight will not be their swan song but even if it is, it will be done in the most romantic and melodic way possible.

Recommendations: "Running From The Love of Your Life", "Dreams at Midnight", "Imagination", "Slowly Turns the Wheel", "Empire Blues".
Manowar Battle Hymns
Battle Hymns is a landmark album for heavy metal. It shows influences by bands like Black Sabbath, Judas Priest and in general the N.W.O.B.H.M. The album is characterized by heavy riffing and pompous bass lines, while Eric Adams delivers some powerful, sky-high vocals which depict nothing less than the immense depth of his voice. The only drawback is the production. Recommendations: "Metal Daze", "Manowar", "Battle Hymn", "Shell Shock"
Marillion Script For A Jester's Tear
Marillion's debut is a great release that often does not get much credit. There is lots of creativity both in the music and the lyrics. Fish is such an inspired frontman both expressively in the tone of his voice and the lyrics he pens. Script for a Jester's Tear sets the scene of the next 3 albums that will keep the Fish era in the pantheon of the 80s prog rock.
Metallica Hardwired...To Self-Destruct
Hardwired.. was a great attempt of Metallica to build on the mediocre Death Magnetic and the repulsive St. Anger. It contains all the aspects that made the band great over the years: the thrashiness of their youth ("Hardwire", "Spit Out The Bone"), the melodic riffing ("Now That We're Dead", "Here Comes Revenge") as well as influences from their 90s escapades ("Am I Savage", "Halo On Fire"). I find it difficult to distinguish bad songs, despite the two major flaws that are apparent: lyrics and Kirk's average solos. Recommendations: "Atlas Rise!", "Here Comes Revenge", "Moth Into Flame", "Halo On Fire"
Muse Origin of Symmetry
What I liked in Origin of Symmetry is the vibrant, energetic character it exhibits throughout its 50 or so minutes of duration. Although I read a lot of praise for "Megalomania" and [sometimes] "Screenager", I have not been impressed by their balladry style. From this second half of the album, I have enjoyed only "Darkshines" and the slow burner "Feeling Good". I believe the essence of this album can be found in the first half which is truly a live wire: from the slow-builder "New Born", the catchy "Bliss" and the intricate piano notes of "Space Dementia" prepare the listener for the electrifying "Plug-in Baby" and the bombastic "Citizen Erased".
Neil Young Harvest
Nick Johnston Child of Bliss
Child of Bliss is another great instrumental album by virtuoso guitarist Nick Johnston. Following two mediocre albums, he returns with a new escapade, mimicking the wonders of Remarkably Human. Anyone who is familiar with Johnston's work, he knows that he approaches his instrument rather differently from most guitar players and in essence, this is what makes him stand out. Rather than focusing on speedy guitar heroics, he is surfing so eloquently on the shores of progressive rock, blues and jazz in a melodic way with his lush chord progressions creating some memorable lead motifs. Nick plays all the guitar, keyboards and synthesizers on this new release but has recruited a number of guest musicians to add the extra touches: rEli Bishop (strings), Liam Mitro (sax, woodwinds) Mark Rynkun (bass) and the drum master Thomas Lang (drums). Recommendations: "Through the Golden Forest", "Child of Bliss", "Little Thorn", "Moonflower".r
Nick Waterhouse Nick Waterhouse
The only thing that Nick Waterhouse can be criticized of, is that he denies the 'revivalist' label at the time where he records an album of long forgotten and almost extinct sounds. In a music style of old-school R&B from Memphis, New Orleans and New York, Nick's self-titled album is a collection of eleven tracks which are recorded entirely in analog format with an intention to encapsulate a pastiche of the '50s rockabilly and the '60s pop and old-school rock. Its not only the surf rock licks or the bluesy rhythms which I found to be captivating here but also the honky saxophone and the whole ambience which the thirty-three year-old manages to capture so handily in such a coherent and cohesive manner, delivering an expertly executed album. Recommendations: "By Heart", "Undedicated", "Wherever She Goes", "Wreck the Rod", "El Viv".
Nightmares On Wax In A Space Outta Sound
A wonderful album with trip hop and downtempo elements, suitable for relaxation and background music. Recommendations: "You Wish", "The Sweetest", "Flip Ya Lid".
Nirvana Bleach
Although it was Nirvana's sophomore album that in essence reshaped mainstream rock, their debut effort Bleach was significant in its own ways. Sonically different from its successor, Bleach channels a much darker and angrier vibe. Its heavy, sludge-metal inspired riffs matched with high-octane punk energy fit perfectly to the lyrical content which rely mainly on themes of social alienation, anger, and local small-town life. In a nutshell, Nirvana's debut album is a sludgy, raw, and unfiltered masterpiece of early grunge. Recommendations: "About a Girl", "Love Buzz", "Negative Creep", "Blew", "Scoff", "School".r
Of Monsters and Men My Head is an Animal
An excellent debut by the Icelanders. Imaginative, melodic, coherent and full of quality both in terms of sounds and songs. Excellent choice in choosing the singles as well (''Dirty Paws'', ''Little Talks'', ''Mountain Sound'', ''King and Lionheart''). One thing it needed a change was the song arrangement. The first half of it is full of energy, while the second is evident that lacks it in a great extent.
Of Monsters and Men Beneath the Skin
Much more focused album and requires some listenings before jumping into conclusions. It does not have the commercial songs that the debut My Head Is An Animal had but still, it does not lack quality. Songs are equally balanced between energetic ones and atmospheric ones. Probably the song arrangement is the weakness of this album as it starts with enthusiastic ones and from the middle of it till the end it may become weary for some. Recommendations: "Empire", "Wolves Without Teeth", "Human", "Winter Sound", "We Sink"
Old Man's Will Hard Times - Troubled Man
Troubled Man was one of the best albums I've heard in 2015. An excellent blend of modern blues and hard rock with a stunning 70s vibe. Eight passionate tracks with exquisite guitar melodies, throbbing bass lines, heavy pounding drumming and howling vocals. Too bad that these four-piece band from Sweden has not yet got the attention it deserves. Recommendations: "Troubled Man", "Easy Rider", "Got It", "Fools"
Our Lady Peace Clumsy
Clumsy is the sophomore release by post-grunge rockers Our Lady Peace, following their '94 debut Naveed. The album opens brightly with a couple of catchy songs, the usual tight rhythms and Raine Maida's high-pitched vocals. Although consistency is maintained in the band's sound and style, I haven't found this sophomore release to have the same anthemic hooks as the debut, albeit the polished production and greater hits. Tony recommends: "Superman's Dead", "Automatic Flowers", "4am", "Shaking", "Clumsy".r
Ozzy Osbourne Blizzard Of Ozz
Pearl Jam Vitalogy
At the time of regrouping for the recording of Vitalogy, communication within the PJ camp was at an all-time low. Guitarist Mike McCready was admitted to rehab for a growing alcohol and substance addiction, while personality conflicts drummer Dave Abbruzzese took a toll and the band had to replace him with former Red Hot Chili Peppers man Jack Irons towards the end of the sessions. Vitalogy was the point in which the dynamics within the group were changing: Stone Gossard who was viewed as the band's creative force and leader was stepping back while Eddie Vedder gradually became the leader of the band. It was a slow and gradual process not only in terms of writing, but also playing guitar more within the creative process. Most of the album's songs were a result of jamming in the studio and coming up with a quick arrangement. Despite its experimental nature, it?s an album that has given some of Pearl Jam?s biggest anthems. It was during the tour of Vitalogy that the band got involved in the famous battle with Ticketmaster over the company's hyperbolic service charges. Tony recommends: "Not For You", "Better Man", "Cordroy", "Last Exit", "Nothingman", "Immortality".
Pearl Jam No Code
No Code represents a pivotal moment in the band's history as its the point where the quintet choses to explore a new path rather than repeat past successes. Driven by new drummer Jack Irons, the record trades heavy aggression and distortion for mid-tempo grooves in order to create atmospheric textures and fragile acoustic arrangements. The band embraces eclectic instrumentation such as the tribal percussion on "In My Tree" and the slide guitars in "Red Mosquito". Eddie Vedder shifts from outward rage to internal spiritual and moral self-reflection, wrestling with ego and fame in tracks like "Sometimes" and "Present Tense". Tony recommends: "Smile", "Hail Hail", "Off She Goes", "Red Mosquito", "Present Tense"r
Pearl Jam Dark Matter
Although it is impossible for Pearl Jam to recreate the quality and the magic captured in their debut album Ten, producer Andrew Watt manages to find some of the missing pieces to help the grunge masters to record a great album. Without the youthful energy of the early 90's, Eddie Vedder and the Seattle boys being older and wiser they deliver a punchy album with punk rock inspired riffs and introspective ballads. Dark Matter was one of my favorite albums of 2024. Recommendations: "Wreckage", "Dark Matter", "Waiting For Stevie", "Sacred of Fear", "Won't Tell", "Got to Give".
Powerwolf Wake Up The Wicked
Wake Up the Dead was the first album I've heard from the German, werewolf-themed power metallers. The Sabaton/Manowar influences were evident from the intro 'Bless 'em With the Blade' and by the follow-up 'Sinners of the Seven Seas', the music landscape was clear: epic and catchy tracks with anthemic choruses that stick in with you for days, because this is how a quality power metal album should be. Despite how good and tasty Wake Up the Dead is, it comes with the usual flaws of the genre: similarity in the riffs, standardized structure, recycled ideas, and not much room to differentiate. Tony recommends: "Kyrie Klitorem", "1589", "Viva Vulgata", "Sinners of the Seven Seas", "Joan of Arc"
Radio Moscow Radio Moscow
Rage Against the Machine Evil Empire
With gritty and fierce hip hop vocals, funky grooves blended with hard rock riffage, Evil Empire sounds much more rough and coarse than the polished rhymes of the self-titled debut. The band's sophomore release is equally heavy, aggressive and carries a huge amount of intensity. Album features tracks as the blistering 'Bulls on Parade' with the scratching effects of guitarist Tom Morello, the buzzy 'People of the Sun' talking about the Zapatista revolution, 'Down Rodeo' which brings the economic inequality of the U.S. under the spotlight, as well as the Grammy-nominated 'Tire Me'. Produced Brendan O'Brien makes wonders once again and every track feels like a punch in the face. Recommendations: "Bulls on Parade", "People of the Sun", "Revolver", "Down Rodeo", "Snakecharmer", "Vietnow", "Roll Right".r
Rage Against the Machine The Battle of Los Angeles
Rage Against the Machine's third album The Battle of Los Angeles, is a high-energy fusion of radical political rap-rock, funk grooves, and experimental guitar work. With his unique scratching and dive-bombing effects that mimic electronic sounds, Tom Morello stretches sonic boundaries while Tim Commerford and Brad Wilk lock into tight, heavy, funk-inflected grooves that anchor Zack de la Rocha?s ferocious delivery. Standout tracks: "Sleep Now In the Fire", "Testify", "Guerilla Radio", "Calm Like a Bomb", "Born of a Broken Man"r
Rainbow Ritchie Blackmore's Rainbow
Following his departure from Deep Purple due to creative differences, Ritchie Blackmore recruits members of Elf fronted by Ronnie James Dio, to forge a new hard rock outfit. 'Man on the Silver Mountain' is the undeniable centerpiece of the album as it blends Blackmore's heavy, Purple-esque blues-rock riffs with Dio's commanding, theatrical vocals. 'Catch the Rainbow' is a slow, atmospheric track that highlights Dio's vocal versatility, while 'The Temple of the King' showcases a softer, acoustic Renaissance-inspired style. Last but not least point of reference here is the often overlooked 'Sixteenth Century Greensleeves': a dramatic, riff-driven track with a great storyline, the first song that Dio and Ritchie wrote together. It is a strong debut that laid the groundwork for a new subgenre and cemented the chemistry between the two men.
Rammstein Herzeleid
Rammstein's six members poured their anger and frustration into the music, determined to make their debut album a cathartic experience. In an effort to find their feet and sound, not only they recorded an LP but they've created a genre of their own. Herzeleid is a collection of 11 tracks with fist pumping energy, intoxicated choruses, bangs of an industrial-sounded snare drum, metallic chugging of guitar tones and full of eccentric electronic samples. These characteristic soundscapes together with Till Lindermann's commanding vocals in the German language, comprise a unique experience. The idiom 'Don't judge an album by its artwork' is applicable to the maximum sense. Recommendations: "Wollt ihr das Bett in Flammen sehen", "Herzeleid", "Rammstein", "Asche zu Asche".
Rare Bird As Your Mind Flies By
Rival Sons Great Western Valkyrie
Rival Sons Darkfighter
Darkfighter made me want to put the record on endless repeat, a feeling that I had only with Great Western Valkyries before. Favorite tracks: "Bright Light", "Guillotine", "Horses Breath".
Roger Waters Is This The Life We Really Want?
This was the first album I've heard from Waters' solo career and I was amazed by the result. His ability to write prolific lyrics and his taste in music is something that differentiates him from other artists. In terms of the music, I found the guitar parts great and his vocals very decent. Production was also of high quality, however, I believe drum parts could have been worked a bit more both in terms of execution and recording. I would suggest listening to this from beginning to end rather than pick individual tracks. Definitely a contender for album of the year for me. Recommended tracks: "Picture That", "Deja Vu", "The Last Refugee", "Is This The Life", "Smell The Roses"
Royal Blood Royal Blood
The omens looked good from that EP and the duet have not disappointed. Although "Out of The Black" and "Little Monster" are in my opinion their strongest tracks, the rest of the album stands at similar grounds. It is very coherent, it has some heavy riffs and its not much complicated. rYes, there are moments where they sound very much like QOTSA and Wolfmother but this wasn't the major disadvantage. What bothered me most was its short duration (around 35 min) and the fact that their best moments were already presented in the EP. Nonetheless, a very solid release. Also recommended: "Careless", "Ten Tonne Skeleton", "You Can Be So Cruel"
Royal Blood Typhoons
It is not a hyperbole to label Typhoons as a 'danceable, feelgood, colorful and groovy' album. In this third release, the British duet stretches the boundaries of rock out of its comfort zone in a poppier, dancier and funkier one. Personally, I found this album magnificent and without the last 4 tracks, probably my album of the year. Yes, there is a deviation from the traditional 'rock style' and the straightforward-heavy bass punches of Royal Blood. Besides, if you are not hooked by "Oblivion', 'Typhoons", "Million and One" or "Mad Visions", you could turn into "Who Needs Friends" or "Either You Want It" for a taste of How Did We Get So Dark? or even "Boilermaker" for an 'original' RB sound. As a review very accurately put it "You could imagine Queens Of The Stone Age and Muse cooking it up in a disco, with Daft Punk on the decks". Recommendations: "Million and One", "Oblivion", "Typhoons", "Boilermaker", "Mad Visions".r
Sabaton The Art of War
The Art of War was influenced by General's Sun Tzu book, which related to military strategies. Each chapter depicts a different aspect of warfare and Sabaton relate each song of the album to a chapter of the book. This release is the most comprehensive and cohesive work by the Swedes up to that date. Joakim Broden does an excellent work on the lyrics once again. Recommendations: "Ghost Division", "The Price of A Mile", "Panzerkampf", "40:1", "Unbreakable", "The Art of War", "Cliffs of Gallipoli"
Sabaton Carolus Rex
Sabaton is one of the most consistent power metal bands around. Carolus Rex is another solid and powerful album from the Swedish battalion, this time dedicated to the history of the Swedish Empire. Excellent songwriting as always with lots of interesting songs. Recommendations: "Carolus Rex", "1648", "The Lion From The North", "Poltava"
Sabaton Legends
Legends marks a detour from the archetypical lyrical content of World Wars and the trenches, as the war-obsessed Swedes broaden their scope across the centuries. With founding duo Joakim Brodén (vocals) and Pär Sundström (bass) still at the helm and with former guitarist Thobbe Englund rejoining, Sabaton enter their 11th chapter in a glorious way. Roaming from Julius Caesar ('Crossing The Rubicon') to the Knights Templar ('Templars') and from Napoleon ('I Emperor') to Joan of Arc ('Maid of Steel') and Mongol horsemen ('Hordes of Khan'), each song is a thunderous anthem depicting theatrical storytelling at its finest form, in the way that only Sabaton can muster. Once again production sparkles and the choral arrangements appearing are stunning. An album of unwavering power and pomp, Legends wins the bet on whether Sabaton can keep things fresh and interesting or not. Recommendations: "Templars", "The Duelist", "Crossing the Rubicon", "I, Emperor", "Impaler", "The Cycle of Songs".
Sam Fender Hypersonic Missiles
Recommendations: "The Borders", "Dead Boys", "Will We Talk", "Play God", "Hypersonic Missiles"
Sam Fender People Watching
People Watching reaffirms that Sam Fender is not only UK's distinguished heartland rocker but also a young lad who is exceptionally gifted with words. Sam is the voice of his generation with a tendency to write lyrics with a birds-eye view detachment. This, in combination with the talent for crafting songs that cut straight to the core of human experience, makes the Geordie Springsteen an artist who cannot be overlooked. Co-produced by fellow Springsteen aficionado Adam Granduciel (The War on Drugs), People Watching captures Fender's perchant for the working-class life in the UK in a halestorm of roaring, emotive and arena-friendly choruses. Similar to Seventeen Going Under, he opens the album with an irresistible, fast-paced anthem with joyous horns and frustratingly literal lyrics which sets the tone for a restless journey. In this latest escapade, Fender explores life?s ugliness and finds excellence. With sharp and cruel storytelling, his sound continues to evolve while remaining true to his roots. An artist who is not afraid to watch, listen, and translate life into songs of uncompromised brutal honesty. Tony recommends: "People are Watching", "Arm's Length", "Something Heavy", "Chin Up", "Little Bit Closer".r
Savatage Gutter Ballet
Savatage Edge of Thorns
Saxon Denim And Leather
Scorpions Taken By Force
Probably the best album recorded by the band up to this point of time but surely the best in the Uli Jon Roth era. Full of riffs and nice melodies, but not the greatest of lyrics. rRecommended tracks: 'We'll Burn the Sky', 'I've Got to Be Free', 'Sails of Charon'
Sentenced Crimson
Released in 2000, Crimson is an accessible, moody and sorrowful record. Full of catchy choruses and brooding lyricism that leans heavily on the morose themes of death and depression, musically Lopakka's doom-laden riffs are blended perfectly with Laihiala's distinctively sorrowful vocals to provide a heavy metal backbone that keeps everything tight. Crimson does not have the heavier, death metal character of earlier releases but its a very cohesive and emotionally resonant record with lots of great moments. Tony recommends: "Killing Me, Killing You", "Fragile", "Dead Moon Rising", "The River", "Bleed In My Arms", "Home in Despair".
Silverchair Freak Show
The sophomore release by the Aussies sounds more polished and refined in contrast to the raw and gritty debut. It shows an overall improvement not only in terms of songwriting but also production quality. They fuse eloquently post-grunge and alternative rock elements in a more interesting way. Their Nirvana influences are obvious but they never tried to hide them anyway. There are some great riffs and in combination with Johns? often bittersweet and crackly voice, they create strong hooks which help Freak Show show the potential that Frogstomp never did. Tony recommends: "Freak", "Lie to Me", "Abuse Me", "Cemetery", "Roses"
Sixx:A.M. Heroin Diaries Soundtrack
Skid Row Slave to the Grind
Heavier, more aggressive and less mainstream than its predecessor. The band turns to a more metal style but remains glam at the same time. rRecommended tracks: ''Monkey Business'', ''Slave to the Grind'', ''Wasted Time''
Spidergawd V
It's not only the cunning blend of a saxophone in a hard rock band or the modernized rock n roll that their music exhibits. It's the relentless energy, the huge choruses, the climatic riffs and this identity of their own that makes me want to dig further. The Norwegians manage very acutely to blend a mixture of Thin Lizzy's indomitable spirit, Motorhead's attitude and even Maiden's prowess from the Killers era ("Do I Need a Doctor"). Recommendations: "Twentyfourseven", "Green Eyes", "Knights of the C.G.R."
Spiritual Beggars Earth Blues
Beggars' second album with Apollo behind the vocals is an absolute stunner. It is less heavier and more inclined into retro/vintage rock paths. Earth Blues contains some of Amott's most comprehensive guitar performances ("Sweet Magic Pain", "Road to Madness") while Wiberg's interchanges between piano and organ are simply compelling ("One Man's Curse", "Kingmaker"). The sound is heavily influenced by 70s classic bands such as Black Sabbath, Deep Purple, Uriah Heep and someone could argue that this is the style that SB should adopt in future recordings. Recommendations: "Wise As a Serpent", "Turn The Tide", "Hello Sorrow", "Too Old To Die Young", "Dead End Town"
Spring Spring
Steven Wilson The Raven That Refused to Sing (And Other Stories)
Steve Wilson recruits drum virtuoso Marco Minnemann to revive the 70's prog rock spirit in 2013. An excellent release which will remind you of early YES, Genesis and Camel. The only reason why the flute may be undermined is because master Anderson showed us how it should really be played.
Stone Temple Pilots Core
Core is a great debut album that oozes confidence, pain and intimacy at the same time. It comes at a point in time where alternative rock and grunge prevailed. Although many unfavourable comparisons to their contemporaries (Pearl Jam and Nirvana) were made at the time as well as heavy plagiarism accusations, the band has an identity of its own. In Core, STP show an ability to sound grungey, edgy and anthemic at the same time and while Weiland?s chameleonic baritone evokes both Eddie Vedder and Kurt Cobain, it has a flavor of its own. Recommendations: "Creep", "Plush", "Wicked Garden", "Sex Type Thing", "Naked Sunday", "Where the River Goes".
Stone Temple Pilots Purple
Coming off the success of Core, Stone Temple Pilots didn't miss a step. Purple is
the album in which everything clicked, the one that STP channeled the heady momentum of a
triumphant debut into something more ambitious and daring. Weiland's voice has the ability to
morph from a raspy, Eddie Vedder-esque growl to a smooth, Layne Staley-style crooning, sometimes
in the same verse. Lyrically, Weiland makes references to his struggles with drug abuse and the
collateral damage brought on by these. His vocal performance in Purple give his words both
an emotional depth and a swagger. From the chunky riff of 'Meat Plow', to the rhythmic interplay
of 'Lounge Fly' and the piercing bass lines of 'Silvergun Superman', STP's sophomore release is a
true top-to-bottom listening experience. However, what makes it stand side by side with
Core are the acoustic 'Pretty Penny', the banger 'Vasoline' with its simplistic guitar riff
and its rudimental drum pattern as well as 'Interstate Love Song', the track which gave the band
its meteoric rise. Recommendations: "Interstate Love Song", "Vasoline", "Meatplow", "Kitchenware &
Candybars", "Pretty Penny", "Unglued".r
Stone Temple Pilots No. 4
Heavy and bombastic, No.4 sounds like a summation of the preceding three STP albums. It marks the band's return to its heavy roots following the '70s psych-pop nuances of Tiny Music... three years earlier. Dean DeLeo?s metallic guitar tones and Weiland's chameleonic vocal style are the main highlights in this snarling album, which was recorded as a postscript to grunge's sunset. With No.4, STP regained their career momentum and were susceptible only to their addictions. Tony recommends: "Down", "Sour Girl", "No Way Out", "Sex & Violence", "Atlanta", "I Got You".
Stone Temple Pilots Tiny Music... Songs From The Vatican...
STP's third release shows a significant deviation from the grungy guitar tones of its predecessors. Tiny Music... sounds daring, innovative and finds the band intentionally dodging muscle for finesse, volume for dynamics and density for space. Weiland channels his troubles into the lyrics, though he does so from oblique perspectives that weren?t always obvious. All songs have a great sense of despair about them, with Tiny Music... containing some of the most powerful musical statements of his career. Eric's infectious drum beats, Robert's raw bass lines and Dean's memorable riffs introduce a whole new range of colors to STP's palette which create a different kind of magic and songs that stand the test of time. Recommendations: "Lady Picture Show", "Trippin on a Hole in a Paper Heart", "Big Bang Baby", "Pop's Love Suicide", "Adhesive", "Art School Girl".
Stratovarius Episode
Stratovarius Visions
Stratovarius Elements Pt.1
Stratovarius Destiny
System of a Down Mezmerize
Mezmerize is the first half of a double album and follows the steps of Toxicity in terms of flow and consistency. The dizzying and dazzling melodies as well as the usual surreal humor keeps the band's identity intact. Dolmayan's drumming is worth a mentioning as his dexterity has reached another level as he handles the numerous tempo and rhythm changes with a phenomenal and unparalleled ease. Additionally, Malakian who throws some memorable and twisting riffs around, lays some of his best guitar work as he makes his presence more noticeable. In terms of vocals, Malakian gets a fair share of time behind the microphone however, he is better at supporting rather than leading. Tankian's versatility and distinctive style is superior and unmatched. Recommendations: "Lost in Hollywood", "Question!", "Sad Statue", "B.Y.O.B", "Revenga".
Tame Impala Innerspeaker
This album goes down as a nostalgic tribute to the late 60s psychedelia. Heavily influenced by The Beatles, the Aussies' debut has a vintage sound and a lot a simplicity both musically and lyrically. Kevin Parker is brilliant young lad with lots of talent and he guides the band steadily to success and recognition. Recommendations: "It's Not Meant To Be", "Desire Be, Desire Go", "Alter Ego", "Solitude Is a Bliss", "The Bold Arrow of Time"
Tax The Heat Fed To The Lions
Fed To the Lions is a bold, rhythmic and enjoyable record by a quartet of hipsteric Bristolian figures. But don't let their looks influence your choice in hearing their debut album. This is a spectacular result of some hard-rock riffing and relentless energy. The opener 'Highway Home' sets the tone perfectly, although as the album progresses there are greater tracks to come in this 40-minute rock n' roll extravaganza. A notable release for 2016. Recommendations: 'Caroline', 'Your Fool', 'Lost Our Way', 'Fed to the Lions', 'Hit Me Hard', 'Some Sympathy'
Temple of the Dog Temple of the Dog
This album is possibly the forerunner of grunge as we know it today. It is a proper tribute project as it mainly contains some heavy ballads and goes hard only in a few situations ("Reach Down", "Pushing Forward Back", "Your Savior"). The opening track "Say Hello 2 Heaven" is probably Chris Cornell's brightest vocal performance ever, despite the fact that "Hunger Strike" -a duet by the then unknown Eddie Vedder- steals the spotlight. Temple of the Dog is a hidden gem and a must-listen album for fans of Soundgarden and Pearl Jam.rRecommendations: "Say Hello 2 Heaven", "Wooden Jesus", "Hunger Strike", "Call Me a Dog"
The Aristocrats Culture Clash
The Aristocrats Tres Caballeros
There was no doubt that Tres Caballeros was going to be a great album. Equally explosive as the previous two releases, extremely solid compositions with lots of imagination in an ocean of rhythm and a great variety of time-signature changes. Recommendations: "Smuggler's Corridor", "Texas Crazypants", "Stupid 7", "The Kentucky Meat Shower"
The Aristocrats You Know What...?
It shouldn't be hyperbole to state that the Aristocrats are probably the most qualitative instrumental band on earth at the moment. Their inexhaustible talent and their endless energy are the critical ingredients in their jazz-fusion formula. It is clear that with every album they try to challenge themselves and produce an even better result, and You Know What...? is no different. There is no particular style that this powerful trio adopts in its music. Whether this is the bluegrass touch in "When We All Come Together", the flamengo feeling in both "Spanish Eddie" and "Spriritus Cactus" or the metal riffs in "Terrible Lizzard", this is a must listen. It stands equal to the previous releases. Four in four for the Aristocrats. Splendid
The Black Keys Brothers
'Brothers' is full of quality and clearly depicts the ability of the duo to write songs. It is melodic and has diverse sounds, with various levels of tempos surrounding the songs
The Black Keys Let's Rock
Let's Rock lacks monumental tracks but surprises with its consistency, solidness, care-free spirit and catchiness of its songs. The singles did not impress me but listening to them now in full context, I get the picture. This record is an "El Camino" at a different style: groove and rhythm in a pure rock n roll style. As the author of the review has described perfectly, it immerses the listener in the sounds of yesterday giving them first a modern flair. Recommendations: "Get Yourself Together", "Eagle Birds", "Hi/Lo", "Shine a Little Light"
The Black Keys Ohio Players
Ohio Players is a record that sounds lively, fresh, and colorful. It represents the Keys? most collaborative album to date given the number of the people involved and their background: Beck appears on half of the album?s tracks, Noel Gallagher has an input in three songs, while rappers Lil Noid and Juicy J appear on ?Candy and Her Friends? and ?Paper Crown? respectively. The album is based on funky rhythms, sweet harmonies and numerous hooks while the tracks with the afforementioned rappers represent some interesting alt-rock/hip-hop crossovers. The duet's ability to reinvent their sound with each album while remaining in touch with their garage and blues rock roots, is a noteworthy fact that deserves praise. Recommendations: "You'll Pay", "Only Love", "Beautiful People (Stay High)", "Live Till I Die".
The Blue Stones Black Holes
The Blue Stones have entered the catalog of rock duets with a blast. Their debut album Black Holes is short in duration but remains firm and adventurous throughout its thirty-three minutes. The pair from Ontario wrote the material at the late stages of their undergrad studies and the underlying theme is that of an inner quest of who they were, both musically and existentially. This is what the album art also tries to depict with the astronaut in space: a metaphor where the duo leaves solid ground and navigates into a wild and uncertain future.

The first thing that came into mind once the drilling chords of "The Drop" finished and Jafar delivered his opening line "Sick of little twitches coming right outside", was a particular British rock duo into mind. Granted, this is not the only track here that references Royal Blood and their powerful rhythm section. Musically, there is a wonderful blend of chunky riffs and fuzzy guitar effects with confident, tight and often thunderous drumming. A great release with numerous notable moments, surely not to be missed.

Recommendations: "Black Holes", "Little Brother", "Be My Fire", "Rolling With The Punches", "The Drop"
The Cold Stares Voices
After a decade working as a duo, the recording of Voices finds The Cold Stares making a game-changer move. While the band's sound has traditionally been robust and firm, the addition of bassist Bryce Klueh, adds a new dynamic and opens the band's creativity all around. In its sixth album, the trio delivers a dozen of its finest blues-based rock to date, inspired by the likes of Cream and Led Zeppelin, while maintaining its contemporary character. Lyrically, guitarist/vocalist Chris Tapp admits that for the first time, he does not hold cards close to his chest. He has opened himself and written songs about his grandfather, his wife and other topics that normally would not have been included in a record. Recommendations: "Waiting for the Rain Again", "Come For Me", "Nothing but the Blues", "Got No Right".
The Darkness Permission to Land
Such an excellent debut album with great choruses and brilliant riffs, everything in a sphere of plain simplicity. Vocals are the standout element with Hawkins delivering impassionate and diverse performances, Recommendations: "Friday Night", "I Believe In a Thing Called Love", "Givin' Up", "Get Your Hands Off My Woman", "Love On The Rocks"
The Decemberists Picaresque
Picaresque represents a major improvement from the rather disappointing Her Majesty. The galloping opener "The Infanta" with its magnificent keyboards and sweet mellotron notes, set the tone for a wonderful album to follow. And just where you thought that keyboards would be the dominant instrument of the album, enters "We Both Down Together" with some inspiring violin to make the result even more diverse. Superb lyricism behind some magnificent storytelling by Colin Meloy once again make this album great for a variety of moods. Recommendations: "We Both Go Down Together", "The Infanta", "The Engine Driver", "The Mariner's Revenge Song".
The Decemberists What A Terrible World, What A Beautiful World
This is one of those albums where no matter how accessible and delicate the music is, lyrics manage to top it. Sincere, geniuine and suitable for different moods and occasions. It is an album which is constructed around the idea of many great songs instead of hit singles (at least personally, I found it difficult to like or get hooked by a single song). Personally I felt that the first half of the album was better than the second one. Recommendations: "Philomena", "Cavalry Captain", "A Beginning Song", "Lake Song", "The Wrong Year", "Easy Come, Easy Go"
The Doors The Doors
The Doors L.A. Woman
The Halo Effect March of the Unheard
Days of the Lost was a solid piece of melodic death metal mastery and certainly, March of the Unheard is an excellent continuation of it. Forged from Gothenburg's sounds of the 90s and crafted by the the masters of the genre (Jesper Strömblad pointing at you), this record is above all consistent. Although the album's strength lies in the first half where a bunch of wicked headbangers appear, the band's identity remains intact in the second half. March of the Unheard finds Mikael sounding as fierce and venomous as ever. His aggressive barking and devilish growling are everywhere, and support to a great extent the the core characteristics of The Halo Effect: the atmospheric tones and the interlocking guitar patterns. Personally, I would like to hear a greater balance between growls and clean vocals given Mikael's ability to sing wonderfully in both forms. However, the punchy riffs and the sticky choruses help to forget about this and focus on the melodic dark character of it. Already looking forward to the next one! Recommendations: "Cruel Perception", "Conspire to Deceive", "Our Channel to the Darkness", "March of the Unheard", "What We Becomer
The Hooters Nervous Night
The is probably Hooters' highest point. It's energetic, coherent and builds on the debut album very successfully. It may seem as a weakness the fact that they have re-recorded three songs from the debut ("All You Zombies", "Hanging on a Heartbeat", "Blood From a Stone") but actually the end result is very positive. There are no weak songs, just good and very good ones. Recommendations: "And We Danced", "Day By Day", "Don't Take My Car Out Tonight", "Where Do The Children Go"
The Mayan Factor 44
In their sophomore release, The Mayan Factor decided to concentrate more on the alternative aspect of their music and limit the prog/folk elements found in their debut. Consequently, the tribal ambiance and the originality of their sound are lost. However, the result delivered in 44 is equally great, if not more stunning at times. Similar to the debut, 44 opens with a dynamic opener and its contagious chorus 'stop digging in my grave' immediately attracts the listener. With similar energy but more aggression, the follow-up 'Terorrist' is one of the album's highlights. A notable difference from In Lake' Ch is that the band has worked its calmer moments by adding more melody. Personally, the tracks falling into this category mark my favorite moments, with 'Gosia' being the jewel in the crown. In terms of music, once again Ray-Ray is the point of reference. His vocals remain clean and intense at times, but there is not much anger. They set the tone and guide the band with the rest of the instruments following rdevotely. Recommendations: "Gosia", "Terrorist", "Hopi Elders", "Jack Nicholson", "To Kill a Priest".
The Mayan Factor In Lake 'CH
In Lake' Ch was one of those albums that found me randomly and ended up getting endless repeats. I found the music leaning towards an alternative type/genre rather than a progressive one, even though the majority of the tracks clock over five minutes. Ray-Ray's vocals throughout the release are clean, calm and sorrowful. It's not a hyperbole to state that they are the defining characteristic of the band's music. The opening track 'Warflower' is coherent, balanced and possibly the album's best track. Ray's tone in the album's first half is composed, melancholic and often depressive with 'Beauty and the Beast' being a tremendous example of emotion and delicacy in his vocals.

The second half is stronger and more diverse. 'Foreplay' is the track that highlights the notable shift in the music as the band sounds heavier and more direct. Ray-Ray's vocals have an angst-ridden character and right in the middle part of 'Son of Sam' where he unleashes a fantastic rap section, they become aggressive as well. There were many points throughout the album when a track was building momentum and you expected Ray to burst but he rarely did. Well, in 'Going to Pieces' he explodes and he does so in a stunning way. Even more stunning is the way that the verse from the opening track is thrown at the end, making everything a full circle.

Recommendations: "Warflower", "Forplay", "Son of Sam", "Going to Pieces", "Focus", "Aim For the Sky"
The Offspring Americana
Ixnay on the Hombre had a quick cycle and by now The Offspring are firing on all cylinders. The band has grown creatively and evolved musically but did not have the expected success. Americana comes to fill this void and brings all the charting and the billboard hits. The idea with Americana was not to reinvent the wheel and sound like a new band, as Dexter Holland noted in an interview. Lyrically, the album has the theme of the American culture in the late 90s, how America was distorted and where it was heading to. This is portrayed in the title track, 'Pretty Fly' as a witty assessment of white suburban teens embracing the hip-hop culture, and the fake way they are doing it in an effort to find an identity, and 'The kids Aren't Alright', a dark side to the life of suburban youth. Often humorous and regularly critical, the band aimed to offer positives and hope through the songs. Sognwritting is improved, production is great and energy at the usual high levels. Recommendations: "Why Don't You Get a Job", "The Kids Aren't Alright", "Pretty Fly", "Americana", "Walla Walla", "Have You Ever"
The Offspring Conspiracy of One
Conspiracy of One has a special place in my heart as it is one of those albums I accidentally picked up during my adolesence and listened to heavily. I still recall the time spent looking at the peculiar cartoon pictures and reading the lyrics from the colourful inside sleeve. Leaving the sentimental part behind, I find Conspiracy to be a great album despite the fact that on the face of it, it had only one major hit ('Want You Bad'). It contains numerous solid tracks with catchy melodies and the usual energetic tempos. Americana had such a huge success that everything coming after, it will be very difficult to match it. Listening to this again now, it was great to 'discover' "Vultures", a Nirvana-esque mid-tempo rocker with a grungy character. I may not ended up being a punk lover however, Conspiracy will always bring back sweet memories. Recommendations: "Want You Bad", "Original Prankster", "Million Miles Away", "Come Out Swinging", "Living in Chaos".
The Parlor Mob And You Were a Crow
'Modern Led Zeppelin' would not be a misstatement to make about these bunch of guys. In regards to that just listen to 'Hard Times', 'Everything You're Breathing For' and 'Tide of Tears'. If you are still not convinced with that title then listen to 'The Kids', 'Real Hard Headed' to make up your own.
The Police Outlandos d'Amour
The Temperance Movement The Temperance Movement
The War On Drugs Lost in the Dream
This is a much more consolidated effort by the War On Drugs than the previous LP, Slave Ambient. It is so good that you will consider it as one of the best albums of 2014. The Dylan ("Eyes to the Wind", "Lost In The Dream") and Springsteen ("An Ocean In Between The Waves", "Burning") influences are more evident than ever, while the opening two tracks -"Under The Pressure" & "Red Eyes"- are two exceptional songs of the so-called americana/shoegaze genre
The War On Drugs A Deeper Understanding
I found A Deeper Understanding to be slightly better than its predecessor. Despite the simplicity in its rhythmic part (loop-like drum beats and basic supportive bass lines), The War On Drugs manage once again to create through subtle and astute melodies a captivating ambiance. This album is full of stupendous sounds and catchy moments which take the band's quality to the next level. Recommendations: "Thinking of a Place", "Holding On", "In Chains", "Pain"
The Winery Dogs The Winery Dogs
The Winery Dogs Hot Streak
There was no doubt that this trio would return with another solid record. Portnoy, Sheehan and Kotzen deliver very strong performances in Hot Streak as it was expected. The band broadens its music horizons and takes its chances with a variety of styles in a mission to grow both musically and in status. Where the self-titled debut was a pure classic rock one, Hot Streak adds modern elements to the mixture. The diversity in the songs indicates just that: from the powerfull opening of "Oblivion" and the 80s-style slow burning headbanger of "Captain Love" to the acoustic harmony of "Fire" and from there to the humble ballad "Think It Over". In between, there is lots of rhythm, riffing and technical ability, all of them indicating the chemistry between these guys. Recommendations: "Captain Love", "The Bridge", "Spiral", "Ghost Town", "Oblivion", "Think It Over"
Thunder Back Street Symphony
A thoroughly enjoyable album with a vibrant and energized attitude, clocking around an hour. Recorded right at the turn of the decade, it has that American-Van-Halen-meets-Bon-Jovi feeling and sound but at the same time, it manages to retain that British bulldog spirit and 'take-no-prisoners' approach. It is no wonder that five singles emerged from this record. Recommendations: "Love Walked In", "Backstreet Symphony", "Dirty Love", "She's So Fine", "Higher Ground".
Toadies The Charmer
Almost ten years after their latest album, the Toadies return with a solid release in which punk-rock energy is paired with classic-rock riffs. I am not very familiar with the group and its music legacy, but The Charmer is a vibrant release with many hooks and a nostalgic feel from the 90s alternative era. As this was recorded live at the studio with minimal overdubs, it sounds very alive and spontaneous. Tony recommends: "The Charmer", "Come to Life", "Ash's Theme", "I Wanted to Be Everywhere", "I Walk a Line", "Closer to You".
Tommy Guerrero Road To Knowhere
Road to Knowhere is an ambient, instrumental album with jazzy/afrobeat/funky characteristics. It is the sort of album you want to listen while relaxing, thinking or reading.
Tonic Lemon Parade
Lemon Parade is one of the hidden gems of the mid-90s post-grunge era. A solid release with some excellent tracks and the massively popular single 'If You Could Only See', being the major point of reference. Emerson Hart's emotive and impassionate vocals deliver some driving hooks and are a standout feature here. Jeff Russos' sludgy guitar riffage is often magnificent and he delivers some strong melodies. It begins grungy but as it progresses it becomes a fine alt. rock album with tracks like 'Soldier's Daughter', 'Lemon Parade', 'Wicked Soldier', 'Mr. Golden Deal'. Tony recommends: "Open Up Your Eyes", "If You Could Only See", "Celtic Aggression", "Thick", "Mountain".
UFO Lights Out
UFO are probably at their finest hour here. Schenker delivers some delicate and versatile riffs here which depict his top class status. Its not only the catchy and prevailing chorus of "Lights Out" that will get your attention, as most of the listeners will agree. The intoxicated melody of "Love to Love" and the Eastern/Camel-ish solo of "Alone Again Or" will surely get your attention while the rigid "Electric Phase" adds the heaviness that was missing from "Getting Ready" and "Too Hot To Handle".
Uriah Heep Sweet Freedom
Uriah at one of their finest albums, as it seems that they still have the momentum from their last two gems. So many good songs in this one and some of them of the band's greatest. Too shame this is so under-rated and unpopular record. Recommend: Stealin', Sweet Freedom, Pilgrim, Seven Stars
Veruca Salt American Thighs
At a point in time where the Chicago scene was regarded as the epicenter of American rock, Veruca Salt record their debut album, American Thighs. Fronted by singer-guitarists Nina Gordon and Louise Post, this forgotten gem of the 90s stands out for its fuzzed-out guitars and raw, unapologetic energy. The seamless vocal trade-offs give the songs a catchy, transgressive edge, often creating tight hooks. The record expertly blends grunge angst with infectious pop melodies and slamming riffs. Despite a few weak moments ('Fly', '25', 'Sleeping Where I Want'), the rest of the album is split between very good tracks and great ones. Tony recommends: "All Hail Me", "Forsythia", "Seether", "Spiderman '79", "Number One Blind".
Volbeat Servant of the Mind
Servant of The Mind finds Volbeat recording probably their most diverse album to date. This is an exciting result, full of catchy and memorable songs. Tracks like "Dagen Før" (feat. Stine Bramsen from Danish pop act Alphabeat) and "Wait a Minute My Girl" are a couple of bright and breeze tracks which go hand-in-hand with "For Evigt" and other radio-friendly songs from the band's repertoire. The two of them however, don't tell the whole story here as the Danes return triumphantly back to their heavy rock/metal roots. Michael Poulsen is once again enchanting and with his distinctively soaring vocals and his trademark Elvis style he delivers a lot of catchy choruses. It should be mentioned however that the rest of the gang has been equally sensational here: riffs being sharp and ferocious while rhythms are upbeat and thunderous. As always, production is shiny, crispy and crystal. Recommendations: "The Sacred Stones", "Say No More", "Shotgun Blues", "Temple of Ekur", "Becoming", "The Devil Rages On".
Warren Zevon Excitable Boy
Whitesnake 1987
Whitesnake Forevermore
Witchcraft Legend
Legend is the first album I have heard from Witchcraft and I found it absolutely compelling. It is a rock-infused doom album with a heavy dose of stoner in it. Vocals are beguilingly melodic, deeply soulful and often dark. They are supported by heavy riffs, bold drumming and thumping bass lines, all under stellar production. A release that forces me to explore the Swedes at a greater depth. Recommendations: "It's Not Because of You", "An Alternative to Freedom", "Deconstruction", "White Light Suicide".r
Zodiac A Hiding Place
I have enjoyed this second album by the Germans a bit more than it's predecessor, although it misses one or two mega-hits. Songs from the debut like "A Bit of Devil" and "Coming Home" can hardly be replicated, however the band puts a lot of effort to deliver something of equivalent quality and standards. Again well balanced between mid-tempo rockers and blues ballads with lots of groovy parts and catchy parts. Recommended tracks: "Downtown", "Underneath My Bed", "I Wanna Know pt.2"r
ZZ Top Eliminator
Undoubtedly this album contributed very much to the band's image and raised it's status to a much higher level. "Got Me Under Pressure", "I Need You Tonight", "Dirty Dog" (although a replica of "Legs") and "Bad Girl" are able to support the classics "Gimme All Your Lovin", "Sharp Dressed Man" and "Legs" and make this one of the 80s top records.

