parksungjoon
I was living in constant fear of someone neg bombing all my reviews cause I know how many detest me
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Last Active 08-04-22 7:10 am
Joined 08-07-13

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09.03.23 10 dumb things I've heard about music08.24.23 colour scheme
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10 dumb things I've heard about music
1Overdubs
Under Review


"Is this even an album?" is the question that I ask myself as I write this review. When your very existence is predicated on a convolution of your own identity... it's a sign you've made something uniquely remarkable.
2DJ Sharpnel
悩殺! ハードブレイク (Bewitching! Hard Break)


hard to believe someone actually put the thought into their brain that this could potentially be a good idea
3Mastodon
Blood Mountain


Sludgy, Proggy, intense and one hell of a ride. I'm not surprised that Mastodon is becoming more popular; their discography is too damn awesome to not be recognized.
4Radiohead
Kid a


never been one for electronic music but this is a swell album. Motion Picture Soundtrack is gorgeous
5Sachiko M
Bar Sachiko































6Apator
Masturbate in Praise of Black Satan


Repeats the word "Satan" every 2 seconds in a rather disturbing and even vulgar fashion. Stay away.
7Captain Beefheart and His Magic Band
Clear Spot


holy shit, a listenable Beefheart album!
8boards of canada
geogaddi


The best electronic record ever released, Aphex Twin and Burial are good but don't have shit on this. Very few records make me feel as bad for skipping a track as this one does. Music Has is also incredible but doesn't have the same level of cohesion for me.
9Autechre
Tri Repetae


“Tri Repetae” is the spirit of Radiohead’s “Kid A” and “OK Computer” (despite obviously preceding them both) taken to its most extreme conclusions and where as Thom Yorke loves to deal with the soullessness of modern life and separation from reality as lyrical themes, Autechre have created it in an unabridged musical form.
10Sly and The Family Stone
There's A Riot Goin' On


The music within There's A Riot Goin' On reflects this. For such a unique album, this can be described in a way that - hopefully - everybody will understand. If Radiohead's Kid A was re-made by Andre 3000 (The Love Below half of OutKast), this would be the result. It's utterly bewildering, bleak, and possessed of an inspired murkiness not far removed from doom metal. It's still, however, unmistakeably 'soul'. There's a funkiness to it, but it's a lazy, unsettling one. You could conceivably dance to a few of these tracks, but that's doesn't stop them sounding like they were dragged from the recessess of a deeply troubled mind. It's as if the heart of soul music has been possessed. The amount of cocaine Sly Stone was taking at the time will tell you the culprit.

The choir on Africa Talks To You "The Asphalt Jungle" sings 'Timber! All falls down!', and it sounds like Satan's little helpers welcoming an unusually funky apocalypse. Even this album's 'happiest' track, Family Affair, is sung in a disturbingly bassy, bummed-out voice. Soul was never meant to be this way. Soul is music to be played in the bedroom, music to swing and dance to....not here, though. Sly completely ripped up the rulebook. It's a feat that has gone completely unmatched - Kid A is the only album that springs to mind for a comparison. They're borne of the same dark heart and the same spirit of shocking the audience, and both leave you with the same feeling. A feeling I'm not even going to attempt to put into words.

I wouldn't be able to tell you how good the lyrics to this album are. You can't hear them. You can hear a melody, you can hear what the voice is trying to convey, but you can only hear snippets of words, emerging from the swamp. Again, Kid A springs to mind. I'd bet my house on Thom Yorke owning and loving this record! The usual soul vocalist's trick of wailing like a preacher features here, but it suggests somebody trapped, desperate to escape a horrible prison. Every time it happens, and the music starts to peak (heard excellently on Time) you almost recoil, expecting something to happen. There are also several examples of double-tracked vocals singing out of time with each other, and at seperate pitches. If you've played System Shock and heard SHODAN, you'll know just how scary this can be!

The musicianship leaves you with a feeling of improvisation. Rather than each instrument having a definite melody, and role, you are confronted throughout with instruments seemingly appearing out of nowhere with little riffs. There's no instrument that you can focus on throughout a song to give it structure. That's not to say the songs do not have structure, because they do. It's organized chaos - often a meaningless phrase, but not so here. The drums are low in the mix, for this precise reason. Overall the effect of the musicianship comes more from the presentation and arrangement rather than the players themselves, but they are certainly a solid band. I'd single out the bassist as the best in the group - there's just something about the bass on this album that grabs me. The guitar is also very nice - it's always played clean, with a wah. Nothing especially taxing, but it does stand out and is perhaps the most disconcerting instrument, simply as it's the most normal!

The main fault with this album is it's more of a mood piece than a collection of songs. The album could easily be just one song, and it wouldn't change much. The quality is consistently high, and the mood doesn't diversify much (Runnin' Away is chirpier, but that's about it). As such, it's the feeling the music gives you, rather than the music itself, that stays with you. Some people, myself included, like impenetrable albums like this. Some don't, and if you're one of the latter, you probably won't like this. The production is also quite muddy, though this contributes to the music and is nowhere near as bad as St. Anger! Listening to it is certainly an experience though. It may not be one you'd like to repeat, but I'd certainly recommend it for that reason.
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