JohnnyoftheWell
fluid in its most purist form. always drenched in an undeniable regal divinity.
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Last Active 01-01-70 12:00 am
Joined 01-01-70

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06.12.25 songs called "runaway" ranked06.11.25 Muppelope gateway list
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05.02.25 BANDCAMP FRIDAY03.25.25 a list is dig
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S e p t e m b e r of POP

Not a genre I remotely trust 95% of this site on vs. one of the easiest to consume and analyse. What could possibly go wrong?
1TWICE
With YOU-th


Give me the latest Good Thing
2Pet Shop Boys
Introspective


or vintage gems
3Kate Bush
Never for Ever


or art pop flatulence.

i will pop them all
4KILLING JOKE
KILLING JOKE
5STAYC
Metamorphic


September 5th
insomniac rec
2024
K-Pop

Mmmhmm this was fun but I felt it lacked wow factor in a lot of areas: it had versatility in spades, in a way that struck me as slapdash and carefree, but very few individual tracks did much to run with this. The choruses were often perfunctory, the vocals lacked personality at points, the subject matter (from the obligatory 20% English quotient anyway) bordered on kitsch zany party girl antics but the vibe never quite connected with the inherent fun of that premise. Still a good time though - I enjoyed the Latin songs in particular, as well as the ones that flirted with UK garage - but this isn't exactly flying to the top of my K-dar.

3.3
6Nadia Oh
Hot Like Wow


September 6th
sona rec
2008
Electropop

loud brash dumb bullishly simplistic unstoppably cunty probably the kim petras of her time, or whatever - i would either have understood absolutely none of this back in 2008 or made it a core formative obsession (move over RHCP etc). peaks hard and early in the first 5ish tracks (couple of late highlights though - slow middle third). love how firmly it commits to that smutty phrygian phrasing, and how it offers a hysterical kind of meta-commentary on the second track only to diffuse any potential Smart Moment-ness with the almighty brain-erasing perfect amazing best lyric

MY EGÿyYY$##yYYpPphTiæA$n LUVAAAAA
there is no other

based

3.5
7Janelle Monae
The ArchAndroid


September 7th
fowl rec
2010
R&B / art-pop

The breadth and continuity of this thing is definitely top-tier, but I'm mixed on its moment-to-moment impact -- is it good because it's so slick and ambitious, or is it good because I like the songs or even her voice? I, uh, do not know! Am sure it's the latter at least a little bit, but it's not hitting my on a blow-by-blow level yet! We'll see. Not a good fit for a cursory project like this -- though I'm still v glad to have heard it through this -- more time needed, preliminary uhhh

3.7
8Juniper Moon
El resto de mi vida


September 8th
Havey rec
2002
P-p-p-pop... punk?!?!

Bangs, catchy as hell, wholesome cute un-snotty antidote to all the usual pop punk boydemons, nails all the fundamentals and spits out a couple of extra lovely takeaways (opener, El Resto De Mi Vida and Enfermedad for now), lovely girlvox, solid harmonies and backing vox, would recommend this to anyone tbh. Little bit too homogenous and maybe a little *too* consistent to hit a higher rating on first impression, but could see this changing. Special album!!!

4.0
9Jonsi
Go


September 9th
Icebloom rec
2010
Drippy Sigur Ros pop

So fwiw I'll still stick up for Sigur Ros and occasionally tune into them when they sound like a baby whale curled up in a depression ball 2k below the the surface of the ocean, but their kitsch springtime faerie wavelength has never been my favourite, and this whole album is essentially one long unapologetic MORE PLEASE to exactly that. Respect where it's due to the glitch/folktronica palette (and "Kolnidur" has a particularly solid take on cinematic soppydrama strings) and the amount of heart that clearly went into it, but yep hard pass on most of this. There are a couple of yoOOUUuUuUUoOOOs sweet enough to get under my skin -- "Sinking Friendships" is a pretty easy highlight -- so let's just chalk this up as Takk's sweet-toothed lil cousin and slap a vaguely respectful 3 on it

3.0
10The The
Soul Mining


September 10th
Ryus rec
1983
New Wave

Although I've *technically* heard all this before, the second track is a classic and I've *definitely* heard it (or a cover version) sometime recently? Struggling to form a strong opinion either way about the rest of this though - defs has spirit and personality etc, but I don't love the vocals and found little to latch on over repeated listens. I prefer my new wave bright n kitsch to whatever brand of sardonic this is ig :/