3.5 great
A Thousand Horses Southernality
A Thousand Horses with their noble attitude bring a friendly southern rock air in their debut album Southernality. They bring sweet tales of whiskey, women and the familiar gospel atmosphere that many Dixie-rooted bands carry along. The soulful harmonies combined with the country sweetness are factors which will attract you and drive you towards a second listening if the first one had not been clear already. Personally, I found the opening tracks enticing enough to keep me going until the end. This is not your 'album of the year' but definitely an indication that the genre is constantly growing and a mark for another band to look out for under the 'southern rock' tag. Recommendations: "Smoke", "First Time", "Back To Me", "Sunday Morning"
AC/DC The Razors Edge
The band's best album since Back in Black ten years ago. The guys try to find their good-old shape after the deterioration during the 80s. Recommendations: "Thunderstruck", "Moneytalks", "The Razors Edge", "Are You Ready", "Fire Your Guns"
AC/DC Stiff Upper Lip
AC/DC enter the 00s with a solid release. In my opinion, this has to be one the top three albums in the after-Scott era (behind Back In Black and competing equally with The Razors Edge). The rock n' roll is back and its accompanied with lots of energy and groove. Very positive vocal performance by Brian Johnson and some catchy melodies by the Young brothers. I still can't understand why this album is so underrated. Recommendations: "Stiff Upper Lip", "House of Jazz", "Safe In New York City", "Can't Stand Still", "Satellite Blues"
AC/DC Let There Be Rock
This album includes a couple of the Aussies' best songs; in particular "Let There Be Rock" and "Whole Lotta Rosie". It's not that the album is not good but it could have been better. It is also worth exploring "Go Down", "Dog Eat Dog" & "Bad Boy Boogie" for some dirty rock n roll
AC/DC Powerage
This is a very underrated album. The band is becoming more melodic as albums go by and sacrifice fast tempos for lower speeds in order to become more rock n roll. It has many catchy songs and some very good performances. There is no stand out track but are all equally good. Recommendations: "Rock n Roll Damnation", "Riff Raff", "Sin City", "Gone Shootin'"
AC/DC Power Up
I was very curious to hear an AC/DC album without rhythm master Malcolm Young, and Power Up has not been the one. He might not be in the band anymore but he is there in the record; literally and metaphorically. Brian's gritty, ratty voice is back at the mic, Angus is tearing out the riffs as only he can, the powerhouse rhythm section of Phil and Cliff keeps the groove and all combined together to deliver an absolute triumph - probably their best record in 20 years. The tempo, the groove, the guitar tone, the solo, everything about it is what you know and what want from an AC/DC album. Power Up is the brightest spot in all the misery that 2020 brought. Recommendations: "Shot In the Dark", "Realize", "Kick You When You're Down", "Code Red", "Rejection".r
Aerosmith Get Your Wings
Aerosmith's second album is slightly better than their debut one. The band unfolds its strengths in the form of grooves and rhythmic parts while trying to sound a bit more heavier than before. Songs such as the classic "Same Old Song and Dance", the overlooked "Pandora's Box" and the underrestimated "Lord of The Thighs" are probably the best tracks here. However, the song that steals the show here is by far "Train Kept A Rollin'", a Yardbirds' cover.
Air Raid Fatal Encounter
Fatal Encounter is a vigorous heavy/power metal release by Swedish act Air Raid. At times the band reminded me of its fellow Scandinavians Iron Fire and this was a pleasant reminder to my younger self. With the typical double pedal hammering setting the fast paced tempos, the power chords and the occasional rdrilling riffs, the nine tracks compose an interesting album showing the genre is still biting strongly. Recommendations: "Thunderblood", "Let the Kingdom Burn", "See The Light", "Edge of a Dream".
Airbag A Day At The Beach
Despite losing two key members, the Norwegians continue as a trio and they appear as solid as ever. In this latest release, they are embracing electronics and synths in a way to diversify and colorize their music. This results in some beautiful soundscapes and wonderful melodies as production is crisp and crystal. As best moments from A Day at the Beach I keep the opener "Machines and Men" with its pulsative bass and its narcotic synth loop melody, the rhythmic "Sunsets" and "Megalomaniac" with its Glimour-esque guitar solo.
Airbag The Century Of The Self
The Century of the Self finds Airbag letting go of their recent experimentations with electronics, returning back to a more familiar territory. The 10-minute opener 'Dysphoria' is the most appropriate track to unfold the soundscapes of the Nordic prog palette, while the 15 minutes of 'Tear It Down' exhibit the band's confidence to capture half of the album in two tracks. Whether its the mid-tempo 'Tyrants and Kings' with its captivating chorus or the melancholic tone of 'Awakening', the band's prog character remains intact. Midpoint track 'Erase' with its rudimental drumming and the vivid basslines has an aura of A Day at The Beach but without the synthesizers. On the downside, there are no new elements or experimentations here but rather a lot of borrowing from Porcupine Tree, Riverside and their favorites, Pink Floyd. Recommendations: "Tyrants and Kings", "Dysphoria"
Alabama Shakes Sound & Color
A very pleasant and tasteful album concentrated around blues, soul and R&B ambience. Lead singer Brittney Howard is definitely the focal point here: her powerful and captivating voice is adaptable to every song of the album. Recommendations: "Don't Wanna Fight", "Shoegaze", "Gimme All Your Love", "Miss You"
Altaria The Fallen Empire
Alter Bridge The Last Hero
Alter Bridge have become one constant source of quality when it comes to the hard rock genre the last decade or so. I've been supporting since their debut that they are probably one of the top 3 bands in the post-2000 era. Even before its release, there was no doubt that The Last Hero would meet the high expectations. Tremonti's sharp riffing, Phillips' machine-gun drumming and Kennedy's lovable high-pitched vocals are what Alter Bridge have always been. The album itself follows the heavy paths that Fortress laid in a similarly aggressive tone but a bit more melodic. Recommendations: "My Champion", "Show Me a Leader", "The Last Hero", "The Writing On The Wall", "Losing Patience"
Alter Bridge Alter Bridge
On their eighth studio album, Alter Bridge very wisely don't mess with the Alter Bridge formula. Confidently self-titled, Alter Bridge is filled with power, emotion and top-notch song writing, manifesting the chemistry that these four guys have. With fascinating riffs, soaring vocals and magnificent solos, each song has its own sky-high choruses with Myles leading and Mark backing. Tight and robust as ever, the rhythm section by bassist Brian Marshall and drummer Scott Phillips is what anchors it all. Not their best work but definitely one that contains tracks that will stand the test of time. Tony recommends: "Playing Aces", "Disregarded", "Silent Divide", "Power Down".r
Anthony Gomes Containment Blues
In an interview once, Anthony Gomes commented that his goal is to keep the blues fresh and exciting. Containment Blues is the first album I've heard from the Canadian-born guitarist and his passion for the genre is manifested through a combination of delicate riffs and cowbells ("Hell and Half of Georgia"), banjos ("Praying for Rain"), harmonicas ("No Kinda Love") and even slide guitars ("Stop Calling Women"). The album is a collection of eleven creative and well-written tracks, depicting a fresh breeze of blues by a relatively unknown hero. Recommendations: "Tell Somebody", "Praying for Rain", "Let Love Take Care of Love", "Hell and Half of Georgia".
Arctic Monkeys AM
The trio of "Do I Wanna Know", "R U Mine", "Why'd You Only Call Me.." is without a question the stronger part of the album. Excellent songs with simplicity as the main characteristic. And its great. Apart from this, the album overall is coherent and consistent, however, it misses a peak moment that will make it compete for 'Album of the Year'. Recommendations: "Arabella", "Snap Out of It"
Arctic Monkeys Tranquility Base Hotel and Casino
Tranquility Base... caught me by the same surprise as everyone. Having listened to AM with such an enthusiasm, I was expecting no deviation from the formula of success. However, the Monkeys' latest release its a complete turnaround in style and ideas. I respect the change of direction and the effort to chase success and further recognition through a different path, however, whether this was done because of Turner's ego or lack of inspiration deserves an article of its own. Tranquility Base... lacks crunchy riffs, fast tempos, and energetic grooves; it is exactly the opposite of what you have heard in AM. Lyrics are more mature and in the majority of the songs, Turner's vocals are magnificent. Guitars are expelled for the sake of piano/synth, while the bass is simply brilliant in setting the groove. Recommendations: "Four out of Five", "Batphone", "One Point Perspective", "Star Treatment", "Tranquility Base Hotel & Casino"
Ariel Posen How Long
How Long is a slick and well-written album by the contemporary young blues man Ariel Posen. The music is generally mellow with groovy rhythms, rootsy sounds, and Americana vibes. Posen's vocals are soaky yet smooth, and they have a peculiar blend of Ian Thornley (Big Wreck)-meets-Ritchie Kotzen (The Winery Dogs). He seems a very promising artist and I am already looking forward to his next release. Recommendations: "Try", "Can't Stop Thinking About You", "Fade".
Ashes of Ares Ashes of Ares
I was very curious to hear Barlow outside Iced Earth and the assuredness that riff master Jon Schaffer can provide. Despite the fact that it took me a number of listenings to digest Ashes of Ares, I can admit to the power metal side of my character that is really worth it. A debut constructed around aggressive riffs, energetic drumming, and Barlow's stentorian voice which is impregnable, dominating, and fully emotional at the right moments. On the negatives, I found the production to be plain in some points and weak in others, hindering this way the album's potential. Recommendations: "This Is My Hell", "Move the Chains", "Punishment", "The One-Eyed King"
At Vance Only Human
Only Human was the first album I have heard from the German power metallers. It is an
enjoyable and exciting album, suitable for fans of Stratovarius and Malmsteen. It's tracks contain
mid-to-fast paced tempos and some solid guitar riffs, often sprinkled with symphonic metal
elements. Vocals are vigorous, versatile and stretched to high levels only in certain cases. I
would have given this a 4 if quality did not regress towards the end. Recommendations: "The Time
Has Come", "Hold Your Fire", "Fly to the Rainbow", "Hold Your Fire", "Take Me Away"
Audioslave Out of Exile
Out of Exile blends the grungy heartfelt vocals of Chris Cornell and Tom Morello's distinctive guitar play in a convincing and powerful manner, creating a heavy result with a ballsy attitude. In terms of music, Morello's guitar playing is focused on power chords rather than his usual unorthodox effects, while the duet of Wilk and Commerford are once again tight and vigorous, exhibiting one of the most consistent rhythm duets outthere. Recommendations: "Be Yourself", "Doesn't Remind Me", "Your Time Has Come", "Drown Me Slowly", "Out of Exile".r
Audioslave Revelations
Although extremeley energetic, Revelations does not have the raw power and the brutal force that neither the debut album nor Out of Exile had. In this third album, the supergroup mixes the characteristics of its previous releases to create a groovier result with some delicate melodies and the consistent, controlled and dynamic rhythm section. Cornell's vocals remain grungy and spectacular but this time without the anger and the roaring. Recommendations: "Revelations", "Broken City", "Sound of a Gun", "Original Fire", "Somedays"
Bad Company Run With The Pack
Bad Company Straight Shooter
Bad Company Fame & Fortune
Beardfish The Void
A heavy approach to prog which I would dare classify as 'metal' in instances. The Void contains a variety of riffing; from slow-burning heavy ones ("Voluntary Slavery", "Turn to Gravel") to fast-paced energetic ones ("This Matter of Mine"). However, there is also the lighter side which is also entertaining, equally melodic and stunning ("Seventeen Again", "Ludvig & Sverker", "Where The Lights are Low"). Recommendations: "They Whisper", "Seventeen Again"
Beaux Gris Gris & The Apocalypse Hot Nostalgia Radio
The band's third studio release opens with the blazing 'Oh Yeah' before giving the floor to the rowdy 'Wild Wild Woman'. Valenti?s vocal prowess is extraordinary throughout the album and the writing chemistry with guitarist Davey is undeniable. Beaux Gris Gris and the Apocalypse is essentially a rootsy blues band at heart but in the album's mid section they throw some classic, groove laden 60?s pop and soul into the mix. The third part finds the band incorporating country and Americana characteristics as they move from the salient story telling of ?Penny Paid Rock Star? to the emotive ?Marie?, before closing Hot Nostalgia Radio with the brisky, accordion-driven 'Mama Cray'. Tony recommends: "Oh Yeah!", "Wild Woman", "Middle of the Night", "Don't Let Go".
Better Than Ezra Deluxe
Deluxe is a coherent, guitar-driven, quintessential alt rock album of the 90s. It blends nicely some introspective lyrics with pop-rock melodies to deliver an album full of energy, and sweet hooks. Radio hits 'In the Blood' and 'Good' are the strongest songs appearing here, but tracks like 'Rosaelia', 'Teenager', and the more light 'Porcelain' and 'Heaven' are also worth noting.r
Big Big Train Common Ground
Common Ground finds Spawton, Longdon, Nick D'Virgilio and Rikard Sjoblom regrouping and refining BBT's sound, following the exit of certain band members at a time when the world was at its knees due to the pandemic. The album finds a very active Nick D'Virgilio singing in the life-affirming "All the Love We Can Give" and contributing the instrumental behemoth "Apollo". One of my favorite tracks here is "Black With Ink", Spawton's praise to Alexandria's historic library. Another highlight is the 15-minute prog monolith "Atlantic Cable" which touches upon the laying of the first telegraph cables across the ocean, as one of humanity's monumental achievements. The skillful and congenial harmonies delivered through the backing vocals of Carly Bryant, add a welcoming female tone which has become an important ingredient in the Brittons music over the years. The departure of Danny Manners has left a vacant seat behind the keyboards and Rikard Sjoblom has grabbed the opportunity to exhibit his skills and his tasteful mellotron notes, bringing back some 'comfortzone' memories for those Beardfish fans out there. Recommendations: "Black With Ink", "All the Love We Can Give", "Atlantic Cable", "Dandelion Clock".
Big Big Train The Likes Of Us
The Likes of Us is the first album since David Longdon's unfortunate passing. David wasn?t with the band from the beginning (joined in 2009), but in the course of nine albums, his voice became synonymous with the English progressive rock band. Alberto is the new recruitment behind the mic but as always, the rest of the band contributes vocals in one way or another. The vocalist adapts immediately to the band's style and its intricate compositions. As expected, The Likes of Us contains a bunch of prog epics such as the colossal 'Beneath the Masks' which stretches for almost 18 minutes, the 10-minute cinematic 'Miramare', and the closing 'Last Eleven'. With 'Oblivion' as the album's lead single and the pastoral 'Skates On' showing off the characteristic British folk tendencies, the Bournemouth-based proggers pay tribute to their departed friend with a decent album full of clean, focused, and well-executed tracks. Recommendations: "Miramare", "Oblivion", "Last Eleven".
Black Country Communion Black Country
Black Country Communion V
Similar to all of BCC albums, V is another grower. During the first hearing it sounds fine, but with each listening becomes better and better. The supergroup appears once again tight and solid, with Glenn Hughes (bass, vocals) spearheading this hard rock force. Jason Bonham attacks with some powerful triplets reminding his late, colossal father while Joe Bonamassa is able to deliver a hard rock riff with the same convincing way as an emotional one. Sherinian's input is once again massive as his Hammond organ lifts almost every track, whether by soloing, or supporting a guitar riff or even adding simple background tones. The opener 'Enlighten' enters so furiously that grabs you by rhe hair, before a frighfully funky, hard rock 'Stay Free' with a trampled-underfoot groove makes way for the bombastic and crunchy 'Red Sun', completing this way a trio of convincing tracks. 'Restless' is where Bonamassa's emotional guitar licks support Hughes' soulful vocals in a passionate performance while 'Letting Go' is probably Sherinian's best moment. Recommendations: "Love and Faith", "Stay Free", "Red Sun", "Skyway".
Black Foxxes Black Foxxes
The self-titled debut album by the Exeter alt. rock trio is an interesting listen. It opens with the bombastic track "I Am" and follows with the aggressive "Badlands", which is my personal favorite here. As the album unfolds however, it becomes darker and depressive, with some haunting melodies and tight grooves. The new collaboration seems compact and I expect to listen even better results in the future. Recommendations: "Badlands", "Jungle Skies", "My Skin Is", "The Diving Bell".
Black Stone Cherry Black Stone Cherry
Black Stone Cherry The Human Condition
I am still not sure whether I am rating this album highly because it is actually good or whether I got used to Black Stone Cherry's polished hard-rock style; 12 years on and I'm still in love with that rough diamond called Folklore & Superstition. Whatever the case is, I found Human Condition to be an enjoyable and solid rocker, created around gutsy riffs and thunderous drumming. There is no particular originality or groundbreaking areas here but rather a focused result, with the Southerns having nothing to prove, doing what they know best and not being so eager to please. This seems to pull out the best of them. Recommendations: Again, The Chain, When Angels Learn to Fly, Don't Bring Me Down, In Love With the Pain.
Blackberry Smoke Holding All The Roses
The most blatant difference between Holding All The Roses and its predecessor, is the overall production. All instruments sound much more polished and crispier, contributing this way to the overall southern feel in a more effective way. In terms of songs, Blackberry Smoke deliver once again a noticeable, high quality album. The underlying tone is that of rock n roll ("Let Me Help You Find The Door", "Living The Song", "Rock and Roll Again", "Payback's a Bitch", "Fire In The Whole") blended together with sweet country vibes ("Too High") and some soothing southern melodies ("No Way Back To Eden"). Whether this album is better than The Whippoorwill, is up to anyone to decide. For the moment, Blackberry Smoke enjoy the parallelisms with Lynyrd Skynyrd. Recommendations: "Holding All The Roses", "Living In The Song", "No Way Back To Eden"
Blackfield Blackfield II
The follow-up to the self-titled debut has the same characteristics of its predecessor. Power and intensity are sporadic (''Once'', ''Where Is My Love?'') and actually are very welcomed in a rather mellow record. Other recommended tracks are ''1,000 People'', ''Miss You'', ''Epidemic''
Blind Guardian A Twist In The Myth
Blind Guardian At The Edge Of Time
Blues Pills Devil Man
Stating that Elin's voice matches that of Joplin is a sin. However, her voice has such and depth and she puts such an emotion in it that makes her status promising. Music is bluesy and combines perfectly with Elin's vocals. Recommendations: "Devil Man", "Time Is Now"
Blurred Vision Organized Insanity
Bon Jovi Crush
Boston Third Stage
The pattern is the same, the style is the same but more ballads are included. The end result is not the same as in the two previous albums. It's not bad, its just that it lacks originality. The best moments are to be found in the first three tracks: 'Amanda', 'We're Ready' and 'Launch/Cool the Engines'
Breaking Benjamin We Are Not Alone
Breaking Benjamin Dear Agony
Breaking Benjamin Dark Before Dawn
Knowing that the whole band apart from Benjamin (lead vocals) was replaced, I had approached this album with caution and reservation. At the first couple of listenings I found it decent, but not very impressive. While not being BB's best work to-date, it contains lots of growls, sharp riffs, melodic rhythms and proves that Benjamin Burnley is a very talented musician. There are typical BB songs that will exhilarate mostly the fans of Dear Agony, as Dark Before Dawn continues from the point that the former left it six years ago. Recommendations: "Angels Fall", "Bury Me Alive", "Never Again", "Defeated"
Bruce Springsteen Working on a Dream
Cage The Elephant Social Cues
There is definitely a massive injustice towards Social Cues which I don't get. Cage the Elephant play an alt/indie rock style which is easily accessible as they sing about two well-worn topics: the pains-of-fame and the romantic breakup. "Ready to Let Go" carries a Kasabian-days-are-forgotten feel due to its looping drum pattern and focuses on the moment where a relationship collapses and things are beyond repair. The album's title track "Social Cues" portrays a rock star's freakout and the personality warp of celebrity. However, what I personally found as the highlight here was "Black Madonna", a track that carries an innocent pop vibe and is delivered in such simplicity, reminding The Black Keys in their Turn Blue times.
Camel Rajaz
Candlebox Candlebox
Candlebox formed in Seattle in 1990, so they originated from the same location as the big grunge bands just at the point when the scene was starting to pick up steam. Their self-titled debut album rides a fine line between hard rock from the late 80s and alternative rock of the 90s, despite the album found in many grunge/post-grunge lists. This is a coherent album with a handful of great tracks, some of them even considered amongst 90s greatest ones. Kevin Martin's high pitched vocals suit Peter Klett's guitar melodies nicely and both support Scott Mercado's powerful drumming, creating some great hooks in the process. An interesting fact is that the track 'Far Behind' that was written about late Mother Love Bone frontman Andrew Wood. I believe that the band's trajectory could have been different if they were signed Sub Pop instead of Madonna's record label Maverick. Recommendations: "Change", "Far Behind", "You", "Rain", "Cover Me".
Children of Bodom Are You Dead Yet?
Clutch From Beale Street To Oblivion
I found the groovy songs of this album more attractive than the powerfull ones. Songs like "The Devil & Me" & "Child of The City" are between my favorites along with the exceptional "Electric Worry" which is an absolute stunner. Great riff in "When Vegans Attack" and excellent solo in "Black Umbrella" as well. You have to be strict in rating Clutch. Most of their albums are excellent
Clutch Sunrise On Slaughter Beach
Clutch is probably the only band that you listen to every new album because you always expect something different. But you always get the same. You like it and you always return expecting something different. But you always get the same. And then you always return. Thankfully it didn't take much for the Maryland band to correct the mistakes of its predecessor. By making small, slim and unradical changes, Neil Fallon & co. deliver Sunrise on Slaughter Beach in their archetypal and characteristic way. An album constructed on the foundations of bluesy riffs and elastic rhythm swings while wrapped in everlasting energy that is impossible to resist. Just over 33 minutes, Sunrise.. is their shortest release to date but contains some punchy rockers, guaranteed for tapping feet and nodding heads. Their creative spring remains deep and plentiful and Sunrise.. exposes once again their ageless raucous swagger. rRecommendations: "We Strive for Excellence", "Red Alert", "Mountain of Bone", "Slaughter Beach", "Mercy Brown"
Coldplay A Rush of Blood to the Head
Piano continues as the dominating instrument. Melodic and harmonic but not to the extent of their debut album. Recommended tracks: Politik, In My Place, The Scientist, Clocks, A Rush of Blood
Creed Weathered
Creedence Clearwater Revival Green River
CCR continue with another great record. It doesn't have the spark of their previous two epics but it is consistent. You have already understood the pattern and the style of swamp rock and here it is even clearer. The band concentrates on short length songs with no specific solos being impressive. I have found anything up to (and including) Lodi a fine CCR release
Crobot Welcome To Fat City
Without any change in their music style and direction, Crobot's newest release is equally dynamic, electrifying and possibly a bit heavier than the previous Something Supernatural. I have read a lot of reviews about the grooviness in this one, but compared to Something Supernatural, I find such comment a bit exaggerated. Welcome To Fat City is definitely heavier, better worked and has far more polished sounds and production than its predecessor. However, its not as impetuous and straightforward as Something Supernatural. Recommendations: "Not For Sale", "Right Between The Eyes", "Blood On The Snow", "Welcome To Fat City"
Dave Matthews Band Crash
Although I was very excited with the debut,
Crash seemed to me not an equal sparkling
moment. It goes without saying that Crash is
equally technically competent, however the songs did
not have the same catchiness as in the debut and the
majority are mellow ones. Still, there are various
great songs here such as "Tripping Billies", "Too
Much", "Two Step", "So Much To Say", "Proudest
Monkey"
Dave Matthews Band Come Tomorrow
Attractive choruses and some delicate melodies compile the latest release from DMB. It is a fresh and cohesive album which includes some good songs and a couple of excellent ones. Songs like 'That Girl is You', 'Again and Again', 'Black and Blue Bird', 'Come On Come On' are enjoyable listenings, however, the opener 'Samurai Cop' and footloose jam 'She' are probably the point of attention.
Dead Shed Jokers All The Seasons
This is the first album I hear from the Welsh band and I am already inclined to explore their earlier releases. What I liked in All The Seasons is the fact that its cohesive, mature and straightforward. It's a heavy punch of pure rock n' roll with soulful vocals, gritty riffs and lots of energy. Recommendations: "Phantom Pains", "You're a Thief", "Dreams of North Korea"
Deep Purple Burn
The best of the 3 albums the band has recorded with Coverdale on vocals. Overall, there are some decent songs with regular moments of inspiration and virtuosity.Recommended tracks: ''Burn'', ''Mistreated'', ''Sail Away'', ''You Fool No One''
Deep Purple Now What?!
A solid rock album with progressive touches and blues influences. Gillan and Paice give the best they've got but you must not forget their age. Morse and Airey (keyboards) deliver fantastic solos and they are the ones who lift the record to another level in some cases. Recommended tracks: 'A Simple Song', 'Out of Hand', 'Hell To Pay', 'Blood From a Stone'
Deep Purple Whoosh!
The mere fact that these juggernauts still release albums, is an astounding fact on its own. It gets even more impressive when their 21st(!) studio album is a solid, groovy, and profound release. It is simple, it flows naturally, it has catchy songs, and in general, is a pleasant listening. Gillan's vocals remain at a respectable level despite his 75 years of age, Paice's drumming is energetic and fluid but what impressed me most was Airey's keyboards which were versatile throughout the album; sometimes in a church organ mode and others in plain piano notes, they were the stand out instrument. I have also enjoyed the realistic and often pragmatic approach of the lyrics: 'We goin' out tomorrow, gonna do it right / celebrate the fact that we're still alive', 'I don't care what shape you're in / We're all the same in the dark'. Recommendations: "Throw My Bones", "No Need to Shout", "What the What", "Nothing at All".
Def Leppard Adrenalize
This may have been recorded in 1992, but the feeling you get makes you think it's still mid 80s. Def Leppard remain true to the style that made them the glam stars they once were. Classics such as "Let's Get Rocked", "Make Love Like a Man", "Have You Ever Needed Someone" as well as the often unnoticed "Stand Up" and "Tonight".
Def Leppard Retro Active
Deftones Adrenaline
Deftones' debut album Adrenaline is an explosive, highly energetic release with raw intensity which is considered to be an influential album in the nu metal genre. Chino Moreno?s ability to switch between haunting whispers to aggressive, ear-piercing screams, brings crucial dynamics to Stephen Carpenter?s chunky, thick riffs and Abe Cunningham?s sophisticated rhythms. Despite the positives, there are two major drawbacks here: in terms of production, mixing is overall mediocre as the sounds are tinny and unpolished, while in terms of structure, songs start to sound formulaic (quiet to loud with angsty, semi-rap vocal patterns) from a point on. Tony recommends: "Roots", "Bored", "Minus Blindfold", "7 Words".r
Demons and Wizards Demons & Wizards
This album showcases one of the greatest collaborations in the metal scene ever made. Hansi's stentorian voice meets Shaffer's razorblade riffing in a thrilling album with no particular theme. Forget about comparisons with either Iced Earth or Blind Guardian and enjoy. Recommendations: "Fiddler of the Green", "My Last Sunrise", "Winter of Souls", "Pour Man's Crusade".
Demons and Wizards III
Personally I find Demons and Wizards to be one of the greatest partnerships ever happened in the metal scene. Schaffer's choppy, metallic riffage meets Hansi's powerful and distinctive symphonic vocals and the match is perfect; a marriage made in heaven (or hell, for others). III is a solid release, very enjoyable to listen to and with some great moments. It is mature and more diverse than the two previous albums and contains all the expected characteristics: aggressive riffing, thunderous drumming and some spirit-lifting vocals. Despite all the nice moments, it has not managed to top the "Touch from the Crimson King" for me. Recommendations: "Diabolic", "Wolves in Winter", "Midas Disease", "Split", "Timeless Spirit".r
Dire Straits Love Over Gold
Disturbed Believe
Believe was a more concrete result than its predecessor. Not only it started strong but managed to keep me interested until the end, with some exceptions. Songs have catchy choruses, powerful rhythms and nice melodies. I wonder however how long this formula can last. Recommendations: "Remember", "Breathe", "Prayer", "Awaken"
Disturbed Ten Thousand Fists
It's the third album in that the album's best songs are concentrated in its first half. Disturbed enter once again strongly and at the point in which you think they have taken their music to the next level, the album start to decay in terms of quality. Of course, second half contains decent tracks such as "Decadence" or the appreciable cover "Land of Confusion" but personally I think the first half contains some of the band's greatest songs. Recommendations: "Stricken", "Ten Thousand Fists", "Deify", "I'm Alive"
Disturbed Divisive
Disturbed have mastered the ability of crafting muscular, radio-friendly anthems and find once again the way to stay relevant and sound refreshing. They continue under their own music identity in a very specific style of polished but aggressive metal. The veterans have always favored refinement over revolution and Divisive is no exception to this. The album has an air of nostalgia as Drainman's rapid-fire, aggressive staccato recalls the band?s early nu-metal origins, with the choruses having the anthemic grandeur of more recent releases. Despite its short duration, Divisive contains a bunch of industrial-powered bangers which keep the listener's interest throughout. Recommendations: "Divisive", "Unstoppable", "Part of Me".r
Divine Fits A Thing Called Divine Fits
I found this to be a worth listening album with a blend of alternative and indie rock. Songs are well constructed and its majority is catchy enough. It is also very groovy with the rhythmic section overshadowing the melodic one. Bass lines in specific are very solid and well worked, while synthesisers were appearing every now and then to add diversity. Recommendations: "Would That Not Be Nice", "Like Ice Cream", "Shivers", "Baby Get Worse"
Dokken Tooth And Nail
Dokken's sophomore release has the same glam metal attitude as its predecessor but with more noticable moments. Compositions are much better here, they are more powerful and in times more energetic than its predecessor. George Lynch starts to formulate his signature guitar play while delivering some electrifying riffing throughout the whole album. Don's vocals remain at heavenly high levels and both bass and drums continue to have a supportive role. Recommendations: 'Just Got Lucky', 'Alone Again', 'Tooth and Nail'.
Dokken Under Lock And Key
Under Lock and Key contains the typical AOR sounds, singalongs and huge choruses that every proper glam rock album would have during that period. Home of the colossal 'In My Dreams', the album is considered by many to be the band's magnum opus. It is recorded at the time where the genre was in its making and Dokken appear to be amongst the standard setters, spearheading their assault from the frontline. Don's vocals have reached a new high and there are tracks where he exhibits their wide range ('Lightnin' Strikes Again') while George Lynch guitar playing has become even more intriguing and technical. Jeff Pilson's bass has a limited role, while Mick Brown's drumming although powerful and energetic ('Till the Living End'), offers nothing spectacular. Recommendations: "In My Dreams", "Unchain the Night", "Lightnin' Strikes Again", "The Hunter", "Dont Lie to Me".
Dr. Feelgood Private Practice
A very solid and enjoyable album. The music as well as the lyrics are simple but at the same time very catchy. One of those albums that after three or four listenings you'll remember the songs just by looking their title. Recommendations: "Milk & Alcohol", "Down at the Doctors", "Night Time", "Sugar Shaker"r
Dream Theater Octavarium
Dream Theater Distance Over Time
With Distance Over Time Dream Theater come back into form. Energy and heaviness are the dominant characteristics that compile a solid collection of prog metal tracks. I believe it is Mike Mangini's best moment in his 8-year spell with the band. Recommendations: "Fall Into The Light", "Pale Blue Dot", "Barstool Warrior", "Paralyzed"
Dream Theater Parasomnia
After nearly 15 years of passable releases, I think its fair to say that Parasomnia is a triumphant return to form. It is concept album exploring sleep disorders and the involuntary reactions they create such as sleepwalking and night terrors. It is a dark, heavy, and focused release, reminding something from the Dream Theater of old. The return of Portnoy behind the drum kit brings enthusiasm and a breath of fresh air in the band. Portnoy brings back his signature drum fills and flair in songwriting, leaving behind the technical focus brought by Mangini in the last few years. A notable change in Parasomnia is found in the work of Jordan Rudess who sacrifices his keyboard shenanigans for a remarkably restrained, more song-driven focus. The same applies to John Petrucci, who prioritizes down-tuned metal riffs and complementary solos over tangential shred-fests. Tony recommends: "Dead Asleep", "Night Terror", "Midnight Messiah".
Editors An End Has A Start
Although there are no dramatical changes in their music (in fact no changes at all), Editors appear more mature and focused in this album. Songs are more melodic and consistency just adds to the overall accessibility in the band. Personally I liked it more than the debut. Recommendations: "Escape The Nest", "Smokers Outside the Hospital Doors", "An End Has a Start", "Bones", "Racing Rats"
Europe The Final Countdown
The Final Countdown sounds very much of its era: synth heavy, crisp drums and reverb drenched vocals; characteristics which helped Europe steal Bon Jovi?s thunder in his year of ascension to the hair-metal crown. With its bombastic, legendary title-track leading the way, the album is an iconic 80s stadium rock release which offers a mix of propulsive Euro-metal drive, power ballads, and some underrated guitar work. 'Rock the Night' is a high-energy, fist-pumping anthem, while 'Carrie' stands out as on of the top power ballads of the decade. Overall, this was a pleasant listen and reminded me a lot of Dokken and Def Leppard.r
Everclear So Much For The Afterglow
At the point in time where everyone thought that this band has finally settled it style something in between of grunge and punk rock, comes So Much For The Afterglow to turn things upside down. Alexakis is lured towards a new music direction, that of alternative rock, which starts gaining ground during the late 90s. The transition is difficult for die hard fans to accept. Listen for example "So Much For The Afterglow" or "Amphetamine" which show a band so mature that is ready to excel in everything but alternative rock. Then on the other hand you listen to songs such as "Sunflowers", "Father of Mine", "Why I Don't Believe In God" and you hear a fearless, unconventional band which is determined to get out of its comfort zone and try something new, to go with the flow. Everclear live the most controversional days of their career.
Everclear Songs From An American Movie, Vol. 1
This album represents Everclear at their maturity. Alexakis in nearly 40 by the time this album is released and yet again he sings and writes about the past. But this time is not from his angry and edgy angle but from a nostalgic one. Nostalgic about the past and how things used to be 15-20 years ago ("AM Radio", "Wonderful", "Otis Redding"), and even sentimental about his divorce ("Here We Go Again"). Van Morrison's cover of "Brown Eyed Girl" is not only a great one but blends perfectly with the whole album
Everclear Sparkle And Fade
There is a notable improvement in Everclear since their debut World of Noise two years ago. The energy is still here but in a more structured way. Alexakis still uses his personal experiences in the majority of the lyrics, but his improved vocals is a notable fact. There is more rhythm in the melodies, hence the guitar parts are more meaningful this time. The introduction of Eklund on drums has brought a new dynamic and has helped in his way to keep a diabolic balance between grunge and punk. Recommendations: "Electra Made Me Blind", "You Make Me Feel Like a Whore", "Santa Monica", "Heroin Girl", "Strawberry"
Everclear Songs From An American Movie, Vol. 2
The album is surrounded by a plethora of cheap lyrics, however some instrumental parts are some of the band's finest. It is aggressive, straightforward and impassionate. Recommendations: "When It All Goes Wrong Again", "Rockstar", "Misery Whip", "Out Of My Depth"
Faith No More King For A Day... Fool For A Lifetime
Remnants of the insanity found in Angel Dust make their appearance in this subversive follow-up release. King For a Day may not have the glamour of its predecessor but it is charged with primal ferocity and gut-wrenching intensity. Aggressive, mischievous and sleazy, the music here is so unique, blending sincerity and absurdity into a world of utterly twisted genius. The album was recorded in a period of transition for the group, who had recently fired their previous guitar player Jim Martin and were dealing with the absence of keyboard player Roddy Bottum, who was grieving several recent deaths. FNM dive into the various genres they can blend so profoundly - funk/rap/rock/metal.rThe delicacy of 'Take the Bottle' in comparison to the ferocity of 'Ugly In the Morning' or the grooviness of 'Evidence' against the vigor of 'Ricochet' show a band that is so versatile that can bend the angles and stretch the ends without losing its character. Recommendations: "Evidence", "The Gentle Art of Making Enemies", "Take This Bottle", "Star A.D.", "King For a Day".r
Faith No More The Real Thing
FNM's sophomore release is bombastic, to say the least. Patton's characteristic vocals and rap-metal singing style is one of a kind and he proves to be an interesting addition to the band. The album itself is not elegant but its distinct and impressive. A fusion of chunky bass slaps, funky grooves, crunchy chords and electric riffage encapsulated in fast tempos in a funk metal sphere. Recommendations: "Epic", "Falling To Pieces", "Edge of the World", "The Real Thing", "Out of Nowhere".
Faith No More Album of the Year
Album of the Year is the band's sixth and final studio album before their initial breakup. Leaning into a darker, more cohesive and streamlined alternative rock sound, it expertly blends heavy riffs, pop melodies, and moody, atmospheric keyboards. This does not reach the chaotic, genre-defining heights of Angel Dust, as it serves as a mature and focused swan song. Mike Patton's versatile vocal performance and the welcome return of keyboardist Roddy Bottum, helped to restore the full dimension of the band's atmospheric sound. Highlights: Opener "Collision" with the band's signature aggression; "Stripsearch" the moody, trip-hop-influenced track featuring some hypnotic drums and a dark, brooding atmosphere, "Ashes to Ashes" with its blend of heavy guitars and melodic, melancholic keyboard work, "Last Cup of Sorrow" with a prominent, driving bassline and epic chorus.
Filter Short Bus
Although not a huge fan of industrial rock, I found Filter's debut album Short Bus a great album. This was released after Richard Patrick left Nine Inch Nails, and its sound here bears a clear influence from his previous work with them. Released in the middle of the decade with other bands such as NIN and Marylin Manson also delving into industrial elements, this one merges effectively grungy melodies with industrial rhythmic intensity. Musically, it is intensive and raw with Patrick's dominating vocals delivering frustration and anger. Tony recommends: "Hey Man Nice Shot", "Stuck In Here", "Under", "Its Over"
Firebird Double Diamond
There are plenty opinions regarding "Double Diamond" but the most accurate is the one that you will form. Without knowing Steer's death/grindcore background, my mind was clearly independent and I was not waiting to listen his particular style. Hard rock with blues elements, lots of cowbell, riffs and grooves. Production --at least to my ears-- was very good as well. However, the fact that displeased me most was the vocal style; it lacked passion and emotion. You will have to listen it a lot of times to absorb it. Recommendations: "Ruined", "Pound of Flesh", "Arabesque"
Firewind Allegiance
Firewind Stand United
Firewind is one of the few metal bands which has remained true to their beliefs and ideas, throughout their whole career. It's a band that it evolves without pushing the boundaries but always manages to deliver a reliable result. Stand United is no exception as it finds the band firing on all cylinders. Gus showcases once again his riffing prowess while delivering his trademark razorblade riffs, supporting solidly the powerfull rhythms, the fast-paced tempos and Langhans' commanding and powerful vocals. Recommendations: "Destiny is Calling", "Come Undone", "Talking In Your Sleep".
Flying Colors Third Degree
In Third Degree we see a change of direction as Flying Colors return back to the style that made their debut such a wonderful release. However, this time around Morse and Portnoy concentrate more on their instruments and have less involvement in the vocal part, leaving Casey McPherson to have the lead role and demonstrate his vocal abilities. Third Degree is charmingly unpredictable as it contains funkiness ("Geronimo"), grooviness ("Guardian"), innocence ("Love Letter") and emotion ("You Are Not Alone") above all the classic prog ("Last Train Home"). Recommendations: "Cadence", "Geronimo", "The Loss Inside".
Foo Fighters Medicine at Midnight
From the groovy opener "Making a Fire" to the vibrant closer "Love Dies Young", I found Medicine at Midnight to be an enjoyable album. Dave Grohl attempts to remain competitive by injecting new features in his music while at the same time he wants to keep Foo Fighters loyal to their grunge character. This organic development pushes Foo Fighters to offer something new without losing their identity. Recommendations: "Waiting on a War", "Medicine at Midnight", "Shame Shame", "Making a Fire".
Foo Fighters But Here We Are
Similar to the loss of Kurt back in the 90s, Grohl is left to mourn the inconceivable loss of his best friend and bandmate for a second time. It took some time for him to make the announcement but thankfully. as a brave soldier he picked up the pieces and confirmed that the band would continue marching on. He assumes the drummer's seat and he hits them as hard as he did back in the Nirvana days, each beat powered by grief, anger, hopelessness and defiance. Taylor Hawkins and Virginia Grohl are all over the album. There are countless lump-in-the-throat moments where Grohl spends the bulk of Foo Fighters? eleventh studio album battling to come to terms with his mother and Taylor?s death.But Here We Are is the Foos? most cathartic, but it?s also one of their best work to date. Recommendations: "Hearing Voices", "Nothing at All", "Rescued", "Under You".
Gentleman's Pistols Hustler's Row
Anoher solid release for the Brits who continue with the same influences: Zeppelin, Sabbath, Purple. Energetic at times ("The Searcher", "Private Rendezvous", "Coz of You"), heavy and slow at others ("Stress & Confusion", "Dazzle Drizzler") they will keep you focused. Many great songs to choose from; personally I have distinguished "Devil's Advocate On Call" for its edgy riffing, "Time Wasters" for its passionate feel and "Personal Fantasy Wonderland" for its Sabbath-ish twist.
Gin Lady Tall Sun Crooked Moon
After the loveable Electric Lady, I could not resist listening to the Swede's fourth release. Their talent in writing songs that have a modern approach to the 60s psychedelia is at least worth noting. Tall Sun Crooked Moon has the same feeling and texture as its predecessor Electric Lady: vocal harmonies, melodic guitar tunes and emanates feelings of freedom, joyfulness and satisfaction. Recommendations: "Into The Wasteland", "Everyone is Love", "The Visit".
Goo Goo Dolls Dizzy Up The Girl
Goodbye June See Where The Night Goes
In their latest release, the trio from Nashville fades away from the hard rock character of Community Inn and instead adopts a rock ?n? roll attitude which is blended greatly with their southern origins. Milbourn's trademark crispy vocals are once again the driving force while the gutsy riffs and the unabating, relentless rhythms make this a solid release.

