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User
Soundoffs 15
Album Ratings 15
Last Active 04-19-13 8:12 am
Joined 04-19-13
Review Comments 4
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4.51
His perfect release
Sikertelenség starts off the album properly. It stops and starts like his other music but without his signature drums, leading into the intro of Szerencsétlen. The song starts off like normal, being a regular albeit creepy piano piece. Then the drums appear and well all hell breaks loose. The song starts off his break-beat right and gets the user right into the album. It fades and then comes back in, a little drum there, and then a roar back into his breakbeat. The album closes with loud thumps. 9.75/10 for the combination.
Öngyilkos Vasárnap continues, the single song with lyrics, a gloomy remix of Bloody Sunday. The background music weaves and weans out with the singer and it would have also fit as a proper introduction to this album. A bit lighter than most of his other tracks but appropriate as well. The weaving however is brilliant and it is one of the top 3 tracks on the album 10/10
Felbomlasztott Mentökocsi is his only song that does not contain any form of drums. It is quite simply a sad song but it does not drag like the few similar artists who try to do similar music. It somewhat fits in. The break is needed though before his masterpiece sets in. 8/10. What follows up is his masterpiece, Hajnal, or Dawn.
Hajnal is a mix of three different styles of tracks. The beginning starts off like Szerencsétlen, the wild mix of piano and violin, but then fades into something completely different, a light jazz piece. It fades out back into a slightly faster intro and then the breakbeat begins. The mix of violins and drums is outstanding here, leading to a climax that is better than the rest of his music. It is the proper mix that works together leading to a normal conclusion that seems to want more. The heavy break beat and the end signifies the conclusion of the "lighter" side of the album. 10/10
Galamb Egyedül is the intro of his next song, Második Galamb. It is a sad song, reminiscent of death. Második Galamb starts with a strange woman asking about a pigeon and why it scares her. It then proceeds with some break beat patterns of his music. It starts slow and then it just gets louder and louder...and louder. The horns and heavy violin signify how dark it becomes. The song eventually becomes just about break beat only and is a bit hard to listen to the first couple of times with especial note to the end. In many ways, this song is an intro of the somehow heavier Kétsarkú Mozgalom but it is a good piece in it's own right also. 8.75/10 for the combination as it does drag on a bit.
After this song, the two and a half minute intro to Szamár Madár is rather necessary. It is reminiscent of movie music, more Hans than Funk. It might be a bit long for some but it is well necessary. The song kicks in at 2:30, becoming an almost perfect mix of break beat and violins. A new type of music is used as well though, something different, choral hymns. It blends together to form possibly his most cohesive track and the third best on the album. 9.75/10
Hiszékeny is a nice light track and quite necessary before the next song. It is a mix of violin and a light percussion. Different but good 8.25/10
Kétsarkú Mozgalom can be described as a heavier version of Második Galamb. The pigeon is back with a vengeance and this song just gets heavier and heavier. It is hard to describe this as much more. It is just heavy, the limits of heavy. If you like his heavier music, you'll heavily enjoy this. Otherwise, listen to this last. 8.25/10
Senki Dala is the pretty if albeit short ending. It would have worked better as an intro in my opinion. I feel that Felbomlasztott Mentökocsi would have worked better here. Otherwise, the song is fine but nothing much to say. It builds and ends, just like the album itself. 8.5/10
9.75+10 + 8.0 + 10 + 8.75 + 9.75 + 8.25 + 8.25 + 8.5
81.25/90 = 90.27/100 = 9.02/10 = 4.51 | |
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