absolutely haunting; on fascination the synthesized vocals add a spiritual yet nervingly uncanny effect in their artificiality, along with the plodding beat and french accordian sound creates its own kind of horror genre; la nuit des traquees does much the same with flute conjuring a kind of disjointed jazz recording, then title track confirms it with the saxxiest synth imaginable, the interluding rapid harp riffles appearing like a great mystery amongst the already concurrent hauntings before yielding to a creepy semi-organic choir; levres presents no new phantoms yet serves as a veritable conclusion as the heavy oak doors shut themselves 4
a cavernous ascent across an eon of lost souls followed by the graceful departure of those who found themselves again, leaving their earthly remains in the eponymous fortress 3.5
o I didn't know you were gonna put the whole album... it's mostly just ambient/dark ambient it's only that track at the end that really brings the dungeon synth vibes
ah didn't realize it was only just the last track... lol that's so silly what a derpball
aside from the 2nd dungeon synth release from Burzum, I think the only actual dungeon synth I've been checkin' recently is Old Tower
I'ma add Remembrance of the Lone Enclave to the database check that pretty sure it's a comp of all his oldest stuff... Tales of the Mad Moon also a good comp... fuck need to get around to checking out some of his proper albums