Recommendations: See Where The Night Goes, Stand and Deliver, Everlasting Love
Goodbye June Community Inn
For the release of its second LP, Nashville's trio Goodbye June signs with Earache Records? which has amongst its roster some modern blues and southern rock behemoths like Rival Sons, The Temperance Movement and Blackberry Smoke. Community Inn opens with "Rolling off My Tongue", a bombastic track with a cracking riff and vocals analogous to The Parlor Mob. But its from the follow-up track "Universal Mega Love" that the Plant-esque influences come to the surface. Fusing hard rock licks with southern blues melodies, the band delivers a coherent and solid first half with some powerful and memorable tracks. However, the fire starts to ease out halfway in the album and leaves some questions with regards to the listing and the placement of tracks in such an uneven way; its a two speed one. Recommendations: "Natural", "Secrets in the Sunset", "Joan & Dylan".
Grave Digger Liberty or Death
Grave Digger Symbol of Eternity
Symbol of Eternity does not break new grounds and other than the subject matter of the lyrics which finds the Germans focusing on the crusades rather than their Scottish clan war fetish, the power metallers throw their sharp and menacing riffs, their relentlessly fast tempos and bombastic choruses in an unscathed manner for a 20th studio album. If you are someone who did not like Grave Digger and Boltendahl's gritty vocals of so far, this album will not change your opinion. A massive respect for bonus track "Hellas Hellas", a cover track of Greece's rock legend, Vassilis. Recommendations: "Heart of a Warrior", "Hell is My Purgatory", "King of the Kings", "Symbol of Eternity".
Greta Van Fleet The Battle at Garden's Gate
The most important in GvF's sophomore release is that they realized they need to find their own path. In contrast to the EPs and the debut, The Battle at Garden's Gate showcases a band that keeps the basic characteristics of its rock heroes and tries to craft its own music without crossing the imitation line. Setting aside Josh Kiszka's Geddy Lee/Robert Plant impersonations, the listener can enjoy a great album of technically proficient songwriting and wonderful musicianship. The classic rock vibe across the entire record in combination with the fluid and dynamic instrumentals, puts the band on the right path and prepares them for the next level. Recommendations: "Built by Nations", "Broken Bells", "Heat Above".
Gryphon Red Queen To Gryphon Three
The chess concept of the album (cover, songs etc) was great and I was enthused by it. The folkish/prog style with the unusual medieval sound and instrumentation was also excellent as it gave the album a character and focus. I did not enjoy the fact that I could not distinguish easily the point which a song starts and ends. Maybe tracks should be divided a bit further. However, this does not make the album boring but instead very easy going, something that I rarely experience with instrumental albums. Recommendations: "Second Spasm", "Lament"
Guns N' Roses G N' R Lies
Concentrating on side-B which has four new tracks, you get to know a softer side of GnR. All of them are excellent with "One In a Million" being slightly the best. Side-A has four cover songs which I found irrelevant and mediocre
HammerFall Legacy Of Kings
The second album by Hammerfall is even more energetic and exciting than the debut Glory to the Brave. Tracks like the opener "Heeding The Call", "Legacy of Kings", "Let The Hammer Fall", "Stronger Than All" raise our standards for the mighty Swedes, who appear more melodic and consistent, making this one of their best releases.
HammerFall Avenge The Fallen
Two years following the excellent Hammer of Dawn, Hammerfall return with a new album and prove once again why they are considered to be one of the most consistent European power metal acts of the last 25 years. Avenge The Fallen does not deviate from the elements that the Swedes bring from the past: fast tempos, hammering riffage and Joacim's ageless, polished vocals. The tracks are once again built around memorable melodies and choruses, the trademark "ooh ooh ooh ooh" and placed somewhere is always the typical heartful, power ballad. Recommendations: "Avenge the Fallen", "Burn It Down", "Hope Springs Eternal", "Rise of Evil"
Helloween Helloween
Helloween marks the reunion with former members Michael Kiske and Kai Hansen. making the band now a seven-man line-up. Together with Andy Deris, its not a hyperbole to claim that currently, the pumpkins have the most solid and established vocal frontline in the euro power metal scene. At the same time, such reunion creates a bigger songwriting pool and makes the prospects ridiculously exciting for the band's fanbase. The support of Kiske and Hansen on vocals creates an aura of nostalgia as the vocal melodies bring memories of some old days of glory. Helloween contains numerous uplifting choruses which are supported by some bright tones and sharp riffs and driven by thunderous drumming in fast paced tempos. Every song in here proclaims loudly that Helloween are back to their euphoric best. Recommendations: "Best Time", "Fear of the Fallen", "Rise Without Chains", "Angels".
Helloween Giants & Monsters
Giants & Monsters is a solid follow-up release to the band's reunion album. It is a blend of traditional power metal and modern hard rock, with an excellent interplay between the three vocalists - Kiske, Deris, Hansen - who exhibit a dynamic and seamless integration. Kiske brings the power, Deris the punch and, adding to the fun, guitarist and third vocalist Kai Hansen adds a little old-school rawness here and there, sometimes with three-way vocal harmonies. From the soaring opener 'Giants On The Run' to the blockbusting single 'This Is Tokyo' and the anthemic 'A Little Is A Little Too Much', the fathers of power metal form an unlikely supergroup with all members being in the same band at different times. The album's second half contains tracks such as the grandstanding 'Into The Sun', a duet between returned Keeper-era singer Michael Kiske and his replacement Andi Deris, in which the pair delivers some interlocking performances. Musically, the triple-guitar line-up ? Hansen, Michael Weikath and Sascha Gerstner ? moves between the old-school gallop ('Universe - Gravity For Hearts)' and some measured riffing ('Hand Of God') while the duelling guitars and sing-song chorus of 'Under The Moonlight' nods back to their late-80s glory days. Tony recommends: "A Little is a Little Too Much", "We Can Be Gods", "This is Tokyo", "Giants"
Hexvessel When We Are Death
When We Are Death is the first album I hear from Hexvessel. It is melancholic and has a pessimistic atmosphere, however I found it melodic enough to give it some listenings. It is cohesive and interesting but it does not have a top moment. Without listening their prior releases, I think they can do much better. Recommendations: "Earth Over Us", "Transparent Eyeball", "Mirror Boy"
Himalayas From Hell to Here
With their debut album From Hell to Here, Himalayas do not break any new grounds but rather borrow the basic elements of their heroes to enter the scene in style. Opening track 'From Hell to Here' is full of energy and is mainly influenced by Queens of the Stone Age. With the similar attitude the Follow up 'Darkest Before the Dawn' rwith its electrifying and pompous groove is probably the catchiest song in the album. Granted, this track could have easily been included in a Royal Blood release. Further down, 'Somebody Else' and 'Intro the Trap' have the anguish and the tone that a certain Alex Turner and his Arctic Monkeys would typically have. 'Mistakes' is probably the heaviest track and with its fuzzy tone its the final track that makes the first half of the album the shiniest of the two. Recommendations: "Darkest Before the Dawn", "Into the Trap", "Mistakes", "From Hell to Here".
Honeymoon Disease The Transcendence
With their debut album The Transcendence, Honeymoon Disease represent another great addition in the ever-growing 70s retro rock scene. This is a vibrant rock n roller with propulsive rhythms, catchy choruses and old-school aesthetics from a Swedish quartet fronted by a confident frontwoman. Recommendations: "Gotta Move", "Rock n' Roll Shock", "Higher", "Imperial Mind".
Hooveriii Pointe
Pointe is a great album with ?60s psych-pop aesthetics and layered instrumentation. The vibe is relaxed and melodies are warm, soft and dreamy with the synth flirting most of the songs. Recommendations: "The Tall Grass", "The Game", "This Rock"
Iced Earth Dystopia
In Flames Whoracle
From the opening tracks of Whoracle it is evident that In Flames gave an emphasis to improve the riffs and the melodies of their music. To me this was a welcomed development and made this album more accessible than The Jester Race. Another contributing factor to enjoy this album more than its predecessor, were Anders' vocals as he has developed his brutalilty but remained equaly aggressive. Adding the powerful instrumental track in the mixture and you have a solid melo-death album by the Swedes. Recommendaitons: "Jotun", "Gyroscope", "Everything Counts", "Dialogue with the Stars".r
In Flames Sounds of a Playground Fading
Inglorious Inglorious
Inglorious is a young and fresh British band with a solid, hard-rock debut album. Inglorious has some infectious grooves, swaggering melodies, numerous wonderful choruses and a variety of tempos; all wrapped up in a crisp and well-worked production. A magnificent performance from the duo of Nathan James on vocals and Andreas Eriksson on lead guitars. It has not taken me more than two listenings to like them and already look forward to their next release. Recommendations: "Inglorious", "Girl Got a Gun", "Holy Water", "Unaware".
Iron Fire Blade of Triumph
Iron Maiden Fear Of The Dark
Jack White Frozen Charlotte
Jack White was not one of the artists i have been following despite my casual liking to garage/indie rock. Frozen Charlotte is the second album I have listened to and I admit that why this guy is considered one of the most influential stars in the particular genre. Continuing the back-to-basics aggression of his prior work No Name, with his raw, distinctive guitar style and whammy-pedal shredding, delivers a solid garage-blues record. This is not 'album of the year' contender for me but contains a few great tracks. Standout tracks: "G.O.D and the Broken Ribs", "You'll Never Fix Me", "There's Nobody There", "Nobody Knows".r
Jackyl Jackyl
Sleazy with a rock and roll approach similar to AC/DC. You have to admit, the chainsaw solo is epic
James Laid
One of the best albums of the Brits with a variety of good songs. Recommendations: "Sometimes", "One of The Three", "Say Something", "Everybody Knows", "Low Low Low", "Laid"
James La Petite Mort
James Yummy
The last time I listened to an album from the Mancunian indie-rockers was back in 2014 with their album La Petit Mort. James always sounded like a band with well-worked lyrics but in Yummy they have taken it to the next level. The opener ?Is This Love? is an absolute James classic that contemplates the meaning of love with some delicate strings and rousing synths. The romance continues in the beautiful ?Better With You?, where love is the answer and it?s the only ingredient that people need. Celebrating the everyday, ?Life?s A Fucking Miracle? is as joyful and life-affirming as the title suggests. The track also encourages inclusiveness with the line ?celebrate, she, he, we, they, welcome sign??. Lyrically, the strongest track of the album is probably found in the tongue-in-cheek track 'Mobile God'. Booth critiques the human reliance on technology, the way mobiles have taken over and controlled our lives, and how we often overlook the important things in life ? ?give me your keys, your ID, your schedule, I?m with your kids?. The lyrics of ?Our World? touch on the environmental issues that humanity must address for the earth's survival with lines like ?How many ways can we kill ourselves? Plastics, oil, forever chemicals? and ?Profit today from our children?s tomorrow". Joyful and uplifting, Yummy is the sound of an astute band that still thrives on creation and has many things to say. Recommendations: "Life's a Fucking Miracle", "Our World", "Better With You", "Way Over Your Head".r
Jess And The Ancient Ones Jess And The Ancient Ones
I fell onto this album accidentally in my quest to find the next female-fronted-psych-occult rock band. Through their debut, Jess and the Ancient Ones exhibit prudence, diligence and a mature approach as to the path they want to follow musically. Jess is confident and with her mighty voice binds sturdily the pummelling riffing stemming from the guitar triplet and the powerful rhythmic sections from the bass/drum duet. Recommendations: "Sulphur Giants", "Prayer for Death and Fire", "The Devil (in G minor)".
Jess And The Ancient Ones Vertigo
Clocking around 40 minutes, the band's fourth LP is as tight and solid as its predecessors. Vertigo has JATAO's trademark sounds and does everything to transport you to that psychedelic world which is full of melodic, rhythmic, groovy - but above all - mystical compositions. In this record, guitar riffs are there but have a supporting role in order to leave a space for the organ to spearhead the occult attack. Jess is once again solid and in an admirable way, she sounds more confident than ever. Recommendations: "Love Zombi", "Burning of the Velvet Fires", "Talking Board".
Jess By The Lake Under The Red Light Shine
Jasmin "Jess" Saarela is the enigmatic frontwoman of Finnish occult/psych-rock band Jess and the Ancient Ones and Under The Red Light Shine is her debut solo release. The album departs from the acid-heavy, fuzzy, guitars and psychedelic sounds of JATAO and focuses more on atmosphere, vocal harmonies and music melodies. Jess gets the inspiration for her work from her rural nurture and bonding with nature, an environment that she was grown into. She successfully captures the Finnish brand of melancholy without being depressive while lyrically, she touches on topics of existence and interpersonal relationships. The lack of catchy choruses and repetition makes songs more intricate and in many cases, less memorable. However, what keeps Jess on the top of her game is her unassailable voice: thoroughly expressive, beguilingly melodic and deeply soulful, always encapsulated in a majestic veil of mysticism.
Joe Bonamassa Driving Towards The Daylight
Joe Bonamassa Different Shades of Blue
Joe Bonamassa Redemption
John Mayer Room for Squares
One of the best pop-rock albums of the 00's. Mayer proves to be one of the best in his field early on in his career however, in order to appreciate this you must be either a die-hard fan or a very objective one. Recommended tracks: ''Why Georgia'', ''Your Body is a Wonderland'', ''Neon'', ''Love Song For No One''
Journey Arrival
Positive, energetic and with lots of vibe. Very underrated album in Journey's catalogue
Journey Infinity
The arrival of Steve Perry shifts the band's direction from progressive jazz fusion to melodic arena rock. Perry's tenor vocals traded complex prog arrangements for soaring vocal harmonies and pop accessibility, while guitarist Neal Schon and keyboardist Gregg Rolie kept a hard rock edge on tracks like "Can Do" and "La Do Da". Infinity is the album that defined Journey's commercial identity and blueprint for future success. Tony recommends: "Wheel in the Sky", "Lights", "Patiently".
Journey Frontiers
'Frontiers' contains some of Journey's best songs such as "Send Her My Love", "Faithfully" and my all-time favorite "Separate Ways". However, people often over-look "Chain Reaction" and "Back Talk" from this record. Only when considering the bonus tracks "Only The Young" and "Ask The Lonely" a 3.5 can be substantiated.
Journey Raised On Radio
Steve Perry takes effective control of the band on this album and he is the main instructor behind it. He fires bassist Ross Valory and drummer Steve Smith and the remaining trio (Perry, Schon, Cain) completes the record with session musicians. The music direction, the production, the title, even the art work has something to do with Perry and his view of changing Journey's sound. This record signals the beginning of the end for Journey. It may not by Journey's best album but for someone who likes the 80s era of the band will definitely find nice songs in here. Recommendations: "Be Good To Yourself", "I'll Be Alright Without You", "Once You Love Somebody", Girl Can't Help It", "Positive Touch"
Kadavar (DE) Berlin
Berlin represents the German's most solid album to date. They've kept the heavy and chunky riffs but also added more melodic lines and rhythm. The bass has taken again initiatives and leads in many tracks. Recommendations: "The Old Man", "Last Living Dinosaur", "Pale Blue Eyes", "Spanish Wild Rose"
King King Take My Hand
King King's debut album is a collection of fresh, shiny and well-executed bluesy tunes. The melodies are based on fundamental jazz, blues and funky lines, while tempos vary accordingly. The music has thrill, groove, passion and shows a hungry Alan Nimmo who wants to be there with the best. Recommendations: "Heart Without a Soul", "Lose Control", "Don't You Get The Feeling", "Feels Like Rain", "Take My Hand"
Kings of Leon Only By The Night
Korn Follow the Leader
Korn The Serenity of Suffering
I've never been Korn's greatest fan but I've enjoyed many of their songs during the years. Having heard a couple of albums after 'Head's' departure, I could not imagine that his contribution to this band was so massive. Now, two albums after his return I can be sure about it. The Serenity of Suffering represents Korn's return to the forefront: heavy riffing, immense growling and catchy choruses. This is what this band was always about and I'm satisfied when I hear them in such a sharp form. Recommendations: "Rotting In Vain", "Insane", "The Hating", "When You're Not There", "Die Yet Another Night"
Korn Requiem
Despite its short duration, Requiem is a consistent and tight album that pounds heavily in the classic Korn sound. It is fresh and accessible with its guitars rumbling and crunching in a groovy rhythm section. Lyrically, the album captures Jonathan Davis at a transitional point in his life and does not follow the bleak, dark and despairing tone of The Nothing. His vocal performance is excellent as he sings, growls and yells throughout the record with enough clarity. He even throws his trademark "mmmm ding-a duh-dinga" in a very effective way in "Worst is on its Way", a throwback to their hit "Freak On a Leash". Other than that, I found the opening track "Forgotten" with its archetypal Korn groove and "Let the Dark Do The Rest" with its pulsating riff and catchy chorus, two very solid tracks. Along with "Penance to Sorrow", this quartet is what I keep from Requiem.
Lacuna Coil Dark Adrenaline
Lifehouse Stanley Climbfall
I found Stanley Climbfall a great album that can stand equal to the band's debut and ask serious questions. It may not have a smash hit but it is a collection of solid rock songs. This sophomore effort has more energy, vibe and catchiness in the lyrics. Although I cannot openly admit it, I tend to favor this over No Name Face. Recommendations: "Spin", "Out of Breath", "Sky Is Falling", "Take Me Away", "How Long".
Lifehouse No Name Face
No Name Face is one of the albums that I grew up with and therefore it will always have a special part in me. Despite the fact, however, it is a great debut album and an enjoyable collection of simplistic, sincere and enjoyable songs. The track immediately getting attention is the opener "Hanging By a Moment" but surely there are many good moments as well. Musically, this should be categorized as mainstream/radio-friendly rock with simple melodies and touching lyrics, all conveyed through Wade's emotional voice. Recommendations: "Everything", "Breathing", "Unknown", "Cling and Clatter".r
Mad Season Above
Mad Season's sole ablum was released in the apoge of grunge rock in the mid-90s. The band consisted of some of Seattle's greatest grunge rockers: Layne Staley (Alice In Chains, vocals) Mike McCready (Pearl Jam, guitars) John Baker (bass), and Barret Martin (Screaming Trees). Prior to my listening, I was expecting something different in terms of sound and style. However, this self-titled release is largely based on loose grooves, bluesy riffage and slow/mid-tempos. It has its own charm and carries a different kind of romance. The Sabbathy opener 'Wake Up' with its psych-muck riffage and the punchy 'I Don't Know Anything' are some of the various moments which showcase the influence that heavy metal always had on grunge. Martin's powerfull triplets and dynamic fills in tracks like 'Artificial Red' and 'I'm Above' compliment very well Staley's vocals and McCready's guitars. rNot perfect but deserves some spins. Recommendations: "I Don't Know Anything", "X-Ray Mind", "Lifeless Dead".r
Madrugada Nightly disease
Madrugada's second release cannot match their magnificent debut but definitely has many moments of reference. At the same melancholic style and sound, Nightly Disease has numerous sweet melodies and top production. Recommendations: 'The Frontman', 'Step Into This Room and Dance for Me', 'Black Mambo', 'Hands Up, I Love You"
Madrugada The Deep end
Four albums down and Madrugada keep on impressing me with their music. Although there is nothing original in The Deep End, there are many tracks that deserve to be highly rated here. I found this album to have a very solid first half with delightful melodies and the usual dark mood. but as it continued, it became weary. Recommendations: "Stories From The Streets", "The Lost Gospel", "The Kids Are on The High Street", "Hard To Come Back". "Hold On To You".
Madrugada Madrugada
Going forward to Madrugada's final album, I expected nothing more than the usual delicacy in the melodies and the dark, dramatic vocal tone. Madrugada is a mournful, touching requiem dedicated to Robert Buras (guitars) and the band's swan song. It is the finishing touch in this magnificent, often depressive, five-piece album discography that never managed to become known to many. Recommendations: "Whatever Happened To You", "Valley of Deception", "Look Away Lucifer", "Honey Bee".
Mark Knopfler One Deep River
Despite my fondness for Dire Straits, I never had the chance to explore Knopfler's solo work. rOne Deep River is his tenth solo record with the title referencing the Tyne which bisects Knopfler's childhood hometown of Newcastle, England. Apart from being the album's opener, 'Two Pairs of Hands' is also a tip of the hat to his early Dire Straits days. The rest of the album has a mellow bluesy approach with Mark's signature lead guitar play accompanying mid-tempo rhythms and his beautiful lyrics. His voice always had an ageless feel and yet, it aged with quality: full, calm and with his familiar drawl narrating lovely stories. Recommendations: "Two Pairs of Hands", "Smart Money", "Scavengers Yard", "Janine", "Watch Me Gone"
Massive Wagons House of Noise
House Of Noise is a simplistic and fantastically feel-good album that boasts sacks of energy, briskness and a rock heart. Daft, witty and crammed with irresistible singalong choruses, House Of Noise is a brutally honest and thoroughly unpretentious album with a sterling production. The basic triplet of humor, riffs and hooks are the main drivers which make the 'repeat' button irresistible. Recommendations: "Freak City", "Professional Creep", "House of Noise", "The Curry Song".
Massive Wagons Earth to Grace
I became familiar with these Lancaster rockers through their album House of Noise in 2020. Although in the first listening Earth to Grace sounded mediocre to me, the subsequent ones reminded me what I liked about this band: their everlasting energy, the simplicity of their compositions and their honest lyrics. These are genuine working class heroes who keep a low profile and remain modest. There are a few bangers here and the album's strong moments are concentrated in its first half. Recommendations: "Night Skies", "Sleep Forever", "Missing on TV", "The Good Die Young", "Underdog"
Matchbox Twenty Yourself or Someone Like You
[i]Yourself or Someone Like You [/i[] is a strong debut album by Matchbox Twenty, an alternative rock band rather than a post-grunge one. However, labels don't matter as long as music is good. The album's solidity is substantiated by its six(!) singles, all found in the first half. Highlights for me are 'Push', telling the story of a man in a relationship being both physically and emotionally abused by his girlfriend, and '3 a.m.', written by frontman Rob Thomas about his mother's battle with cancer during his childhood. Recommendations: "Push", "3 AM", "Real World", "Back 2 Good".r
Matchbox Twenty More Than You Think You Are
Includes all the nice characteristics created from the debut album and Mad Season. I believe it's the band's best album. Unfortunately I don't believe they can go higher than this level. However, an enjoyable alternative band to listen when you are in the mood
Me And That Man Songs of Love and Death
I was not aware of the anti-christian/atheist background of Adam Darski prior to listening to this album since I am not a black metal fan. However, I got impressed by how a guy like him takes an 180 degrees turn and records a country/blues rock album. The content varies from the traditional country lyricism though and is written with lots of gothic and melancholic elements. Darski's soulful baritone brings a dark, mournful and sometimes, desperate feeling to the tracks which only make them even better. Too bad if this turns out to be a one-off project. Recommendations: "On The Road", "Voodoo Queen", "Nightride", "My Church Is Black", "Of Sirens, Vampires and Lovers".
Me And That Man New Man, New Songs, Same Shit Vol. 1
The content of Darski's sophomore release is literally what the title indicates: many guest musicians ("New Man") contribute in eleven songs ("New Songs") the ode to Americana as began in the debut album ("Same Shit"). This album is bolder and more polished than its predecessor Songs of Love and Death however, it suffers again from a lack of identity. Such lack of identity was probably the main reason why no particular composition stood out for me in New Man, New Songs, Same Shit . Recommendations: "M?stwo", "You Will Be Mine", "Run With The Devil", "Surrender", "Coming Home".
Me And That Man New Man, New Songs, Same Shit, Vol. 2
This is the second album from series New Man, New Songs, Same Shit where Nergal hosts a dozen star guests to join him in dark country roads and dip in and out of a country-blues-rock journey. With a dark and heavy feel accompanying the majority of the songs, Nergal delivers twelve melodramatic ideas in an oppressive tone that show his restless music spirit. Recommendations: Witches Don't Fall in Love, Under the Spell, Year of the Snake, Silver Halide Echoes.
Megadeth Megadeth
As it was announced prior to the release, the self-titled album by Megadeth would be their final studio album. Although I am fond of Megadeath and despite there have been many years since I've heard a full record, I was curious to see how the evergreen ginger-haired shredder would exit. The album opens with 'Tipping Point', a brisky thrasher which lays the ground of what will follow. 'Let There Be Shred' is exactly what the title suggests - a tsunami of riffs raining down from Mustaine?s fretboard. The midtempo duet of 'Puppet Parade' and 'Another Bad Day' are both a tip of the hat to earlier triumphs such as 'Peace Sells' and 'Symphony of Destruction'. Megadeth concludes with the menace of 'I Am War' and the poignance of 'The Last Note?, before the coming of 'Ride The Lightning'. Mustain drops the curtain and creates the most fitting, full-circle finale for Megadeth. Recommendations: "Tipping Point", "Let There Be Shred", "I Am War", "Ride The Lightning"r
Metallica Reload
Reload holds a special place in my heart as it happened to be the first album that got me into Metallica and the rock/metal genre. It is the album where fans expected Metallica to return back to their thrash roots following the condemnation received after Load but the band stood still and simply refined the formula. James' vocals are great throughout and Lars' drumming is fluid and instinctive but at the same time confident and not aggressive. Rhythms and tempos are moving between bluesy slow ones and medium hard rock ones. Metallica have closed another chapter very successfully. rRecommendations: "The Unforgiven II", "Memory Remains", "Devil's Dance", "Fuel", "Low Man's Lyric"
Metallica Load
Load finds Metallica in the hardest transitional period of their career. After the commercial success of their self-titled disc (aka 'The Black Album'), the band was in a no-win situation. Keeping in mind that metal was overshadowed by alt-rock and grunge in the 90s, it was not the ideal moment for Metallica to regain their place at the higher echelons of metal with a totally different sound. In fact, for many years, the band got more attention for cutting their hair rather than the music they produced in Load (and Re-Load). This is the first album in which the band searches for creativity and challenge rather than speed and the 'succesfully-tried-and-tested' chords. The album's first half is more concrete with many tracks as reference points, while the second half is more experimental. Personally, I consider that Metallica survived victoriously this challenge and despite losing a big part of its fanbase, they have offered a different perspective of their music. Recommendations: "King Nothing", "Until it Sleeps", "Hero of the Day", "Mama Said", "Ain't My Bitch".
Monument (UK) Hair of the Dog
From the opening self-titled track until the closing "Lionheart", Hair of the Dog is a thunderous and powerful album with references to Iron Maiden and the British heavy metal steel. Without being original, Monument deliver a stream of energetic songs with an 80s-era vibe. Very nice production, catching every detail from pompous bass kicks to elevated high-vocal tones. Recommendations: "Imhotep (The High Priest)", "Crobar", "Blood Red Sky", "Lionheart"
Moreland and Arbuckle 7 Cities
7 Cities is an enjoyable blues rock album with lots of folk and country influences. It is definitely the band's best album to date, full of ambition and much attention to detail. 7 Cities is not only the home of the narcissistic "Tall Boogie" but also of the rhythmic "Kowtow", the groovy "Modern Boy" and the energetic "Road Blind".
Muse Showbiz
An excellent debut album with carefully crafted songs. There is lots of creativity, energy and power in the songs with some noticeable ballads as well. Recommendations: "Muscle Museum", "Uno", "Unintended", "Sunburn", "Showbiz"
My Little Funhouse Standunder
My Little Funhouse, a band from southeast Ireland, were originally signed by Geffen Records as the next GnR's. Alan Lawlor's thin and crisp vocals reminded me bands like The Graveyard Train and Cinderella, while brothers Brendan and Anthony Morrissey provide some tasteful guitar melodies. Not exactly a glam band but not really an alternative one either, My Little Funhouse was one of the many victims of the social shift happening in the early 90s, the moment in which a blond guy appeared with a guitar in an indoor basketball court. It is one of the bands with the potential to go big, considering that Standunder contains a handful of catchy, straightforward and memorable tracks. Recommendations: "I Want Some of That", "Wishing Well", "Anonymous", "Raintown".r
My Sister's Machine Diva
Diva is a solid yet overlooked record by Seattle-based band My Sister's Machine. It's heavy and aggressive sound bridges perfectly the late-80s metal scene with the early-90s alternative one. The term 'grunge-metal' is not an exaggeration, given this is a collection of angry and noisy songs with raw energy and a strong rhythm section. Singer and lyricist Nick Pollock had played guitar in an early incarnation of Alice in Chains with vocalist Layne Staley, as they called themselves Alice N' Chains. As a result, the similarities with early Alice in Chains are clear and obvious here. Tony recommends: "I Hate You", "Wasting Time", "I'm Sorry", "Pain".
Myles Kennedy The Art Of Letting Go
Myles Kennedy is one of the most reliable sources of qualitative rock, either this is through Alter Bridge, his collaboration with Slash and the Conspirators or his solo career. In his first two albums, Kennedy tried to follow a lighter approach, an alternative sound to the one that the seven albums with Alter Bridge had. However, in this third release, he set himself loose and does what he knows best. The Art of Letting Go is full of tracks that could have easily ended up in an AB release. It contains the usual skyscraping vocals, many colossal choruses and some thunderous riffs. Myles Kennedy is at the top of his game right now. Recommendations: "How The Story Ends", "Mr. Downside", "Eternal Lullaby", "Nothing More to Gain"r
Needtobreathe The Heat
Much better than its debut, The Heat has a variety of nice songs to choose from. The majority of the album is enjoyable but it's clear that the band has more potentials. Apart from the excellent "Return", I would recommend "Restless", "We Could Run Away", "Streets of Gold", "More Time", "Signature of Divine", "Nothing Left To Lose"
Nestor Teenage Rebel
Teenage Rebel is the sophomore release from the Swedes who were formed back in 1989 (!) but did not manage to record and release any albums at the time. However, they reformed the band and released their debut album Kids in a Ghost Town in 2022. Musically, the band's sound revolves around melodic and glam/AOR hard rock straight from the 80s. There is simplicity in the songs' structure, there are hooky choruses and plenty synthesizers. Oh and as with every self-respected glam band, there is a woman-centered power ballad as well! Tony recommends: "We Come Alive", "Last to Know", "Victorious", "Caroline".
Nick Waterhouse Promenade Blue
Nick continues writing music with the flavor of ?50s and ?60s R&B, jazz and soul without sounding imitative nor derivative. His sound is touched by the past but is built for the present as it has just enough modern-day grit, grooves and blues to keep it fresh and lively. Promenade Blue is a collection of 11 tracks that are pleasing to the ear and will make you snap your fingers and tap your feet with its neo-soul and contemporary surf rock licks. Recommendations: "Place Names", "Medicine", "Very Blue", "The Spanish Look".
Nickelback All the Right Reasons
Nocturnal Rites Grand Illusion
Grand Illusion is an album with nice melodies and mid-to-fast tempo tracks, having the usual energy and vibe that a good power metal album should have. Despite its non commercial name, Nocturnal Rites appears to be a solid band for the genre's deeper digging. Recommendations: "Never Trust", "Our Wasted Days", "Cuts Like a Knife", "Something Undefined".
Nonpoint Statement
An angst-driven, nu metal album that is delivered with angry vocals, heavy riffs and explosive energy. Recommendations: "What a Day", "Victim", "Years", "Endure".
Of Monsters and Men All Is Love and Pain in the Mouse Parade
All is Love and Pain in the Mouse Parade steps back from the modernized soundscape of synths and heavier pop of their previous record, Fever Dream. Instead, this release leans into polished, folk-rock instrumentation and sweeping, harmonious vocals. Where earlier albums reached for more mythic and elemental themes, this one finds beauty in the everyday where the Icelanders embrace mundane realities with poetic, folk-pop warmth. Fantasy and wonder, two elements that made their first three albums so captivating, still appear but this time their compelling storytelling has been applied to real life, creating an album that feels far more raw and emotionally resonant. Tony recommends: "Dream Team", "Television Love", "The Actor", "Ordinary Creature", "Tuna In a Can", "Fruit Bat"r
Oleander February Son
Oleander is one of those overlooked post-grunge bands that deserved a better fate than it had. Whether is the killer cover of The Cure's 'Boys Don't Cry', the opener 'You'll Find Out" or the often overlooked 'Stupid', the band's second album is packed with raw energy and upbeat rhythms. The spotlight is definitely on the Nirvana-esque 'Why I'm Here', but similarities can also be found in 'Lost Cause', a track that carries some Foo Fighters spirit. The powerful ballad 'How Could I' was another interesting moment but this did not change the album's character. Recommendations: "Why I'm Here", "Stupid", "You'll Find Out", "Lost Cause"r
Paw Dragline
Paw's 1993 debut album Dragline, is a raw, heavy, and emotional record that blends metallic intensity and punk-like outbursts. It is often considered to be one of the great lost masterpieces of early ?90s alternative rock. Paw never managed to reach a wider audience, but none of the reasons why relate to the quality of the music or the passion with which Dragline was delivered. There is a distinctly ?southern? feel in this and the band's sound is open and expansive. With massive guitar tones, thunderous drum sounds, thudding agile bass, and powerful vocals, Dragline tells vivid, Midwestern-inspired stories that touch on heartbreak, alcoholism, lust, and nostalgia. Mark Hennessy delivers a gritty, impassioned vocal performance and writes about simple, everyday things in a breathtakingly poetic and sophisticated prose. While it was overshadowed by the massive Seattle acts of the time, it stands proudly as a timeless, aggressive, and highly emotive piece of '90s alternative rock. Recommendations: "Jessie", "Couldn't Know", "Lolita".
Puddle of Mudd Come Clean
I've found this to be a very decent album. Not much instrumental proficiency but there are songs that will keep you engaged for some time. Recommendations: "Control", "Drift & Die", "Out Of My Head", "Nobody Told Me", "Blurry", "She Hates Me"
Queens of the Stone Age ...Like Clockwork
Labeled by many critics as an 'album-of-the-year contender', I gave ...Like Clockwork a fair share of listenings. I am not familiar with QOTSA's music and this is my first album from their discography. I found the album's first side more adventurous and vivid, probably due to the pulsative and seductive grooves. Another positive in ...Like Clockwork was the transition between the singer's natural voice and his falsetto which I found to be utterly excellent. From this release I keep "If I Had a Tail", "I Sat By the Ocean", "Smooth Sailing", "Keep Your Eyes Peeled".r
Radio Moscow Brain Cycles
'Brain Cycles' lives up to the expectations of it's predecessor. There are many similarities between the songs of the two albums and depends on personal taste if this is better than the debut. Psychedelic, bluesy and retro, will remind you why (if you do) like this band. Recommended tracks: "No Good Woman", "Brain Cycles", "Hold On Me", "City Lights", The Escape"
Radio Moscow Magical Dirt
Parker Griggs has recruited Paul Marrone (drums) & Anthony Meier (bass) as full time members for the recording of Magical Dirt, Moscow's fourth studio album. Although the underlying formula of bluesy/psychedelic melodies remains unchanged, the majority of the songs here have a faster tempo and more energy. With another solid release Radio Moscow are becoming a reliable source of aesthetic modern rock. Recommendations: "Death of a Queen", "Bridges", "Got The Time", "Stinging"
Reignwolf Hear Me Out
Hear Me Out is a solid and comprehensive debut from a promising band. It has a distinctive character as the soaked, soulful and often distorted vocals of main man rJordan Cook are married perfectly with his buzzy, electrifying guitars, creating a bluesy garage sound with a grunge ethos. The album is sliced in two parts: the opening four tracks which depict an agitated, frustrated Jordan Cook caught somewhere in the middle between Black Keys and Royal Blood, and the rest ones exhibiting a painful and melancholic side. Recommendations: "Over & Over", "Keeper", "Ritual", "Black and Red".r
Richie Sambora Stranger in This Town
Richie Sambora?s debut solo album is a blues-driven, soulful masterpiece that steps away from Bon Jovi's stadium-rock anthems to showcase his powerful, and heartfelt vocal range, deep emotional songwriting, and restrained, masterful guitar work. Supported by his Bon Jovi bandmates David Bryan (keyboards) and Tico Torres (drums) along with bass legend Tony Levin and guitar icon Eric Clapton who makes a guest appearance on "Mr. Bluesman", Stranger in this Town can be described as a soulful, blues-driven, and introspective classic rock record. Standout tracks: the upbeat "Ballad of Youth" with its catchy melodic hooks, "Rosie" with its Bon Jovi energy, the moody title track "Stranger in This Town" which blends acoustic textures with rich keyboard soundscapes. r
Rival Sons Head Down
Sounding like the younger brother of Joe Bonamassa and the son of Paul Rodgers, the quartet from California set straight away their music direction: modern blues. With songs such as 'Keep On Swinging', 'Wild Animal' and 'All The Way', they raise our expectations for the future and set their-selves for a bright career. Other tracks to consider: 'Until The Sun Comes', 'The Heist', 'Three Fingers'
Rival Sons Before the Fire
I have to admit that this was not the greatest debut I've come across. However, this was a very
good attempt by the Californians to establish their sound and communicate what they are about. A
blues-oriented release with performances going from strength to strength. All five members give
their best and above all they work as a team; I could not single out one of them. They are all
passionate and equally skilled and this was evidenced along the way. Recommendations: "Pocketful
of Stones", "Memphis Sun", "Tell Me Something", "On My Way"
Rival Sons Hollow Bones
Rival Sons Feral Roots
Feral Roots is the most mature album of Rival Sons to date. It has not been recorded to be radio-friendly or attract new audiences. It has depth and lacks fancy hooks. It is spontaneous as if it was recorded during a fortnight. Recommendations: 'Shooting Stars', 'Look Away', 'Sugar On The Bone', 'End of Forever'r
Robert Plant Carry Fire
Carry Fire conveys the same folkish attitude as its predecessor, however, with less eastern influences (except the title song with that intoxicating Middle-East melody). In this expedition, Plant builds more on the atmospheric elements and the catchy choruses. I perceive a steady progression in his style and I start to like where his solo work is heading to (or where it has come to). A plethora of good songs to pick from, but how many times I've heard the album, the title song still overcomes me. Recommendations: "Carry Fire", "New World", "Carving Up the World", "The May Queen", "Keep it Hid"
Robin Trower No More Worlds To Conquer
This album was my introduction to the world of Robin Trower, the guitarist behind Procol Harum's first four albums. Trower?s Strat tones are deliciously inventive and mesmerizing, with slow-burn wah-wah squalls and perfectly executed bends. Behind the mic for this album is his longtime band member and fellow Englishman Richard Watts, who brings a gravel-voiced, soulful tinge. The closing 'I Will Always Be Your Shelter' is probably the peak of their collaboration here. This is a laid-back, atmospheric album with no particular stand-out tracks but rather a qualitative, homogeneous, end result. Recommendations: "I Will Always be Your Shelter","Ball of Fire", "Deadly Kiss", "Birdsong".
Royal Blood Out of the Black
Sabaton Attero Dominatus
One year after their debut, Sabaton release another great album using the same formula of success: a war theme, lots of energy and an ode to metal. There are various great songs here such as "Attero Dominatus", "Metal Crue", "Nuclear Attack" however my personal favourites are "Back In Control" and "Rise of Evil"
Sabaton Coat of Arms
Coat of Arms is a blasting release. Not that previous ones were not, but in their fifth release, Sabaton seem more aggressive, sharp with greater of energy. Other than the self-titled track which is one of my favourites, "Uprising", "Screaming Eagles", "Saboteurs" and in a lesser extend "White Death", are tracks worth listening.
Sabaton The Last Stand
Through the first listenings of The Last Stand, you may think that this is one of the weakest albums in the Swedes' catalogue. During that time only "The Last Battle" survived my personal tastes: synths, catchiness, rhythm, Nazis. However, the more chances I gave, the more tracks were growing on me. Definitely better than Heroes, not an inch near Primo Victoria. Nice idea of conceptualising famous "last stand" battles. Another history lesson. Recommendations: "The Last Battle", "Shiroyama", "Blood of Bannockburn", "Sparta"
Sabaton The War To End All Wars
The War to End All Wars features the Swedes? usual mixture of history lessons and individual tales of heroism. Their formula continues to be highly effective as they deliver some huge riffs and their usual bombastic choruses. Lyrical inspiration comes again from WWI and once more there are some interesting stories to be heard. The album's flow is nice as the tracks move from the explosive ones to the slow-paced powerful onesrin a skillful way.

Recommendations: "Stormtroopers", "Hellfighters" "Christmas Truce", "Dreadnought", "Lady of the Dark"
Saliva Every Six Seconds
Saliva's sophomore release sits somewhere between alt-metal & nu-metal, reminding bands like P.O.D, Breaking Benjamin and The Butterfly Effect. Most of the songs here have catchy choruses, crunching guitar riffs, and vocals are loud, aggressive and have the occasional growling. Every Six Seconds does not sit on the rap side of the genre and is a great album to dig into. Recommendations: "Superstar", "Click Click Boom", "After Me", "Lackluster", "Doperide"
Santana Santana
Santana's debut album is a great mixture of influences stemming from the combination of Latin American tunes with late 60s/early 70s classic rock in the likes of The Beatles, Cream and The Jimi Hendrix Experience. Mexican-born guitarist Carlos Santana and the rest wild percussionists display clever musicianship and an unparalleled feel for groove throughout the record. The tracks in their majority are instrumental: exotic congas, jazzy drums rhythms and an attacking hammond organ, supported by Santana's eclectic guitar, garnishes everything with sweet melodies. Often, the major reference of this album is 'Evil Ways', but there is more than the single's charm if one wants to dive a bit deeper. Recommendations: "Evil Ways", "Jingo-Lo-Ba", "Soul Sacrifice".
Scorpions Virgin Killer
Excellent Side A. However, after the end of the title track I believe the quality diminishes substantially. if the previous three albums did not convince you enough, then this would.
Scott Stapp Higher Power
"I'm alive, I walked through fire, I survived" cries Scott Stapp in the opening track of his latest release. He sounds rejuvenated and refreshed, with an appetite to become a protagonist like he once was in the post-grunge days, somewhere in the late 90's/early 00s. Higher Power is an emotional record which relies heavily on the introspective lyrics and the passionate vocal performance of Creed's frontman. This makes absolute sense because Stapp's lyrics and stories have always been at the forefront of his music. This time, the stories describe how how he has faced his demons and became stronger. It can even serve as a motivator for people who need help that its fine to seek for it in order to overcome adversities. Since the last time I have checked his solo work in Proof of Life, Stapp has kept the production at the same high levels, albeit more polished. It is obvious that he has worked much on the lyrics and the melodies, as he has written some catchy tracks with nice underlying melodies. There are cliches and also predictable lyrics here and there, but these will never leave Stapp's arsenal and they make him who he is. All in all, this is more than an average album and the collaborations (both with Dorothy and Y.Papadopoulos) play a major role for this. Recommendations: "What I Deserve", "Weight of The World", "You're Not Alone", "Dancing In the Rain"
Sentenced Frozen
Frozen marks the band's full transition from melodic death metal to a more polished, dark and sorrowful kind of gothic metal, highlighted by Miika Tenkula's intense guitar work and Ville Laihiala's emotional vocal delivery. The latter becomes a full member and contributes also in the writing process. With its atmospheric hooks and introspective lyrical themes of misery, heartbreak, and death, Frozen becomes the starting point of my personal affection for Sentenced. Tony recommends: "Farewell", "Dead Leaves", "The Rain Comes Falling Down"r
Serj Tankian Elect the Dead
I remember hearing Tankian's first solo album many years ago, and granted, I was not impressed. The reason was obvious enough, as my expectation was to hear something close to SOAD. Though it diverges away from the SOAD sound in many places, Elect the Dead is full of Tankian's acerbic screams, gentle croons and high-pitched falsettos. Expectedly, the focus here is the lyrical content which is sharp and bitterly strong as it touches the genocide, politics, environmental and other topics relevant to activism. There are many moments of enticing hooks and great melodies despite the simplistic riffage and piano structures, having in mind that back in 2007 Serj was mainly a vocalist who was making his first steps in a solo career. Hearing this again in 2024 after a deep dive into Tankian's memoirs, makes absolute sense. Recommendations: "Feed Us", "Honking Antilope", "Empty Walls", "The Unthinking Majority".
Seven Mary Three American Standard
Released in the mid-90s, this debut album of ??? Virginia-based rock band Seven Mary Three, is considered amongst the highlights of the post-grunge era. While "Cumbersome" and "r"Water's Edge" are often cited as the highlights, I also found "Devil Boy", "Headstrong" and the beautiful anti-bullying "Lame", equally strong tracks. With compelling melodies, and a passionate - full of grit - vocal performance from Jason Ross, American Standard is powerful album worth listening to.r
Sevendust Animosity
Animosity has a radio-friendly character but does not deviate from the band's style and songwriting. It blends aggressive riffage with heavy instrumentation and soulful melodies with heart-wrenching, hooky and singable choruses. Lajon Witherspoon's vocal range and ability to transition between screaming and softer, more melodic vocals is a highlight. Tony recommends: "Xmas Day", "Praise", "Dead Set", "Follow", "Trust".r
Shinedown The Sound of Madness
Silverchair Frogstomp
Silvechair's debut album may have resemblances with bands like Pearl Jam (check 'Cicada', 'Tomorrow') and Soundgarden ('Pure Massacre', 'Leave Me Out') but I am not sure if anyone can be truly original when they're 15. The Aussies are not regarded as a 'grunge' band but Frogstomp is definitely one of those albums who helped lay the groundwork for the post-grunge era. It is thick and gritty, it has sludgy guitar riffs, a metal edge and dark undertones. With less fuzz and more regular time signatures, it has the aggression and the moodiness to showcase the band's potential. Recommendations: "Pure Massacre", "Tomorrow", "Israel's Son", "Suicidal Dream".
Skid Row The Gang's All Here
It seems that the legendary metallers have finally found a worthy and coequal voice behind the stand after Sebastian Bach. The voice of Erik Gronwall, a fiery young Swede, carries the same swagger and ?Fuck yeah!? vibes as it brings memories of the band's late 80s/early 90s days. Skid Row have found their way back home to their hair metal roots and The Gang's All Here marks a triumphant return to form. Sleazy riffs, greasy basslines, and revved-up tempos balance perfectly yesterday's nostalgia with today's demands. Recommendations: "The Gang's All Here", "Resurrected", "Not Dead Yet".
Slow Season Mountains
This Central California band had as a goal to capture the spirit of the late 60s/early 70s and make people wonder if this record was made in 1969, as per drummer Cody Tarbell. Influenced by bands like Budgie and Led Zeppelin, Mountains is full of soaring refrains, howling rock ?n? roll vocals, bluesy riffs and bombastic Ludwig drum poundings. The songs have a natural feeling in them as they were recorded live on reel-to-reel tape. These analog sounds help the quintet not only to pay homage to its heroes but also meet their goal. Tony recommends: "Sixty-Eight", "Endless Mountain", "Synanon", "Shake"
Soul Asylum Grave Dancers Union
Grave Dancers is not only the best-selling album by the Minessota-based alternative rockers Soul Asylum, but is also considered as one of the classics of the genre. The album contains some catchy melodies and occasionally strong lyricism, with some parts even exploring other sub-genres. Often overlooked, Grave Dancers can be considered as one of the albums that bridges the gap between underground alt. rock and mainstream success. Tony recommends: "Runaway Train", "Somebody to Shove", "Homesick", "April Fool", "Without a Trace".r
Soulsavers The Light The Dead See
Depressing, melancholic and mournful. Suitable only if you are in such mood
Spidergawd From Eight To Infinity
Spidergawd's latest release is a highly energetic and joyful album to listen to. The band's signature layered vocals, driving rhythms and stoner sounding effects along with Thin Lizzy style twin guitars maintain the quintet's distinctive character. Recommendations: "Confirmation", "One In a Million", "Revolution", "Winter Song"r
Spiritual Beggars Sunrise To Sundown
The album's first single -the self-titled track- is an accurate representation of the style that the band decides to adopt in this record. While Earth Blues was more accessible because it had a jovial mood and some excellent melodies, Sunrise to Sundown is heavier with the focus being given on the riffs and the hammond. Recommendations: "Lonely Freedom", "Dark Light Child", "Still Hunter", "Sunrise to Sundown"
Sponge Rotting Piñata
Emerging from Detroit, Sponge released their debut album Rotting Pinata in the summer of 1994 at a time where the world was preparing for life following Cobain's death. Rotting Pinata is a melodic alternative rock album with post-grunge elements of the 90s, deserving more credit and recognition than probably has. It is full of strong melodies and infectious choruses, without necessarily being lyrically sophisticated. Tony recommends: "Drownin'", "Plowed", "Rotting Pinata", "Molly (Sixteen Candles)", "Giants".r
Sprints Letter to Self
Sprints is a four-piece, Dublin-based rock band that has managed to marry raveled alt-rock with wild bursts of punk and grunge in this debut album called Letter to Self. It is a dynamic album with a heavy subject matter as the heavy lyrical content touches solemn, ordinary topics of the perplexing world we live in with a sense of honesty. It has rage, it is uplifting, explosive and channels energy from start to finish. This is band worth monitoring. Recommendations: "Heavy", "Shaking Their Hands", "Can't Get Enough of It", "Adore Adore Adore"
Staind Break The Cycle
Staind Confessions Of The Fallen
Staind has been a band that I used to like a lot and Break the Cycle was one of my favorie albums back in the day. After some fruitless attempts which I accedentally listened to (The Illusion of Progress and Staind), even Lewis himself gave up. Fast forward to 2023 and 12 years after Lewis' escapade in country music, Staind returns to the nu metal style that made them famous in the very begining. I admit that Confessions of the Fallen caught me by surprise as it has the all the elements that made me like this band in the first place. It has the traditional heaviness in the riffs, the memorable choruses and Lewis' trademark vocals. In many instances, tracks contain unusual but accurate growlings, reminding some times Benjamin Burnley (Breaking Benjamin) and others Jonathan Davies (Korn). Lyrics have the traditional depressing character and vocals the typical aggression in the tone. rRecommendations: "Lowest in Me", "Out of Time", "The Fray", "Cycle of Hurting".
Steven Wilson Hand. Cannot. Erase.
Hand. Cannot. Erase. shows the plethora of Wilson's music styles. It blends perfectly a 70s progressive aspect with an atmospheric modern pop rock element. It may not be Wilson's best work to date, but this release strengthens even more his position as a successful solo artist. Recommendations: "Home Invasion", "Hand Cannot Erase", "Perfect Life", "Happy Returns", "3 Years Older"
Stone Temple Pilots Shangri-La-Dee-Da
r[i[Shangri-LA DEE DA[/i] comes at a tumultuous time for the group, who would go their separate ways after the conclusion of the LP. It is evident from the album's lack of direction and the mixed sounds that this was a band about to collapse rather than an experimentation. The album starts strongly with the majority of the better tracks concentrated in the first half. The heavy riffs found in tracks like 'Dumb Love' and 'Coma' remind sounds from No.4, while 'Days of the Week' and 'A Song for Sleeping', sound like forgotten tracks from Tiny Music.. sessions. Despite the disorientation, STP prove how good chemistry they have that even an unpopular release can stand firmly. Recommendations: "Hollywood Bitch", "Days of the Week", "Coma", "A Song For Sleeping"r
Stratovarius Eternal
I found Eternal to be a solid, 'return to the roots' album for Stratovarius: fast-paced tempos, engaging sing-alongs, and catchy choruses. Recommendations: "Man In The Mirror", "Few Are Those", "My Eternal Dream", "Rise Above It".
Stratovarius Survive
The evergreen power metal machine is back after a seven-year silence. In Survive, Stratovarius sound focused, sharper and stronger than ever before in their reshaped form.rFollowing the excellent Eternal, the Finnish appear to be back on track with another great album. Kotipelto and co. have found once again the creative spark without the need to reinvent the wheel. The catchy melodies and powerful rhythms which have always been their trademark characteristics are all over the album. Kotipelto's ageless, impregnable, unbreakable voice delivers massive hooks and with lots of singalong choruses, it is the driving force. Recommendations: Frozen In Time, Glory Days, Survive, World on Fire, Survive.
Stray Gods Storm The Walls
Stray Gods is the project of Bob Katsionis (ex-Firewind) who decided to pay homage to his heroes
of the New Wave of British Heavy Metal. In specific, Storm the Walls is an album that has
an Iron Maiden flavor as the Greek metaller and his band exhibit their love and respect to the
British gods to the utmost degree available. The closest sound to Iron Maiden that I have ever
heard was that of Monument but here, Katsionis takes it to another level. The album enters with
the galloping 'The Seventh Day' before a riff analogous to 'Number of the Beast' appears so as to
give 'Black Horses' a shape. 'Silver Moon' is the second longest track and while its opening bass
notes transfer you to the post-00s sounds of Steve Harris, the song's frenetic pace reminds the
listener of the agonizing '2 Minutes to Midnight'. One of the album's best moments is the lively
'Alive for a Night' with its powerful drum fills that vividly picture a modern 'Hallowed Be Thy
Name'. Not coincidentally, the album closes with the title track: a seven-and-a-half prog epic
that starts with a narrative similar to 'Alexander the Great' and has the characteristics of
'Dance of Death' and 'A Matter of Life and Death'.