3.2
11The Seekers
Come the Day


September 11th
Sloth rec
1966
Pop oldworld aussie pop bible pop pop

This is revoltingly wholesome and full of great harmonies and good old sentimental fluff lol, I vibed all my spins and picked up a handful of stellar favourites -- that Ecclesiastes track is almost uncomfortably affirming/stirring, love it. Definitely not an album I'd throw on every day and I could see some people finding it mawkish (they would be soulless), but very glad to have it in the ol wheelhouse

3.7
12Lady Gaga
The Fame Monster


September 12th
ava rec
2009
GAGA

Okay, I thought I knew every song that mattered from this and I was WRONG! Monster and Teeth are immediate standouts, but this thing cooks throughout the 90 fucking 3 -minute long version I sourced (though it did drop off near the end and jfc that is longer than this needed to be). Gaga's brand of deliciously tasteless sex-kitsch was huge for me on release and has aged WELL because she had the perfect personality for it and subsequent pop gens have highlighted how rare this is! Those '00s electropop trappings have aged less well and are at points frustratingly lowest common denominator, but there's no holding back a classic song amirite uh ha.

No rating for now - this album is HUGE and I haven't organised my vibes yet - but it certainly won't be lower than 3.5
13Shiina Ringo
Hōjōya (Carnival)


September 13th
DaveyMonsoon rec
2024
J-pop/jazz pop/pop rock

Thanks for reminding me to get on this -- had it in my library for months but had procrastinated it hard for whatever reason (despite falling back in love with her classic work for a few days last week). Will need some more time with it, but my first impression is that it's a partial return to form and *far* stronger than her trainwreck of a last album. Compares overall favourably with Sanmon Gossip and Hi Izuru Tokoro (both of which have admittedly fallen by the wayside for me), but I'm still holding out for strong highlights.

[more tbc)
14Julia-Sophie
Forgive Too Slow


September 14th
someone
2024
Half-lit bedroom A24 pop

wow i have so little to add beyond that second-guess at a genre. not awful.

3.2
15Banks
Goddess


September 15th
Jash rec
2014
R&B

This spin was heavily overdue, feel I've been hearing about it for years now (though the hype peaked around 2019 and has been simmering ever since) -- as a result, I feel I gave it probably more time + repeats than strictly necessary, waiting for that *it* factor to land. Still waiting tbh: this is a solid R&B record, but its cluster of highlights ("Alibi", "Brain", "Drowning" for now) doesn't quite raise the roof, its stripped-down ballad game is a drag, the production often unadventurous and her voice lacks character (although her chops are indubitable). Also about 15 minutes too long. Glad I heard it, but this + and its discourse feels like it belongs p comfortably to last decade.

3.3
16Milton Nascimento and Lo Borges
Clube da Esquina


September 16th
Fripp rec
1972
Brazilian pop

This is just a stellar record by anyone's metric. Very even sailing, full of soulful refrains, delicious acoustic tones, loooovely vintage chord progressions ("O Trem Azul" a solid example of all three), understated-weird accents for a little extra character ("Saidas E Bandeiras No 1" packs SO MUCH into those 45 secs damn), and lovely psychedelic overtones that never fog the window more than necessary but do kick up some scuzz where it counts ("Trem De Doido" is a real endgame kicker, and the acoustics on it are also pure ear sex). Incredibly easy chillout album, and not something I'm keen to analyse as such, but glad to have this in the wheelhouse.

3.9
17Loma
Don't Shy Away


September 17th
Reefa
2020
Art pop

This isn't bad, but its production + atmosphere hearkening after a *slightly* exotic sound with *slightly* ambitious arrangements and steady, dusky overtones gave me the always-unwelcome impression of being trapped in Have You in my Wilderness B-reel in its early tracks (though this isn't as disappointing as that record). It does well to break out of that groove ("Given a Sign" pulls a lot of weight as a distantly synthed-up midway highlight (even if those hooks still feel tired -- I'm reminded of the points in LCD Soundsystem tracks I tend to zone out at)) but never lands as more than inoffensive. Her voice never gets out of the comfort zone of a list bedroom croon (reminds me a little of Lightning Bolt lady without the same ear for a perfect hook) and uh, does it need to? Pass -- gave this enough spins to know I don't need to know the answer there.

3.0
18Seiko Oomori
Zettai Shoujo


September 18th
self-rec
2024
J-Pop

Best girl dropped her first post-divorce record today, so I gave myself this one off. Honestly, my expectations for this were mixed -- was lukewarm on most of the singles, and after dropping the most astonishingly great run of albums throughout the '10s up until 2020 (or maybe 2022) and now writing/managing/producing for however many other projects, her solo career is tbqh no longer at the point where I take its excellence for granted...

