Antonius
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Reviews 39
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Last Active 06-22-13 10:45 am
Joined 06-24-12

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The Rentals Return of the Rentals
Well-known for reintroducing the Moog synthesizer to mainstream 90s rock, The Return of The Rentals has airy, new wave electro-pop hooks, sugary female backing vocals from Petra Haden, and a lo-fi space-age charm. The debut album by The Rentals is considered to be an indie-pop benchmark with the most notable track here being 'Friends of P.' because of its self-deprecating lyrics and incredibly catchy melody. Along with this I liked 'Please Let That Be You' and the opener 'The Love I'm Searching For'.		3.0
06.08.26
Alice in Chains Facelift
Although Dirt is generally regarded as the band's magnum opus, Facelift actually played a more pivotal role in the development of the grunge scene. The record proved to be a highly influential catalyst in introducing the Seattle grunge movement to a massive, mainstream heavy metal audience primarily thanks to the commercial success of "Man In the Box". Jerry Cantrell showcases a formidable talent for sludgy, and remarkably catchy riffs that bridge classic heavy metal with a gritty edge, while Staley's spine-tingling and powerful vocal performance laid the groundwork for the band's signature landscape. Facelift was 		4.5
06.08.26
Fastball All the Pain Money Can Buy
Leading with hit single 'The Way', Fastball's sophomore release All the Pain Money Can Buy is a pop rock album driven by catchy guitar hooks and infectious melodies. This is an overlooked record with a number of great tracks, having many similarities with Deluxe from Better Than Ezra. An essential 90s alt. record which proves that smart, well-crafted pop doesn't have to be mindless. Tony recommends: "The Way", "Warm Fuzzy Feeling", "Charlie The Methadone Man", "Sooner or Later", "Fire Escape".r		4.0
06.02.26
Veruca Salt American Thighs
At a point in time where the Chicago scene was regarded as the epicenter of American rock, Veruca Salt record their debut album, American Thighs. Fronted by singer-guitarists Nina Gordon and Louise Post, this forgotten gem of the 90s stands out for its fuzzed-out guitars and raw, unapologetic energy. The seamless vocal trade-offs give the songs a catchy, transgressive edge, often creating tight hooks. The record expertly blends grunge angst with infectious pop melodies and slamming riffs. Despite a few weak moments ('Fly', '25', 'Sleeping Where I Want'), the rest of the album is split between very good tracks and great ones. Tony rec		4.0
05.27.26
Megadeth Megadeth
As it was announced prior to the release, the self-titled album by Megadeth would be their final studio album. Although I am fond of Megadeath and despite there have been many years since I've heard a full record, I was curious to see how the evergreen ginger-haired shredder would exit. The album opens with 'Tipping Point', a brisky thrasher which lays the ground of what will follow. 'Let There Be Shred' is exactly what the title suggests - a tsunami of riffs raining down from Mustaine?s fretboard. The midtempo duet of 'Puppet Parade' and 'Another Bad Day' are both a tip of the hat to earlier triumphs such as 'Peace Sells' and 'Symphony of De		3.5
05.19.26
The Black Keys Peaches!
Fourteenth studio release of The Black Keys is a covers album. Peaches! finds the Ohio duet interpreting the north Mississippi blues, much like their 2019 release, Delta Kream. The album has the familiar blues-garage sound they have mastered in their earlier work - albums such as Brothers and El Camino. Despite opening positively with a trio of catchy tracks ("Where There's Smoke, There's Fire", "Stop Arguing Over Me", "Who's Been Foolin' You"), the rest of the tracks did not manage to impress me. r		2.5
05.18.26
Toadies The Charmer
Almost ten years after their latest album, the Toadies return with a solid release in which punk-rock energy is paired with classic-rock riffs. I am not very familiar with the group and its music legacy, but The Charmer is a vibrant release with many hooks and a nostalgic feel from the 90s alternative era. As this was recorded live at the studio with minimal overdubs, it sounds very alive and spontaneous. Tony recommends: "The Charmer", "Come to Life", "Ash's Theme", "I Wanted to Be Everywhere", "I Walk a Line", "Closer to You".		4.0
05.18.26

shoutbox » all posts 
  • rockandmetaljunkie pou eisai re roka mou? s'efxaristw polu, ennoeitai pws tha to tsekarw! me sugxwreis kai gia th argoporhmenh apanthsh alla den mpainw pleon suxna sto site. Na sai kala!
    March 4 06:31 PM
  • Voivod Episis, ontos, polles bandes den iparxoyn edo, alla to sputnik iparxei gia na agaliasei to underground aneksartita apo to eidos mousikis.
    February 29 09:42 AM
  • Voivod Euxaristo gia tin parotrinsi, akouo kai blues giati apo ekei ksepidise olokliro to metal, tha to tsekaro to sigrotima kai tha epaneltho!! Nasai kala!
    February 29 09:40 AM
  • Voivod Epitelous kai kapoios allos ektimise to Dead Shed Jokers! Simfono me to soundoff sou. O diskos einai roodeutiko rock xoris na akougetai strateumeno sto eidos. Kai ta proigoumena tous einai sto idio ifos, an kai oxi toso aneptygmena.
    January 25 05:48 PM
  • Voivod Pisteuo pos tha vreis auto to album endiaferon - https://deadshedjokers.bandcamp.com/album/all-the-seasons
    October 13 08:08 PM

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