Recommendations: 'Silver Moon', 'The Seventh Day', 'Alive For a Night'
Stray Gods Olympus
The homage to a certain NWOBHM era band is carried by the Greek metallers Stray Gods in their sophomore release. From opening track 'Out of Nowhere' is apparent that the production's quality is better than last time, as the sounds are crispier and brighter. This is probably one of the main reasons why Olympus sounds closer to Maiden's post 00s era rather than the older days, a different characteristic from the debut. Compositions are once again firm and powerful with lots of energy. One main drawback of this album is the absence of hooky choruses however, as riffs remain tight and vocals are sturdily hitting high notes, the album remains solid throughout. Recommendations: "The Other Side of the Mirror", "Olympus", "Abel & Cain".
Sully Erna Avalon
I never had the chance to experiment with Godsmack's music, but the first solo album of their vocalist Sully Erna was a pleasant listening. Avalon has an experimental feeling in it and Sully through his soul-searching lyrics is delivering an emotional result with some inspirational performances. In Avalon, electric guitars have a secondary role to play and drums are scarce. Musically, the album is coherently based around acoustic guitars, piano, violin, and other percussions which create a dominant tribal theme most of the time or an oriental one in others. The highlight in Avalon is certainly Erna's vocals which are often accompanied by those of guest vocalist Lisa Guyer, creating a magnificent result. Recommendations: "7 Years", "My Light", "Avalon", "The Departed".r
Supertramp Breakfast In America
System of a Down Steal This Album!
At the dawn of the 21st century, where music was entering a new age and digitalization seemed the future, SOAD see a collection of unreleased recordings rleaking on the internet. However, instead of court proceedings and legal actions, the quartet polishes the leaked demos to try and benefit from the piracy. Fresh from their recent success after Toxicity, they ironically name their next album Steal This Album!, referencing Abbie Hoffman's 'Steal this Book'. Like a modern Midas, Rick Rubin adds his touch for a cohesive outcome while the band is at its finest moment both lyrically and instrumentally. Often intriguing, ocassionally silly but throughout anti-political lyrics supported by aggressive and chaotic music, Steal This Album! is a rough diamond, regularly overlooked. Recommendations: "Nuguns" "Bubbles", "Boom", "I-E-A-I-A-I-O", "Chic N Stu", "Innervision", "Pictures", "Roulette".
Tame Impala Lonerism
Lonerism is the appropriate sequel to the compelling debut Innerspeaker. It keeps the psychedelic state of mind, the retro sound and brilliant musicianship. There are moments of simplicity but great musicianship nonetheless. As STAFF member Hernan so brilliantly said in his review: [...]"It provides a collection of songs that reflect typical lyrical themes, offering a similar view on humanity as their previous releases, one that really empathizes with the experiences of youth. The sexual and social awkwardness, personal insecurities, and the ever wavering concern of what the future holds- Kevin Parker explores all of these sentimental thoughts inside a psychedelic scenery meant to alter our perception, while describing situations so personal and emotionally universal, that it's as if he's directly illustrating moments from our own life.[...]. However, it's major drawback is that overall it has less attractive songs and it was not as accessible as Innerspeaker. Recommended tracks: "Apocalypse Dreams", "Mind Mischief", "Music To Walk Home By", "Elephant"
Tame Impala Currents
Kevin Parker returns in a different style from the one adopted in Impala's two previous releases. In Currents, all songs are layered on a silk veil of synthesizers and guitars have a secondary role. Most of the drum parts sound compressed, while the vocals in their majority are distorted. The irresistible melody of "Let It Happen", the comprehensive "The Less I Know The Better" and the trio of "Eventually"/"Cause I'm a Man"/"Yes I'm Changing" are the album's finest moments in my opinion. The sallow "Love/Paranoia" and the discursive narrative of "Past Life" are the band's worst attempts not only in Currents, but throughout their entire discography.
Temples Sun Structures
The Temples are another pleasant surprise in the world of neo-psychedelic/vintage rock. It takes the British quartet less than an hour to transmit to you the vibe and the retro feeling of their music and their style. Young listeners will feel the innocence while older ones will definitely be overcomed by nostalgia. Sun Structures starts very strongly and in my opinion the first half is much better than the second one, although the latter has some moments of brilliance as well (see "Sand Dance", "The Guesser"). I expect that their popularity will increase dramatically over the next few years especially if their sophomore effort is of similar quality. Recommendations: "The Golden Throne", "The Guesser", "Shelter Song", "Sun Structures"
The Answer Raise a Little Hell
The Arcs Yours, Dreamily
In Yours, Dreamily Auerbach stretches his boundaries a bit beyond the comfort zone of the Black Keys. There is a garage-rock attitude above all, however, in instances, this is blended with some jazz ("Velvet Ditch"), mellotron ("Put a Flower in Your Pocket") and trip-hop ("Rosie") elements which create a diverse yet cohesive overall output. Recommendations: "The Arc", "Put a Flower In Your Pocket", "Outta My Mind", "Chains of Love"r
The Black Crowes The Southern Harmony and Musical Companion
A very interesting album that blends very well country rock with blues elements and at rare moments includes swamp rock characteristics. Noteworthy songs: ''Sting Me'', ''Remedy'', ''Thorn In My Pride'', ''Black Moon Creeping''
The Black Crowes Happiness Bastards
I am not familiar with the previous work of The Black Crowes but Happiness Bastards caught me by surprise. Not only the compositions are tight here, but also the melodies are sweet and catchy and the grooves are infectious. All these elements are wrapped exquisitely in a southern feel that reminded me of another favorite band, Blackberry Smoke. Recommendations: "Flesh Wound", "Bedside Manners", "Cross Your Fingers", "Follow the Moon".
The Black Keys Turn Blue
It was a very difficult task to imitate the success of El Camino and the duet was aware of that. This is maybe one of the reasons why they have used the same framework/success formula of earlier albums to record a decent follow-up. Slower tempos but with lots of melodic parts and catchiness, this album manages at least to keep the band amongst the prominent ones. Recommendations: "Weight of Love", "In Time", "Fever", "Bullet In The Brain", "10 Lovers"
The Black Keys Delta Kream
Before listening to this record, I was not aware that the spiritual home of the Black Keys lies in the Mississippi Delta, the home of country blues and the swamp that gave birth to American blues. This is an album recorded in a 10-hour session that was made to honor and pay tribute to the duet's Delta heroes: to those hill country blues elders that did not travel to Chicago to convey the blues and the fame that that Muddy, Wolf, Little Walter and B. B. King enjoyed. They stayed back at home. They farmed, they drove tractors and worked for themselves and their family. rIn Delta Kream, the Black Keys explore textures and emphasize grooves and rhythms. They keep steadier riffs and simpler guitar chords with fewer changes, exactly what characterizes hill country blues and at the same time differentiates them from their Delta brothers. It is an album that is closer to the aesthetics of Turn Blue rather than the commercial stardom of El Camino or the jovial spirit of Let's Rock.rIn this record, Dan and Patrick embrace the stories as told by blues legends (Fred McDowell, R. L. Burnside and Junior Kimbrough) with all their roughness, their poorness and their difficulties. With no intention of commercialism or flashiness, the Keys deliver a loving and respectful result. They play the blues that are buried deep in their soul. Recommendations: Stay all Night, Louise, Poor Boy a Long Way From Home, Do the Romp
The Black Keys No Rain, No Flowers
Every album after El Camino takes me a couple of listenings to realize what the duet brings to the fold with every new release. No Rain, No Flowers finds the two-man rock group from Ohio hiring a handful of prolific songwriters and producers to overturn the poor management decisions made after Ohio Players. No Rain, No Flowers is vibrant with cheerful melodies and lots of groove. The Black Keys sound euphoric and with their dreamy 60s psych-soul / modern blues deliver a coherent and meaningful result, despite drifting from the garage vibes that shaped the band's sound. Tony recommends: "Babygirl", "Man on a Mission", "No Rain, No Flowers", "Make You Mine".r
The Blue Stones Metro
The latest work from the Canadian duo The Blue Stones, is a concept album that takes the listener through the lonesome journey on a dark and dystopian subway, whereby the protagonist explores the darker side of emotions and experiences. Metro reminds the early works of Cage The Elephant and Royal Blood, as the rhythmic combination of punchy drums and fuzzed-out guitars create a melting pot of rock and blues. Predominantly, the album has two types of tracks: the bouncy/vibrant/buzzy ones and the more straightforward, darker ones. I found this the most interesting release since their debut album, 8 years ago. Tony recommends: "Come Apart", "Falling Leaves", "Your Master", "Lose My Name", "New Immigrant".
The Butterfly Effect Begins Here
Begins Here is a convincing debut and a great way of the Australians to be introduced in the scene. A compelling vocal performance by Clint Boge who sounds both agonizing and aggressive. Guitar riffs are powerfull while the rhythm section remains consistently heavy and solid throughout the whole album. Recommendations: "Beautiful Mine", "Always", "Crave"r
The Cold Stares WAYS
Ways is my introduction into The Cold Stares, a solid and confident du0 which blends eloquently the bluesy melodies and hard rock riffs of guitarist Chris Tapp and the thunderous chops and convincing rhythms of drummer Brian Mullins. A compelling first half with energy, power and passion while the second one is softer, more lyrical and has a folk/country approach. Recommendations: "Ways", "Down Again", "Into Black", "I Ain't the One".
The Darkness One Way Ticket To Hell And Back
The Darkness revitalised the rock scene with their debut album Permission To Land. Period. However, their second album attracted a lot of criticism among fans. There are still lots of enjoyable riffs and lyrics, however it is easily understood that the band's formula is disposable. Recommendations: "One Way Ticket", "Bald", "Girlfriend", "Hazel Eyes"
The Decemberists The Crane Wife
Musically, The Crane Wife pushes The Decemberists in the unchartered territory of prog-rock. Albeit the prog-rock influences however, it never escapes the indie character that The Decemberists have shown so far in their lifespan as a band. On the contrary, it shows a versatile and mature band that has used its folk-rock strengths to create a concept album based on a Japanese folktale. Colin Meloy continues exhibiting his exceptional talent in storytelling with canny words and extensive use of the vocabulary. Recommendations: "O, Valencia!", "The Island", "Summersong", "Perfect Crime #2"
The Decemberists The Hazards of Love
The Hazards of Love represents Colin Meloy's pinnacle of storytelling. Meloy has shown his lyrical prowess from the very beginning of The Decemberists' career, but it was only in the band's previous release - The Crane Wife - where he tried to follow a more progressive rock path. The Hazards of Love is a concept album focusing on a love story between a woman (Margaret) who falls in love with a forest dweller (William). but the Forest Queen (William's mother) and a villainous rake, try to bring conflict and separate the couple. What I liked in this album was the blend of folk and indie rock elements which provided the appropriate canvas to support the various vocal arrangements. The album is one of those concept ones where it is difficult to isolate tracks, as many of them segue into each other and make the separation a hard process. Recommendations: "The Rake's Song", "The Wanting Comes in Waves/Repaid", "A Bower Scene"&"Won't Want for Love", "The Queen's Rebuke/The Crossing" & "Annan Water".
The Decemberists As It Ever Was, So It Will Be Again
On their first new album in six years, the folk troubadours return to familiar territory following their slight detour in 2018 with I'll Be Your Girl. In As It Ever Was, So It Will Be Again, the rustic indie/prog band from Portland delivers its familiar balladry, mournful country blues, sprightly indie pop-rock and lilting Americana in a 67-minute zestful release. It is fair to say that in the album's eleven songs The Decemberists cover a fair amount of ground, however, the slow to mid-tempo folk rock predominates and this is where the band's strengths lie. I found the second half a bit weaker in comparison to the first, as it includes tracks like the jovial but forgettable ?Born to the Morning? and the weepy ?Never Satisfied?. It also contains the longest song that the band ever attempted - "Joan in the Garden" - a nineteen-minute prog odyssey which closes the album emphatically. Recommendations: "Oh No", "Long White Veil", "Tell Me What's on Your Mind", "All I Want is You".
The Doors Waiting For The Sun
The Firm (UK) The Firm
The Flying Eyes Burning the Season
Although not a fan of stoner rock, I found Burning the Season an enjoyable listen. rHeavy Sabbath-esque grooves all around in a moody atmosphere which is not necessarily dark and pessimistic. Recommendations: "Oh Sister", "Come Round", "Circle of Stone", "Farewell", "Sing Praise"
The Gaslight Anthem Handwritten
I found Handwritten to be a pleasant album with vigorous rhythms and entertaining melodies. It is a collection of robust alternative rockers; an album for the highway which stems a feeling of nostalgia. Recommendations: "Handwritten", "45", "Mulholland Drive", "Too Much Blood".
The Graveyard Train The Graveyard Train
The Graveyard Train?s one and only release happens to be one of the most criminally underrated and under the radar albums I have listened to. Frank Scimeca (bass) and Robert Iezzi (drums) formed this band from the ashes of Angora. Having recruited the relatively unknown Los Angeles residents Todd Griffin (vocals) and Bruce Draper (guitar), they went on to create an interesting, blues-driven, sleazy sound with southern elements and glam rock influenced vocals. A hybrid of Black Crows-meets-Cinderella for the experienced ones, a blend of Goodbye June and Dirty Honey for the modern chaps. Recommendations: "Down to the Wire", "Memphis #999", "Walking the Line", "Salvation Psalm"
The Halo Effect Days of the Lost
The Halo Effect is a group comprised by former members of In Flames, despite Michael Stanne (vocals) making his name in Dark Tranquility rather than In Flames. However, being a fan of both bands, I was always curious to listen how a 'mature' Stanne would sound in such collaboration. Days of the Lost a strong and tight piece of melodic death metal music that features harmonizing guitars, agressive riffs and raspy vocals. It contains a bunch of catchy melodies that support Stanne's powerful and (ocassionally) clear voicalsrto create an enjoyable melodeath record that can satisfy fans of both aforementioned bands. Recomenndations: "Gateways", "In Broken Trust", "Conditional", "Shadowminds".
The Hooters Amore
Encouraging debut album as it has many good songs. Recommendations: "Hanging on a Heartbeat", "All You Zombies", "Don't Want To Fight", "Fightin' On The Same Side", "Concubine"
The Mothercrow Foraneo
Five years after their debut Magara the Barcelona-based rock act has returned back, more focused and accurate, having done significant progress steps. Staring with better production and mixing, the Spaniards' sophomore album carries an early '70s hard rock swagger and vintage sounds, channeling retro aesthetics in its 39 minutes. The powerful and imposing voice of front woman Karen Asensio, supports perfectly Max Eriksson?s relentless melodies and groovy guitar riffs. Great work is also being done in the rhythm section as Jaume Darder (drums) and Daniel Ribeiro (bass) support with some tight and mighty performances. Tony recommends: "Danger Rules", "Foraneo", "Standing My Ground", "Howling"
The Mystery Lights Purgatory
The Mystery Lights have studied vigorously the original garage rock vibe of the 60s. ?hrough Purgatory, they transfer with kaleidoscopic soundscapes and lo-fi sensibility, the essence of the?60s alternative rock. Their style is not niche but their music appeals to a specific audience. There is an abundance of fuzz and reverb and both of these support a solid rhythm and blues section in the album's 37 psychedelic minutes. Tony recommends: "Memories", "In the Streets", "Mighty Fine & All Mine".
The Nice The Thoughts of Emerlist Davjack
The Night Flight Orchestra Give Us The Moon
Give Us The Moon is an album full of positive vibes, infectious energy and memorable choruses. Rock and roll straight from the 80s and with disco garnishes here and there ('Like the Beating of a Heart' and 'A Paris Point of View', 'Give Us the Moon'), the Swedes pull out a fun record to listen. Kiss, Journey and Foreigner are some of the bands that can cited as influences, given the classic rock/AOR character the band tries to emulate. Recommendations: "Miraculous", "Like the Beating of a Heart", "Shooting Velvet", "Give Us the Moon"
The Offspring Splinter
I have approached Splinter with too much caution as I could not imagine how the band could match the success of its last two albums. In Splinter, songs carry both a heavier as well as a punkier feel to them and drifts (somehow) away from the pop punk breeze that Americana and Conspiracy of One had. This has definitely satisfied old fans that were disenchanted with the mainstream tone of the last 5 years. What I also liked about Splinter is that the band's character has not been compromised despite of all the mainstream success, meaning that they still throw some silly, immature, yet acute lyrics around ('The Worst Hangover Ever', 'When You're In Prison', 'Da Hui') but not that many to destroy the balance. Recommendations: "Hit That", "The Noose", "The Worst Hangover Ever", "Lightning Rod", "Spare Me the Details".
The Offspring Smash
Altough I have never been a fan of punk rock, Smash is a great album for someone to be introduced to The Offspring's discography and the punk genre. In this album, the band finds the right ingredients for its formula of success: a combination of fast-tempo, highly energetic punk tunes with pop-punk catchiness and memorable choruses. In addition, there is also a step up in the production, which is much improved here. Recommendations: "Self Esteem", "Gotta Get Away", "Come Out and Play".
The Offspring Ixnay on the Hombre
I found Ixnay on the Hombre to be a solid album that manages to match the quality of Smash, but not surpasing it. To me it seems that this is the album in which the band defines its sound and this comes through Noodles' (Kevin Wasserman) delivery of fast chords in a punk/pop rock fusion way, as well as Dexter Holland's thin and crisp vocals. It is a coherent and occasionally melodic album with a good balance between energetic and mid-tempo tracks, despite essentially being a punk rock release. I found the first three tracks to be great starters as the "Meaning of Life" which ignites the album is followed by the witless yet extremely catchy "Mota", before the groovy "Me & My Old Lady" appears. "Gone Away? is also an interesting, grunge-inspired track with a different vibe and texture. This was the second single released from the album and showed a deeper, more emotional side of the band. "All I Want" serves as one of the high-energy rockers and can serve as bridge Smash, as it feels like it could have been included somewhere within it. ?I Choose? is a nice, straightforward track that builds on funky rhythms with Kriesal and Welty?s bass and drums complementing Noodles' electric riffs. "Disclaimer" and "Intermission" are both funny and tongue-in-cheek additions but are well-placed and serve their own purpose. Recommendations: "Mota", "Me & My Old Lady", "Gone Away", "Change the World".
The Offspring Days Go By
The album's first half is straight out of the Offspring's playbook, with opening track 'The Future Is Now' and 'Secrets From the Underground' serving as full-throttle rockers with the standard punk beat and loads of energy. 'Hurting as One' and 'Turning Into You' have more driving beats while the title-track is cited by many to have a Foo Fighters feel into it. 'Cruising California' has a pop feel and was probably destined for extensive radio airplay. Not only this was the worst choice for a single but it also distracted many. 'O.C. Guns' has a mixture of funky reggae bass, a dub vibe, and a gangsta feel, wrapped in the typical Offspring funny tone. I found 'Dirty Magic' to be one of the highlights here: a re-recorded version of the track originally appeared in the band's second album Ignition back in 1992 which could have been one of the singles. 'I Wanna Secret Family With You' and 'Divided by Zero' have a filler status before 'Slim Pickens Does the Right Thing and Rides the Bomb to Hell' finishes out the disc. Tony recommends: "The Future is Now", "Dirty Magic", "OC Guns", "Turning Into You", "Slim Pickens".
The Parlor Mob Cry Wolf
The Mob chooses to approach their latest release in a 'progressive rock' style, something which is most welcomed amongst the fans. It shows inspiration, diversity and desire to be different. Although it starts very strongly, it diminishes in quality as it goes on. "The Day You Were Born" is an epic 8-minute agonising track while "Dead Man" is the most melodic track of the album. "Racing With a Beating Heart" is the catchiest song because of its underlying groove but "Doe Eyed Dear" and "Cry Wolf" did not impressed me personally.
The Police Zenyatta Mondatta
The Record Company The 4th Album
In their fourth album, The Record Company managed to recapture part of the glamour that their debut album distilled. Driven by the blues and inspired by the American South, The 4th Album does not lack the charm or the delicacy, despite its uninspired title. The trio remains tight and solid and offers its contemporary, blues-based rock in a 'back to the basics' style. With polished sounds and shiny production, I found this fourth attempt to be a better version of the debut album with equally -if not- groovier and soulful tracks. Recommendations: "Talk to Me", "Dance on Mondays", "I Found Heaven (In My Darkest Days)", "Bad Light".
The Riven Peace and Conflict
In their sophomore release, The Riven carry the same flair and enthusiasm. Their energy and the bluesy riffage continue to dominate their music but the overall result sounds more coherent and tight than in the debut. Recommendations: "On Time", "The Taker", "Fly Free", "On Top of Evil".r
The Struts Everybody Wants
A brilliant, lively and full of energy debut album by the British. The diversity of it was probably the most interesting characteristic I found. At moments they sound as an indie rock act, in others a pop rock one and in some they give the impression of an 80s glam group. Definitely the first half is more solid and ear-catching one than the second. Recommendations: "Roll Up", "Kiss This", "Mary Go Round", "Dirty Sexy Money", "These Times are Changing".
The Struts Strange Days
True to their style, the Struts keep the commercial gloss of the 80s hair-rock and all the indispensable ingredients of a successful glam-rock album: solid gold riffs, thumping rhythms, huge choruses and endless air-punchers. Strange Days was recorded in a modern synthetic tone and a contemporary beat, with the humorous and tongue-approaching-cheek attitude that characterizes the Britons. However, this time around they have the aid of Tom Morello ("Wild Child"), Robbie Williams ("Strange Days"), Albert Hammond Jr ("Another Hit of Showmanship") and duet Phil Collen & Joe Elliot from Def Leppard ("I Hate How Much I Want You"), which adds versatility to the end result. I found the whole album enjoyable with particular mention to the rock and roller "All Dressed Up", the arena rocker "Do You Love Me" and the entertaining "Am I Talkingrto the Champagne".
The Struts Pretty Vicious
With a swagger like the Rolling Stones from the '60s, a rock and roll spirit similar to Aerosmith from the '70s, and a glamorous AOR attitude like the Leppards from the '80s, the fourth studio album by the quarter from Derby sounds fresh, catchy and despite not being vicious, is certainly fun. Still a few steps away from total rock stardom. Recommendations: "Too Good at Raising Hell", "Pretty Vicious", "Do What You Want".
The Tallest Man on Earth Dark Bird Is Home
Dark Bird Is Home is a melow and atmospheric album with some sweet melodies in guitar and piano. Very relaxing, easy-listening and as you hear it over and over again the more songs you will like from it. Recommendations: "Darkness of The Dream, "Sagres", "Timothy", "Dark Bird"
The War On Drugs Slave Ambient
The War on Drugs have great prospects to become one of the best bands in their category. The harmonic melodies in combination with the beautiful lyrics delivered in a Dylan-style approach make Slave Ambient one of the best Americana albums recorded lately. Recommendations: "Brothers", "Your Love is Calling My Name", "I Was There", "Baby Missiles"
The War On Drugs I Don't Live Here Anymore
Adam Granduciel & Co. is one of the simplest forms of rock music that I personally enjoy nowadays.
In this fifth album, The War on Drugs refine rather than reimagine their sound as their 80s soft-
rock and synthpop influences seem more pronounced this time around. The band maintains its
signature sound, that steady rhythmic backbeat, the waves of synths and the melodic guitars which
surround the soul-searching Americana vocals. Similar to previous releases, I Don't Live Here
Anymore is gluttonous of simple hooks and blistering anthems, showing a band full of
confidence at the peak of its career. Recommendations: "I Don't Live Here Anymore", "Harmonia's
Dream", "Victim", "Wasted".
The Warning Error
Error is a refreshing and explosive record that is driven by heavy guitar riffs, thunderous drumming and vibrant bass lines, all providing solid support to the vivid vocals shared equally by the three sisters. The young Mexican trio is full of energy and adrenaline as they sound mature, professional and hungry for more. Recommendations: "Disciple", "Animosity", "Evolve", "Choke".
The Winery Dogs III
The aptly titled III marks the return of the mighty supergroup after eight long years. The Dogs' lineup continues to feature Richie Kotzen on guitar, Billy Sheehan on bass and drummer Mike Portnoy with all three of them contributing vocals. The trio's technical capabilities are unquestionable and in this album, they try to sound as simplistic as possible while at the same time maintaining the hard rock style of their music. Not only do they manage this, but they also remain as groovy and energetic as ever before. Dynamic, enjoyable and with catchy songs, III is a worthy addition to the band's discography.rRecommendations: "Stars", "Xanadu", "Mad World", "Pharaoh"
Thunder All the Right Noises
Thunder's thirteen album is an honest and uncompromising rocker that finds the Brits sounding enraged and thoroughly energized. All The Right Noises is fuelled by anger and frustration and the agitated opening track "Last One Out Turn Off the Lights" touching upon Brexit was the most appropriate track to set the pace. Follow-up "Destruction" which is probably the heaviest track on the record, has a slower tempo and a propulsive guitar riff talking about depression and mental illness. Despite the rather serious topics touched, the album also contains some feel-good rockers such as "Going to Sin City" and the cheeky rock n' rollers "You're Gonna Be My Girl" and "She's a Millionairess", both with their classy backing vocals. Recommendations: "Last One Out Turn Off the Lights", "Going to Sin City", "The Smoking Gun", "She's a Millionairess".
Toto Toto IV
Toto Toto
Toto's first album is full of great tracks, however, the magnitude of the radio-friendly "Hold The Line" and the catchiness of "I'll Supply the Love" do not let some others shine as they deserve: "Manuela Run", "Rockmaker" and "Georgy Porgy" in specific.
Toto Hydra
Melodic and mediocre, Hydra hints that Toto have much potentials. It opens with three solid tracks ("Hydra", "St. George and the Dragon", "99") but as it moves on you realize that it misses a hit song. "Mama" is a beautiful groovy track that has surely inspired "Rosanna", while Kimball's vocals remind Freddy Mercury.
Tremonti The End Will Show Us How
Mark Tremonti is one of those guys who simply can?t stop creating. Whatever is in him and cannot get it out with Alter Bridge, he does it with style in his own, eponymous band. The End Will Show Us How is his sixth studio album and is as implacably solid, as musically sound and lyrically meaningful as any of the previous ones. Like its predecessors, The End Will Show Us How is all about the typically emotive, sharp and unflashy trademark riffs that Mark specializes on. Each of the dozen tracks is based on a gigantic one with his noisy guitars supporting his soaring singing. The lyrical content while remains hopeful, has a darkness and a kind of grim-faced determination to get through challenging times. Admittedly, some of the songs here might have been considered too heavy for Alter Bridge, and a ton stormier than any Creed ones. However, with each new release, Tremonti seems more comfortable in his role fronting a band. Recommendations: "One More Time", "Nails", "The End Will Show Us How", "I'll Take My Chances", "The Mother Earth and I".
Triumph Triumph
Triumph's debut album is a solid hard rocker with a British flavour and Rush garnishes all over around it. Vocals of drummer Gil Moore are phenomenal, basslines from Mike Levine are lively and riffs by Rik Emmett are sharp and appropriate. The band is immensely unpopular despite laying down some great tracks in its first release. The metaphor "don't judge an album by its artwork" is applicable to the fullest. Recommendations: "Blinding Light Show / Moonchild", "Street Fighter", "24 Hours a Day", "Let Me Get Next to You".
Tyler Bryant and the Shakedown The Wayside
The Wayside is a six-track Extended Play with a bunch of blasting rockers. The band's country/southern origins are woven nicely in the album's music tapestry but not being in the forefront. The first thing that came into mind while listening to the heavy-pounding ride bell hits of "Criminal Imagination" was Mike Miley (Rival Sons) and how such a small detail can decorate beautifully the rhythmic part of a song. Speaking about small details and the rhythmic part, I found the opening lines of the electrifying bass to be riveting. However, when it comes to the high-voltage feel that the album exerts, I preferred the buzzing guitar riff of "Loaded Dice & Buried Money" which was the standout-out track in the EP. Another highlight is also the slow-burning "Stitch it Up" with its powerful drum rhythm and its tight chorus.
UFO No Heavy Petting
A consistent release by UFO with some nice tracks. There is a variety of tempos with different songs to choose from. Recommendations: "Can You Roll Her", "A Fool In Love", "Belladona"
UFO Force It
UFO's second release with Schenker in their line-up stands equally as its predecessor. Schenker's electrifying and energetic riffs are the most distinguishable characteristic here. I found Mogg's performance a bit inferior here in comparison with Phenomenon but nonetheless, it suits the band's sound and style. Recommendations: "Let It Roll", "Shoot Shoot", "Love Lost Love", "Mother Mary", "Too Much of Nothing"
UFO Phenomenon
The recruitment of Michael Schenker was one of the milestones in UFO's career as a band. His ideas and guitar skills in combination with Mogg's notable improvement on vocals, brought a fresh air in everything. In Phenomenon, UFO start to shape their identity as a hard rock band with some excellent tracks. "Doctor Doctor" and "Rock Bottom" are definitely the most notable moments here, with "Too Young To Know" and "Crystal Light" being my other personal favourites.
Uriah Heep ...Very 'Eavy Very 'Umble...
Uriah Heep Sea of Light
Building on the coherence of "Different World", UH seem to get back on track with this album. It shows that the flame keeps burning and although it's not something impressive, the plethora of great songs makes it a very positive release. The 70's progressive style is now replaced with a dynamic and energetic hard rock sound. Recommendations: "Sweet Sugar", "Mistress of All Time", "Universal Wheels", "Spirit of Freedom", "Logical Progression"
Uriah Heep Wake the Sleeper
Refreshed and revitalised UH record a very solid hard rock album. There is a lot of energy in "Tears of The World", a lot more in "Ghost of The Ocean", much power in "War Child", enough catchiness in "Light of a Thousand Stars" and a "Shadow" which at moments reminds the good old days of the band.
Volbeat The Strength/The Sound/The Songs
Volbeat's debut album is a collection of some heavy-pounding riffs played at fast tempos with simple yet solid vocal performances. I had to listen this album for many months before establishing a viewpoint. Now, I understand that the reason was that it lacks depth and diversity. Vocals are simple, strong and effective but are at the same level in all songs. In addition, I was not amused with the lyrics. There is room for much improvement. Recommendations: "Always Wu", "Something Else or ...", "Another Day, Another Way", "Pool of Booze"
Volbeat Outlaw Gentlemen & Shady Ladies
Outlaw Gentleman & Shady Ladies finds Volbeat adopting a more mainstream/radio-friendly approach dominated by catchy melodies and hooky choruses. Albeit the efforts to expand the band's audience through this approach however, riffs remain aggressive and Metallica-alike, while rhythms are tight and powerful as ever. The album also highlights how skillfully Volbeat can deal with diversity as they are collaborating with King Diamond for "Room 24" on one hand and Sarah Blackwood for "Lonesome Rider" on the other. Recommendations: "Pearl Hart", "Cape Of Our Hero", "Doc Holiday", "Lola Montez", "The Nameless One".r
Volbeat Rewind, Replay, Rebound
I found Volbeat's latest release to lean on the 'rock' side than the 'metal' one soundwise. Whether this has happened to get more airplay and expand their audience on the other side of the Atlantic, what matters its the content itself. Rewind, Replay, Rebound has a lot of enjoyable tracks to offer with the usual shiny riffs, catchy choruses and Poulsen's distinctive voice blending superbly with each other. From this release, I keep the stormy rock n roller "Die To Live" which features also Clutch's Neil Fallon, "Cheapside Sloggers" for its classic Volbeat aura, "When We Were Kids" for its innocence feeling and, "Sorry Sack of Bones" for its haunting ambiance. I found tracks like "Pelvis on Fire", "Last Day Under The Sun", and "Cloud 9" also enjoyable but lacking substance.
Volbeat God of Angels Trust
If by 2025 you haven't liked Volbeat, Gods Of Angels Trust will not change your mind. Twenty years on and with 8 albums already under their belt, the Danes continue their sail to Michael Poulsen's vision of a rock 'n' roll / heavy metal hybrid powerhouse. This ninth album has one foot in the band?s metal past and one foot in their more commercial present. Ten tracks with the first half substantially superior to the second. It all starts with a startling slap on the opener 'Devils Are Awake' and as the album unfolds, Volbeat's arsenal shines brightly once again: the massive rhythms, the flashy melodies, the voluminous riffage and Poulsen's infallible, stentorian voice, are all there. The album does not feature longtime guitarist Rob Caggiano who surprisingly parted ways with the band in 2023. Not sure how costly this departure was for Poulsen and the band, but the final result made it look easy. A remarkably consistent band with little to prove and a hell of a songwriting frontman leading them. Tony recommends: "In the Barn of The Goat, "By a Monster's Hand", "Demonic Depression", "Better Be Fueled than Tamed", "At the End of the Sirens".r
Walking Papers WP2
WP2 represents the sophomore album from Walking Papers, Duff McKagan's (bassist, ex-GnR) band. Music-wise, WP2 is an album with some sweeping, melodramatic melodies, layered in a modern blues/hard rock surface. Songs are accompanied by fuzzy riffs, elegant piano melodies and not over-complicated drum patterns. Lyrically, I found the album to be strong with s storytelling drawn up from Jeff Angell's (vocalist) personal book of experiences. Recommendations: "Red and White", "Into The Truth", " Death On The Lips", "Yours Completely"
Westing Future
Westing serves the 70s revival movement in a manner that is heavily inclined towards a certain legendary quartet, Led Zeppelin. The guitar tones are warm, the melodies are sweet and the rhythms are groovy and infectious. Through the opener 'Back in the Twenties'. the message comes through loud and clear: Westing?s foundations lie in the ?70s sounds. Yet the classic rock sounds and retro ambience found in Future sounded to me mostly as a great imitation rather than a flash of inspiration. r"We wanted to hit the reset button on some things", guitarist, vocalist and keyboardist Daniel Story Rice mentioned in an interview. However, this 'reset' button surely involved anything but the music aspect of the four-piece band, previously called Slow Season. The best example is probably 'Big Trouble', a track in which the Bonham-like grooves by Cody Tarbell meet the Page-esque chords of Rice and provide a platform for his Plant-ish high-pitched howls. On a similar tone comes 'Stanley Wu' and 'Artemisia Coming Down', with the latter having a sprinkle of psychedelia in its opening before turning into a mid-tempo, blues-rock stomp and 'Nothing New' presenting some killer fuzzed-out riffery. rRecommendations: "Lost Riders", "Artemisia Coming Down", "Big Trouble", "Nothing New"
White Denim Corsicana Lemonade
A great album that combines so nicely classic late 60s/early 70s melodies as well as southern and swamp rock elements, all in a modern ambience. Definitely an under-the-radar, solid and stylish release. Personal favourite track is "Limited By Stature", a song with such a distinctive tone that could only remind me of Cream. "Come Back" is a groovy, mid-tempo southern rocker, while "New Blue Feeling" and "At Night In Dreams" are a couple interesting tracks worth listening.
Whitesnake Lovehunter
Whitesnake Come An' Get It
Snake's best album in their first six efforts and surely one of highlights in their great career. Major hits that it offers are ''Don't Break My Heart'' and ''Would I Lie to You'' but surely many other enjoyable ones: ''Come an' Get It'', ''Girl'', ''Wine, Women and Song''
Wolfmother Wolfmother
I found this album to be very cohesive. It's endless riffing and energy are able to keep you attentive most of the time. It contains a lot of interesting and enjoyable tracks beyond "Joker & The Thief" which was a surprise to me. Recommendations: "White Unicorn", "Woman", "Dimension", "Love Train"
Wolfmother Rock Out
Rock Out was released entirely under the radar as it was without promotion or any singles.
Despite the fact that I fell on this accidentally and i am not the biggest fan of Wolfmother, I
have enjoyed the end result mainly due to the nostalgic feeling that it was transmitted through
its unpolished and unrefined production. It is a vibrant rocker composed of 10 tracks clocking
exactly 30 minutes. It is full of scintillating guitar riffs and vivid drumming with a late-80s
heavy metal / early-90s AOR aura. The lyrics are simplistic enough to assist Stockdale deliver his
crispy vocals in such a way as to compliment the music brilliantly. Recommendations: Rock Out,
Mantle, Metal & Fire, Only Way.
Wytch Hazel IV: Sacrament
Hailing from Lancaster, England, this quartet explores Christian theology with a remarkably straight face, albeit no holy-roller reverence. Although the band's sound is rooted in the 1970s rock era, i? is compellingly contemporary, with their heroes being Iron Maiden, Saxon, Led Zeppelin and Blue Öyster Cult. Colin Hendra?s reedy vocals are full of spirit but not the highlight in my opinion. Instead, his voice has enough emotional honesty to bring tales to life and bind perfectly the medieval underlying melodies and the cohesively tight rhythm section. Tony recommends: "The Fire's Control", "Endless Battle", "Angel of Light", "Digging Deeper".r
Yes Yes
Not the best of debuts and definitely not YES's best album. Yet it has something about it that makes you embrace it. Is it it's innocence? Is it the music paths it explores? Is it the proficiency and technical capabilities of it's members? Whatever that is, it put YES on the map
Yes 90125
Zodiac A Bit of Devil
Very nice debut by Zodiac which seem to know exactly how they want be heard and what style they want to play. Definitely Chris Rea is one the major influences of this band and this of the positives. The album is very well balanced between mid-tempo hard rockers ("Horrorvision", "Diamond Shoes") and slow modern-blues ballads ("Blue Jean Blues"). However, it's beauty lies in the opening and closing tracks: "A Bit of Devil", "Coming Home"

3.0 good
(hed) p.e. Broke
This album is rich in nu-metal authenticity as it has a punk-meets-rap approach. It leans more towards a Limp Bizkit style rather than a Disturbed / Korn one. Despite featuring guest vocals from Serj Tankian (System of a Down) on a track ('Feel Good') this did not win me. Recommendation: "Killing Time" r
3 Doors Down Away from the Sun
3 Doors Down Seventeen Days
AC/DC Dirty Deeds Done Dirt Cheap
Not so explosive as the debut album. However, it has some catchy tunes and some dirty but enjoyable lyrics. Recommendations: "Dirty Deeds", "Big Balls", "Problem Child"
AC/DC For Those About To Rock We Salute You
AC/DC Black Ice
Enjoyable, with lots of energy and catchy tunes. Not something special, but surely better than most of the 80s material. Recommendations: "Rock n' Roll Train", "Big Jack", "Anything Goes", "War Machine", "Black Ice"
AC/DC Rock Or Bust
Typical rock n roll-ish AC/DC album. The positive is that they are all nice tracks, however, it becomes monotonous after a couple of listenings. The rhythm section is simple in order to avoid experiments with the departure of Malcom and the pattern 4/4 as always. Recommendations: "Rock or Bust", "Rock The Blues Away", "Baptism By Fire", "Rock The House"
Aerosmith Toys In The Attic
Aerosmith's third album contains a balanced mixture of the sounds the band had in its first two releases. "Uncle Salty" is a decent rock'n'roll track that could be easily included in Aerosmith, the band's debut. "Adam's Apple" has a rhythmic, Stones-like feel and "You See Me Crying" showcases the first attempt of writng ballads. Evidently, highlight songs here is the groovy "Walk This Way" and the epic "Sweet Emotion". Toys In The Attic is in my opinion, not one of Aerosmith's greatest albums but definitely on of the most important ones. Tyler and Perry discover their strengths while Hamilton and Kramer are proving that they are as essential as the aforementioned twin.
Aerosmith Aerosmith
In their self-titled debut, Aerosmith did not have the sound that make them popular during the 1980s and we all got used to when hearing their popular songs. Instead, they had a pure rock'n'roll sound and in there were moments that blues was their element. From Aerosmith only "Dream On" and "Mama Kin" stood the test of time and it is apparent why. "One Way Street" is another decent track in the album, notwithstanding the heavy influences by The Rolling Stones. Probably the most underrated track in the whole album is "Movin' Out" which has such a great groove, rhythm and with a bit more promotion could definitely become a point of reference.
Airbag The Greatest Show On Earth
Despite having the best title of their discography so far, The Greatest Show on Earth has not managed to impress me. Airbag still sound interestingly melodic, direct and melancholic. However, apart from "Redemption" and the title track, no other song managed to grow on me.
Alien Ant Farm ANThology
Altaria Divinity
Notable improvement since the debut album one year before. Riffs are more solid and songs are in their majority catchier. Still, Divinity cannot get recognition because of the plethora of similar power metal albums. Recommendations: "Unchain The Rain", "Divine", "Stain on The Switcholade"
Alter Bridge Walk The Sky
Sixth album, fifteen years of sheer hard rock quality. Not many bands out there can match the status of Alter Bridge. Walk The Sky is an album on its own and contains all the characteristics that make this band great: massive riffs, spirit-lifting vocals, passionate bass lines, energized drumming. The sooner you realize that there will not be another Blackbird, the more you will appreciate how exceptional this band is. Recommendations: "Native Son", "Wouldn't You Rather", "Pay No Mind", "Take The Crown"
Amorphis Eclipse
Eclipse is infused with melodic synth sounds and dark, melancholic melodies. It is the first album I have heard from Amorphis and although I am not fond of growling vocals, I am willing to explore the band a bit more. Recommendations: "House of Sleep", "Leaves Scar".r
Archival Fear and Fate
Nick Johnston has been a profound servant of the instrumental fusion rock world for many years now. In his latest project labeled under the name 'Archival', Nick shares ideas and vocals with his childhood friend Ben Regan, as he decides to take a journey into the unchartered waters of singing/songwriting. Fear and Fate is probably the platform for the guitarist to experiment and learn how to sing before using such attributes in his solo work. Musically, the album is driven by Johnston's signature Schecter riffs and the piano aesthetics that made his solo work so distinctive. I found the rest of the instrumentation parts and vocals to lack experimentation and creativity. That safety and lack of spark made it difficult for me to engage more in this album. Recommendations: "Words I Could't Say", "Try to Remember", "Inheritance".
Archival Your Kingdom
Archival's sophomore release comes rather quickly given that Fear and Hate was released only a year before. The album has a similar character to the debut, as Ben Ragan is behind the mic and Nick Johnstonrorchestrating guitars and production. The virtuoso applies his characteristic guitar riffs here and there ('Proof', 'Growing Cold', Weightless') but in fairness, Your Kingdom is more a collaboration than a typical Johnston-esque release. A minor improvement is apparent but still, a lot of work needs to be done. Recommendations: "Chemicals", "The Only Way", "Seaside".
Ariel Posen Headway
Posen's sophomore release is overall a delicate, laidback and pleasant listening with a nice flow and some engaging moments. Building on the bluesy feel and content of How long, Ariel has expanded his sound to accommodate a range of genres including groovy rock & roll, soulful R&B, and rootsy Americana. With moderate distortion and lots of slide work, the 32-year old makes another step towards the crafting of his signature guitar sound, while his clear and expressive voice adapts eloquently to the style of each song. In comparison to its predecessor, Headway is less groovy but probably more melodic. What is common in both releases though, is the underlying theme of sadness and longing for past relationships - something that can be both inspiring but tedious at the same time. Recommendations: "Did You See it Coming", "Carry Me Home", I'll Be Finding You".r
Atomic Rooster Death Walks Behind You
Beaux Gris Gris & The Apocalypse Good Times End Times
Clocking just over thirty minutes, Good Times End Times is a creative album and serves as a decent sophomore release with much diversity in the style of songs. Instead of concentrating on a contemporary blues style as it was done in its debut, the band delivers a result that highlights Greta Valenti's impressive vocal range and the band's southern upbringing in a mixture of blues, country, soul and roots rock tracks.

