ItsMaxwell
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Reviews 1
Approval 50%

Soundoffs 67
Album Ratings 591
Objectivity 92%

Last Active 01-26-13 1:56 am
Joined 11-29-12

Review Comments 30

Average Rating: 3.21
Rating Variance: 0.98
Objectivity Score: 92%
(Very Balanced)

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5.0 classic
50 Cent Get Rich or Die Tryin'
A Tribe Called Quest The Low End Theory
Bob Dylan Blood on the Tracks
Curtis Mayfield Curtis
Curtis Mayfield Superfly
David Bowie The Rise and Fall of Ziggy Stardust and the Spiders From Mars
David Bowie Hunky Dory
De La Soul De La Soul Is Dead
Dr. Dre The Chronic
Elliott Smith Either/Or
Ghostface Killah Supreme Clientele
Goodie Mob Soul Food
GZA Liquid Swords
Isaac Hayes Hot Buttered Soul
Mobb Deep The Infamous
Nas Illmatic
Neil Young After the Gold Rush
Neutral Milk Hotel In the Aeroplane Over the Sea
OutKast Aquemini
OutKast ATLiens
Prince Purple Rain
Prince 1999
Public Enemy It Takes a Nation of Millions to Hold Us Back
Radiohead Kid A
Radiohead OK Computer
Raekwon Only Built 4 Cuban Linx...
Scarface The Diary
Simon and Garfunkel Bridge Over Troubled Water
Snoop Dogg Doggystyle
Spoon Ga Ga Ga Ga Ga
You got no fear of the underdog. That's why you will not survive.
The Notorious B.I.G. Ready to Die
The Smiths The Queen Is Dead
The Velvet Underground The Velvet Underground & Nico
UGK Ridin' Dirty
Waka Flocka Flame Flockaveli

4.5 superb
8Ball and MJG In Our Lifetime, Vol. 1
At the Drive-In Relationship of Command
Cam'ron Purple Haze
Clipse We Got It 4 Cheap Volume 1
Cream Disraeli Gears
Cream Wheels of Fire
De La Soul Buhloone Mindstate
De La Soul 3 Feet High and Rising
Devin The Dude Just Tryin' Ta Live
Dio Holy Diver
Don Trip & Starlito Step Brothers
Electric Wizard Dopethrone
Elliott Smith Roman Candle
Eminem The Slim Shady LP
Frank Ocean channel ORANGE
Future Pluto
Top two albums of the year with Kendrick Lamar. This is a brilliant piece of Future doing as he does, gargling Listerine through an auto tune and singing about walking with butterflies as the great blogger Andrew Noz once said. Completely underrated.
Iron And Wine Our Endless Numbered Days
Kanye West Late Registration
Lil Wayne Dedication 2
Lil Wayne The Dedication
The Title track alone merits 3.5 stars, even if the rest of the tracks are garbage. Most of this mixtape is Wayne at his absolute best, so obviously the rest of the tracks are not garbage.
Magnolia Electric Co Magnolia Electric Co
MF DOOM Operation: Doomsday
Modest Mouse The Lonesome Crowded West
Nick Drake Pink Moon
Nick Drake Bryter Layter
Nico Chelsea Girl
Okkervil River Black Sheep Boy
Okkervil River Down the River of Golden Dreams
Okkervil River Don't Fall In Love With Everyone You See
OutKast Southernplayalisticadillacmuzik
Red House Painters Red House Painters
Rick James Come Get It!
Slayer South of Heaven
Songs: Ohia Didn't It Rain
Sufjan Stevens Illinois
Sufjan Stevens Carrie and Lowell
The Dismemberment Plan Emergency & I
The Flaming Lips The Soft Bulletin
The Magnetic Fields 69 Love Songs
The Microphones The Glow Pt. 2
The Mountain Goats Get Lonely
The Mountain Goats Tallahassee
The Smiths The Sound of The Smiths
UGK UGK (Underground Kingz)
UGK Dirty Money
Vince Staples Summertime '06
Finally - a great hip hop album in 2015 THAT FUCKING SLAPS.
Z-Ro Let the Truth Be Told