...and I'm glad of that, because once this thing hits its groove (about 1/3 of the way in -- that intro combo is some janky shit jfc), it takes the back-to-basics approach she rolled with on her last album Chotengoku (which I found fractious, manic, and a little weary in turn, mostly to great effect) and offers a grosser, girlier, perplexingly (though delightfully) 80s-retro advance on it that raises a bunch of interesting questions about the kind of artist she wants to be rn and tides most of them over with impeccable earworms. She literally has an album called Kusokawa [revolting-cute] Party, but this one might be truer to that title. Hmm. Still got a lot to digest here, and I've barely even started on the lyrics, but I dunno. It's easily in my bottom 3 of her solo albums, but she's still got her X-factor and is still taking her unbelievably robust songwriting chops to bold new territory. Won't be my pop AOTY, but it does cook. Will write something longer and more coherent about it further down the line.

3.9
19Kylie Minogue
Fever


September 19th
Butkuiss rec
2001
Kylie fucking Minogue fucking dance fucking pop

stacked
danceable
bops
classics are classic
i am not tired of hearing them
i am shocked at how consistent this tracklist is even relative to them
i even am less tired of hearing the classics than i was before hitting this
shocked also at how well this has aged (appreciate there's a little '00s nostalgia creeping in here, but to me this sounds so much tighter and less dated than, say, the Gaga jams overhead prod-wise)
the only album of hers i'd heard end-to-end was Tension from last year, and i honestly wouldn't have been *that* thrown if someone mandela-effected me into believing this had dropped within 5 years of that record
we are go
fuq

4.0
20Lady Gaga
The Fame


September 20th
ava rec
2008
GAGA

TIME TO GET TO THE BOTTOM OF THIS! We are going BACK to Gaga, treating the Fame Monster as an independent EP as it deserves, treating this as a bloated but based LP as it deserves, ignoring the Fame Monster Deluxe version I so foolishly blundered into forever and, uh, yeah. Results!
21Karin Park
Apocalypse Pop


September 21st
cylinder rec
2015
Angsty synthpop

Surprised by how little I got from this -- majority of it felt bland, strained and edgy (not a comfortable convo), which was not helped by some jarringly bad lyrics + little in the way of character to make up for it. "Stick To The Lie" was the first track with any mileage for me, and even that felt overly derivative. "Whipped Cream Silver And Pearls" sees her defer to the production, which holds the floor pretty successfully and makes her vox a much more enjoyable point of contrast when they do appear -- pretty clear highlight. "Opium" kinda goes the other way and staples a vaguely abrasive coda onto an extremely tedious vox-led drag: not a fan! A lot of this reminds me of that indie-adjacent ultra-sanitary distantly artsy brand of moody girl pop Aurora cruises off on, and not in a good way. "Daemons"/"Hard Liquor Man" is a particularly unfortunate combo. Not feeling that edge unfort!

2.8
22Kitty
FROSTBITE


September 24th
Ryus rec
2014
Dance fucking pop

Uh yes fucking please, this absurdly blissed and bops undeniably. Her voice pivots so damn smoothly between those breathy raps (which are somehow *so* clear in their delivery), atmospheric croons and driving DANCE refrains; first three tracks are one rush after another, and then "Secondlife" shatters the cosmos and blitzess off to fuck knows where. You go! Closer is a notable step down, but nothing offensive. Mmm. Love this! It *is* extremely adjacent to all the reasons I love Doss, but so much more outgoing! Get in my canon!

4.2
23Junior Boys
So This Is Goodbye


September 23rd
Fowl rec
2006
Indietronica

Mmmmhm I *like* this band but am continuously waiting for them to make me love anything they do? Their tunes are so greyscale and gaseous, and I dig it when they lean way into that only pull a deceptively robust chorus (or whatever) out of the indistinct middle distance -- this is something their debut Last Exit did really well at its best (though at the cost of more nebulous downtime), whereas this shies away from that album's glitchy, liminal side and dishes out a whole record of understated synthpop in the vein (but not always to the standard) of "Teach Me How To Fight"? It's proficient stuff, but has a pretty modest ceiling to me (certainly nothing here comes close to the Last Exit t/t) and not quite as much of an edge. Highlights are "The Equaliser", t/t, "When No One Cares", and maybe "When No One Cares" and uh this is a decent record I guess?

3.4
24Brandy
Full Moon


September 24th
sona rec
2002
R&B

Can't mind the new Moon Kissed on any source that isn't Spotify (yuck) so I guess we're doing Brandy instead
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