Recommendations: "Fill Me Up", "Trouble Is Coming", Alone"
Big Big Train The Second Brightest Star
The Second Brightest Star contains some great tracks such as "Skylon" and "The Passing Widow" however, having in mind Grimspound and its immense quality, it is difficult for something to come out so shortly and overshadow it.
Big Big Train Grand Tour
Conceptually, Grand Tour is a masterpiece. The theme relates to the cultural journey undertaken by young men and women of the upper class in Europe during the 17th and 18th century as part of their education and to broaden their minds. This means that lyrically, BBT move away from their comfort zone - the English folklore and landscape - and touch upon the renaissance period. A bold move that is successful. Grand Tour does not lack any technical skills or lyrical story-telling but it rather misses on catchy choruses and to a lesser extent, distinctive melodies. As the album progresses I feel it becomes weary and uninteresting. However, it not a boring album or one that should be avoided. Recommendations: 'Homesong', 'Pantheon', 'Theodora in Green and Gold', 'Roman Stone'
Big Wreck Grace Street
I had such a positive opinion from Ghosts that Big Wreck's latest release was a must listen for me. Unfortunately, Grace Street did not meet my expectations as it lacked stand-out tracks, elusive melodies or catchy grooves, something that it's predecessor managed to achieve so perfectly. There is no doubt that Thornley himself as well as his bandmates (especially Dave McMillan on bass), are skilful musicians. This however is far from beeing their grand opus. Recommendations: "You Don't Even Know", "Floodgates", "It Comes As No Surprise"
Black Country Communion Afterglow
Technically very good with some nice songs, however it doesn't match any of the previous two albums. Not much involvement from Bonamassa, which makes it a Hughes-dominant album. Recommendations: "This is Your Time", "Cry Freedom", "Afterglow"
Black Country Communion BCCIV
I am rating this with a 3 not because it is not a good result or lacks quality but because I thought I was listening to a Bonamassa album with Glenn Hughes on vocals. It does not have the Black Country Communion identity that I know from 2. Recommendations: "Wanderlust", "The Crow", "Sway"
Black Oak Arkansas Black Oak Arkansas
An interesting debut by the Southerners representing a collection of eight very decent tracks. Although it began promisingly for me, at some point I have lost interest. Recommendations: "The Hills of Arkansas", "Memories At The Window", "Uncle Elijah"
Black Sabbath Vol. 4
Vol 4 deviates from the three previous releases in terms of sound and ideas. Band and critics suggest that this is the result of non-stop touring and heavy drug abuse. The album's opener "Wheels of Confusion" was probably an attempt to enter prog paths, but it failed in my opinion. The only positive fact was the underlying melody of the organ which starts from the middle of the song and continues to the end. "Tommorow's Dream" has probably the best riff of Iommi on the record, while "Supernaut" and "Snowblind" are probably the best tracks of the album. Although "Changes" became one (if not the most) of the most famous tracks of Vol 4 it certainly does not meet that status. I don't think Sabbath understand to this day the reason for "FX" existence in the tracklist and neither do I. "Laguna Sunrise" is a decent instrumental song but again I don't find it suitable here. "Cornucopia" is intolerable and while "Under The Sun" has a groovy guitar riff, is not very convincing. Overall, Ozzy's vocals range from inferior to tolerable, Iommi's riffs are average while Ward and Butler don't go out of their waters. Recommendations: "Snowblind", "St.Vitus Dance", "Tomorrow's Dream"
Black Smoke Trigger Set It Off
Set It Off contains seven unrestrained, bombastic hard rockers that grab the attention with their gutsy riffs and the hooky choruses. The New Zealanders are full of confidence and their EP pours vibrance and lots of energy through its 28 minutes. Recommendations: "You Can Have It All", "Only Human".
Black Spiders Can't Die, Won't Die
This is the first time I come across Black Spiders and Can't Die, Won't Die is the first album I have listened from this Sheffield-based band. Tight and lean with very nice production, this is the band's fourth release containing some solid tracks with catchy choruses and melodic riffage. It has energy, enthusiasm and a feel-good attitude. Recommendations: "Hot Wheels", "Make Me Bleed", "Alright Alright Alright".
Black Stone Cherry Between the Devil and the Deep Blue Sea
Black Stone Cherry Family Tree
I found Family Tree to be an album full of radio-friendly and cheesy songs. There are lots of catchy songs such as "New Kinda Feelin'", "James Brown" and "Southern Fried Friday Night" however, I found the first single "Burnin'" to be probably the best song in the whole album. Lyrics are not the strongest point but production definitely is and this helps a lot to make this a coherent result. Folklore and Superstition still remains their best moment for me. Recommendations: "Burnin", "My Last Breath", "Dancin' In The Rain"
Black Stone Cherry Screamin' at the Sky
Despite my likeness for The Human Condition, the band's latest release is another polished and shiny-sounded outcome. However, that is not why I felt for them in the first place. Still, an enjoyable album with some nice tracks and an easy listening. Recommendations: "You Can Have It All", "R.O.A.R.", "Out of Pocket".
Blackberry Smoke Find a Light
Once more, Blackberry Smoke keep things simple and basic: pure southern rock, a chunk of rock n' roll and a bit of country as well. I found the second half of the album to be more melodic and containing stronger compositions. Despite the nice effort, however, I am still waiting for their "Free Bird" or even a "Sweet Home Alabama". Recommendations: "Seems So Far", "Nobody Gives a Damn", "I'll Keep Ramblin"
Blackberry Smoke Be Right Here
Be Right Here retains the formula that has made Georgia's rocksters such a successful act all these years. Being more grateful than grievous, the southerners are able to write music with such simplicity and manage to deliver soul, country, and rock and roll in equal measure. Like their previous releases, the band's eighth album contains some surprising tones and wonderful textures, but at the same time, keeps the fundamentals intact: rich vocals, delicious melodies and lushy keyboard chords. Recommendations: "Like It Was Yesterday", "Be So Lucky", "Dig a Hole".
Blackfield Blackfield V
There are two things that I love and admire about Steve Wilson: the perfection and emphasis he seeks in his sounds and the innocent lenses he uses when writing lyrics. After a two-album step-back which left Aviv Geffen take the initiatives of the band, I was expecting a blasting album with Wilson back on board. However, I've listened to V for a number of times and still has not met my expectations. Still, it contains some excellent pieces. Recommendations: "From 44 to 48", "We'll Never Be Apart", "How Was Your Ride?", "Salt Water"
Blind Guardian Follow The Blind
Follow the Blind has a constant high tempo and is tougher and thrashier than its predecessor. Hansi's vocals and the overall production are improved but still I found the album somehow weak on melodies. Recommendations: "Valhalla", "Banish From Sanctuary"
Blues Pills Bliss
I have to admit that I found the next EP more solid than this one. It has better sound and in general songs are in context. Nonetheless, Bliss is a positive introduction. Recommendations: "Devil Man", "Little Sun"
Blues Pills Lady In Gold
I was not excited with Pills' sophomore album given the number of times I've listened to it. There are plenty of hooky choruses, numerous great grooves and solid rhythms. rElin's voice is probably the band's greatest weapon and the fact that its not over-highlighted makes this another honest and humble release. However, this must be one of the fewest times that I found the well-worked production detrimental to the overall experience and listening of the album. The rawness and power that the debut album had, is absent here. This is probably due to the retreat of the guitars into a more secondary role in order for the keyboards to be more involved. Recommendations: "Burned Out", "Gone So Long", "Little Boy Preacher", "Won't Go Back", "Elements and Things"
Blues Pills Holy Moly!
I found Holy Moly to be more interesting than Lady In Gold but definitely far behind the debut. Despite clocking around 40 minutes, the album is flowing nicely with catchy songs and increadible vocals by Elin Larson, who is once again the standout performer here ("California"). From this album I was attracted by the groovy "Kiss My Last Goodbye", the marching "Rhythm In the Blood", the intensity of "Bye Bye Birdy" and the heaviness of "Low Road" which could have been easily included in the band's debut release.
Blues Pills Birthday
The first album after 4 years finds the Swedish act firing on all cylinders. [i}Birthday[/i] is a vibrant album with natural energy and the desire to experiment. It is obvious that the band has focused on structure and catchy, sing-along hooky choruses, with Elin Larsson?s animated vocals being locked-in with the rhythm section of bassist André Kvarnström and drummer Kristoffer Schander. It is fair to say that Blues Pills have found a new direction following the departure of guitarist Dorian Sorriaux in 2018. However, this has been to the expense of the band's basic foundations: the bluesy rock riffs and the pastiche of 70s psychedelia which came with the early days. There is definitely some good material here but I would have preferred the production to be a bit more scruffy and ragged. Recommendations: "Holding Me Back", "Bad Choices", "Somebody Better".
Bon Jovi Have a Nice Day
Bon Jovi Bon Jovi
Bon Jovi These Days
Boston Walk On
The replacement of Delp on vocals should not alienate any listeners. Cosmo is an excellent vocalist and you realise it as early on as the opening track. The album has a different music approach but you will definitely spot the similarities from earlier albums and Boston's characteristics are evident. However, most of the tracks lack of originality and enthusiasm. ''I Need Your Love'' and ''Livin' For You'' are the most notable in my opinion
Brad Shame
A side project of guitarist Stone Gossard (Pearl Jam), Regan Hagar (Satchel, ex-Malfunkshun), Shawn Smith (Pigeonhed, Satchel), and Jeremy Toback, Brad is one of the lesser known bands of the 90s. Despite its connection with grunge, the band does not sound like the defining music of that scene. Instead, it has an avant-garde feel and many funk influences. Shame feels cathartic, relaxed, and emotive, with tracks originating from studio jam sessions. The album was released eighteen months after Ten but following such staggering success, Shame would struggle to be heard above such a colossal juggernaut. Recommendations: "Nadine", "Buttercup", "20th Century", "Screen", "We".r
California Breed California Breed
I was not very excited with Breed's album because I am familiar with Black Coutry Communion and comparisons were unavoidable in my head. Although Hughes' voice is robust and fits very nicely to the style of the trio, in the long term it becomes weary. Jason Bonham is a steady, reliable figure behind the drum kit who plays only the necessary without being flashy. Andrew Watt, a newcomer guitarist seems very promising figure but during the album's 50 minutes he raised my eyebrow only in some occasions. Recommendations: "Midnight Oil", "All Falls Down", "Days They Come", "Invinsible"
Caligula's Horse The Tide, the Thief and River's End
I am not much into progressive metal, yet I found this a very decent release. Melodical most of the times but heavy throughout its whole length. Recommendations: "Into The White", "A Gift To Afterthought", "Atlas"r
Camel The Snow Goose
Chris Cornell Euphoria Morning
Cornell's first solo album comes after the dissolution of Soundgarden and showcases the vocal strengths of this magnificent singer. Musically, Euphoria Morning varies greatly from Soundgarden?s grunge style, despite the fact that some of the tracks included in here originated back to the band's active days. All lyrics are written by Chris himself and can be characterised as dark and melancholic, and this related to the hard period he was going through at the time. The album contains a mixture of alternative rockers ('Can't Change Me', 'Follow My Way', 'Mission', 'Disappearing One'), melancholic ballads ('Preaching the End of the World', 'Sweet Euphoria') and some bluesy tunes ('Wave Goodbye', 'Steel Rain'). From this album I keep the introspective ?Preaching the End of the World?, the rhythmical "Flutter Girl" and the versatile "Pillow of Your Bones".
City and Colour The Hurry and the Harm
I found Dallas's fourth release to be enjoyable but not solid enough like the previous three releases. His vocals however remain smooth, soulful and heartbreaking as ever. Recommendations: "Thirst", "The Lonely Life", "Paradise", "The Hurry and the Harm".
Clutch Robot Hive / Exodus
Experimental and groovy containing many good songs. The use of the organ was very positive and it's combined very well with the band's style. However, I have found other releases by them much stronger. Recommendations: "Incomparable Mr. Flannery", "Mice & Gods", "Never Be Moved", "10001110101"
Clutch Book Of Bad Decisions
The Book of Bad Decisions has a lot of catchy moments but to me, it cannot match the standard set by the previous two, Earth Rocker and , Psychic Warfare. I found the majority of good tracks to be concentrated in the first half of it, however, I would prefer a more energized intro song. Lyrical astuteness is again a strong point here supported by sleazy grooves, reminding earlier albums of the band. I found the album moving out of context at some points as there are tracks which do not follow the overall stoner aesthetic feeling. I liked "Spirit of 76" for its Sabbath-ish feeling, "How to Shake Hands" for its lyrics, "Sonic Counselor" for its groovy feeling and "In Walks Barbarella" because is an astounding track.
Coal Chamber Coal Chamber
Coal Chamber is considered one of nu metal forerunners as it appeared around the same time as Korn. In fact Coal Chamber has many similarities (mainly) with Korn, Deftones and System of a Down. It captures perfectly the sound and the climate around nu / alternative metal of the late 90s. Despite not being fond of the onstage antics or the nasty looks that vocalist Dez Fafara tried to portray with his disturbing persona, there are moments where his aggressive vocals and his psychotic growls spark create catchy moments. Still, this album left me with mixed feelings as to whether this is one of the greatest nu metal albums or a simply a flop. Tony recommends: "Loco", "Sway", "Big Truck".
Coldplay X&Y
The guitar parts have been given some attention in this album I suspect. Whereas in the two previous albums you could barely notice them, now they are much more evident but with not much success. Recommended tracks: ''White Shadows'', ''Talk'', ''Speed of Sound''
Coldplay Viva la Vida or Death and All His Friends
I rate this album amongst 'problem childs' in my catalogue. The reason is that although it offers new characteristics and shows an advancement both in music style (introduction of violins) and lyrics, it cannot match any of the first two releases. However, I must admit that 'Viva La Vida' is one of the band's top 3 songs. Other ones that I found interesting were: ''42'', ''Lovers In Japan'', ''Yes''
Coldplay Ghost Stories
This is a rather different album from the band. It's overall picture is melancholic but it provides a positive vibe though it's beat in various songs. It's an album to listen and relax. Recommendations: "Magic", "Ink", "Midnight"
Comedy of Errors Time Machine
Time Machine is definitely a step up from House of the Mind as it finds the Glasgow gang in an enthusiastic mood. The album opens strongly with probably its best tracks. "The Knight Returns" is an energetic neo-prog track with a purposeful melodyrand some switches of pace. Follow-up "Lost Demigods" has an equal freshness and vitality and with its resolute rhythm, creates a passage for a catchy refrain. "Wonderland" is a 15 minute-long monolith with intricate passages and a solid rhythmic section with some soothing and smooth vocals from Joe Carney. "The Past of Future Days" represents the album's instrumental moment before the self-title track, another epic just about 12 minutes long. Overall, Time Machine is a pleasant neo-prog album with lots of technique, good ideas and graceful melodies. However, after numerous listenings, Time Machine did not sound to me as qualitative as the band's earlier releases, Disobey or Fanfare & Fantasy.r
Cream Wheels Of Fire
Creed Full Circle
Creedence Clearwater Revival Willy and the Poor Boys
CCR start this one as we know them, with two regular melodic swamps. However, they soon introduce harmonica and the relevant lyrical content to turn towards a southern rock path. Not relatively impressive examples, but relatively nice ones. rRecommended tracks: ''It Came Out of the Sky'', ''Feelin' Blue'', ''Side O' the Road''
Crimson Glory Strange And Beautiful
Crown Lands Rise Over Run
Crown Lands' EP is characterized by fuzzy guitars, energetic rhythms and squeaky vocals. Their sound has similarities to Wolfmother's and their hard rock/blues are promising enough to make me explore the Canadians further. Recommendations: "Misery", "Waterfall".
Crown Lands White Buffalo
The EP started very brightly as the instrumental "Inner Light" begins with an oriental vibe before
developing into a diverse, seven-minute, solid rocker. Follow up "White Buffalo" has a taste of
Greta Van Fleet and with its vibrant rhythmic section is the highlight here.
Crown Lands Fearless
The Canadian duo open their sophomore release with 'Starlifter', a hefty 18-minute space opera that serves as a tribute to Rush's 2112. Granted, in its majority, Fearless offers spacy soundscapes and upbeat tempo tracks which bring vintage Rush into mind. The album closes with 'Lady of the Lake' and 'Citadel', two tracks that lean towards a Zeppelin mode. Technically solid and artistically convincing, the duet delivers a nice effort but still far from a comprehensive result. Recommendations: "Dreamer of the Dawn", "Citadel", "The Shadow".
Culpeper's Orchard Culpeper's Orchard
D'Virgilio/Morse/Jennings Troika
Troika is a project of Neal Morse, Nick D'Virgilio and Ross Jennings. All three musicians have been known in the prog rock world for their capabilities on guitars and drums respectively. However, what is immediately apparent from the opening track "Everything I Am", the album's focal point are the vocal harmonies which remain impressive throughout this one-hour journey. Instrumentally, the record contains eleven tracks constructed around lush acoustic guitars, gentle choruses and dexterous percussions. Mellow in the ear, easily digestible, but not a landmark. Recommendations: "Another Trip Around the Sun", "Julia", "Everything I Am", "You Set My Soul on Fire".
Damien Rice O
Overall this is a good album. It has it's moments of brilliance ("Volcano", "Canonball", The Blower's Daughter") and delicacy ("Cold Water") but unfortunately this quality is not consistent up to the end. Yes, the lyrics are pure, honest and sentimental but sometimes it gets very boring and irritating.
Damien Rice 9
There is improvement since the debut album but don't expect a change in style or mood. Rice continues to write soft, melodic, honest and emotional lyrics as well as music. It may not have the masterpieces that 'O' had, but it has it's own magic. Again, this quality is not consistent and its limited. Recommendations "9 Crimes", "Elephant", "Rootless Tree", "Dogs"
Dan Patlansky Dear Silence Thieves
Although I have never heard any of Dan Patlansky's music, he appears to be a very skilful and promising guitarist. Dear Silence Thieves is a very nice and coherent album with lots of grooves and bluesy melodies. The reason I've 3d this is because there are a couple of excellent tracks which I have noted down for future reference and at the same time the make the remaining ones appear simply average in front of them. Recommendations: "Backbite", "Hold On", "Windmills and The Sea"r
Dave Matthews Band Everyday
From a music standpoint, I found Everyday to be less technical than previous releases and this is probably what made this album so easy and straightforward to listen to. From a lyrics perspective, Everyday contains a lot of sentiment but not in the average ballad-style way. Recommendations: 'The Space Between', 'What You Are', 'So Right', 'Mother Father'.
Dave Matthews Band Walk Around the Moon
DMB's latest release has a comparatively restrained approach in the sense that the now seven-piece band forgoes its flamboyant instrumentation and scales back to a grounded, reserved, almost meditative, core. Walk Around the Moon finds Matthews confronting death and loss through a gentler side of him, with the wisdom and grace afforded by age. Picturesque choruses, crunchy grooves and Matthews? guttural singing are all there in an effort to tender songs that will stand the test of time. Overall, {i]Walk Around the Moon[/i] is a decent result with some well-crafted but not exuberant tracks. Recommendations: "The Only Thing","Madman's Eyes", "Break Free", "Walk Around the Moon"r
David Gilmour Rattle That Lock
With a combination of an elegant jazzy feeling and some exquisite blues melodies, the ex-Pink Floyd guitarist justifies his high calibre status. With a stylish simplicity and some moments of magic here and there, Gilmour seduces the listener to enjoy his fourth album in a calm and laid back atmosphere. Despite been remarkable, Rattle That Lock is definitely not his top moment. Recommendations: "Rattle That Lock", "In Any Tongue", "And Then..."[instrumental]
David Gilmour Luck And Strange
Despite my love for Pink Floyd, I never had the chance to listen anything from Gilmour's solo work. It appears that Luck and Strange is a family matter as the music composition and most of the instruments were played by the man himself, the lyrics written by his wife and both his son and daughter sang in this. David's trademark guitar sound and signature solos are all over the place. Despite this not being his "best album since Dark Side of the Moon" as he stated, it is still a lovely and elegant album. Recommendations: "The Piper's Call", "Between Two Points"
Deep Purple Who Do We Think We Are
Not so favorite amongst the Purple's catalogue but it contains some energetic and distinctive songs such as ''Woman From Tokyo'', ''Mary Long'' and ''Rat Bat Blue''
Deep Purple The House Of Blue Light
Deep Purple inFinite
It took me numerous listenings to digest this album, albeit some moments of excellence that struck me from the first time such as the intoxicating melody of the single "All I Got Is You", the Lord-ish solo on "Time For Bedlam" and the powerful drum paradiddles of "The Surprising" accompanied by that eastern keyboard moaning. Eventually, I felt sympathy for the groovy "One Night In Vegas" and "Johnny's Band" which I found pleasant listenings. A massive respect for Deep Purple and for what is probably their last album.
Deep Purple Turning To Crime
Purple's latest release is a collection of 12 cover tracks where the band pays homage to some rock n' roll classics. I am not familiar with the original songs, but the juggernauts manage to embrace the originals and execute them in their own unparalleled style for a pleasant result. It is worth mentioning that the best is saved until last. "Caught In the Act" is a wonderful medley of tunes spanning from Freddie King to Booker T. & the M.G.?s, the Allman Brothers and the Spencer Davis Group sandwiched by a short extract of "Dazed And Confused"(!). Deep Purple, playing Led Zeppelin. Respect? No, something more. Recommendations: "Oh Well", "Dixie Chicken", "Caught in the Act"r
Def Leppard On Through The Night
Ambitious, energetic and with powerful riffs, their debut had an experimental character in music and style. It is something between hard rock and NWOBMH. Retrospectively speaking, is completely different from the sound they've become known for. rRecommended tracks: ''It Could Be You'', ''Wasted''
Def Leppard X
This may not be a classic NWOBHM/glam records by the British quintet, however it does not deserve the negative publicity it gets regularly. Def Leppard decided to move on with their sound and style to attract a larger audience just as Bon Jovi and many other did. You will not find the 'classic' DL songs in this album but there are many enjoyable tunes such as "Now", "You're So Beautiful" and "Four Letter Word".
Def Leppard Diamond Star Halos
This latest album by Sheffield's everlasting juggernauts has their typical radio-friendly AOR style and it's the busiest album they have ever recorded. Diamond Star Halos contains fifteen predictable, pleasant listenable but easily forgettable tracks, in a time span of 61 minutes. It is a respectable result but any good efforts are lost into mediocre moments and this becomes more apparent as the album progresses. Elliot's characteristic and unassailable vocals are dominating, while the guitar work of Campell and Collen saves the day in many moments. A massive respect for the mega-stars of another era who in their mid-sixties are trying to stay relevant and competitive in the sound they once created and lauded but has now passed. Recommendations: 'Fire It Up', 'Liquid Dust', 'Kick', 'All We Need'.
Dio Sacred Heart
Dire Straits On Every Street
Disturbed Evolution
Evolution showcases the impact that the remake of "Sound of Silence" had in the band's music. In this latest release, there are more ballads and generally a radio-friendly hard rock sound in order to stay relevant and also capitalize on this success. Overall, I found the album listenable, with good production and some nice tracks. Drainman does not deviate from his standards, albeit becoming softer with all the ballads around. As a point of reference from this album, I will keep "Sound of Silence" (feat. Myles), "Uninvited Guest", "In Another Time", "Saviour of Nothing".
Dokken Breaking The Chains
I did not find Dokken's debut being neither impressive nor a point of reference. There is much
energy, passion and enthusiasm all around the album but it lacks the 'great' moments. The music is
heavily influenced by Van Halen and this is especially evident in guitar parts ('Live to Rock').
Despite showling little originality, it contains all the right ingredients of a glam metal band in
the newly emerging scene. With the aim to obtain radio ariplay, there is an extensive effort to
hit catchy choruses in expense of deep, thoughtful lyrics. Highlights here are Don's solid and
enthusiastic vocals that go hand-in-hand with Lynch's proficient guitar play. Bass and vocals are
more of a supportive nature as they keep solid and rhythmic sections. Recommendations: "Breaking
the Chains", "I Can't See You", "Felony".
Dream Theater A View From The Top Of The World
Dream Theater is the band that has been sitting in prog metal's vantage point for many years. Apart from its picturesque title, A View From The Top of the World shows an active and meticulous band that wants to be in the frontline and does not milk the cash cows of its glorious past. In their latest release, DT present a predictable but incredibly solid result, exactly what you would expect from them. Melodies sound fresh and beautiful, solos are not lengthy and rhythms are tight. With the mammoth 20-minute title track closing the album, we simply wait for the next to come. Recommendations: "Answering The Call", "Invisible Monster", "Sleeping Giant".
Eddie Vedder Earthling
Thankfully, 2011' s Ukelele Songs was a one-off outing for Eddie Vedder and it did not
signify his fall in the black hole of the Hawaiian four-stringed. Earthling is a set of
songs that willingly embrace the middle ground with Vedder's baritone and soulful voice sounding
so convincing and breezy at the same time. There are moments where the sounds are superficially
similar to Pearl Jam and refer to the band's garage-rock days back in the 90's. The bulk of the
album’s drum duties are covered by Chad Smith and the guitars by RHCP alumni Josh Klinghoffer.
However, the heavy guns of collaboration come near the album's end: the joyful piano of Elton John
in a free-spirited "Picture", the wild harmonica of Stevie Wonder backing the wildly punk riff in
"Try" and the romantic "Mrs. Mills" with Ringo Starr behind the drum kit.

Recommendations: "Brother the Cloud", "The Haves", "Long Way", "Mrs. Mills", "Fallout Today"
Edguy Rocket Ride
Editors The Back Room
Editors' debut album is decent and contains some good tracks. Instrumentally it is straightforward: fairly simple music with likeable lyrics. Altough I am not a great fan of punk and it's sub-genres, this album contains a lot of vibe which makes me listen to their next albums. Recommendations: "Munich", "All Sparks", "Camera", "Bullets", "Fingers In The Factories"
Editors In Dream
In Dream contains a lot of surprises. Guitars are nearly nowhere and in replacement keyboards step up. These make the sound more electronic and poppier ("Life Is a Fear", "Our Love") , combining modern electronica with the '80s synthpop. The other half of the album contains a lot of atmospheric moments ("No Harm", "At All Cost", "Salvation"), something that Tom Smith manages excellently with his baritone voice and his falsetto effectiveness. I was not enthused with In Dream probably because I was awaiting for another Weight of Your Love. But looking it from my objective angle, In Dream is a great experimental piece of work to keep the Editors' machine spinning and making them hungry for more. Recommendations: "Marching Orders", "Forgiveness", "All The Kings", "No Harm"r
Editors EBM
EBM finds Editors delving more into synthesizers and electronic sounds with the end result being more vibrant and danceable than ever before. Recommendations: "Karma Climb", "Heart Attack", "Vibe"r
El Perro Hair Of
El Perro consists of former Radio Moscow members Parker Griggs (vocals, guitar) and Lonnie Blantonr(drums), who are supported by Shawn Davis (bass) and Holland Redd (guitar). Similar to his workrwith Radio Moscow, Parker is heavily influenced by Hendrix as Hair of is infused with constant psychedelic whah-whahs and garnished by bluesy guitar licks. No major differences or highlights in comparison to Moscow's work. Recommendations: "No Harm", "K.Mt.", "The Mould".
Everclear Invisible Stars
After the very soft in sound Welcome To The Drama Club, Everclear return with a decent album after a long time. Invinsible Stars starts strongly with decent tracks such as "Be Careful What You Ask For", "Jackie Robinson" and "Falling In a Good Way", however as it progresses quality is lost in the way.
Faith No More Introduce Yourself
Introduce Yourself is considered to be Faith No More's true debut album, due to the limited availability of We Care a Lot, released in 1987. Listening to Mosley's singing style its easy to classify this album as one of the forerunners of rap rock/metal and consequently, nu metal itself. Despite Mosley's distinctive and unconventional (for the tume) approach in vocals, I found the groovy bass lines more interesting and dominant factor in the tracks. Overall, the album is bombastic, upbeat and energetic with a funky character. rDespite its influential status, I found this to be a mediocre release with a few interesting moments.rRecommendations: "We Care a Lot", "Chinese Arithmetic", "Faster Disco".
Firebird Grand Union
Firewind Immortals
I usually like bands which praise history in their songs. Firewind's eighth studio release Immortals has the battle at Thermopylae in ancient Greece as its main theme. The powerful riffing of the opening tracks "Hands of Time" and "We Defy", reminded me of the band's Burning Earth days while "Wars of Ages" brought had an Allegiance feeling. Fond of ballads, Gus G dispenses "Lady of a 1000 Sorrows" before an instrumental mayhem ("Immortals") and an agonising end. Recommendations: "Rise From The Ashes", "Hands of Time", "Ode to Leonidas".
Flying Colors Second Nature
The quality of musicianship in this band is undisputed and Portnoy & co. didn't need Flying Colors to prove this. The album is full of prolific guitar solos and diverse drum patterns but instead of building on a new profile, it showcasts the individual members' abilities. The lack of a producer is maybe the reason why the sound lacks of focus and it seems that this is a Translantic/Dream Theater album. What the band fails to deliver in my opinion is the "prog-pop" element, a music style that the quintent tried to start with its debut album. Recommendations: "A Place In Your World", "Lost Without You", "Mask Machine"
Foo Fighters Sonic Highways
It's a decent album but not the highlight of the year. The production was good, the music is good but overall it has less spark and energy than its predecessor. Recommendations: "Something From Nothing", "Congregation", "I Am a River"
Foxy Shazam The Church of Rock and Roll
A derivative of The Darkness having similarities with Rival Sons and occasionally influenced by Led Zeppelin. Not a particular style but a mixture of the aforementioned bands. Probably it could have been better if they developed their own style because there are elements which suggest they can do it.(This is the first album I hear from this band so probably there is a particular style in older records)
Recommended tracks: ''I Like It'', ''Holy Touch'', ''I Wanna Be Yours''
Fraternity Livestock
Free Heartbreaker
First half of the album is much better than the second one. Band salutes with a decent effort but it could have been better with a rigid Kossoff on guitars. Bundrick's keyboards fit perfectly in the songs, sometimes as a lead, some as a background and others as soloing, without being the center of attention. rRecommended tracks: ''Wishing Well'', ''Come Together in the Morning'', ''Heartbreaker'', ''Muddy Water''
Fuel Sunburn
Powerful and dynamic, the debut album by hard rockers Fuel left me with a positive impression, hitting the correct aggression levels that are required for radio success. With Bret Scallions' howling vocals supporting the electrifying riffage of Carl Bells and the tight rhythm section, the end result is a collection of solid hard rock songs. The album's highlights are concentrated in its first half with the four singles appearing there. Recommendations: "Sunburn", "Shimmer", "Jesus or a Gun".r
Gin Blossoms New Miserable Experience
New Miserable Experience is a quadruple platinum, alternative rock album with introspective lyrics and emotional songs which move from desperation to hope. It has a dynamic range in tempo and volume, a consistent tone, and a balanced interplay between guitars. I found "Hey Jealousy" and "Found Out About You" to be the highlights here and despite a bunch of good tracks, the album did not resonate with me.rRecommendations: "Hey Jealousy", "Found Out About You", "Lost Horizons", "Allison Road"
Gov't Mule The Tel-Star Sessions
The album consists of of unreleased material recorded by Warren Haynes, Allen Woody and Matt Abts during 1994. It is a nice blend of blues and southern rock tracks which were originally intended for Gov't Mule's debut album. Recommendations: "Mother Earth", "Just Got Paid", "Mr. Big", "World of Difference"
Greta Van Fleet From the Fires
With Plant-ish vocals and a Zeppelin-esque approach in music style, GvF offer no originality with their EP. Albeit the fact that they manage to recycle the sound of their idols in a brilliant way, they need to build a solid defence against the flaming balls of criticism thrown at them. Taking out the Zeppelin factor from the equation, From the Fires is a very good start for such a young band. There is lots of energy and hooky choruses that may create a vibrant atmosphere. However, a lot of improvement is required both in terms of writing style and music as they are drawn against unnecessary cliches and repetitive patterns. I expect that in their forthcoming albums they will try to find their own style and identity, otherwise, they will lose the game. Recommendations: "Black Smoke Rising", "A Change is Gonna Come", "Meet On The Ledge"
Greta Van Fleet Starcatcher
Similar to the band's previous work, it's impossible to listen to Starcatcher and don't think you?ve opened up a vault of Led Zeppelin outtakes. At the same time, it is unfair that any progress the quartet has made over the six years has been overshadowed by comparisons with the great masters. Starcatcher has not changed my opinion on GvF as they tip the hat to the classic rock that inspired them and continue to twirl those great influences in challenging and evocative new directions. Taking the levee-breaking bass drum echoing wallop in 'Sacred the Thread', the Page-esque chords of 'The Falling Sky' and Kiszka?s formidable vocal shrieks thrown all around the album's first half, it's difficult for me to understand the deified comments I have read about 'Meeting the Master'. Recommendations: 'The Falling Sky', 'Fate of the Faithful', 'Sacred the Thread'.r
Gruntruck Inside Yours
Gruntruck was formed by the ex-Skin Yard members, frontman Ben McMillan and drummer Norman Scott. The band's sound is similar to the archetypical Seatle grunge bands at the time, emphasising on the metal side of the genre (Soundgarden, Alice In Chains) and not the punk one (Green River, Skin Yard). Inside Yours shows a profuse chemistry between the band members: high energy, driving grooves, crushing riffs and a compact rhythm section, supporting McMillan?s rugged, melodic voice. Recommendations: "Crucifunkin'", "So Long", "Buried", "Flesh Fever".
Gypsy (U.S.) Gypsy
Although a very big fan and fond of 70s prog rock, Gypsy has not met my expectations. Despite being a coherent result with some sweet vocals and delicate melodies, only "Dream If You Can" and "I Was So Young" were able to catch my attention.
Hair Of The Dog (UK) This World Turns
This World Turns is a collection of six hard/heavy rock songs with many stoner characteristics and psychedelic influences. As strange and complicated this may sound, the Scottish rock trio manages to present in This World Turns its best material up to this point of time. I found the album's ten-minute opener to be the most comprehensive track of this release. Although there is energy throughout the whole album and all tracks contain a separate flair of their own, 'This World Turns' is the most expansive and groovy track. One interesting point was also the smooth transition and unpredicted way that 'Keeping Watch Over The Night' segued into the title track. 'Ctrl-Alt-Delete' has more stoner influences and reminds Kadavar to a great extent. Vocal-wise, the style of signing is not of my personal taste but musically, if compositions were simpler and shorter might have made this an album to listen again in the future. Recommendations: " This World Turns", "In Death's Hands", "Ctrl-Alt-Delete"
Hallas Conundrum
From the opening riff of "Beyond Night and Day", it is obvious that the Swedes are all about 70s prog-rock sounds and atmosphere. Listening to Conundrum the improvement from the debut album is an obvious one: better flow and coherent tracks which create an enjoyable result. I noted the rusty riffs and the spacey keyboards which are definitely the major reference points here. Drums and vocals are at a decent level but they need major refinements. I believe that this band has a potential but it needs lots of improvements to reach the next level. Recommendations: "Beyond Night and Day", "Fading Hero", "Carry On".
HammerFall Chapter V: Unbent, Unbowed, Unbroken
In Chapter V Hammerfall appear more improved and a bit more diverse than in Crimson Thunder. Sporadically, there is some very good music in this album, but the majority of it is full of the plain and usual heavy riff. Recommendations: "Blood Bound", "Never Ever", "The Templar Flame", "Take The Black"
HammerFall Glory To The Brave
It's a decent debut with lots of energy and hammering riffs. Personally, I found the ballads very enticing ("I Believe", "Glory to the Brave") as they are strong and sentimental. From the rest I would distinguish Worlord's cover "Child of The Damned"and "Stone Cold".
HammerFall Built To Last
Hammerfall have never been my favourite band. However, I have always found their music pleasant and the majority of their catalogue enjoyable, despite having a repetitive formula. Build To Last its not a 'must' release but rather an average album to keep the machine working. Sharp guitars, catchy choruses, a couple of respectable ballads and a vigorous vocal performance by Can. Typical Hammerfall standards. Recommendations: "Hammer High", "The Sacred Vow", "Built To Last"
High Spirits Safe on the Other Side
I recall that the debut album by High Spirits Another Night had a nostalgic feel about it. Twelve years and four albums later, the band remains consistent to its values and the old-school heavy metal/rock spirit it carries. Safe on the Other Side, is a sturdy album with vigorous riffs, catchy choruses and steady rhythms. Recommendations: "One Day Closer", "Lonely Nights", "Loving You".
Hollywood Vampires Hollywood Vampires
Hollywood Vampires is a collection of classic rock tracks covered by Alice Cooper, Joe Perry & Johnny Depp in a decent and passionate overall performance. There are no ballads here which depicts the band's attitude towards energy and vibrance. The tracklist is not perfect (in terms of songs' popularity) but it definitely contains songs that fit perfectly to Cooper's voice such as "I Got A Line On You", "Cold Turkey" but probably most notably on "Five To One/Break On Through". Personally I was not impressed with "Whole Lotta Love" (appart from the squeaking harmonica) nor the segueing from "Schools Out" to "Another Brick On The Wall", although the basic riff of the former was blended nicely in the latter's tempo. The album's two original recordings "My Dead Drunk Friends" and "Raise the Dead" are positive signs that a potential release of originals will be an interesting listen.
I Am Giant Science and Survival
Although there are some nice and powerfull riffs spread here and there in the album ("Razor Wire Reality", "Standing On The Sun"), I did not find this a strong release as the rates here suggest. There are some good tracks which manage to combine melody and catchy rhymes (for example "Transmission"), but there is so much volatility in terms of quality that personally I was not amused with the overall album. Comparing them with similar bands that I have heard such as The Butterfly Effect and Karnivool, the band needs to work harder. Recommendations: "Death of You", "Minefield", "Silhouette"
I Mother Earth Dig
Rooted in the early 90s alternative scene, Dig is the debut album of Ontario-based rockers I Mother Earth. I found this to be is an interesting release as there is a mixture of alternative rock infused with heavy metallic riffs at times and funky basslines at others. The album's best moments are concentrated in the first half where tracks like the angst-ridden 'Levitate', the heavy 'Rain Will Fall' and the rhythmic 'Not Quite Sonic' appear. Many tracks are stretched due to extended jamming and while this may seem as a merit, in many times it becomes weary.
Iced Earth Burnt Offerings
Burnt Offerings is a dark and aggressive record that marks the studio debut of powerhouse vocalist Matt Barlow. Jon Schaffer's signature thrashy, relentless right-hand rhythm guitar is balanced by eerie, horror-inspired acoustics, while Barlow's incredible vocal range and gritty emotion are handling masterfully everything from soaring high notes to menacing roars. This is not amongst my favorite Iced Earth albums but I rate highly the importance of the closing track "Dante's Inferno", the a colossal multi-part journey through the nine circles of hell that has inspired many many future tracks. Tony recommends: "Last December", "Dante's Inferno", "Diary".
Iced Earth Night Of The Stormrider
Musically, Iced Earth?s Night of the Stormrider moves in parallel with the debut i.e., its blends thrash and US power metal. It features a dark, relentless narrative, where Jon Schaffer's songwriting shines while his blistering, razor-sharp, chugging riffs, seamlessly blend melody with intense heaviness. John Greely has replaced Gene Adam and delivers an incredibly diverse vocal performance, shifting from clean, mid-range baritones to piercing, Rob Halford-esque falsettos and aggressive shrieks. Tony recommends: "Travel in Stygian", "The Path I Choose", "Pure Evil"r
In Flames The Jester Race
In their second LP, the Swedes make a huge improvement in terms of their musical direction and how they want to sound. The music is consistent, with intensive guitar riffs which support the paced tempos laid down by the rhythmic section. Anders' vocals have a raw brutality but in many instances, they lack melody. I found lyrics not to be a particularly strong point here. Recommendations: "The Jester's Dance", "The Jester Race", "Artifacts of the Black Rain".
In Flames Soundtrack to Your Escape
I consider this release as a 'push of boundaries' rather than a fall into 'mainstream'. Soundtrack to Your Escape will never be amongst my favourite In Flames albums but it contains shaped and much better tracks than Reroute to Remain. Recommendations: "The Quiet Place", "My Sweet Shadow", "Touch of Red".
In Flames Come Clarity
In contrast to many opinions, Come Clarity I did not find this release as 'return to form' or 'their best album in years'. The Swedes push the boundaries of their post-Clayman days even more by combining heavy and sharp guitar riffs, frenetic druming and an aggressive yet melodic vocal part. Despite having nice characteristics, I would not classify this amongst my favourite IF albums. Recommendations: "Crawl Through Knives", "Dead End", "Leeches", "Reflect the Storm".
In Flames Foregone
Foregone has taken the band's fanbase by surprise as the Swedes have managed in a skillful way to combine together their classic melodeath aggression with the mainstream influences of their last decade (or so) releases for an appealing record. Riffs are sharp, rhythms are tight and Friden's vocal style has become a bit harsher and rougher but nevertheless, a fine balance between his growling and clean vocals exists.Recommendations: "Foregone Pt.2", "State of Slow Decay", "The Great Deceiver", "A Dialogue in B Flat Minor".
Inglorious II
Inglorious' second attempt is equally well-worked and energetic as the debut. However, I would say that the band should pay more attention to detail and incorporate some advanced technical characteristics in their music. It might have been wiser if they had combined both albums into one in order to have a more consolidated result. Recommendations: "I Don't Need Your Lovin'", "Black Magic", "High Class Woman", "Read All About It"
Iron Fire To The Grave
To the Grave is a decent follow up to Blade of Triumph, showing that the band has found its formula of success. Hammering riffs and powerful rhythms are the dominating factors and make this a coherent power metal release. However, the absence of catchy choruses is an obvious weakness here. Recommendations: "The Beast from the Blackness", "Cover the Sun", "Hail to Odin".
Jay Jesse Johnson Play That Damn Guitar
Jay's style follows a ZZ Top approach to songs: fast and groovy with more emphasis on the music rather than vocals. Granted, Jesse Johnson does not have the sweet, melodic voice that a lot of his peers possess and it doesn't need a specific song to understand this. The album is divided in mainly two types of songs: blues and hard rock. "Dream Away", "Play That Damned Guitar" and "Rattlesnake Stomp" are probably the highlights of this LP. rHowever, there are some obvious drawbacks that you cannot easily ignore: there is an extensive and needless riffing at various occasions and production/mixing was very average.
Joe Bonamassa Dust Bowl
Journey Trial By Fire
I would have given a better rate to this album if it was slightly more innovative. The intro song "Message of Love" is the most negative moment as it is a cheap replica of their hit song "Separate Ways" but in a faster tempo. On the other side, the good songs are much more than the bad ones. Recommendations: "One More", "When You Love a Woman", "If He Should Break Your Heart"
Journey Evolution
Evolution is a solid continuation of 1978's Infinity rather than a radical reinvention. The record may not include a major well-known hit, however there is cohesion with the majority of the songs being interesting. Perry shares some vocals with Gregg Rolie (keyboards), while Steve Smith brings a crisper, more agile rhythm section to the core sound. Most notable tracks are the bluesy "Lovin', Touchin', Squeezin" and the groovy "Lovin' You is Easy". Other noticeable tracks are "City of Angel", "Just The Same Way" and "Do You Recall"
Joyous Wolf Place in Time
Joyous Wolf is a hard rock act with influences spanning from the '70s to the '90s and their EP [i]Place In Time[i/] is bursting with energy, powerful chords and some thunderous drumming in the rhythmic section. Despite the noticeable Eddie Vedder influences ("Undesired") and Coverdale's nuances here and there, the quartet has a positive vibe in its music and I will be closely monitoring their development. Recommendations: "Place In Time", "Said Too Much", "Quiet Heart"
Kadavar (DE) Kadavar
A very promising debut for the Germans who introduce us to their 70s proto-metal aspirations with a Sabbath-ish approach full of throbbing bass lines, loud guitar riffs and heavy pounding drumming. Don't let the bad production distract you; it's just the absence of a major record label. Recommendations: "Forgotten Past", "Black Sun"
Kadavar (DE) Abra Kadavar
Kadavar play in a hard rock style with retro and psychedelic elements. The more you hear to Abra Kadavar, the more similarities to Black Sabbath you will find. The songs have that gloomy and dark texture and the riffs are sharp, heavy and loud. However, I felt that the rhythmic sections could have been better as well as the vocals. Overall, its a cohesive result with well-worked production and mixing. I have a positive feeling that at some point I will listen something exciting from them. Recommendations: "Come Back Life", "Dust", "Doomsday Machine"
Karnivool Sound Awake
Kasabian 48:13
An uninspired and tasteless album cover which creates negative thoughts and sentiments to the listener. The content varies around average levels with much inclination towards the electronic element. There are some positive compositions but not something exhilarating. Personally I did not dislike the album, however, I am sure that hardcore fans were left dissatisfied with the band's effort. Recommendations: "Bumblebee", "Stevie", "Clouds", "Exlpodes"
King King Reaching For The Light
Listening to Reaching For The Light I have realised that this album lacks the spark and energy that the debut album had. Although it begins very positively, melodies do not have much depth and elegance. Still, it remains an easy-going album to listen to if you want to dig into new bluesy paths. Recommendations: "You Stopped The Rain", "Hurricane", "Just a Little Lie", "Stranger To Love"
King King Exile & Grace
Exile & Grace is the third album I hear from King King in their career spanning twelve-or-so years so far, and once again I have reached at the same bitter conclusion: Despite being a sweet blues rock band with a contemporary style and character, executing some melodic tunes and channelling positive vibes through Nimmo's warm vocals, King King seem unable to reach the next level. This is either because they are not willing to step outsider their comfort zone or because they lack inspiration. Recommendations: "Broken", "Find Your Way Home", "Tear It All Up".
King's X Dogman
Brendan O'Brien has done wonders through the 90s as a producer, engineer, and/or mixer. He has worked on a number of landmark albums in the decade of grunge, and nu metal. For this reason I decided to listen to Dogman, an album produced and mixed by Brendan and often cited as the best effort from the power trio King's X. Musically, Dogman is a decent album with lush melodies and crunchy chords. Most of the tracks have slow tempos and they are backed by a rather angry and melancholic lyrical content and heavy riffage, with Brendan managing to capture the grungy tones he is so good at. Recommendations: "Dogman", "Black the Sky", "Human Behavior", "Pillow".
Kingdom Come Kingdom Come
Although it was a decent debut album with lots of melodic parts and riffs, it lacked originality mainly because it sounds like Led Zeppelin in late 1980's. Recommended tracks: "Living Out of Touch", "What Love Can Be", "17" & "Loving You"
Kings of Leon Come Around Sundown
I find Kings of Leon to be an interesting band, despite the negativity coming from people about the numerous times they've heard "Sex On Fire" and "Use Somebody" on the radio. Come Around Sundown is an album with melancholic and pessimistic lyrics but that does not necessarily translates into ballad-style and slow-tempo songs. One notable thing for me is the bass which again appears with some interesting lines and grooves. Recommendations: "The Face", "The End", "Radioactive", "Pony Up"
Kings of Leon Walls
I found Kings of Leon refreshed in Walls. The energy and positiveness put in songs has created a very good album in my opinion. "Reverend" is mistakenly placed in a quartet of explosive tracks and while "Over" closes the first half in an engaging manner, the second half is a more mellow one but still interesting. I am also a supporter of the notion that "WALLS" is probably the band's best ballad to date. Recommendations: "WALLS", "Find Me", "Waste a Moment", "Muchacho"
Kings of Leon When You See Yourself
When You See Yourself depicts the latest effort of the Tennessee rockers to write soaring songs in an effort to re-create some of their past mammoth hits which made them popular in the music world. What they manage to deliver in the end, is a bunch of some wallow tracks where the Kings marry their interests, old and new. The distinctively energetic 'The Bundit' - the first single and standout track - finds KOL creating a more mature, laid-back version of their ubiquitous hit 'Sex on Fire'. The highlight of the album cannot be other than Jared's omnipresent bass and the dexterity associated with his groove: sometimes funky, others pulsative but always eclectic. Overall, When You See Yourself represents a mature and laid-back version of the quartet's late '00s heydays. Recommendations: "The Bandit", "Time In Disguise", "Golden Restless Age".
Kings of Leon Can We Please Have Fun
As with every KOL studio album of the last 15 years, I have approached the band's 9th release with the hope that this will finally be the album with which the rock family will return to the dirty rock?n?roll roots that everyone fell in love with in the first place. Despite this not being the case (once again), Can We Please Have Fun is a fresh, shiny, energy-driving album with sparky tunes and varied tempos. Highlights for me are: the first single 'Mustang', a fun, up-beat KOL classic which together with the rowdy 'Hesitation Generation, remind of the band's early days; the atmospheric and groovy 'Actual Daydream'; and the pulsative, grooving bop opener 'Ballerina Radio'. So the answer to the question if they ?Are we still having fun?", the answer is "Yes", but they could have had a whole lot more.
Korn Untouchables
It is heavy enough and Davis' vocals are the usual -paranoid- ones. These were the two facts that the band has kept and are actually the positives in this album. There is some use of electronics here and there but nothing extensive. In terms of the songs, I have found most of them to be average ones. Recommendations: "Here To Stay", "Alone I Break", "Hollow Life", "Bottled Up Inside", "One More Time"
Korn The Paradigm Shift
This is the best work in the after- Issues era for Korn in my opinion. Their style has changed a lot since then, but I have found their formula to be very decent in this album. The return of 'Head' on guitars has helped a lot and the improvement is evident. In addition, they have been using synthesisers in a very effective and efficient manner. Recommendations: "Love & Meth", "Spike In My Vains", "Mass Hysteria", "Paranoid & Aroused", "Tell Me What You Want"
Korn The Nothing
I have heard more than half of the albums in Korn's discography and The Nothing is definitely the darkest of them all. The loss of Davies' wife is the topic dominating this album and this tragic event has dominated the overall lyrical content. Each track has its own merits, it's own identity and Davies' growling is often at its best. Personally, I found "Cold" to be the highlight track of the album as it encapsulates most of Korn's characteristics in a four-minute track. "The Darkness is Revealing" with its propulsive riff and its catchy chorus is another great track and along with "H@rd3r" are a couple of great moments.
Kryptograf Kryptograf
Kryptograf's self-titled debut album is inspired by the primitive heavy metal sounds of the late 60s / early 70s. The Witchcraft and Black Sabbath influences in the music are obvious, while vocals have an Ozzy adjacent vibe to them. The guitar riffs which are fresh, direct and well-worked, have a fuzzy tone and in some moments touch some 'stoner' corners. A solid first half but a gradual loss of focus as the record progresses. Nevertheless, a very decent effort by the Norwegians. Recommendations: "Omen", "The Veil", "Sleeper".
KXM KXM
It starts very promising and slowly prepares you for a 'boom': the song that will shake you and take the album on the next level. However, that moment never comes. Songs like "Stars", "Rescue Me", "Faith is a Room" are enough to show that these guys can do it but something is missing. There is no question for individual musicianship here. Personally I thought that vocals were not matching smoothly with the music. Worth listening though!
Lacuna Coil Karmacode
Larkin Poe Self Made Man
Self Made Man has a contemporary sound that is tough to pin down accurately. The self-produced album by the Nashville-based sisters Rebecca and Megan Lovell, is made out of rootsy and swampy characteristics, with blues rock at its core. Lap steel and slide guitars are the dominating factors, while hand clapping and buzzing riffs compliment wonderfully the southern Americana sounds. Solid rhythms and lots of confidence are the two weapons that will help the duet to expand. Recommendations: "Holly Ghost Fire", "Back Down South", "Danger Angel", "Every Bird that Flies".
Lifehouse Who We Are
After the disappointing self-titled album, Lifehouse return into form with Who We Are. I found this release quite nice and enjoyable. It shows that the band has worked on many aspects and has tried to match the quality of the first two albums. Who We Are contains many tracks that I enjoy from the band's catalogue and keeps this mix of energy, groove and balladry. Recommendations: "Who We Are", "First Time", "Disarray", "The Joker", "Storm".
Lucy in Blue Lucy in Blue
In its majority, Lucy in Blue carries a psychedelic sound texture which is inspired primarily by Pink Floyd and to a lesser extent, King Crimson and Camel. With respect to modern bands, I found this to have similarities with the early albums of fellow Nordics, Airbag. From opening sounds of 'Senses', it becomes pretty obvious who the heroes of this Icelandic quartet are. The eerie keyboards and the neat guitar notes create the vibe before drums set a rather sedate pace to create the psychedelic ambience in a Floyd-esque Echoes style. 'Dazed Petition' has a slightly different approach as the hammond frenzy-ness and relentless drumming create a traditional 70s prog feel. 'On the Surface' is a simple ballad striped to piano and vocals while the inaugural bass notes of 'Conflicting Sounds' create a mystique aura before the whole thing turns to a jazzy jam. 'Absent' has a pessimistic feel to it with some heartbreaking vocals as the song approaches to its end. Overall, the album is good and the production is decent, but it lacks interesting melodies that will make the end result more captivating. Recommendations: "Senses", "Absent".r
Masters of Reality Masters of Reality
Musically speaking, I found this album to be at decent levels. Engaging grooves ("The Candy Song", "John Brown"), solid rhythms ("Gettin' High", "Domino") and diversity in style. Production-wise it is even better as it does not give you the sense at any time that you listen to a late 80s record. In my opinion there are two negatives that hold back this record. First, the explicit absence of catchy choruses and secondly, Chris Goss voice: it is melodic but lacks character. Recommendations: "Kill The King", "Domino", "The Candy Song", "Doraldin's Prophicies"
Matchbox Twenty Mad Season
Metallica Kill 'Em All
Metallica's debut album spurts testosterone. Riffs are aggressive and sharp as razorblades, while tempos are fast-paced and
full of adrenaline. Vocals is not the strongest part of the album but thankfully, this is something that Hetfield worked and
perfected in later releases. This is not my favorite Metallica album but a must-listen for fans of thrash metal.

Recommendations: "Seek & Destroy", "The Four Horsemen", "No Remorse"
Metallica Death Magnetic
Monument (UK) Hellhound
Monument continue from where they left it 2 years ago with Hair of the Dog. Despite the high energy levels, the uplifting vibes and the powerful riffs stemming through Hellhound, there is no originality. Their heroes are evidently Iron Maiden and they don't hide from it: "Death Avenue" is so "Deja Vu", while "The End" is equally "Clansman". Recommendations: "William Kid", "Wheels of Steel"
Moses Gunn Collective Mercy Mountain
Moses Gunn Collective is a neo-psychedelic indie rock act that mixes fresh pop melodies and trippy atmospherics. They come from the same school of thought as their compatriots Tame Impala and as with all other similar bands, their tracks contain high reverb and distorted vocals. Mercy Mountain contains some nice tracks but did not impress me. Recommendations: "Hole In the Wall", "Shalala", "Back Into the Womb", "Colour Television".
Mother Tongue Mother Tongue
It starts with a couple of nice songs, but the lack of passion and renthusiasm made me lose interest. Recommendations: "Broken", "Mad World", "Venus Beach"
Muse Drones
Drones is a concept album which lyrically conveys political and cospiracy theory themes while having a much heavier sound than the previous adversly criticised 2nd Law. Songs are not dull or of poor quality: most of them have distinctive characteristics but they lack in cohesiveness. For example, "Psycho" having the band's trademark melody and the similarity in the drum pattern, could easily have become a second "Uprising". However a mixture of tedious lyrics and mismanaged refrain, restrain it from becoming so. "Revolt" sees Muse in an average pop-rock mode, while "Aftermath"/"The Globalist"/"Drones" were a poor ending. On the other hand, you have the pompous "Dead Inside", "The Handler's" memorable energetic solo and Bellamy's vocals in "Defector" to balance this enigmatic record. I found "Reapers" as the most solid, bone-crushing song of Drones which gives me the hope that Muse are on the right track in delivering a massive, follow-up album.
Myles Kennedy The Ides of March
In his sophomore release, Kennedy drops the acoustic guitar and drifts away from the folk-oriented approach that he adopted so successfully in the magnificent Year of the Tiger three years ago. It's not that The Ides of March is a bad album; the end result is much more diverse and pluralistic this time. Songs contain the same power and energy that Myles is channeling through his work with Alter Bridge. It is another example that solidifies his status as a great composer and superb lyricist. I found The Ides of March to be a solid result with some nice tracks but not an album that I will refer to when I want to listen to something from his solo work. Recommendations: 'The Ides of March', 'A Thousand Words', 'Wake Me When Its Over'.r
Needtobreathe Daylight
Sympathetic album with not much depth but with a couple of nice songs. Recommendations: "Quit", "Shine On"
Nemra Mubla
Mubla (or "album" spelled backwards), is a solid debut album full of confidence and energy in the band's effort to put Yerevan in the world map of rock. It does not reinvent the wheel and also lacks lyrical sophistication but considering the young age of the Armenians at the time of recording, it gets the job done handsomely. The two brothers who form the core of the band, Van and Vaspur Yeghiazaryan, need to add a bit of finesse, grit and inspiration. Recommendations: "All I Need", "Last Chance to Love", "Train of Despair".
Nemra Hmm...
Nemra's sophomore release finds the Armenians working a lot on their melodic section as well as the lyrical one. The band has added some charming and amicable melodies while lyrics are darker and sorrowful. A pleasant hearing with some improvement but I expect more quality and focus in the songs. Recommendations: "Daisy", "Room N11", "Im a Liar", "Feet in the River".
Nick Johnston Young Language
Young Language finds the Canadian guitar virtuoso introducing vocals for the first time In his work. The album builds on the work that Nick and his friend Ben Regan started as a side project last year (Archival - Fear and Fate). The record is split equally between instrumental tracks and tracks with vocals. In either case, the instrumentation is typical Johnston-esque with the signature Schecter riffs and the piano aesthetics, woven in the rock/fusion tapestry with great skill. I found the instrumental tracks stronger as they managed to channel the various feelings that Johnston's music succeeds to capture with his music: agony, curiosity and excitement. Recommendations: "Strange Silent Places", "Young Language", "Crystalize".r
Nickelback Silver Side Up
Nickelback Dark Horse
Nickelback Feed the Machine
Feed the Machine may become a cornerstone in Nickelback's career and this depends on whether the band takes the positive aspects of this release and expands them. There were some unusually heavy songs such as the title track and "Coin For the Ferryman" however, "The Betrayal (Act III)" must have raised a lot of eyebrows. It goes without saying that the album contains the usual bland ballads and other indifferent tracks but overall the album is balanced. Recommendations: "Feed The Machine", "Must Be Nice", "For The River", "Coin For the Ferryman"
Nickelback Get Rollin'
The fact that this band gets so much criticism because its massively successful probably says more about the people rather than the band itself. Get Rollin' is an album crafted to satisfy the band's fanbase and the casual listeners. I found the result to be a versatile one as there is a heavy side with tracks like the slamming opener "San Quentin", the powerful "Vegas Bomb" and the aggressive "Skinny Little Missy", but also a lighter side with the groovy ones "High Time" and "Just One More", as well as the rhythmic "Tidal Wave". In terms of balladry, there is "Does Heaven Even Know You're Missing", "Horizon" and also a nostalgic sequel to 2005's "Photograph" called "Those Days". Nickelback are not trying to reinvent the wheel and if you expect something different from what you have known by now, you will not find it in Get Rollin'. Recommendations: "Those Days", "San Quentin", "Just One More", "Standing in the Dark".r
Of Monsters and Men Fever Dream
Fever Dream represents a departure from the band's norm that was set during their first two albums. Moving out their comfort zone is a very bold move and yes, this album is creative, experimental, forward-thinking, melodic (albeit in a different style) like its predecessors, however, this is not my style. I am not a fan of indie-pop and already started loathing the synth-pop element. Recommendations: 'Vulture Vulture', 'Alligator'
One More Satellite One More Satellite
Dean DeLeo's signature style is deeply rooted in the 70s classic rock. Tracks like 'Long Way Down' and 'Drowning Out The Sun' have a clear-cut Jimmy Page tone in them. But given the man's background, there are a couple of powerhouses here such as 'Spit It Out' with its piercing riffage and the opening 'Paper Over The Cracks' with its STP flair. Former bandmate Eric Kretz sits on the drums for 'Serenade', DeLeos's son Rocco sits on the stool for 'Drowning Out The Sun', 'Willow Mae' and 'Spit It Out', while Brian Tichy (ex-Whitesnake, Billy Idol) records the rest of the drums. Vocals were done by British singer/songwriter Pete Shoulder. While Dean is a great guitarist and lays down some excellent guitart work here and there, this project left me with mixed feelings. It certainly has a clear direction but not the one I was looking for. Although there some nice arrangements, tracks lack energy, hunger and punchiness - characteristics I was expecting to hear from the former STP guitarist's work. Tony recommends: "Paper Over The Cracks", "Can of Worms", "Spit It Out".
Orgy Candyass
Candyass has the blessings of Korn's Jonathan Davis who provides guest vocals on "Revival". This album emphasizes on the electronic elements of nu-metal without sounding too Manson-esque. Not the type of nu-metal I enjoy, but with some entertaining tracks . Recommendations: "Stiches", "Revival", "Gender", "Pantomime".
Otherwise True Love Never Dies
Powerful, melodic with dynamic vocals alternative rock (which at some points reaches 'alternative metal' status). Recommended tracks: "Lighthouse", "Full Circle", "Soldiers", "Die For You"
Ozzy Osbourne Diary Of A Madman
P.O.D. Satellite
Satellite contains a couple of songs which remind me a lot of my adolescence despite not ever being a huge fan of the rap rock side of nu-metal. The album contains tracks such as the explosive 'Set It Off', the high-octane 'Boom, the exuberant 'Alive', and the everlasting 'Youth of a Nation', a track which tells the story of kids struggling in a modern world. After the self-titled track 'Satellite' however, the track list becomes weary for my liking. Recommendations: 'Youth of a Nation' 'Alive' 'Boom'.
Pearl Jam Lightning Bolt
I would characterise Lightning Bolt a mature album, as mature as the band behind it. The album ticks many boxes as far as Pearl Jam are concerned: the grunge, the punk, the ballads, etc. The first half represents the 'lively' side of the album while the second is the sorrowful/balladry one. I would keep a handful of tracks from this one beginning with the exceptional "Sirens" - a delightful ballad of equal quality as "Black", the fascinating "Getaway", the atmospheric "Pendulum" and "Infallible".
Pearl Jam Gigaton
I never had the chance to delve deep into Pearl Jam's work, therefore I am not in a place to position this album in their discography. Musically, it is divided into an energetic first half with groovy moments and chunky riffs, whereas the second part contains some smooth, pleasant ballads. Lyrically is very solid and Vedder's vocals are unassailable. Recommendations: "Seven O'Clock", "Dance of the Clairvoyants", "Who Ever Said", "Quick Escape".
Pond (AUS) Beard, Wives, Denim
This is an interesting neo-psychedelic rock with nice distorted melodies and delicious riffs. They have many similarities with Tame Impala as they shared some band members in this album. However, what will make me listen to another album is "Fantastic Explosion of Time", a song which shows that these guys can develop their own successful style. Recommendations: "Fantastic Explosion of Time", "Elegant Design", "Sorry I Was Under The Sky", "Moth Wings"
Porcupine Tree Lightbulb Sun
Purson Desire's Magic Theatre
Purson's sophomore release builds on all the main foundation bricks that were laid on the debut: hallucinogenic-inspired lyrics, sweet mellotron/synthesizer patterns and psychedelic melodies. It is apparent from the very beginning that a lot of emphasis has been placed on the band's sound - re-worked, refined and polished. In contrast to The Circle and the Blue Door, Desire's Magic Theater focuses mainly on spacey atmospheres rather than riff-driven tracks. This does not make this a bad album but its rather a matter of preference. From this release, I keep "Electric Landlady" for its foxy lady riff, "Sky Parade" for its Uriah Heep nostalgia, "Mr. Howard" and "Dead Dodo Down".
Radio Moscow The Great Escape of Leslie Magnafuzz
Probably the weakest album in Moscow's discography. Its not that it deviates from the usual blues/acid/psych rock but rather because it does not contain so many top level songs as the other releases. Recommendations: "Speed Freak", "Creepin", "Misleading"
Radio Moscow New Beginnings
Moscow's latest release is furious: you never realize when it begins and when it ends. This is probably the thing I was not very impressed with. From the introductory "New Beginning" you sense the energy and the passion but this is detrimental to the overall quality. In addition, not that vocals were the band's strong point, but here are lost in the menace of the drums and the interminable wah-wahs. Recommendations: "Deceiver", "Last To Know"
Radiohead OK Computer
OK Computer is an interesting album. However, despite the numerous listenings I haven't managed to comprehend its style. Definitely not my type, but still I found some charming melodies and various odd sound effects. Recommendations: "Airbag", "Electioneering", "Karma Police"
Rage Against the Machine Renegades
Renegades is the final studio album by RATM and its a heavy album that reimagines the group's musical and political routs via an eclectic collection of cover songs produced by Rick Rubin. The band honors hip-hop acts, punk bands, and classic singer-songwriters, featuring unique, heavy-riff re-interpretations of tracks by artists ranging from Eric B. & Rakim ("Microphone Fiend") and Afrika Bambaataa ("Renegades of Funk") to Bob Dylan ("Maggie's Farm") and Bruce Springsteen ("The Ghost of Tom Joad"). It has a punchy production and the usual fierce energy coming from the combination of an intense rhythm section and a ferocious vocal delivery. Tony recommends: "Renegades of Funk", "Maggie's Farm", "Microphone Fiend".r
Red Hot Chili Peppers Mother's Milk
Mother's Milk represents the first major breakthrough of the Californian quartet. It is the first album with Frusciante and Smith on guitars and drums respectively and while the music contains the group's traditional raw energy and a funky attitude, compositions showcase a great chemistry between the four members. Chad's driving drum style in combination with Flea's pompous basslines, are a match made in heaven and the evidence is there from the opening tracks 'Good Time Boys' and 'Higher Ground'. Despite many fillers that exist here, there is also a number of great tracks. Praise song for 'Magic Johnson' has blown me away for its originality as well as the fact that a part of the instrumental 'Pretty Little Ditty' was sampled by Crazy Town for their 1999 mega hit single 'Butterfly'. Surely, Mother's Milk is not one of the band's top 5 albums but it's an album which gives the sense that something is changing to the right direction and the band is on track for something huge. Recommendations: "Subway to Venus", "Knock Me Down", "Sexy Mexican Maid", "Johnny Kick a Hole in the Sky".
Red Hot Chili Peppers The Uplift Mofo Party Plan
The Peppers' third studio album is based of loose grooves and funky rhythms. Flea's basslines and Irons' punchy beats are the backbone of the funk extravaganza and they glue the rhythmic section to the melodic one in a solid manner. This album is the last one with the original line-up and the best moment of the quartet up to this point in time. The Uplift Mofo Party Plan finds the Californians perfecting their earliest sound and this is attributed to the improved chemistry between the band members. Recommendations: "Behind the Sun", "Fight Like a Brave", "Me and Me Friends".
Red Hot Chili Peppers The Getaway
I found this album to be much more interesting than its predecessor I'm With You. This is not because The Getaway includes great tracks but because the band appears with a different perspective here in terms of the sounds and the band's style. They are not ultimately funky or aggressive, but rather more mature. Klinghoffer starts showing what he can offer to the band, Smith plays some interesting drum patterns and Flea's bass lines are as good as ever. Recommendations: "Dark Necessities", "Go Robot", "Goodbye Angels", "The Getaway", "Encore"
Richie Sambora Undiscovered Soul
Sambora's second solo album features a wider sonic palette than his 1991 debut Stranger in This Town, touching on acoustic arrangements, country flavors, and soul-searching lyricism. The lyrics reflect a period of personal growth and domestic life?shedding the strict persona of a Bon Jovi guitar hero to focus on identity, fatherhood, and roots. Standout tracks: the blues-infused single "Hard Times Come Easy", the roots-driven opener "Made in America" with its distinct Americana/country vibe, "If God Was a Woman" and "Undiscovered Soul".
Richie Sambora Aftermath of the Lowdown
The fact that Richie Sambora is an underrated guitarist is a common secret among rock lovers. 14 years after his previous solo work, he returns with the Aftermath.. to get away from Bon Jovi's trademark and earn some further recognition. Unfortunately, he doesn't make it with this record to a large extent. Seeing his capabilities through his solo career and that in Bon Jovi, it seems he could do better. Best moments in the record can be cited as ''Every Road Leads Home to You'', ''Weathering the Storm'', ''Seven Years Gone'' and ''Learning How to Fly With a Broken Wing''
Rival Sons Lightbringer
The voyage that started earlier in the year with Darkfighter but due to limitations could not be completed, has now ended with Lightbringer. Short and concise, Lightbringer is an album with more emotion and lyricism rather than power and groove. Opening track 'Darkfighter' is an epic 9-minute tune that has emotional ebbs and flows, dynamic twists and turns, serving as a bridge between the two albums. 'Mercy' with its anthemic chorus and 'Sweet Life' with its up-tempo character, are the album's singles while 'Before the Fire' with its flair and it's catchy chorus makes a reference to the band's first release. 'Redemption' is a sweet and passionate ballad while 'Mosaic' is a song about hope and positivity. Recommendations: "Mercy", "Before the Fire".
Robert Plant Lullaby And… The Ceaseless Roar
Robert Plant records an album which probably is the epilogue of his music career. Lullaby and the Ceaseless Roar showcasts the creativity and the diversity that Plant has as a musician. This is not a rock album as many might have guessed because of Plant's history, but rather a folkish/traditional LP. The music relies heavily on instruments from African and Eastern origins and along with Plant's lyrics they offer a pleasant result. Recommendations: "Rainbow", "Turn It Up", "Somebody There"
Rosalie Cunningham Rosalie Cunningham
I found Rosalie's first solo work entirely charming, enthusiastic and full of confidence. Without drifting away from the heavy psych, prog, and pop that defined Purson?s releases, the late 60s/early 70s aesthetic is unmistakably apparent and in full force. Rosalie's vocals blend fluently with guitars and piano-led melodies and often providing some enticing tracks. I expect that future releases will prove to be even better. Recommendations: "House of the Glass Red", "Fuck Love", "A Yarn From the Wheel".
Royal Blood How Did We Get So Dark?
How Did We Get So Dark? represents a collection of tracks that individually would stand as very successful b-sides. However, the band plays it very safe here: despite lots of energy and hard riffing put through, compositions lack a bit of inspiration both in terms of music and lyrics. It doesn't grab you by the hair as the debut did. Recommendations: "How Did We Get So Dark?", "Hook, Line & Sinker", "Hole In Your Heart"
Sabaton Heroes
Decent but not exciting, especially for older battalion-heads. Those days you had no ballads: the closer you could get to one was "Purple Heart". "The Ballad of Bull" is not bad but It just doesn't suits them. "Inmate 4859" has that heavy, slow, powerfull riff of "Rise of Evil" while the folkish "To Hell and Back" was a pleasant hearing. Lastly, "Soldier of 3 Armies" has that menace and intensity that will keep you devoted and wait for just another release
Satchel EDC
Satchel is a Seattle-based alternative rock band of the early 90s, formed by Shawn Smith (vocals) and Regan Hagar (drums). Satchel was a spin-off of their previous band Brad, after the latter went on a hiatus. EDC which was the band's debut album, was released in 1994 with guitarist John Hoag, bassist Cory Kane and Jefferson Bennett on saxophone. The band's love for movie Reservoir Dogs is depicted by some dialogue clips from the film, as well as song titles such as . Mr. White," "Mr. Pink," and "Mr. Brown" named after the movie's characters. This is a hidden gem of the 90s, suitable for those looking something beyond the typical grunge bands. Soulful vocals, eclectic sounds and robust guitars. Recommendations: "Taste It", "Build 4 It", "Suffering".r
Savatage Power of the Night
I found Power of The Night to be a solid metal album with good compositions, characterised by consistency. Despite its strong first half, it seemed to me that quality deteriorates as it progresses. Music is mainly influenced by Judas Priest with a pasionate Jon Oliva delivering some seminal vocals. Recommendaitons: "Unusual", "Power of the Night", "Hard For Love", "Fountain of Youth".
Scarlet Rebels Show Your Colours
Show Your Colours enters very brightly, full of energy, passion and an aura of modern AOR. However, as the album progresses, the band takes its foot off the pedal and tracks start to loose their identity and become wearisome without being bad.rRecommendations: "You Take My Breath Away", "Heal", "Blinded by the Pain", Head's in the Ground"
Scorpions In Trance
Scorpions Fly To The Rainbow
Scorpions Lonesome Crow
Scott Weiland Blaster
I am not much familiar with Weiland's solo work or that of STP on a great extend. Definitely not one of the year's top albums, but a record that hints some kind of potential. I think the album's best track is "Way She Moves", while the poppy yet frisky piano notes of "Beach Pop" are keeping that one at a close distance. "Hotel Rio" and "Blue Eyes" are a couple of vibrant songs worth noting, however any potential created by the Won't-Get-Fooled-Again intro of "Amethyst" is ruined by the generic music that follows.
Sea Hags Sea Hags
I found Sea Hags an interesting album to listen to. One would immediately draw comparisons of Sea Hags with other prominent bands of that time; mainly Guns n' Roses and Motley Crue. Sleazy vocals, simple riffing and well-worked sounds/production. However, as my listenings started increasing I have realised that this album lacked catchy melodies and choruses; something that the aforementioned hair bands above did not. Maybe Sea Hags could end-up being a great glam band but their self-destructive nature caught up with them. Recommendations: "Back to The Grind", "Doghouse", "Someday"
Skin Yard Skin Yard
Skin Yard's self-titled debut album is widely regarded as a foundational, proto-grunge blueprint. It features an elite early lineup with producer Jack Endino on guitar, Daniel House on bass, Ben McMillan on vocals, and future Soundgarden/Pearl Jam Matt Cameron on drums. Musically, there is a blend of sludgy guitars with intricate, nervous rhythms rather than straightforward punk energy. Daniel House?s driving basslines anchor the chaotic sound alongside Matt Cameron's precise, heavy-hitting drumming. Ben McMillan delivers a gritty, dramatic vocal style while Jack Endino?s raw yet muscular guitar tone set an early standard for what would become the signature "Seattle Sound". The album suffers from an identity crisis though its ambitious scope earns high retrospective respect. Recommendations: "Skins In My Closet", "Scratch"
Snot Get Some
Get Some stands as both a debut and a swan song as the career of the Santa Barbara-based nu metal act was cut tragically short following the death its notorious front man Lynn Strait in 1998. Snot relies heavily on the singer for that soulful edge that the instruments simply can?t achieve. Ranting and raving throughout the album, Strait does more then just write lyrics about hard times and wallowing in his own self pity. He is essentially the glue that holds all the pieces together through his witty lyrics and a strong vocal delivery. There are so many styles at play here that it was impossible to register Get Some under a single genre. It is raw, energetic and menacing, with a funky attitude and a punkish edge, that goes along the vibrant nu metal scene and bands such as Coal Chamber, Incubus and System Of A Down. Should the circumstances be different, Snot might have well become the next big name of the nu metal scene. Recommendations: "Stoopid", "Snot", "Unplugged"
Soundgarden Ultramega OK
Its not an overstatement to say that Soundgarden's debut album flirts a lot with heavy metal. Ultramega OK is a diverse album with a variety of songs ranging from slow and doomy ones ('Beyond the Wheel'), to fast and punchy ones ('All Your Lies', 'Circle of Power', 'Head Injury'), while there are others with a combination of the two, that would later be defined as 'grunge' ('Flower'). In terms of music, I found Kim Thayil's sludgy riffs and Matt Cameron's thunderous, energetic drumming to be pretty solid while Cornell's massive vocal range was in moments simply stupendous ('Smokestack Lightning', 'Beyond the Wheel'). Production-wise, it is important to note that there is a notable difference between the re-issue version (2017) and the original one. My impressions are based on the former. Recommendations: "Flower", "All Your Lies", "Beyond the Wheel"r
Spidergawd IV
Despite the fact that it has the same directness and aggression,IV did not impress me the same as V. Recommendations: "I Am the Night", "Stranglehold", "Ballad of a Millionaire"r
Spiritual Beggars Return To Zero
The introduction of Apollo behind the microphone gives a new dynamic to the band. His powerful and engaging voice in combination with Amott's sharp riffs create a solid sound for Spiritual Beggars. The album starts with some heavy yet engaging riffs ("Lost In Yesterday", "The Chaos of Rebirth"), however it takes a hard rock twist. "Star Born" is the shorter song in length but is one of the catchiest in the album. "Spirit of The Wind" is the atmospheric song of the record sandwiched from two explosive and energetic rockers ("Coming Home" and "We are Free"). "The Road Less Travelled" is probably the weakest moment and thankfully is coming at the closing of the album just before the decent cover of Uriah Heep in "Time to Live". Recommendations: "Coming Home", "Star Born", "A New Dawn Rising"
Static-X Wisconsin Death Trip
Wisconsin Death Trip combines industrial textures and electronic flourishes in order to create an aggressive output. Highly energetic with fast paced tracks, the music blends heavy, distorted guitars with electronics in order to provide a mechanic feel to Static-X's debut album. Often considered a staple release in the development of both nu and industrial metal. Recommendations: "Push It"
Stereophonics Oochya!
Not being a die-hard alt/indie/pop rock enthusiast, I never had the chance to listen to any previous albums from the Welsh trio. I found Oochya! to be an enjoyable record with a bunch of sweet tracks. the lyrical content revolves around relationships, hope and a prevailing desire for escape. The autobiographical "Right Place Right Time" adds a bit of nostalgia on the highs and lows of a life in rock while the raucous opener "Hanging On Your Hinges" draws similarities to ZZ Top and the breezy "Seen That Look Before", reminds me The Decemberists in their country-folk hour. However, the singles are the main reference point and the tracks that standout mostly. Recommendations: "Forever", "Do Ya Feel My Love", "Made a Mess of Me", "Right Place Right Time"
Steven Wilson The Future Bites
I have been a fan of Wilson's personal work since The Raven... days and I am always interested to hear each new chapter of his music journey. The Future Bites drifts away from the prog character that Wilson's earlier releases had and instead, builds and re-shapes the pop character of his later albums. It has a contemporary temperament supported mainly by synthesizers and electronic effects which make the album a dancing, synthpop one rather than a traditional Wilson-prog one. Despite being different and unexpected, The Future Bites is a bold album that touches the modern consumer culture and the ravenous appetite for things in a world where an unseen hand dictates our choices for us. Recommendations: "12 Things I Forgot", "Personal Shopper", "Self", "Eminent Sleaze". r
Steven Wilson The Harmony Codex
Steven Wilson is one of those artists who I am always interested to listen how their work has evolved with each new releae. The Harmony Codex is another high calibre album by the Brit pioneer who in his latest work, has blended various features of his previous releases to go a step further. Take for example the opener 'Inclination' and 'Economies of Scale' with their electronic elements which have an aura of The Future Bites or the duet 'Rock Bottom' and 'What Life Brings' which could have easily been included in 2015's Hand.Cannot.Erase. With the proggy character and odd time signatures of 'Impossible Tightrope', Wilson even streches back to The Raven that Refuses to Sing days. Overall, I find The Harmony Codex to be a logical development from The Future Bites and I expect that Wilson will look out for something different going forward. Recommendations: "What Life Brings", "Rock Bottom", "Staircase".
Stratovarius Fourth Dimension
Stratovarius Twilight Time
In Twilight Time Tolkki goes from strength to strength in his effort to find the appropriate style for Stratovarius. His confidence is grown and his technical abilities both in the vocal section as well as in his guitar play are evidently much more improved since the debut album. Despite the majority of the songs being more heavy than speedy, the sound of the band starts to shape. The foundations of future Stratovarius songs can be found mainly tracks like 'The Hands of Time', 'Out of the Shadows' and 'Twilight Time'.
Stratovarius Polaris
This is the first album without founding member Timo Tolkki in the lineup and with the exception of guitar parts which do not carry the same neo-classical shredding, the overall result sounds like classic Stratovarius. Kotipelto continues stretching his vocal range, Johansson's fusion keyboard style dress the songs beautifully while Michael's drumming carries the usual double bass attack. Recommendations: "Deep Unknown", "Higher We Go", "Winter Skies", "Falling Star"
Stray Cats 40
After a 25-year hiatus, Stray Cats' comeback album is titled 40, celebrating the 40 years from the band's debut. This release is my introduction to this three-piece band (guitar-double bass-drums) and from the initial listening, it is clear that Stray Cats are not here to break new ground in music. Their formula is comprehensible and simplistic. Whether it's the rock n rollers "Rock It Off", "I've Got Love If You Want It", the surf rocker "I Attract Trouble" or the Spaghetti instrumental "Desperado", [?]40[/i] exhibits rockability in all its simplistic and relative forms.
Sugartooth Sugartooth
Sugartooth's self-titled debut is an overlooked album from the 90s alternative rock scene. It blends grunge and stoner rock nicely with some sludge-driven riffs and a raw, heavy sound. The album's best tracks are found mainly in the first half with the highlights being "Sold My Fortune", "Leave My Soul to Rest", "Tuesday Morning" and "Cracks in the Pavement". Underrated? maybe, but definitely not a 'masterpiece'.r
Sully Erna Hometown Life
Hometown Life is a modest release in which Sully Erna delivers some excellent vocal performances. Despite the fact that there are lots of catchy lines in the lyrics, I found this album to lack the enthusiasm and the element of surprise that its predecessor had. Recommendations: "Your Own Drum", "Don't Comfort Me", "Different Kind of Tears"
Supersonic Blues Machine Californisoul
I found Californisoul to be a decent modern-day blues album. It is a very well-produced release featuring noticeable guests such as Billy Gibbons and Steve Lukather. From the opening track "I Am Done Missing You" until the closing "This is Love", Lance Lopez's performance on both guitar and vocals is soulful and laudable. However, Fabrizio Grossi and Kenny Aronoff equally deserve an applaud as they back up Lopez with some solid performances on bass and drums respectively. Recommendations: "L.O.V.E.", "Hard Times", "Broken Heart"
System of a Down System of a Down
System of A Down introduced theirselves with an energetic album full of anger and rage. The self-titled release has a nu-metal style and is mainly driven by vocalist Serj Tankian who drifts between screaming and growling into falsettos with a great ease. Production has some weaknesses but it is overshadowed by the hooky moments and the peculiarity that surrounds this band from Armenia that comes out in 1999, making some bold statements. Recommendations: "Spiders", "Sugar", "Suite-Pee".
System of a Down Hypnotize
Six months after the powerful Mezmerize, the follow up Hypnotize serves as the second half of the series. Although it contains a handful of punchy and catchy tracks, it feels inferior and not as powerful as Mezmerize. Still, it contains a couple of the band's best songs. Recommendations: "Soldier Side", "Lonely Day", "Hypnotize", "Attack", "Tentative".r
Taproot Gift
Taproot's Gift was released in 2000, somewhere in the middle of the nu-metal frenzy. Its an album that has moved under the radar, given that bands like System of a Down, Linkin Park and Limp Bizkit were dominating the genre. Vocally, Stephen Richard is the closest to Staind's Aaron Lewis I have ever heard to date, although a Jonathan Davis (Korn) reference can be made for various moments as well. There is a sufficient amount of growling and screaming for an nu-metal album and the topic of depression is the underlying theme of most tracks here. Recommendations: "?gain & Again", "1Nite Stand", "Smile", "I-Revised Radio Mix".
The 1975 The 1975
An album with pop tendencies and an indie rock character, having more a 90s feel rather than a 2013 one. Songs have a radio-friendly tendency and some of them tick all the relevant boxes for this purpose. However, the point where this album becomes unappealing for my taste is the electro-R&B moments and the melodramatic vocals with some whininess. In a nutshell, the album's best moments where shared through the four singles. Recommendations: "The City", "Girls", "Talk", "She Way Out"
The 69 Eyes Universal Monsters
This is the first album I listen from The 69 Eyes and although I am not a goth lover, Universal Monsters is an entertaining album. What I would keep from this release is the goth 'n' roll style, the baritone in the vocals and the melodic synthesisers all encapsulated in a bubble full of energy. Recommendations: "Lady Darkness", "Never", "Blue"r
The Answer Solas
The Answer was a band that caught me by surprise last year with their album Raise a Little Hell: powerfull riffing, energetic attitude, delicate melodies. I was eagerly waiting for this year's album to verify my allegiance. Although through the dynamic and atmospheric pre-release tracks "Solas" and "Beautiful World" I thought that something big was coming from the Northern Irish act, the end result was a peculiar landing to new sounds and style. As the band members have admitted in many interviews, the various family issues some of them experienced the last year, had a major role in this. After the lapse of the aforementioned tracks -which represented the two opening songs- Solas takes a twist towards some Gaelic and atmospheric folk moments ("Battle Cry", "In This Land", "Thief of Light", "Being Begotten"). Overall, I would characterise Solas as an experimental album in which the band tries its luck with new instruments, new sounds and new ideas. Recommendations: "Left Me Standing", "Beautiful World", "Solas"
The Answer Sundowners
After a much-needed lengthy hiatus, the Northern Irish blues band regroups for its seventh studio album, Sundowners. I found their seventh studio album to be more structured and focused than Solas. With Cormac Neeson's raspy vocals at the forefront, Sundowners is the home of some great bluesy tunes, created around restless grooves, fuzzy riffs and warm Hammond. The three tracks that I will keep are: "Blood Brother" for its upbeat vibe and hooky chorus, "Cold Heart" for its rhythm and wonderful cowbell which reminds me something from Free, and the title track for its mystique and Plant-ish vocals.
The Bad Light Temples
Temples is a riveting album full of powerful melodies, compulsive rhythms and lots of head-nodding riifs. Recorded on an electrifying texture, the music is striped on the very basic elements of drums, guitars and vocals. Despite the challenging character of suchrinstrumental arrangement, the trio manages to deliver a well-respected outcome. However, there is much scope for improvement especially in the vocal aspect. Recommendations: "The One", "Arrows", "Time"r
The Black Keys Dropout Boogie
Following the homage to their Delta heroes, Dropout Boogie comes as a natural follow up from Ohio's most-known garage rock duo. Dan and Patrick stick to the formula that has served them so well for the past two decades: a skilfully delivered garage rock with that amped-up blues sound that has a unique rock & roll minimalism as they deliver blues right from their soul. The album opens with a couple of groovy tracks ("It Ain't Over", "Wild Child") in a swaggering fuzz, just before the swampy "For the Love of Money" will enter and drive the rest of the album right down to the Delta-sound road with a guest appearance from the legendary Billy F Gibbons (ZZ Top). Dropout Boogie migh be lacking some killer hooks and at times lyrics sound pedestrian ('Your team is looking good/ But not as good as ours'), but is a light, breezy and enjoyable record.

Recommendations: "It Ain't Over", "Wild Child", "Good Love", "Happiness".r
The Blackwater Fever The Depths
It is characterised more as alternative than a blues album. However, the electric bass gives it depth and a dark approach that differentiates it from an ordinary alt album. A song that depicts those facts is 'Can't Help Yourself', one of the record's highlights. You'll also find 'Don't Fuck With Joe' and 'Won't Cry Over You' two excellent blues additions, which will make you wonder why the trio is not concentrating more on this style of music instead.
The Blue Stones Pretty Monster
In its third album, the Canadian duo inclines more on the R&B/pop character that was signaled in Hidden Gems rather than the heavy/chunky riffs founded in Black Holes. Short and concise, Pretty Monster is full of groovy ("Cards are Down") and dancing moments ("Don't Miss", "Good Ideas"), extrapolating the ideas of tracks such as "Careless" and "Grim" founded in Hidden Gems. Personally, I have enjoyed the rock side of things with tracks such as the inaugural "Healing", the pulsative "No Angels" and the bouncy "Stay With Me".
The Bright Light Social Hour Space Is Still the Place
There is a very peculiar mixture of elements in this album that may satisfy a range of listeners. These guys have managed to combine a retro-psychedelic element with modern dance melodies. I favour the former type of songs like "Sweet Madeline", "Ghost Dance" and "Slipstream". Tracks like "infinite Cities", "Escape Velocity" and "Dreamlove" can be easily played at your local club.
The Butterfly Effect The Butterfly Effect
A solid EP that puts The Butterfly Effect under the radar. It prepares you perfectly for the debut album both in terms of music direction and style of this band. ''Take It Away'' is one the band's greatest songs.
The Butterfly Effect Final Conversation of Kings
The Butterfly Effect IV
I was hoping this album to have the calculated aggression of Begins Here in combination with some sweet and well-crafted melodies that Imago had. Instead, IV follows the same prog path that its alternative metal predecessor (Final Conversation of Kings) had. Not my cup of tea.
The Darkness Last of Our Kind
This is the band's fourth album, fifteen years after their mouthwatering debut in 2003. What I liked most about Last of Our Kind was it's guitar content: solid riffs and melodic chords. However, Hawkins' vocal performances which have always been the band's strongest weapon, were very average here. You will not listen the bombastic singing of Permission..., but Hawkins performing carefully inside his comfort zone; choosing very carefully when to step outside of it. Recommendations: "Hammer & Tongs", "Sarah O Sarah", "Barbarian", "Open Fire"
The Darkness Motorheart
The Darkenss have always been the sense of fun to rock and in their latest release, they continue do the same. Motorheart clocks around 35 minutes and does not unveil any new direction. It has the usual snappy choruses and riffs, with Hawkins' falsetto thrown here and there to maintain character to the music. Overall, Motorheart finds the band having all good fun but this is probably not something worth revisiting too often. Recommendations: "Motorheart", "It's Love, Jim", "Eastbound", "Jussy's Girl".
The Darkness Dreams on Toast
As with their previous work, The Darkness approach their latest release with the aim of having a good time. Opener 'Rock and Roll Party Cowboy' sets the tone with the follow-up 'I Hate Myself' - an ode to self-loathing - borrowing a Status Quo vibe. From AC/DC's boogie 'Mortal Dread' to the Beatles-via-Queen bounce of 'The Longest Kiss', the majority of the tracks have the typical energy and bounce the Britons always strived for. On the other hand, 'The Battle for Gadget Land' is a hilarious track with the appropriate levels of tongue-in-cheek lyricism. Dreams on Toast contains also some scattered and unexpected diversions into country ('Cold Hearted Woman', 'Hot On My Tail') while the cinematic balladry of 'Weekend In Rome' may raise some eyebrows amongst diehard fans. Tony recommends: "Mortal Dread", "I Hate Myself", "Don't Need Sunshine", "Rock and Roll Party Cowboy"
The Decemberists Castaways and Cutouts
The first thing that stands out from Castaways and Cutouts is Colin Meloy's lyrical dexterity. He delivers some incredibly poignant lines with such raw and powerful emotion, exhibiting continuously his lyrical prowess. The album is written around unhappy tales and fantastic allegories and the mood shifts drastically from melancholic to joyful on many occasions. The instrumentation of the album is fundamentally pop music with folk-rock elements, including bits of Hammond organ and accordion. Despite opening strongly with a trident of tracks full of luscious grooves and harmonies, I found the quality to be regressing as it moved on. Recommendations: "Leslie Anne Levine", "Here I Dreamt I Was an Architect", "July, July!", "The Legionnaire's Lament".
The Decemberists I’ll Be Your Girl
This is the second album I have listened from this band. Despite the songs being catchy and memorable, they lack substance and creativity. There are no stand-out tracks despite the charming and amicable melodies. Recommendations: "Starwatcher", "Once In My Life", "Sucker's Prayer".
The Defiants Drive
The Defiants were created to recapture the 80?s stadium rock magic and capture it they did. The band's third album is full of energy, traditional hard rock riffs and has the AOR stamp all over it. Lovers of the genre will love it for the nostalgia and the pleasant memories that the tracks bring out. Def Leppard, Motley Crue and Bon Jovi arernotable references. Recommendaitons: "Go Big or Go Home", "Against the Grain".
The Doors Morrison Hotel
The Exies Head for the Door
Head for the Door is a collection of 12 post-grunge/alt. metal tracks with lots of energy, passion, powerful riffing and hooky choruses. There were moments in the record where the band sounded similar to Breaking Benjamin but overall, it does not have much depth or inspiration. Recommendations: "Hey You", "Ugly", "Tired of You".
The Gaslight Anthem History Books
Following a hiatus that spanned almost a decade which has barely made any difference to their sound, the band picks up where they left off. History Books is the second album I have listened from the New Jerseyers and similar to Handwritten it contains some nice rockers with soul-searching lyrics and pleasant rhythms. A collection of introspective, melancholic songs about hurt and hope, History Books is not a memorable album for me but nevertheless a sympathetic one. Recommendations: "History Books", "Little Fires", The Weatherman".r
The Goners Good Mourning
Clocking around 41 minutes, Good Mourning is a straightforward, in-your-face record that mixes garage rock sounds, punk rock vibes and stoner rock elements. Sludgy guitars accompany heavy riffing while the often anarchistic drumming is the fuel behind the energy and pounding rhythms. Overall, I found the first half to be stronger as it is more melodic as well as containing my personal highlights. Recommendations: "World of Decay", "Are You Gone Yet?", "Good Ol' Death".
The Hooters One Way Home
It may include some of Hooters' greatest songs ("Satellite", "Karla With a K", "Johnny B") but the rest of it is a bunch of easily forgettable tunes
The Hooters Zig Zag
A good effort from Hooters to keep their standard at an acceptable level. Surely not their best album or any near that, but at least it has some nice songs. Recommendations: "500 Miles", "Don't Knock It 'Til You Try It", "Brother Don't You Walk Away", "Give The Music Back"
The Horrible Crowes Elsie
Elsie is the only album released by The Horrible Crowes, a project consisting of Brian Fallon (Gaslight Anthem) and his longtime guitar tech Ian Perkins. Fallon's voice is very distinct and it was very difficult to view this as not another Gaslight Anthem release. As a result, I was drawn into familiar territories both musically and vocally with not much differentiation. Despite the fact however, Elsie is a pleasant album with a Springsteen-ish character and approach with many slow-tempo and soulful tracks thrown around. Recommendations: "Behold the Hurricane", "Sugar", "Ladykiller".
The Ivory Elephant Number 1 Pop Hit
Albeit the title may suggest a softer genre, Number 1 Pop Hit is everything but a pop album. Its mid-tempo and heavy blues character once it is fused with psychedelic touches creates a sound that is as modern as The Black Keys but has its roots as deep as Jimi Hendrix. Delicate melodies are spread like a garniture all over the album with my favorites being in songs such as "Like a Dog" and "Ballad of Wild Bill". I am looking forward listening what these guys can do in future releases and whether they increase the psychedelic element in their music.
The Jeff Healey Band See the Light
Although I respect Jeff Healey for what he does under his conditions, I found See The Light an average-to-good album at best. A bluesy attitude with likeable but safe guitar melodies not going much out of the comfort zone. Production could have been better but its not a factor that would change the overall quality. It is obvious that Healey can do better. Recommendations: "Angel Eyes", "Don't Let Your Chance to Go By", "That's What They Say"
The Mayan Factor Yesterday's Son
Yesterday?s Son does not contain new material per se but rather a collection of songs that began as demos and recorded in various sessions before Ray-Ray's death. From the style of the songs in this album, it is obvious that these demos have been recorded some time before or after the 44 period. 'Preacher's Daughter' has an air of 'Propaganda', while the line "there's blood on your shoes" found in 'A Life and a Shovel' was previously used in track "To Kill a Priest". On the same tone, 'Dead Leaves' and 'Parabellum' are surely two tracks that match the atmosphere of 44. The excerpts of Ray-Ray speaking before the start of some songs, add an extra layer of melancholy to the sorrowful feeling that exists. Recommendations: "Parabellum", A Life and a Shovel", "Dead Leaves".
The Offspring Ignition
Ignition consists of pompous basslines, crunchy guitars, energetic drumming and Holland's high-pitched agonizing vocals. All these factors are giving the punky character of The Offspring's sophomore release. Tracks and the overall production are better this time but this is definitely an album for the lovers of early punk. The track that I enjoyed the most from this album is 'Dirty Magic' which reminded me a lot of Nirvana's early days and could be easily be included in [i]Bleach{/i]. Recommendations: "Dirty Magic", "Kick Him When He's Down", "We are One".
The Offspring Rise and Fall, Rage and Grace
Rise and Fall, Rage and Grace is not an album that will attract new fans to the band but
will somehow satisfy the hardcore ones. Despite the typical energetic attitude and power chords
thrown around, it does not have the quality of earlier releases. Still, it contains some ear
catching melodies and tracks that fit perfectly in the band's discography. Tony recommends:
"Half-Truism", "Kristy Are You Doing Okay?", "You're Gonna Go Far, Kid", "Fix You"
The Offspring Supercharged
Following the disastrous Let the Good Times Roll , the punk rockers' latest album finds them fired up and trying to find their rhythm in order to get back in business. With the typical upbeat rhythms, pop-infused hooks and Holland's whiney vocals, Supercharged shows a significant improvement from its predecessor in various layers such as production and overall song quality. The album starts strongly with the typical Offspring punk style rock before taking a pop/punk-Blink 182-Sum 41 twist. There are cases where the band borrows from its past (most notably, the similarity in the chorus of 'The Fall Guy' and 'The Kids Aren't Alright') but also moments of beguiling garnishing (unanticipated riff from Kansas' 'Carry On Wayward Son during 'Get Some', or the Master-of-Puppet-esque riffage in 'Come to Brazil') with their classic sense of humor appearing here and there. After 40 years, the Offspring is still smashing it and I still wonder why this is such an under-rated band. Recommendations: "Hanging By A Thread", "The Fall Guy", "Looking Out For #1", "Truth In Fiction"r
The Outfield Play Deep
The most impressive thing from The Outfield's debut is that what you hear is British and not American. Play Deep sounds like the typical 80s rock record, however, it lacks a point of reference. I will only keep "Your Love", "61 Seconds" and "Say It Isn't So" from this one.
The Police Reggatta de Blanc
The Police Synchronicity
The Police Ghost in the Machine
The Record Company Give It Back To You
The Americans left me a very good impression with their debut album. A three-piece blues rock band with lots of melody in their songs. I love bands that drum and bass give set the groove and The Record Company is definitely one of them. Although the rhythmic part was outstanding, I can't say the same about the melodic one. Lap steel guitar was a very good addition in the mix, however, recording the majority of the songs with it didn't sound amusing to me. Production is excellent throughout. I hope they continue with the same quality. Recommendations: "Off The Ground", "Rita Mae Young", "Give It Back to You"
The Record Company Play Loud
The band's third release does not incorporate any slide guitar or harmonic as in their debut but rather it leans more toward the trio's bluesy side. Play Loud has a more modern, glossy sound and many radio-friendly hooks. "Gotta Be Movin'" seems to have its roots back in their debut, while the rhythm section of the opener ?Never Leave You? lays a distinct disco vibe, bringing Royal Blood's Typhoons into mind. Despite the album's positive vibe and experimentation, it is one of the albums that might be stronger if it contained fewer tracks, especially as the latter ones seem to be very weak and there are grooves that might not grab listeners until later spins. Recommendations: "Never Leave You", "Out of My Head", "Paradise", "Live as One".r
The Rentals Return of the Rentals
Well-known for reintroducing the Moog synthesizer to mainstream 90s rock, The Return of The Rentals has airy, new wave electro-pop hooks, sugary female backing vocals from Petra Haden, and a lo-fi space-age charm. The debut album by The Rentals is considered to be an indie-pop benchmark with the most notable track here being 'Friends of P.' because of its self-deprecating lyrics and incredibly catchy melody. Along with this I liked 'Please Let That Be You' and the opener 'The Love I'm Searching For'.
The Riven The Riven
I am fond of rock bands fronted by women with dynamic voices and Swedish act The Riven is no exception. The band's self-titled debut is mainly based on bluesy riffs and vintage sounds, channeling a 70s retro rock aesthetic vibe. The album's best moments are concentrated in the first half, with occasional groovy parts in the second one. Overall, a mediocre yet positive begining. Appropriate for fans of Honeymoon Disease, Blues Pills and Heavy Feather. Recommendations: "Edge of Time", "The Serpent", "Leap of Faith".
The Smashing Pumpkins Oceania
The Sunday Drivers Little Heart Attacks
The need to listen Little Heart Attacks came after I have accidentally listened to the opening track "On My Mind". Even from the first listening, it is obvious that this is also the stand-out track of the record. Nevertheless, Little Heart Attacks is a soothing, indie-pop rock album with delicate melodies and a good vibe. Recommendations: "On My Mind", "Often", "Love, "Tears & Years", Our Love" r
The Temperance Movement White Bear
Such was my enthusiasm with the band's self-titled debut, that I have been waiting for the follow-up record with much anticipation. Granted, The Temperance Movement continue delivering some fine classic/blues rock tunes with no change in style or ideology. However, apart from the fact that White Bear clocks around 35 minutes, I needed many listenings to pick out some highlights here. I did not find "Three Bulleits" impressive, "Get Yourself Free" and "White Bear" are typical TTM tracks, while "I Hope I'm Not Losing My Mind" could be discribed as a flat filler ballad. What I did found of interest though was "Battle Lines", a track possibly left out from the debut album, the killer "Modern Massacre" with the chunky riff and the growling vocals. "Oh Lorraine" has a drilling guitar melody and along with its catchy rhythm could have become something big but any potential was killed at the chorus. It worths mentioning "A Pleasant Peace I Feel" which starts with some sweet bass notes and a delicate guitar melody indicating that this would be a ballad song. As it builds up however, it takes a courageous twist and out of nowhere it transforms to the most adventurous track of the record. r
The Temperance Movement A Deeper Cut
A Deeper Cut is a record full of integrity and emotion, bristling with energy and honesty. It blends wonderfully a blues rock swagger with some Southern soulful sensitivity. Although the album contains some delicate tracks, often having groovy guitars and honey-sweet vocals, I did not find the result very exciting. Still the debut is unmatchable for me. Recommendations: "Caught in the Middle", "Built-in Forgetter", "A Deeper Cut", "There's Still Time".
The Warning Keep Me Fed
This is the second release I have heard from the Mexican sister-trio. Keep Me Fed carries the same swagger and level of energy as its predecessor. Musically, the guitars deliver a buzzy riff tone which remind bands like Royal Blood, Muse and QOTSA, while the Halestorm-inspired vocals and the thunderous drumming support adequately and complete the picture. Despite the good compositions and the stellar production, I think this album is interesting but not at the same level as Error. Recommendations: "Satisfied", "Sharks", "S!ck", "Qué Más Quieres"
Thunder Laughing On Judgement Day
Thunder Dopamine
Dopamine carries Thunder's typical English bulldog spirit with their usual rock n' roll attitude ("The Dead City", Dancing in The Sunshine", "Across the Nation") and the uplifting choruses. In some cases it becomes explorative ("Big Pink Supermoon") while at the same time, the balladry side ("Unravelling", "Just a Grifter", "Is Anybody Outthere?") appears here and there to balance things. Overall, Dopamine is an ambitious double album consisting of 16 cohesive, hard rockers from one of the most consistent bands out there.

Recommendations: "One Day We'll Be Free Again", "Black", "The Dead City", "Just a Grifter"
Tim Montana Savage
This release by Tim Montana is anything else but country rock. Combining hard riffs and hooky choruses, the music in Savage is a crossover between hard rock and post-grunge. 'Die Today', 'Shut Me Out' and 'Get You Some' recall bands such as Staind and Seether from the early 2000s, while the opener 'Devil You Know' and title track 'Savage' with their anthemic sing along choruses are perfect for radio play. From the second half, the track that stands out is "Ain't Comin' Down' with a 90s grungy, Alice In Chains, style. Recommendations: "Die Today", "Devil You Know", "Ain't Coming Down", "Savage"
Toadies Rubberneck
The Toadies' music style can be characterized as a blend of grunge and alternative rock with hints of punk influences. Rubberneck is the home of the popular single, 'Possum Kingdom' and a few other notable tracks such as 'Tyler', 'Mister Love', 'I Burn'. Despite reading much praise about this album, I was not very impressed.
Tremonti All I Was
Personally I find Tremonti one of the finest in his game. In his debut he is more heavy and aggressive with some solid and fast riffs dragging you constantly to a head-banging. His vocals are very decent although he needs to work more. Despite all the positive facts that you will discover listening to this album, it seemed to me that on many occasions the songs would suit better for a Creed or an Alter Bridge album. As far as the music goes, on songs like "The Things I've Done", "New Way Out", "Proof", "All I Was", "Doesn't Matter", "Decay" you could easily visualise Myles or Stapp to sing. And this is the trap that Mark has fallen into in my opinion. Nonetheless, there are tracks much heavier than any of AB or Creed material which depict Tremonti's style better such as: "So You're Afraid", "You Waste Your Time", "Brains"
Uriah Heep Look At Yourself
Uriah Heep Firefly
The introduction of Lawton to the band is a smooth one: no deviations or major changes from the hard-rock style adopted since 'Sweet Freedom' (1973). His voice is excellent and matches the qualities of David Byron and in many situations sounds very similar to it. Decent songs appear here with the highlight being 'Sympathy' which reminded me a lot the glory of 'Easy Livin'. Surely one of Heep's finest. Some other nice songs here are 'The Hanging Tree', 'Do You Know', 'Been Away Too Long'. Much better effort than 'High & Mighty' album. Seems the band heads for a new start.
Uriah Heep Abominog
Uriah enter the 80s with an optimistic record. It is powerful, full of positive signs and you will realise that the flame is still burning. The heavy influence of the scene is obvious in many songs (e.g 'Running All Night With the Lion', 'On the Rebound') but at the same time the band keeps its own characteristics. The outcome is a mixture of the two.
Uriah Heep Different World
The last time UH released such a coherent album was 1982 with 'Abominog'. Surely it's not Heep's best album but they start the decade with a solid effort. Lanzon's contribution is evident and Shaw's vocals seem able to lead this band. rRecommended tracks: ''All God's Children'', ''Different World'', ''Step By Step'', ''First Touch'', ''Stand Back''
Uriah Heep Into the Wild
The veterans record another good album during the 00s. There are some hard riffs and some nice choruses here but nothing spectacular. Still, this is much better than all of their 80s releases. Recommendations: "Nail On The Head", "I Can See You", "Trail of Diamonds", "Southern Star".
Uriah Heep Outsider
The Outsider is a decent album by the veterans, though it would fit better in their 80's catalogue. It has a lot of energy and the majority of songs are average ones, with some maybe going beyond that point. Nothing great, no hit songs but on the other hand, we've heard worst from them. Recommendations: "Speed of Sound", "One Minute", "The Outsider", "Jessie"
Volbeat Guitar Gangsters & Cadillac Blood
Volbeat continue throwing riffs at a tremendous pace. This time however, it is easily understandable that they want to experiment with their music but at the same time stay committed to their style. "Mary Ann's Place" introduces female vocals, "Still Counting" shows a groovy side of Volbeat while "Making Believe" and "Broken Man & The Dawn" have a radio-friendly-kind-of approach. However, you can still find a handful of 'classic' Volbeat tracks able to rock your socks off: "Hallelujah Goat", "Maybelline I Hofteholder", "I'm So Lonesome I Could Cry"
Volbeat Beyond Hell/Above Heaven
This is another decent album by the Danes who continue the stream of consistent releases. The good balance of rock/metal is kept throughout with melodies being the band's strongest weapon. Recommendations: "Heaven Nor Hell", "Fallen", "A New Day".
Volbeat Seal the Deal & Let's Boogie
Volbeat are one of those bands who manage so effectively to create catchy riffs and easy-digested melodies, despite the fact they are very predictable in their music. Although Seal the Deal.. begins strongly with a couple of old-school rockers which characterise the Danes as a band, as the album progresses, every once in a while the riffs become lighter and lose their aggression. This seemed to me as an attempt to become more radio friendly ("For Evigt", "Black Rose", "Rebound", "Mary Jane Kelly", "Battleship Chains") rather than lack of creativity. rRecommendations: "Seal The Deal", "The Devil's Bleeding Crown", "The Gates of Babylon", "Marie Laveau".
VV (FIN) Neon Noir
Valo's debut album bridges HIM's post-Love Metal era with his personal vision for music. Despite containing some scattered elements of symphonic metal which will bring fellow Finnish act Nightwish into mind, Neon Noir is built with the same goth rock elements and the 'love rmetal' brand that HIM created and served so faithfully throughout their lifespan. Granted, many songs will bring nostalgia to HIM fans as they have both the typical mournful melodies and Valo's lighter melodic register encapsulated in the same conventional dark beauty. There are some nice ideas here but personally, I would have liked some extra heaviness. Recommendations: "Run Away From the Sun", "Baby Lacrimarium", "The Foreverlost", "Salute the Sanguine".
Walking Papers The Light Below
The Light Below finds WP without Duff McKagan and Barrett Martin. Despite the replacement of the whole rhythmic section, the band's identity is not lost. The album carries the same dark and melodramaticrambiance as its predecessors, with an abundance of tasteful piano notes, expressive guitar melodies and scattered fuzzy riffs. The Light Below creates positive expectations with its opening four tracks ("The Value of Zero", "What Did You Expect", "Divine Intervention", "Stood at the Gates of Heaven"), however, after that point onwards and due to the constant mood and the perpetual slow-burning tracks, it becomes weary.
Wet Leg Wet Leg
I was unaware of the whole hype surrounding the British alt-indie rock duo from the Isle of Wight, but listening to their self-titled debut album Wet Leg, it's easy to understand why. Bouncing vibes, cheerful melodies, accessible tunes, simplistic song structures and hooky choruses, consist the main ingredients of the duet's music. After multiple listenings, however, I am still undecided as to whether Wet Leg is the result of pure genius or plain shallowness for the radio-friendly and casual listeners. Recommendations: "Angelica", "Chaise Longue", "Ur Mum", "Wet Dream", "I Don't Wanna Go Out".
Wet Leg Moisturizer
While the debut album dealt with concepts such as depression, social media and break-ups, Wet Leg's sophomore release moisturizer is all about the force of love. For Rhian Teasdale, these are "desperate" love songs and not "not demure love ones". moisturizer moves quickly and has a more expansive sound. This has to do with a change in the writing process where Teasdale and guitarist and co-writer Hester Chambers invited guitarist Joshua Mobaraki, bassist Ellis Durand, and drummer Henry Holmes to join the songwriting process. This collaboration created frisky vibes, cheerful melodies and contagious tunes. Recommendations: "CPR", "catch these fists", "mangetout"
White Reaper You Deserve Love
You Deserve Love is an accessible pop-punk record by an indie rock act with some apparent classic rock influences. Despite the harmonized guitars of singles "Really Long Time" and "Might Be Right", the Thin Lizzy homage is not carried throughout the album's entirety. Tony Esposito?s high-pitched voice reminded me of a time when Blink 182 was one of my favorite bands. A sympathetic yet easily forgettable album for my taste. Recommendations: "1F", "Headwind", "Eggplant"
Whitesnake Snakebite
Whitesnake Trouble
Whitesnake Ready An' Willing
Whitesnake Saints And Sinners
It has the same style as the previous release. Some of its songs are of the bands' greatest (''Crying in the Rain'' and ''Here I Go Again'') while others are enjoyable (''Young Blood', ''Rock an' Roll Angels''). However, the rest of the songs are average ones and make the whole situation balanced. Despite contribution from Ian Paice and John Lord it is difficult to get higher appreciation
Whitesnake Slide It In
Similar status as 'Saints & Sinners': classic Whitesnake album with some top hits (''Love Ain't No Stranger'', ''Guilty of Love'') but overall it moves on average-to-good songs. Other recommended tracks: ''Slow an' Easy'', ''Give Me More Time''
Whitesnake Slip Of The Tongue
Powerful, sharp and highly technical album. Steve Vai shows his virtuosity to a great extent. However, it lacks originality and it's full of cheesiness. Recommended tracks: ''Fool For Your Lovin''', ''Now You're Gone'', ''The Deeper the Love'', ''Wings of The Storm''
Wolfmother Victorious
Production and mixing returns to modest levels after the cacophonic New Crown. I found Victorious to be a decent album with interesting music, hooky refrains, energetic tempos and sharp riffs. Lots of riffs. I don't believe that this album deserves the heavy criticism it gets; it simply deserves objective listening. Recommendations: "Victorious", "The Simple Life", "Eye of The Beholder", "City Lights", "Baroness"
Yogi Lang No Decoder
Delicate vocals and soothing prog music with Pink Floyd influences. In his first solo work, Yogi Lang creates a relaxed album with a dreamy atmosphere.
Zakk Wylde Book of Shadows II
Zakk's voice is perfectly fitted in the sullen and melancholic songs of Book of Shadows II and the emotion that accompanies his guitar solos is worthy of notice. Recommendations: "Lost Prayer", "Sleeping Dogs", "Autumn Changes", "Eyes of Burden"
Zodiac Grain of Soul
I find Zodiac a very sympathetic and hard-working band which, despite its weaknesses keeps putting effort and tries for the best outcome. Unfortunately, Grain of Soul does not have the ingredients to be something special. The production is definitely improved since the last album and there are tracks of various tempos however, everything seems flat to me. I gave this album numerous listenings but I haven't been in a position to embrace it. Recommendations: "Down", "Grain of Soul", "Follow You", "Rebirth By Fire"

2.5 average
AC/DC Ballbreaker
Although it is released five years after The Razors Edge, it would not seem odd if we called Ballbreaker its little brother. After losing many fans during the 1980s because of some weak releases, the Aussies try to win them back. Production is good, individual performances are not bad, lyrics are tolerable. Not many songs can be distinguished. Recommendations: "Hard As a Rock", "Burnin' Alive", "Ballbreaker"
AC/DC Flick Of The Switch
AC/DC Fly On The Wall
I found this to be an album that resembles the 'tough' years of the band. Limited inspiration, not very good production; the usual wear & tear that a band experiences after 10+ years on the roads and 9 albums. Still though is decent and that is why I respect the Aussies. Recommendations: "Shake Your Foundations", "Sink The Pink", "Stand Up"
Adema Adema
Adema's debut is a decent nu metal release with huge influences from Korn and Linkin Park. The band delivers some sharp riffs and tries to sound aggressive while at the same time, maintaining a radio friendly sound. The album's best moments are found in the singles and these were the entry points that gave the band a huge radioplay and a place in my winamp playlist back in the day. Recommendations: "The WaY You Like It", "Skin", "Trust".r
Altaria Invitation
Invitation is a decent power metal album which possess a common characteristic among the power metal genre: it starts with some decent songs, but it continues on the same levels until the end, never reaching a climax. Riffs aplenty, mediocre vocals while very few songs are catchy. Recommendations: "Fire & Ice", "Unicorn", "History of Times To Come"
Army of Anyone Army of Anyone
Army of Anyone was the side project of the DeLeo brothers following the break-up of STP. The band who also featured Ray Luzier on drums as well as frontman Richard Patrick, managed to release only one album. Though not a grungy album per se, it has the signature riffage and melodies of the DeLeos all over the place. Patrick does not have the chameleonic attribute of Scott Weiland in his voice, so the result sounds like he is stretching his own style to fit the DeLeos' music. Despite the 'supergroup' tag on this band, this album did not ring a bell in my ears. Recommendations: "Goodbye", "A Better Place", "Disappear".r
Ashes of Ares Well of Souls
Despite its crispy production, Well of Souls did not impress me the same as the debut album. The band's sophomore release is more direct, aggressive and brutal than its predecessor. However, Barlow's vocals remain solid and powerful throughout. I found the album lacking focus, melodious and memorable tracks. Recommendations: "Consuming the Mana", "Soul Searcher".r
Bad Company Burnin' Sky
Bad Company Here Comes Trouble
Big Big Train Bard
BBT's third studio album has a melodramatic feeling to it and lots of flatness. In rare moments I have spotted some delicate melodies in the guitars and grooviness in bass, however, vocals were uninspiring and monotonous. Recommendations: "The Last English King", "This Is Where We Came In", "Blacksmithing"
Black Stone Cherry Kentucky
Despite their efforts to 'return to their roots', I thought Kentucky was not the result I was expecting. The album begins with some glossy yet heavy riffs full of distortion and gain. The catchy refrain of "Soul Machine" made this a decent track but then again, the meaningless lyrics created a confusion. I found "Long Ride" as one of the rare tracks that reminded me of Folklore and Superstition, my favourite album of these guys. "War" was an excellent cover, probably one of (if not) the album's highlights. Other songs that I found decent included "Cheaper To Drink Alone", "Feelin' Fuzzy" and "The Rambler".rProbably with a different production I would be more inclined to hear the true point of Black Stone Cherry's in Kentucky.
Black Trip Shadowline
Not very impressed by Black Trip's sophomore album. The Swedes concentrate their energy on executing catchy guitar riffs and melodies instead of delivering an all-around performance. As a result, they end up sounding generic and with no character. Some songs I found enjoyable are: "Danger", "Shadowline", "Clockworks"
Blackfield Welcome To My DNA
Blackfield surprised everyone with their third release. It lacked of emotion, good lyrics and essentially stand out tracks. Wilson is not involved at all as he prepares his solo work, thus leaving Geffen to bring in his style and ideas and run the show. Recommended tracks: "Rising of The Tide", "Waving", "Blood", "Oxygen"r
Blind Guardian Battalions Of Fear
Blind Guardian's first album is promising, energetic and gushing out tones of testosterone. I found it to be technically average and lyrically directionless as the band concentrates more on speed and riffing. Recommendations: "Majesty", "Wizard's Crown"
Blurred Vision Redemption
Redemption does not sound as solid and tight as the debut album and probably the main reason for this are the changes in the band's line-up. Though the album is melodic with some catchy tunes, there is an apparent lack of creativity and direction. In contrast to its predecessor, there are no prog influences and there is more pop-rock/mainstream attitude. Organized Insanity remains unmatched. Recommendations: "Redemption", "Mystic Garden", "What Have I Become".
Bon Jovi The Circle
Bon Jovi Burning Bridges
Burning Bridges is a collection of finished, unfinished and some new songs as Bon Jovi have stated in an interview. Listening to it, a hardcore fan may ascertain in a rather easy way from which album these dropout songs come from - Lost Highway and What About Now. Lead single "We Don't Run" is as expected an average radio-friendly rocker, similar to "Because We Can". Overall, the band has put their thoughts and ideas into a context and deliver a cohesive yet irrelevant album (at least to the hardcore fans). There are a handful of ballads as you would expect ("Blind Love", "Who Would You Die For", "Fingerprints") but they do not manage to capture the feeling of older monsters such as "I'll Be There For You", "Bed of Roses", "Always", etc. Recommendations: "Saturday Night Gave Me Sunday Morning", "We All Fall Down", "Burning Bridges", "I'm Your Man"
Boygenius the record
Although I regularly find joy in the indie/folk genre, I have struggled to understand how the record has found its way to the top of many album-of-the-year lists. Individually, the three artists might enjoy successful carreers on their own but together they don't sound to me as the 'supergroup' that they are often labelled. Albeit the sweet and harmonic vocals and the wonderful lyrics throughout the release, I was not impressed with this. Recommendations: "$20", "Anti-Curse".
Breaking Benjamin Saturate
Breaking Benjamin Ember
Ben promised a heavy album and Ember certainly is one. However, I doubt that this is their heaviest one; certainly is not their best. Despite the multiple listenings, the only songs that managed to stand out for me were "Red Cold River" and "The Dark of You". Riffs seemed to be recycled and melodies are not the least exciting.
Comedy of Errors House Of The Mind
House of The Mind shows substantial musical maturity and concentrates on wandering melodies and setting the right atmospheric moods. It is sounding like the conventional modern prog rock that appears around these days. I found this release to lack enthusiasm, enthralling melodies, and alluring lyrics, something that Disobey and Fanfare & Fantasy so skillfully managed to capture previously.
Crown Lands Crown Lands
Crown Lands is a Canadian duo and this self-titled, debut album clocks around half an hour and
consists of seven tracks. The album's first half is characterized by fuzzy distortions and hard
rock grooves, making the duet's influences clear and obvious. From this part, I enjoyed the
Wolfmother vibe of "Leadfoot" and the energy of "Howlin Back" but "River and "Spit It Out" should
be appreciated by fans of White Stripes. The album's second half enters with "End of the Road", a
track with a savory melody and feels like a lost recording of Robert Plant from a collaboration in
the 80s, after Led Zeppelin's break-up. From this point onwards. "Forest Song" and "Sun Dance" are
parallel imitations of Greta Van Fleet and personally, uninteresting to my taste. In general,
there is potential here but in order for the duo to become successful, they need to find their
identity first and focus on certain characteristics to shape their own style.
Damn Yankees Damn Yankees
Deep Purple Stormbringer
The powerful title-track, the melodic ''Soldier of Fortune'' and even the ambitious ''High Ball Shooter'' were not in a position to balance the other average-to-poor songs which evidences the deterioration of DP's quality at that time
Deep Purple Shades Of Deep Purple
An experimental debut of DP mostly covering songs from their influences. Evans shows some capabilities as a vocalist, Lord being creative behind the organ and Paice's drumming is full of skills.rRecommended tracks: Hush, Hey Joe, And the Address
Deep Purple Bananas
Def Leppard Def Leppard
Def Leppard put much effort to recapture their 80s mojo with this release. In a sense they achieve it as they deliver some old-time cheesy and glam moments in Def Leppard. However, even the die-hard fans must admit that the time has come for the Brits to call it a day. Recommended tracks: "Dangerous", "All Time High", "Broken 'n' Brokenhearted", "Wings of an Angel"
Disturbed The Sickness
A decent attempt by Disturbed to enter the metal scene. The album starts on a relatively positive tone but as it continues, it signifies that the band needs more work. "Shout 2000" was an average cover song, while I was not much enthused with "Stupify" or any of the electronic elements used in songs. Drainman's growlings can be used as a distinctive and powerful weapon as far as it is not beeing overused. Recommendations: "Down With The Sickness", "The Game", "Fear", "Voices"
Disturbed Asylum
Dokken Dysfunctional
Dysfunctional was recorded at the time when the 80s glam rock scene was fading out and the band was into heavy turbulence. There is a notable change in the music direction and the style, with compositions being average at best. Recommendaitons: "Too High to Fly", "Shadows of Life".
Dope Felons And Revolutionaries
'Debonaire' was one of the tracks I used to listen a lot back in the day. Felons and Revolutionaries leans towards an industrial metal sound rather than a nu-metal one. Despite some nice elements such as the sharp riffing and the energy, I never really became a fan of this sub-genre and any of its leading acts like Marilyn Manson and White Zombie. Recommendations: "Debonaire", "Kimberly's Ghost"
Dream Theater Systematic Chaos
Druid Toward the Sun
Usually short-spelled British prog rock bands of the 70's impress me. However, Druid failed dramatically to do so. This is mainly due to the lack of leadership from the bass and the organ, instruments which in other cases offer grooviness, something that was obviously absent. In addition, there were only rare situations in which the guitar added adequate melody in the songs. The vocal style was too similar with genre leaders YES, and this contributed more negativity in the overall picture. Best moment was "Shangri-La" which unfortunately was the closing track
Editors In This Light and On This Evening
There are some nice moments in Editors' third release, but surely are not convincing. It is the wrong album to start listening to this band, as it is heavily influenced by electronic & synth sounds, something that was done in a much lesser degree in their previous albums. Recommendations: "Bricks and Mortar", "Papillon", "You Don't Know Love"
Everclear Slow Motion Daydream
Everclear maintain their alternative sound, yet Alexakis' lyrics become weaker album by album. The quality is definitely on the second half of the LP with an excellent triplet of songs:"TV Show", "Sunshine (That Acid Summer") and "A Beautiful Life"
Everclear Welcome To The Drama Club
Welcome To The Drama Club includes a new line-up of Everclear as Graig Montoya & Greg Eklund leave the band. Apart from the replacement in bass and drums, Alexakis decides to recruit a keyboard player in order to refresh the band's sound. This album is recorded in a complete alt rock mode: no riffs, no heaviness at all. The melodies in the songs are in their majority average, while at moments I found the lyrics interesting. Recommendations: "Shine", "The Drama King", "Taste of Hell"
Foxy Shazam Gonzo
Gonzo caught me by surprise as I was expecting it to follow the sounds of The Church.. but in a more consolidated way. To their credit, they were not afraid to leave the hard/glam rock image and follow their instinct. However, some basic elements lack of substantive quality: production is flat, music is uninspired and there is no apparent groove/rhythm to drive the songs. Out of the nine songs I would pick as best moments: "Have The Fun", "Shoebox", "Brutal Truth"
Free Free
Godsmack Lighting Up The Sky
Godsmack deliver the kind of music that I enjoy the most and this is the blend of hard-rock-meets-metal. Despite the fiery and melodious vocals of Sully Erna, compositions as a whole are not memorable and choruses lack catchiness. The band has announced that no more albums will be recorded following Lightning Up the Sky. Recommendations: "Surrender", "What About Me", "Best of Times".
Grave Digger Healed by Metal
Not very satisfied with the Germans' release. Some decent tracks but not a memorable album. Recommendations: "Lawbreaker", "Call For War", "Kill Ritual"
Grave Digger Bone Collector
Teutonic power metallers Grave Digger are back and this latest release brings multiple changes in the band's lineup. Bone Collector may be full of energy, chunky riffage and the usual rough and gnarled vocals of Chris Boltendahl, however, there is an obvious regression in terms of quality as it progresses. Apart from some scattered highlights in its first half, I doubt that it will stand the test of time. Recommendations: "Devils Serenade', "Bone Collector", "Kingdom of Skulls".
Graveyard (SWE) Hisingen Blues
I have given Hisingen Blues multiple listenings but this album has not managed to click the correct retro/throwback rock buttons. I found it lacking cohesion and catchy melodies. However, I liked the style, the instrumentation and the attitude the Swedes have and I will dig further their discography. Recommendations: "Uncomfortably Numb", "Buying Truth", "Hisingen Blues".
HammerFall Crimson Thunder
Probably one of the band's weakest albums. I found the production, mixing and sound excellent, but unfortunately I cannot say the same for the quality of the songs. There are some nice tracks like "Riders of The Storm", "Hearts on Fire", "Angel of Mercy"
HammerFall No Sacrifice, No Victory
HammerFall Dominion
An average album by the Swedish power metallers which at least shows that they are back on track after some uninspiring releases. The direction of Dominion follows the path of earlier albums (Legacy of Kings, Renegade), yet it will not stand the test of time. The riffs are there, the vocabulary is there, but misses the tracks that will keep it alive. Joacim Cans is in great shape, sounding evergreen and everlasting as if a year has passed since Glory To The Brave. Recommendations: "Dominion", "Bloodline", "Scars of a Generation".
High Spirits Motivator
High Spirits are not near the standards they have set with Another Night back in 2011. Despite having lots of energy and power, the riffs seemed very generic to me. Refrains were mediocre while lyric-wise I was not impressed at all. The duration of approx. 29 minutes, makes this probably the shortest-length record I have ever listened. Recommendations: "This is the Night", "Down the Endless Road"
Iced Earth Iced Earth
Iced Earth blends traditional US power metal with strong thrash elements and is
considered amongst the foundational albums of the genre. It brilliantly showcases Jon
Schaffer?s trademark galloping riffs and melodic acoustic breaks. His heavy, thundering
rhythm guitars create the perfect foundation for blazing twin-guitar melodies and tempo
changes and introduces the blueprints for the band's signature style. However, what keeps
this debut on a certain low, is Gene Adam's unpolished, raw vocals. Tony recommends: "Iced
Earth", "Written on the Walls".
In Flames Reroute to Remain
Reroute to Remain is the first major turning point of the band's career. It's the album in which the Swedes take their sound a step further as a means to progress. The deep death growls are gone and are replaced by fast, angry shouts in the main parts and with clean vocal parts in the choruses. The previously highly rated melodic guitars give way to angry, fast and loud guitar lines, influenced by alt metal and metalcore. I did not consider the change of direction as a 'sell out' but rather an experimentation that would come with a cost. Recommendations: "Free Fall", "Trigger", "Dawn of a New Day", "Drifter".
In Flames Lunar Strain
Lunar Strain finds Mikael Stanne fronting the band in a rather unique album, as this is his only release with In Flames before departing for Dark Tranquility. Vocally, Stanne sounds aggressive and his raw growling supports adequately the speedy and drilling guitar riffs thrown by Jesper and Ljungström all over the album. Personally, I am not fond of this album as the band has not find its sound yet. Recommendations: "Dreamscape", "Clad in Shadows".
James Girl At The End Of The World
Girl At The End Of The World from Britpop legends James will pass rather unnoticed from this year's playlists. Not because the band from Manchester have changed their style or way of approaching music, but because this latest release lacks of catchy songs. Melodies are sufficient but not memorable, quality is at proper levels and lyrics are decent. Recommendations: "To My Surprise", "Dear John", "Girl At The End of The World"
John Mayer Paradise Valley
Decent effort by Mayer as he continues with another country style album. Most of the good songs are concentrated around the first half of it. Recommendations: ''Dear Marie'', ''Paper Doll'', ''Call Me The Breeze''
Jonathan Davis Black Labyrinth
I did not have high expectations of Davis' first solo album and in the end, it was not a surprise to be left with only a few moments of reference from Black Labyrinth. His vocal performance is on acceptable standards albeit being more 'clean' than aggressive. In terms of music, the electronics and the oriental melodies in various songs create more confusion than attention. Recommendations: 'Walk On By', 'Final Days', 'Underneath My Skin'.
Journey Journey
Journey's debut is a prog-oriented release which mostly focuses on the individual talents of each band member. Neil Schon delivers some sweet melodies at time and there is some proficient drumming for from Aynsley Dunbar. This is totally different from what the band became known about during the 80s. Recommendations: "Of a Lifetime", "To Play Some Music".
Journey Look Into The Future
Journey continue their discography with another album based on a progressive mindset. Most evident example of this is the self-titled song. Jazz patterns and grooves are also spread here and there, with ''Midnight Dreamer'' being the highlight. Other interesting songs include "I'm Gonna Leave You", "Anyway"
Journey Next
The last album of Journey's Phase I. There are some deviations from the prog/jazz style but mainly this album follows the same direction of the two previous ones. Those rather 'differential' songs (''Spaceman, ''People") open new paths in the band's sound
Kings of Leon Mechanical Bull
Mechanical Bull did not reach the levels it was supposed to. Far from that, it has managed to make fans take a sidestep and wonder whether this band actually worths the attention. To me, Mechanical Bull is not a good album, although this does not mean necessarily that its beyond listening. It hasn't got the sad vibe that Come Around Sundown had, but still has energy and more groovy basslines. However, its main drawback is the lack of cohesiveness. Recommendations: "Don't Matter", "Family Tree", "Temple"
Korn Take a Look in the Mirror
Instrumentally, it has the usual Korn-ish riffs but lyrically it possess some of the poorest material the band has ever written. Jonathan's singing style drifts away from the traditional one and in most of the times vocals are either clean or brutal. I found the rap-metal "Play Me" awful and I have not enjoyed the experimentation. Fortunately the album has managed to offer three nice songs: "Right Now", "Did My Time", "Y'all Want a Single"
Leslie West Still Climbing
I was not much impressed with this album. There is no doubt that Leslie is a great guitarist with great technical skills and decent vocal harmonies. The fact that it sounds much heavier than a 'classic' blues record did not bother me at all however, the absence of catchy refrains and melodies did. Recommendations: "Busted, Disgusted or Dead", "Feeling Good"
Lifehouse Smoke and Mirrors
Smoke and Mirrors has a pop-rock approach that is not particularly in my music tastes. Lifehouse have managed to do radio-friendly songs in the past without being pop. I am not impressed with this release and I only keep a couple of songs from this album. Recommendations: "All In", "From Where You Are", "By Your Side".
Lifehouse Out Of The Wasteland
What has been the 'rebirth' of Lifehouse for some, it has been the gravestone for some others. If you are a relatively new fan or an objective listener, you will find this album exciting at best and interesting at the least. Lifehouse appear rejuvenated and definetely surpass the quality of 2012's, Almeria ("Runaways, "Firing Squad", "Stardust"). On the other hand, older fans are left once again disappointed. Wade's vocals are becoming poppier record after record and the music does not sound as original as earlier in days. Being a fan of the latter category, I find it very difficult to stay interested in this band anymore. Although there are some scarce moments that remind the band at its heyday, ("Hurricane", "Flight") the majority of the album contains a mix of indifferent, mediocre pop songs and ballads. Recommended tracks: "Hurricane", "Flight", "Central Park"
Matchbox Twenty North
Starts with the highest of expectations: a blend of the melodiousness of 'Someone Like You' and the heaviness of 'More Than You Think You Are' but slowly moves into a different direction, delivering some average songs in the end.
Moreland and Arbuckle 1861
This is a decent album by the Delta blues/country/folk rock trio from Kansas. 1861 contains little gems such as "Diamond Ring" and "Gonna Send Ya Back to Georgia" on which the band will use as a starting point for later albums.
Muse Simulation Theory
Despite the success that they achieve each time, I am happy to see Muse challenging themselves and their sound with each new release. Whether this is done in order to reach new audiences or because they want to follow the underlying trend, it does not matter to me. Muse is one of the most relevant and influential bands of the 00s and this is a fact. Having this in mind, I find Simulation Theory to have the correct ingredients for an album of this sort to succeed: catchy choruses, cunning melodies, upbeat tempos, and some mellow synths. It is cohesive, excellently produced and instrumentally skillful. Despite the above, other than the powerful early triplet of "The Dark Side"/"Pressure"/"Propaganda", I don't think I will revert much into this album in the future.
Muse Will of the People
When it comes to pompous songs with catchy choruses, Muse should be considered amongst the few modern masters of the craft. In their ninth studio album, the Devonshire trio records an album that is easy and memorable in the ear. However, this does not always translate to quality music. Despite the lack of depth and substance, I found a couple of interesting songs such as the stadium rock title track and the powerful "Kill or be Killed". Despite its Imagine Dragons influences, I have also noted "Won't Stand Down", probably the heaviest track in the band's entire catalog. Homage to Queen "Liberation" was a decent effort while the fist-pumping danceable "Compliance" and "You Make Me Feel Like It's Helloween" come with synthpop melodies influenced by the electronics of Simulation Theory."Euphoria" is a modern adaptation of old-time classic "Time is Running Out" while closing track "We Are Fucking Fucked" is probably the most interesting track in terms of music but the abysmal lyrics and their structure left me negatively amazed.r
Mushroomhead XIII
XIII was the first album I have heard from this eight-piece, Ohio-based band. Mushroomhead's music style and on-stage appearance is similar to that of Slipknot. In fact this was the first band that wore masks, long before Slipknot popularized the idea some years later. Personally, the blend of thrash/nu/industrial/progressive metal in combination to the ferociously aggressive vocals which create an altogether a chaotic output, is not my cup of tea.
Neutral Milk Hotel In the Aeroplane Over the Sea
What brought me here were the multiple references from The Decemberists' albums and how influenced they were from Neutral Milk Hotel. I found In the Aeroplane Over the Sea an experimental indie rock album with bouncy pop melodies and cacophonous sounds which were produced in a lo-fi quality. Ratings are pretty high but personally, this is not my type. Recommendations: "King of Carrot Flowers Pt.1", "Oh Comely", "Ghost"
Nickelback Here and Now
Nightwish Angels Fall First
The music style of Nightwish was something unique in the late 90s. Combining metal with opera was original back then. If it wasn't, Nightwish definitely managed to popularize it. Angels Fall First was the debut album by the Finnish quartet fronted by the promising Tarja Turunen on vocals, the charismatic Tuomas Holopainen on keyboards, Empu Vuorinen on lead guitars and Jukka Nevalainen on drums. The most positive fact about this album is the coherence and this symphonic-metal ambiance stemming out of the overall sound. Musically, Holopainen's melodies on the keyboards are the driving force, while Tarja's vocals are unassailable and demonstrate a talented woman who has the ability to support the whole project. Unfortunately, the performance of the duo and the sweet tunes of the flute overshadowed the sharp riffs and any well-structured drum patterns. On the downside, the absence of major hit songs and the weak lyrics have contributed in order for this record to get any recognition. In addition, Holopainen's attempt on vocals is rather forgetful if not hideous. Recommendations: "Angels Fall First", "Elvenpath", "Tutankhamen"
Nothing More Carnal
This was my first album from Carnal and I have not been impressed. The music style reminded me a lot of Disturbed but it lacks consistency, hooks and noticeable moments.
Old Man's Will Old Man's Will
Old Man's Will is a modern blues rock band and with their sympathetic self-titled debut album they enter the list of 70s revival groups. The album represents a collaborative effort rather than an opportunity for a member to shine. A flat record with no particular points of interest but at the same time, not being bad.rDespite the numerous listenings. it has not managed to keep my attention. Thankfully, there was a follow up and it managed to make amends. Recommendations: "The Cauldron", "Evil Woman", "Alidhem"
Pink Floyd The Piper At The Gates Of Dawn
This is an average album considering Floyd's discography and also other similar albums of the late 60's era. Not very inspiring or attractive lyrics with music more psychedelic than progressive. This mixture of music style along with the sound effects are the major characteristics that would be used extensively on later albums. Recommendations: "Take Up the Stethoscope", "Lucifer Sam", "Matilda Mother"
Pink Floyd A Saucerful Of Secrets
It's a decent effort but follows the same road as their debut. They continue their experimental voyage into the paths of progressive/psychedelic rock but they are still on a primitive phase. It lacks of memorable songs and in some moments the listener gets tired.rRecommendations: "Let There Be More Light", "Remember a Day"
Pond (AUS) Man, It Feels like Space Again
Too much psych element which made me dislike this album. Full of distorted guitars and sounds and in most of the songs you can't appreciate how good the vocals are. Definitely not better than Tame Impala in my opinion. Recommendations: "Waiting Around For Grace", "Sitting Up On Our Crane", "Outside is The Right Side"
Primer 55 Introduction to Mayhem
Introduction to Mayhem can be described as a heavier and more aggressive early Limp Bizkit. Its a release with lots of scratching, leaning on the hip hop/rap side of nu metal. Recommendations: "Loose", "Pigs", "Set It Off"
Red Hot Chili Peppers One Hot Minute
One Hot Minute is the only album which features guitarist Dave Navarro who stepped in to fill the void following Frusciante's exit, after the megaplatinum wonder Blood Sugar Sex Magic. Navarro's playing style differs from the rest band and this has an impact on the album's character. This sixth studio release has more metal style guitar riffs, while psychedelic sounds occupy the spaces normally reserved for funk and punk. Lyrically, One Hot Minute confronts the dark, melancholic and remorseful feelings of singer Anthony Kiedis. Ironically, this was the theme the Peppers first touched on their biggest hit to that date, 'Under the Bridge'. Many of the songs were written at a time when Kiedis had relapsed into drug addiction and started battling his demons while hiding this from the band. Flea steps up and contributes lyrically and vocally to tracks like 'Transcending', 'Deep Kick' and 'Pea'. From this album I keep the reserved and contemplative single 'My Friends', the upbeat 'Aeroplane' with its dark lyrical theme and the chaotic 'Coffee Shop'. r
Red Hot Chili Peppers I'm With You
I found the first half of the album interesting and enjoyable. There are lots of catchy melodies and solid tracks such as the opener "Monarchy of Roses", "The Adventures of Rain Dance Maggie" and "Factory of Faith" - my personal favorite trio of the record.
Royal Blood Back to the Water Below
Back to the Water Below does not start from where Typhoons finished. The bright, dancing euphoric beats have been replaced by the duet's traditional punchy sounds. However, there are a couple of moments where the band is stuck somewhere in between the previous release and their past ('How Many More Times', 'High Waters'), creating some confusion as to the direction they want to follow. I am not excited by the result and will be waiting for the next to come. Recommendations: 'Mountains at Midnight', 'Triggers', 'High Waters'.
Sabaton The Great War
The Great War is a decent album by Sabaton but I did not find any moments of greatness here. It is powerful, dynamic, intensive, lyrically solid but lacks aspiration. Despite the numerous listenings, it will be difficult for me to revert back to any of its tracks. Recommendations: "The Attack of the Dead Men", "Great War", "82nd All the Way"r
Samsara Blues Experiment Long Distance Trip
Savatage Fight for the Rock
Fight For the Rock faces too much negativity and resentment from Savatage fans. Unquestionably, it is not amongst the band's greatest albums nor it contains super hits. It appears that many forget that this was released in the mid-80s during a period in which glam rock started its ascendance to fame and record companies pushed for commercial tracks. These two factors are depicted perfectly in tracks like 'Out on the Streets', 'Crying for Love' and, 'Day after Day', moments that surely contributed to Jon Oliva's addiction to alcohol. However, I am adamant that if it was not for the record's poor production, songs like 'Hyde', 'Red Light Paradise' or 'The Edge of Midnight', would get much more respect, recognition and praise. Recommendations: "Fight for the Rock", "The Edge of Midnight", "Red Light Paradise".
Scars on Broadway Dictator
Dictator contains some interesting characteristics which help the listener to understand Malakian's music style and what he has contributed to SOAD's albums. Leaving the poor lyrics aside, through Dictator it becomes very obvious that Malakian can never be the lead vocalist of SOAD. His vocal style and tone are not engaging or powerful enough to retain attention. Moving to the music part, there are some nice elements (riffs, melodies, choruses) but nothing particularly that would make a song stand out. Interestingly, the album's three singles are the only tracks to refer back to. Recommendations: 'Our Lives', 'Dictator', 'Guns are Loaded', 'Never Forget'
Scott Stapp The Great Divide
Not a bad effort by the ex-Creed front man, however not something remarkable. There are some good songs but the absence of a music partner that will shift the whole effort to a new level (enter Mark Tremonti here) is evident. Recommendations: "Surround Me", "Great Divide", "Broken"
Scott Stapp Proof of Life
This is a decent effort by Stapp who tries in vain to reverse the bad criticism his personality and previous album so oftenly face. Try to forget the similarities in his voice with Vedder and concentrate on the big picture here. Stapp tries to sing in his own style & insert his own characteristics in the songs. Also the production is quite good. However, he manages yet again to release an average-to-weak album. The songs as far from notable and lack of catchiness. I doubt if he has the ability ever to become a successful solo artist. Apart from "Hit Me More" (probably the best moment in his solo career), "Slow Suicide" and "Dying to Live" there are not many things worth exploring
Sevendust Sevendust
Sevendust's self-titled debut is raw, angry and gritty, with lots of heavy riffage and dark lyrical themes. I would not label this as nu-metal but rather alternative metal. I keep only "Black" and "Face" although other tracks such as "Bitch", "Wired" and "Prayer" attract many positive comments.
Shinedown Amaryllis
Simo Let Love Show The Way
I was not really impressed with Simo's debut album. Although I am usually fond of thick guitars and the deep drum sounds, this time they have not won me. Despite the cool improvisation in their play and their energetic mood, very few tracks attracted my attention. The opening Doors-a-like track "Strange Blues" with a Break-on-through-to-the-other-side feeling was a positive introduction and similarly so was the following track "Two Timin' Woman". Despite having found a small oasis with "Please", the rest of the album lacked catchiness and solid/compact melodies. In addition, there were some prolonged moments with tracks like "I'd Rather Die In Vain" and "Ain't Doin' Nothin'" (Bonus track in Deluxe version) which I found more weary than entertaining. However, I am willing to give them chances as I believe they are on the right path. Recommendations: "Please", "Long May You Sail", "Two Timin' Woman"
Smokey Mirror Smokey Mirror
Energetic with beefy riffage and nitro-infused solos, the self-titled album from these Texan heavy blues/psych/proto-metal newbies, reminded me of Radio Moscow.
Sound City Players Sound City: Real To Reel
Stabbing Westward Wither Blister Burn & Peel
Released in 1996, Stabbing Westward?s second studio album Wither Blister Burn & Peel is a punchy, alt/industrial hybrid record that helped the band break into the mainstream. Propelled by massive mainstream singles like "What Do I Have to Do?" and "Shame", the record balances aggressive electronic beats, heavy guitar crunch, and front man Christopher Hall?s raw, angsty emotional vulnerability. Despite its solid opening and overall cohesiveness, this was not for my taste.
Staind Dysfunction
Staind's debut album is a mediocre effort that contains lots of chunky nu-metal riffs and Aaron Lewis delivering in an angry tone his depressing lyrics. Recommendations: "Mudshovel", "Home".
Staind The Illusion of Progress
Static-X Machine
Machine finds Static-X introducing more industrial and electronic elements in their sound. Highly energetic and aggressive, this sophomore release shows a shift in tone with tight rhythms, powerful grooves and overall a mechanic feel dominating. I found the description "Slipknot mixed with Ministry" as an accurate one. Tony recommends: "Black and White", "Cold"
Stratovarius Fright Night
Stratovarius' debut represents a band full of energy and aggression as it contains a combination of powerfull riffs and fast tempos, similar to the traditional metal bands of the 80s. Here you will not find substantial melodies or catchy choruses but rather a band that searches for its sound and style. Recommendations: 'Black Night', 'Witch Hunt'
Stratovarius Nemesis
This album has an experimental feeling into it and Jens (keyboards) is the one man proving this in Nemesis ("Halcyon Days", "One Must Fall", "Fireborn", "Unbreakable"). Despite the fact, however, there are plenty of songs in the album that represent the band's typical power metal style ("Out of the Fog", "Abandon", "Stand My Ground") and there are lots of adventurous guitar solos around. Recommendations: "Abandon", "Halcyon Days", "If The Story is Over".
Talk Show Talk Show
The songs that didn?t appear on Tiny Music ended up on the 1997 self-titled album by Talk Show, the short-lived group that the remaining members of Stone Temple Pilots formed with singer Dave Coutts (Ten Inch Men) following the band's delayed schedule due to Weiland?s troubles . Despite the scattered lumbering riffs that gave STP their grungy character, as well as Coutts' competent vocals, Talk Show is a mediocre release. Recommendations: "Hello Hello", "Ring Twice".
Tame Impala The Slow Rush
The Slow Rush represents a continuation of Currents in an even more synth-pop sound. I am not impressed and I will probably stop following Tame Impala after this album.
Temples Volcano
Temples follow the exact same road as Tame Impala did with Currents 2 years earlier. From the neo-psychedelic/retro rock ambience of Sun Structures, they enter a trendy trippy/poppy bubble with the aim to expand their audience. This is achieved mainly with the heavy reliance on synthesizers and over-poppiness, something that I might have liked if tracks such as "In My Pocket", "Oh The Saviour", "Open Air", "All Join In" [and others] were not there. From all these, I would recommend the single "Certainty" and "(I Want to Be Your) Mirror". Personally, I would keep "Mystery of Pop" a pleasant track and probably a leftover from the debut and "Strange or Be Forgotten".
The Arc Riders The Arc Riders
The Arcs Electrophonic Chronic
In contrast to the upbeat alt/indie/garage vibes of The Black Keys, Dan Auerbach's side project The Arcs does not emphasize good-time tunes but rather to vintage R&B/bluesy sounds. Their sophomore release Electrophonic Chronic comes with deep bitterness as it was based on the recordings made between the release of Yours, Dreamily and the death of bandmate Richard Swift. A wide array of tones are displayed vocally, sonically, and instrumentally. The album's strongest moments are concentrated in the first half. Recommendations: "Keep on Dreamin'", "Eyez", "Heaven is a Place".
The Black Angels Phosphene Dream
I was not particularly impressed with Phosphene Dream, but I am sure many stoner rock fans will think otherwise. The album carries a retro psychedelic vibe and is full of hypnotic grooves and trip hop tempos. The echoing and often distorted vocals remain intact throughout the whole 36 minutes of the album's duration and manage to add even more eeriness to the end result. Recommendations: "Bad Vibrations", "Entrance Song", "Sunday Afternoon"
The Black Keys Peaches!
Fourteenth studio release of The Black Keys is a covers album. Peaches! finds the Ohio duet interpreting the north Mississippi blues, much like their 2019 release, Delta Kream. The album has the familiar blues-garage sound they have mastered in their earlier work - albums such as Brothers and El Camino. Despite opening positively with a trio of catchy tracks ("Where There's Smoke, There's Fire", "Stop Arguing Over Me", "Who's Been Foolin' You"), the rest of the tracks did not manage to impress me. r
The Blue Stones Hidden Gems
From the opening track "Lights On", it is obvious that the Canadians' sophomore release will tell a different story from its predecessor. Whether it's the teaming with producer Paul Meany or the duo's desire to experiment and explore new paths, Hidden Gems carries a new vibe and sound. With the exception of a few instances, Jafar sacrifices much of his riffs at the expense of more delicate guitar licks in order to support the new R&B/pop/soul vibe. It's interesting to see if the band will continue in the same direction, return to its previous formula or search for something new. The third album will be equally critical and decisive. Recommendations: "Let It Ride", "Shakin' Off the Rust", "One By One", "Spirit".
The Darkness Hot Cakes
The band's debut was definitely a very enjoyable album. Personally, I found One Way Ticket quite decent follow-up. However, it was apparent that the third record would be the most critical one; their style had an expiry date. Apart from "Everbody Have a Good Time", "Concrete" and probably "She's Just a Girl Eddie" nothing else seemed worth noting.
The Decemberists Her Majesty the Decemberists
Despite the standards set by the debut album, I was not impressed by this sophomore effort. The style remains the same, Meloy's poetry continues to be sweet and sympathetic (albeit more melancholic) but there is the sense that the band can achieve greater results. Recommendations: "The Chimbley Sweep", "The Bachelor and the Bride", "The Gymnast".
The Parlor Mob What About Frank?
The Mob's first album was recorded and self-released during 2005. The stlye of the songs is much different with what people listened on their latest releases (Dogs, And You Were a Crow). As it is evidenced from this release, Mark Melicia had that howling voice from the early beginning, but it became much better through the years. There are some interesting melodies here, however many the songs needed to be more structured. Mixing and the overall production quality is decent, something which indicated that the band needed a better guidance, something which came along with Roadrunner records two years later. Recommendations: "Strange Way Out", "Neon", "Safer In September"
The Parlor Mob Dark Hour
In their sophomore album And You Were a Crow, I found solace that there are bands out there who keep 'rock' and anything near the classic rock sound alive. By the next album Dogs, I could not find a reason why The Parlor Mob was not the 'next big thing' in rock. Four years later and despite its short duration, Cry Wolf was the perfect teaser of what follows. Yet another four years later, Dark Hour turns my expectations upside down. In an attempt to evolute their style, their music and stay 'relevant' with the definition of 'rock' these days (beats, synths, etc.), The Parlor Mob take their own leap of faith and together the risk of extending their underground status. With the exception of the factual "House of Cards", the pompous "Gun In My Hand" and the rhythmic "No Harm", I am bound to declare my personal disappointment.
The Treatment Running With The Dogs
The Treatment is a hard rock/AOR band with some good characteristics. They are dynamic, balanced and carry on a positive attitude. They deliver some very nice songs such as "Emergency", "Running With The Dogs", "Don't Get Mad Get Evil" which set out the band's sound and style. Objectively speaking however, the English quintet is another addition to the scene that I believe will go unnoticed. They do not possess -at least at the moment- an attribute that will make them distinguish from other bands. Their music is solid, yet is very ordinary i.e. you have listened to this kind of songs before with a similar voice.
The Wildhearts Renaissance Men
This album was my introduction to the music of The Wildhearts. Unfortunately, I was not particularly excited by the result of Renaissance Men. There is much energy and some heavy riffing going around, but I found the songs lacking focus and direction. From this record, I keep "Dislocated" and "Renaissance Men".
Them Crooked Vultures Them Crooked Vultures
Despite the interesting line-up (Dave Grohl, Josh Homme, John Paul Jones) the result did not match the expectations for me. The strongest attribute of this album is in my opinion the lyrics -intriguing, zestful, meaningful. There is also groove and rhythm but the absence of catchy refrains and mind-blowing melodies was apparent. I also believe that song arrangement could have been better. Recommendations: "Gunman", "Scumbag Blues", "Elephants", "Reptiles"
Thunder Wonder Days
This was not an easy album to dig into. The only reason I gave it considerable listening was the fact that this band offered me at some point Backstreet Symphony and I was prepared to give it some chances. On the positives side, the eerie-screechy-shivery voice of Danny Bowes is still there and also the band's topics which concentrate on adolesence and nostalgia ("Wonder Days", "I Love the Weekend") was fine. However, the fact that it was difficult to find any hooks and the riffs were very "general" and ordinary ones, proved to be detrimental to my opinion. Recommendations: "Resurrection Day", "Broken"r
Toad The Wet Sprocket In Light Syrup
This release is an album of B-sides and rarities, as well as songs appeared in movie soundtracks. I would not categorize this as 'folk-rock' as Wikipedia but rather a mixture of alternative and indie rock. Recommendations: 'Good Intentions', 'Hobbit on the Rocks'.
UFO UFO 2: Flying
There is slight development since the debut album, mostly in respect to the individual musicians. Still the vocals are not the band's best attribute but Mogg shows a slight improvement. The drums are also more skillful here, but probably the biggest improvement was made by Mick Bolton on guitars; he delivers more melodic parts and solos. The bass was nowhere to be heard. Recommendations: "Star Storm"
Uriah Heep Salisbury
Uriah Heep High and Mighty
Last album with Byron on vocals with some nice tunes. Although it starts with a couple of somehow weak songs it improves quickly with 'Misty Eyes', 'Midnight' and 'Can't Keep a Good Band Down'. I think 'Footprints in The Snow' and 'Name of the Game' had some elements to differentiate but did not make it in the end. I have found 'Can't Stop Signing' as one of the bands worst-ever songs. Nice groovy song 'Make a Little Love' that is, but nothing special in it. Overall, an average album that goes towards the 'bad' end instead of the opposite one
Uriah Heep Innocent Victim
Melodic and much groovy, reminding moments from previous albums. Nice songs and enjoyable as a record throughout. However, it lacks creativeness, catchiness and is missing that memorable song that you will never forget. Lowton follows Byron's path in vocal style and ''Sympathy'' from previous album 'Firefly' seems to be his mangum opus. It is down to one more album to find out if that's the case
Uriah Heep Head First
The second of the three albums that features Peter Goalby on vocals. The band follows the 80s style of the era, with the synthesizer's sound playing a major part in songs. Not better than 'Abominog' and surely not of the band's highlight albums. Recommended tracks: ''Sweet Talk'', ''Love is Blind'', ''Weekend Warriors'', ''Searching'' (instrumental)
Uriah Heep Sonic Origami
''Sonic Origami'' starts more or less where the previous album has ended. "Between Two Worlds" is a dynamic rocker, while "I Hear Voices" possess some good riffing. "Perfect Little Heart" is a personal favorite and the following three tracks ("Heartless Land", "Only The Young" and "in The Moment") conclude a positive first half. From that point and on Uriah are lost once again
Wilco Cousin
Cousin is the first album I listen from Wilco. It is a mellow record presenting a collection of sweet americana melodies, backed up by some warm and delicate vocals. Recommendations: "Levee", "Cousin", "Evicted".r
Wolfmother Cosmic Egg
Not as energetic and adventurous as their debut album. Some decent songs as "10.000 Feet", "Cosmic Egg", "Violence Of The Sun", "White Feather" but definitely an album that cannot stand the test of time
Zodiac Sonic Child
Zodiac remain consistent as they record their third album in three years. Unfortunately, I found it to be inferior than their previous releases. Altough it starts with some decent songs, as it progresses the overall quality remains at the same constant level. The production was not very good and overall the album was lacking great songs. Recommendations: "Swinging On The Run", "Sonic Child", "Holding On"

2.0 poor
3 Doors Down Us and the Night
Us and the Night was one of those albums that are doomed before they are even released. Masters of mainstream rock, 3 Doors Down are experiencing a constant decline in popularity for the last decade and their latest release has not done any better. I found some songs bearable, while most of them are listenable at best. However, this release cannot skip my personal 'Weakest albums of the year' list. To their credit, I found "Riders of the Storm" an honest, consise and simple ballad reminding me of the band's glory days. "Fell From The Moon", was also a fair ballad, while "Do You Really Want To Hurt Me" is a positive and groovy tune. "Broken" sounds enjoyable but becomes quickly weary, while "In The Dark" is decent at best.
AC/DC Blow Up Your Video
This is maybe the weakest album the band's career. Apart from "Ruff Stuff" and "That's The Way I Wanna Rock & Roll" everything else sounds un-inspired and should have been worked better.
Aerosmith Music From Another Dimension
Bad Company Rough Diamonds
Bad Company Dangerous Age
Bad Company Company Of Strangers
Big Big Train Gathering Speed
Despite being a concept album with its thematology concentrated on the Battle of Britain and the music having traditional prog rock elements (12-string acoustic guitars & melontrons), I found the end result of Gathering Speed flat and uninspiring. Recommendation: "Powder Monkey"
Bon Jovi What About Now
Children of Bodom Blooddrunk
Coldplay Music of the Spheres
Coldplay has become a bland pop band that has drifted away from its original style and its early releases are now a bittersweet memory. In their quest to constantly evolve their style, Chris Martin & friends have transitioned into a generic band that produces outrageously commercial music for casual listeners. Musically, Music of The Spheres has an electro-pop character with some jolly synth tunes and some irrelevant and indifferent preludes/interludes. In various moments, Chris Martin sounds more Bono than Bono himself. "My Universe", "Higher Power" and "Humankind" were all written for radio airplay and are destined to be the latest arena crowd-pleasers. Recommendations: "People of the Pride".
Creedence Clearwater Revival Pendulum
CCR are trying to do something new as they drift away from the roots rock to explore new paths, but in the end are stuck in the middle of nowhere. It would be more reasonable for this record to have only songs of ''Have You Ever...'' style. Instead, they introduce organ and aim to follow the 70s progressive-rock sound. However, that doesn't suit them in any case.Recommended tracks: ''Have You Ever Seen the Rain'', ''Hey Tonight'', ''Molina''
Crimson Glory Astronomica
Dave Matthews Band Stand Up
In terms of quality Stand Up lacks of inspiration and creativity both in terms of lyrics and music. It is probably the weakest album in the band's catalogue up to this point. I would not advise spending much time on this. Recommendations: 'American Baby', 'Everybody Wake Up', 'Louisiana Bayou'.
Deep Purple Abandon
Def Leppard Slang
The beginning of the downfall starts right at this album. The once glam/hard/heavy-metal/rock band makes an effort to conquer the 90s with a new style and approach to their music. Unfortunately, the fail miserably.
Def Leppard Songs From The Sparkle Lounge
The Leppards have become heavier in their sound since the last studio album. "X" was more pop-rock with rare moments that reminded the old band. Despite of the sound though, I found many songs were memorable; a fact that is not evident in the Sparkle Lounge no matter how many times you listen it. rRecommendations: "Go", "Nine Lives"
Editors Violence
In their effort to explore new paths and sounds, Editors have become too electronic and soft in their last attempt Violence. We have seen some signs in their previous release In Dream as well as in the first single, but we hoped that these were mere exceptions. Despite its melancholic character and sounds, Violence lacks aggression, catchy melodies and above of all balls and attitude. Recommendations: "Hallelujah", "Belong"
Everclear World Of Noise
Raw and premature, grunge rock from Everclear with Alexakis desparately trying to find his voice in front of the microphone. The band is at an exploratory phase, trying to establish their style. Production is very pour, lyrics and music are below average. Montoya's diverse bass playing was the only positive I've heard here. Recommendations: "Sick and Tired", "Pennsylvania Is..", "Invinsible"
Everclear Black Is The New Black
Production was very good with crisp and balanced sounds. Everclear sound heavier in this album than previously, however songs lack quality, depth, lyricism and creativity.
Foo Fighters Concrete and Gold
I was never a Foo Fighters die-hard fan despite the recognition I have for Grohl. However, I have enjoyed the likes of Sonic Highways and Wasting Light more. Concrete and Gold is definitely a dynamite which explodes into powerful riffs and aggression but I am already waiting for the next release.
Free Free at Last
Although it starts with a typical Free song (''Catch a Train''), the album seems to have a Bad Company attitude and style than Free. Rodgers's influence is evident throughout the whole length of it. Apart from the opening track, ''Traveling Man'' and ''Child'' everything else seems as it was written to be included in a Bad Company's album. rRecommended tracks: ''Catch a Train'', ''Little Bit of Love''
Goo Goo Dolls Magnetic
There are some nice moments in this album, however they are not enough to title this as a 'solid' record. Very radio-friendly, aiming for mainstream success, it may cause enthusiasm amongst new (to the band) audience, but it will alienate older GGD fans. Recommended tracks: "Rebel Beat", "Caught In the Storm", "Come to Me"
High Spirits High Spirits
Generic riffing, no catchy moments, easily forgettable
Hinder Extreme Behavior
Hoobastank The Reason
It starts with a couple of nice and kind of aggressive songs but as it progresses it becomes uninteresting because songs are so similar with each other, lyrics are not good and the list can go on. Recommendations: "Same Direction", "What Happened To Us"
Hoobastank For(N)ever
Same style, music and lyrical content as older material. Bad album cover, even worst title. A couple of nice songs but not something that will remember after 1 hour. Recommendations: "My Turn", "I Don't Think I Love You", "The Letter"
In Flames Battles
The first half of the album contains probably the strongest moments - if any exist here. Anders' growling prevails in songs such as 'Drained' and 'The End', while the melody in 'Before I Fall' marks a positive note. However, the attempt to win listeners over radio-friendly choruses is what will make many turn away once again. I keep only the self-titled track which summarises Battles.
In Flames I, the Mask
In an attempt to expand their fanbase during the last decade, In Flames have destroyed their image through a series of bad albums. I hope that this is the third and final stroke. Recommendations: "I Am Above", "Voices"
Journey Departure
Although it opens with the massive "Anyway You Want It", there are only a few interesting songs here: the jazzy "Walks Like a Lady", Rolie's ballad "Someday Soon" and mid-tempo rocker "Where Were You". A departure from the previously-set standard indeed.
Journey Dream, After Dream
An unusual, atmospheric, and progressive instrumental record featuring keyboardist Gregg Rolie's final work with the band and minimal vocals from Steve Perry. This album was recorded in 1980 sometime between Departure and Escape as a soundtrack album for an obscure Japanese fantasy film. It contains mostly instrumental soundscapes and a represents a return to the band's early 1970s progressive roots. The only standout track here is "Little Girl".
Korn Untitled
Lifehouse Almería
Linkin Park The Hunting Party
The band claimed prior to the release of The Hunting Party that it would go "back to its roots" musically. My perception was a completely different one: it seems to me like a band which is trying in vain to find it's style with continuous experimentation. Many many characteristics (both old and new) in various songs, testing the waters for new and old fans. This led to a result not cohesive, unbalanced and unpleasant. Of the 12 tracks I could barely distinguish "Guilty All The Same" (for its nice melody), "Wastelands" (for its catchy chorus), "Until It's Gone" (probably this is the style that LP should follow from now on) and "Final Masquerade" (which reminded me LP of older days)
Pink Floyd The Final Cut
The Final Cut is Waters' swansong with Pink Floyd. Coming after such a great album as The Wall, adds extra misery of how things are turning out. The album is a tribute to Waters? father who died in WWII and contains ideas and songs left over from The Wall. It is mainly a personal account of Waters' feelings and experiences about his father?s death. Despite labelled as a Pink Floyd album, The Final Cut is regarded by many to be an unofficial Waters solo album and this is typified by the fact that all of the writting was solely penned by Waters himself. It's the point where frictions unfold drastically within the band, adding gallons of bitterness to fans who experience the final album with the four-piece Pink Floyd line-up.
Puddle of Mudd Ubiquitous
I started listening music actively during the post-grunge era, and Puddle of Mudd's debut album Come Clean was one of my favorite ones. Unfortunately, whenever I come back to listen new releases from them, I leave disappointed. The multiple line-up changes have definitely not helped the cause. Wes Scantlin could do much better had he been more meticulous with his vocals. Ubiquitous blends a variety of styles with the grunge tone of the last few tracks trying to salvage this wreck. Poor production, abysmal lyrics, generic riffs and overall an album that lacks cohesion. Recommendations: "Complication", "Running Out of Time"r
Radio Moscow 3 & 3 Quarters
The story behind this album is more impressive than it's content. This was actually recorded in 2003 by Griggs while at school, but released in 2012. He played all the instruments, produced & recorded the whole thing by himself. It is also said that he drew the cover of the album. The guy had a vision and you understand this if you hear Moscow's post 2007 releases. The sound is raw and loud. Very loud. Sometimes you cannot distinguish lyrics from the music. It inclines more to punk than blues. Vocals are distorted and Griggs's tonsils are screaming 'help'.
Red Hot Chili Peppers The Red Hot Chili Peppers
The self-titled debut album is unsurprisingly, the raw sound of a young band which is experimenting and tries to establish its style through a stream of funk/rap rock tracks. There is nothing in terms of creativity but there is a lot of energy and appetite. Through his aggressive, slapping bass notes who dominate most of the tracks, it is apparent that Flea is the most talented member of the quartet. Kiedis' vocal abilities are still at a premature level. I happened to listen to the remastered version (2003) and production is bad - don't want for a minute to imagine how the original LP would sound(!). Recommendations: "Buckle Down", "Get Up and Jump".
Red Hot Chili Peppers Freaky Styley
Albeit a hint of context and some structure, Freaky Styley is an improvement from the debut album despite its immaturity and obnoxiousness. Its more groovy, funky and leans towards a punk attitude. There are no standout tracks enabling it to reach high levels of quality but nevertheless, a necessary step for the band to develop and craft its own style. Recommendations: Freaky Styley, Jungle Man, Hollywood (Africa).
Scorpions Return To Forever
The Scorps have received much criticism for their post '00s discography, something that I would not agree-up until now. Unbreakable was decent, Humanity was surprisingly good I thought. Return To Fover is probably the band's poorest release in their glorious 50 year career. From the first listening you realise that the effort put was minimal in both music and lyrics (they've set a new record for the word 'rock' in a single album). The Germans claim that the material was written between early 1980s up to 2014, but it seems that they've concentrated their best fillers/leftovers and put them in a final album. Recommendations: "We Built This House", "The World We Used to Know", "Who We Are"
Staind Staind
Stratovarius Stratovarius
Stratovarius Elysium
Second album in the post-Tolkki era and although it contains the band's traditional power-metal core elements, it does not have the standard Stratovarius high quality levels. Probably the most notable thing is Kupiainen's solid guitar work throughout the whole album and the attempt on the 18-minute monolith title track. Recommendations: "The Game Never Ends", "Event Horizon".
The Darkness Pinewood Smile
The Darkness is one of those bands that should have called it a day after their second album. Right there; 2005. After that, some occasional concerts and rare appearances steadily building their image and ultimately becoming a myth. Instead, they returned in 2012 and since then they make our lifes difficult. Pinewood Smile is an album below par, with some scattered hooks and no cohesion. Recommendations: "Japanese Prisoner", "Buccaneers of Hispaniola", "Solid Gold". No, "Southern Trains" is not one of the album's best songs. It's energetic but soul-less and banal.
The Doors The Soft Parade
The Hooters Out Of Body
The Hooters' quality starts to fade away and this is evidenced by the minority of good songs in this release. Definitely this is not an appropriate album to be introduced to the band. Recommendations: "Twenty-Five Hours a Day", "Boys Will Be Boys", "Nobody But You"
The Offspring The Offspring
The Offspring's self-debut album is full of energy and fast paced tempos. Despite the favorable comments I read about this release, I was not particularly engaged because of the lyrical content and the mediocre production. Recommendations: "Jennifer Lost The War", "Blackball".r
The Offspring Let the Bad Times Roll
This long-awaited 10th studio release arrives after the departure of bassist Greg K., the last founding member next to Dexter. One would suggest that the album's poor quality had something to do with this. Opening track 'This is Not Utopia' finds Dexter delivering a strange, worn out, vocal performance. Following that one is the title-track with the typical energy but on top of Dexter's weird vocals, there is a considerable high wall of compression. Unfortunately, this is compression is all over the album and Bob Rock is responsible for this abominable result. 'Coming for You', 'The Opioid Diaries' and 'Hassan Chop' are the more traditional-sounding Offspring tracks where you can hear Dexter?s signature vocal work. Still though, there?s something so damn off about them. 'Behind Your Walls' and 'Army of One' display some of The Offspring?s more revered aspects, but considering the back catalogue, these are hardly top-tier tunes. 'In the Hall of the Mountain King' is an arbitrary cover with absolutely no point of inclusion here. Gone Away' is a beautiful albeit pointless piano version of an older song and 'Lullaby' is a cheap outro with little consequence. Let the Bad Times Roll is the weakest album The Offspring have ever made. Recommendations: "Behind Your Walls", "Coming For You", "Hassan Chop", "Gone Away"
UFO UFO 1
The debut album of the Londoners had a very experimental approach. From the first listening is becoming apparent that the band is working out to find it's style and sound. The lyrics do not blend with the music, the vocals are out of tune and overall there is a lack of coherence and instrumental proficiency. Despite all that, there are some good moments such as "Boogie", the Uriah Heep-ish "Treacle People" and the Sabbath-like "Evil"
Uriah Heep Wonderworld
Uriah Heep Return to Fantasy
Uriah Heep Raging Silence
The album depicts the beginning of an era behind vocals and keyboards, with Bernie Shaw and Phil Lanzon respectively. There are some improvements from last release but don't expect dramatic ones. The band's sound matches that of Scorpions, Whitesnake and Bad Company (during their mid-80s career) but lacks of originality ('Bad Bad Man', 'More Fool You') and attractiveness.Recommended tracks: 'Rich Kid', 'Rough Justice'
Whitesnake Restless Heart
Wolfmother New Crown
There are some aggressive, heavy & straightforward riffs which make the album listenable at times. I found the majority of the songs to be decent, however the production & the mixing is so bad that any hint of quality gets lost very easily. Recommendations: "How Many Times", "Enemy is in Your Mind", "New Crown", "I Ain't Got No"

1.5 very poor
3 Doors Down Time of My Life
Black Stone Cherry Magic Mountain
The band that was about to continue the legacy of Skynyrd, Allman Brothers & others has managed in just a few years to go from 'a high expectations band' to a 'nickle back band'. The once heavy-southern rock band has adopted such a mainstream sound and style that is un-interesting at best and repulsive at the worst. Even The Devil & The Deep Blue See had moments worth listening to. This one filled me with rage and disappointment. I did not managed to listen to it more than 1,5 times. What a shame.
Bon Jovi This House Is Not for Sale
It appears that the mainstream/pop-rock style is the new way forward for one of the finest glam acts of the 1980's. Hell, I've even enjoyed the 'softer' rock albums such as Crush and Have a Nice Day. I've found them honest, accessible and passionate. But I cannot accept what is coming out from them since 2013. It was evident from the first moment that the impact from Sambora's leave was going to be massive and instead of weighing every guitar note and melody very carefully, Jon releases whatever comes into his head. The album starts rather dynamically with the energetics "House Not For Sale" and "Living With The Ghost", but then the aimless 'boom-booms' of "Knockout" chopped my hopes for something good. As it closes towards its end, its becoming even worse. Specifically, I would like to mention "Reunion". The title is obvious enough and a few might chose to skip it. But i took the courage and I thought I was going to be rewarded; it had a build-up, a melody and a positiveness at the point where "the night ignites the day / make some memories along the way". Unfortunately, I was stunned when the main chorus line does not fit and makes no rhyme: "... start your revolution, and I'll see you at the reunion". Enough. Recommendations: "Living With The Ghost".
Boston Corporate America
Boston Life, Love & Hope
Coldplay A Head Full of Dreams
Chris Martin has taken Coldplay from top to bottom. Even at their softest, Coldplay have been very decent in the past. In A Head Full of Dreams I have heard an uninspired band beeing repetitive and trying to transform in something it will never be or succeed in. I haven't yet figured out which was the worst from them all: the pedestrian looping in "Birds", the appalling effort to mix RnB with a piano ballad ("Hymn For The Weekend"), the absurd narrative of "Kaleidoscope" or the fact that drums sound so poppy and machine-like. On a personal level, "Army of One" and the Daft Punk-like "Adventure of a Lifetime" seemed the most interesting moments (if they are any to be found).
Creedence Clearwater Revival Mardi Gras
Crossfade Falling Away
Although it starts strongly with "Washing The World Away" it progresses very badly. There is some melody in "Someday" but the powerful "Why" is probably the album's best moment
Deep Purple Come Taste The Band
If not the worst, then surely one of them the band ever recorded. Knowing the skills of each member you understand that something goes wrong. That thing is the lack of chemistry and probably of interest between the band members. This might explain the 9 years of hiatus
Goo Goo Dolls Boxes
The reason why I have heard this album is because I have a sympathy for Dizzy Up The Girl, an eminent release by GGD. I have given another chance after 2013's rather poor Magnetic but it appears that the band has entered a poppier mode and its not in mood to exit soon. I despised the electronic effects but most of all the compressed/electro-drums in tracks like "Lucky One", "So Alive". "Prayer In My Pocket" sounded like modern Bon Jovi while "In Reverse" had a catchy refrain but something in the sound was not quite correct. Recommendations: "Souls In The Machine", "The Pin"
Imagine Dragons ÆŽVOLVE
I was aware that Imagine Dragons was a pop rock band with indie and alternative elements, despite the fact that I've never heard any of their earlier releases. I thought of giving this a shot in case there's any song more rockish-than-poppish. Unfortunately, there is no such a case; instead, I've heard a band trying to imitate Coldplay's style and be relevant with the current trend in the radio: cheap synth-pop melodies, uninspired electro-pop sounds, compressed-machine-like drums and that rap-style-vocal singing which a band did some time ago and the radio keeps repeating it. Imagine flagons.
Lifehouse Lifehouse
I found Lifehouse a thorough unconvincing and totally uninspired release.
Nickelback The Long Road
Nickelback The State
Nickelback Curb
Nickelback No Fixed Address
I'm not opposed to No Fixed Address because it has a 'Nickelback' tag name on it. Quite contrary, I listened it with attention to see if they have taken any measures to reduce the negative criticism around their name. Apparently for me, they haven't. From an 'indifferent' status I've gone to the 'critical' one. Although it starts promising with "Million Miles an Hour" and the decent "Edge of a Revolution" my expectations soon began to fade. The generic and radio friendly sound of "What Are You Waiting For", "Believe", "Satellite" left me apathetic, while I skipped "Miss You" and "Sister Sin" for the obvious reasons. "Got Me Runnin' Round" was bad because it tried to mix the 'Nickelback genre' with hip hop, and "The Hammer Comin Down" was too Nightwish sounded. Recommendations: "Million Miles an Hour", "Get 'Em Up"
Puddle of Mudd Life On Display
If "Come Clean" had some quality, this album takes POD back to zero. Some songs here are of the worst I've ever heard. Total waste of time
Puddle of Mudd Famous
Q5 When the Mirror Cracks
Nice album (if you think this is another band). Simply unacceptable if you have released Steel The Light 2 years ago!
The Hooters Time Stand Still
Hooters' return isn't the one expected after a long hiatus. The album begins very nice with the explosive "I'm Alive" and "Time Stand Still", a song that reminds older days. However, the disappointment grows bigger as you keep listening
Uriah Heep Fallen Angel
Probably the worst album of the band up to this point in time. It is obvious that something is going wrong with the direction and the style. If I could recommend something out of this mess it would be opening ''Woman of the Night'' and ''Come back to Me''.
Uriah Heep Conquest
This is a transformational period for UH. It's almost a different band now and nothing reminds the old days. New vocalist is introduced (John Sloman) and he does not seem able to replace worthily any of the two previous chaps. Ken Hensley's writing is far below expectations and the music in general is bad. It battles with ''Fallen Angel'' (1978) as to which is the worst up to this point of time. If I would to recommend anything out of this it would be 'Feelings', 'Out on the Streets' and 'It Ain't Easy'.
Uriah Heep Equator
The third and last album with Goalby on vocals and it's definitely the least popular one. Barely you can find good moments as poor musicianship and lyricism dominate. That 80s sound its difficult to suit them. I keep only 'Poor Little Rich Girl' from this record. rFor fans only: 'Rockarama', 'Skools Burning'
Yes Heaven and Earth
It is very hard to admit that YES, one of the bands that created prog rock, record such a poor album. Their approach was terrible and I don't know where to start. Poor lyrics, extremely simplistic music (especially those drums!), disturbing synths, Anderson-clone vocals and the list goes on. I respect you mr. Howe but please take hands with mr. Scholz and his Boston ship and enter that pantheon. Stop being ridiculous. It's a shame

1.0 awful
Coldplay Moon Music
With their latest release, Coldplay hit new highs of commercialism. Long gone are days of melodic tracks with emotion and thoughts. Bland ballads (either piano based or acoustic guitar ones), unnecessary interludes and electronic music with robotic samples voices are the dominating characteristics. It does not have to do with 'hate' but rather with lack of appreciation for a band which offered so many beautiful tracks in the past and has chosen the easy way and the money. Recommendations: "feelslikeimfallinginlove", "GOOD FEELINGS", "iAAM".
In Flames Siren Charms
Although I am a huge fan of In Flames' post-00s work, this is probably one of the worst albums I've ever listened. Almost all songs were unbearable apart from "With Eyes Wide Open" and "In Plain View" which were simply decent. This album makes me wonder where the fuck this band is heading to.
Metallica St. Anger
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