4.0 excellent
Atlas Sound Logos
AZ Doe or Die
B.B. King One Kind Favor
Big Boi Sir Lucious Left Foot
Big Daddy Kane Long Live The Kane
Big K.R.I.T. K.R.I.T Wuz Here
Blu and Exile Give Me My Flowers While I Can Still Smell Them
For all the acclaim laid on the feet of the last Blu & Exile album, I thought that album was saved by Exile's production. Blu was a fine rapper in terms of technicality and skill, but truly couldn't stand out in a line up in terms of voice, styles, or energy. But Blu finds himself somewhat on Give Me My Flowers, and it shows. This feels like a Blu record - it's messy, at points it has an improvised feel, but still feels like conscious rap, and that everyman feeling that Blu attempted on his other albums actually works here. Blu won't ever be a top 10 rapper, probably not even top 50, but he's finally made a record that shows his strengths in a digestible way. Hopefully other media-hyped Illmatic 2 rappers like Fashawn or Elzhi do something similar soon. And obviously every beat bangs, thanks to Exile.
Bob Dylan Desire
Brand New The Devil and God Are Raging Inside Me
Bright Eyes I'm Wide Awake, It's Morning
Built to Spill Perfect from Now On
Cam'ron Come Home With Me
Chance the Rapper Acid Rap
Some of these sound offs are so bad bro it's hard to even comprehend. You can not like the album but "an internet rapper with a good flow" and beginning your sound-off with "While other rappers try to innovate" is basically an admission you didn't even listen to the album.
Chief Keef Back From The Dead
Clipse Lord Willin'
Clipse Hell Hath No Fury
Clipse We Got It 4 Cheap Volume 2
Common Resurrection
Cormega The Realness
Danny Brown The Hybrid
Danny Brown Atrocity Exhibition
Old was a god damn mess - this is fucking great. And it's not just a return to form, it's a step forward. It improves on the ideas behind XXX, shows off his rapping ability better, sonically dark and cohesive.
Deerhunter Halcyon Digest
Devin The Dude Waitin' to Inhale
DJ Quik The Book of David
Dr. Yen Lo Days With Dr. Yen Lo
Earl Sweatshirt EARL
Earl Sweatshirt Doris
Earl Sweatshirt I Don't Like Shit, I Don't Go Outside
Earl Sweatshirt Solace
Elliott Smith Figure 8
Elliott Smith Elliott Smith
EPMD Strictly Business
Future Honest
...rFuture came up with the Migos Flow. Migos just bent the flow, made it more technical. If you want to get into it, Migos swiped it from Future.
Future Future Presents F.B.G: The Movie
G-Side The One...Cohesive
Ghostface Killah Fishscale
Ghostface Killah The Pretty Toney Album
Gil Scott-Heron Pieces of a Man
Gucci Mane The Burrprint: The Movie 3-D
Iron And Wine The Creek Drank the Cradle
Jason Molina Let Me Go, Let Me Go, Let Me Go
Jay-Z and Kanye West Watch the Throne
Jeezy The Inspiration
Juicy J Rubba Band Business 2
Kendrick Lamar Section.80
Kendrick Lamar good kid, m.A.A.d city
Kendrick Lamar To Pimp a Butterfly
Kendrick Lamar DAMN.
I appreciate this approach over a bloated concept album, actually.
Kevin Gates The Luca Brasi Story
Killer Mike I Pledge Allegiance to the Grind II
La Dispute Somewhere at the Bottom of the River Between Vega and Altair
Lil Wayne Tha Carter II
Lil Wayne Da Drought 3
Lord Finesse The Awakening
Lou Reed Transformer
Migos Young Rich Niggas
Minus the Bear Planet of Ice
Mobb Deep Hell on Earth
Modest Mouse The Moon & Antarctica
Modest Mouse Everywhere and His Nasty Parlour Tricks
Modest Mouse Building Nothing Out of Something
Modest Mouse This Is a Long Drive for Someone with Nothing to Think About
Mount Eerie Lost Wisdom
Neutral Milk Hotel On Avery Island
Okkervil River The Stage Names
Ozzy Osbourne Blizzard of Ozz
Paul Simon Paul Simon
Prodigy Return of the Mac
Raekwon Only Built 4 Cuban Linx... Pt II
Red House Painters Ocean Beach
Roc Marciano Marcberg
Roc Marciano Reloaded
Delves more into his atmosphere, takes a lot of listens to taste the lines, but once you get into it, the imagery gets stronger and stronger.
Scarface The Fix
Scarface The Last Of A Dying Breed
ScHoolboy Q Habits and Contradictions
Shy Glizzy Law 2
Slayer Reign in Blood
Sparklehorse It's a Wonderful Life
Stalley Lincoln Way Nights (Intelligent Trunk Music)
Starlito Insomnia Addict
Starlito Fried Turkey
Starlito Mental Warfare
Sufjan Stevens Michigan
Sufjan Stevens The Age of Adz
Sun Kil Moon Ghosts of the Great Highway
Sun Kil Moon April
Sun Kil Moon Admiral Fell Promises
Sun Kil Moon Benji
T.I. King
Tarkio Omnibus
The Antlers Hospice
The Decemberists Picaresque
The Decemberists The Crane Wife
The Fall of Troy Doppelganger
The Flaming Lips Yoshimi Battles the Pink Robots
The Magnetic Fields Holiday
The Magnetic Fields i
The Mountain Goats Heretic Pride
Three 6 Mafia Most Known Unknown
Townes Van Zandt Townes Van Zandt
Tyler, the Creator Bastard
Vince Staples Shyne Coldchain Vol. 2
Vince Staples Hell Can Wait
THIS is how you are supposed to do conscious rap. Vince Staples has grown immensely as an artist over the years. He's been a good rapper for a long time, but until his last mixtape, he was a good rapper in a vacuum - he had no idea how to write a hook or structure a song. Now, with this, we get the unstoppable combination, along with way better beats than any TDE record, just being honest (Future voice).
Wilco Yankee Hotel Foxtrot
Wiz Khalifa Kush & Orange Juice
YG My Krazy Life
Young Thug 1017 Thug
Z-Ro The Life of Joseph W. McVey

3.5 great
50 Cent Power of the Dollar
A Tribe Called Quest People's Instinctive Travels & The Paths of Rhythm
Ab-Soul Control System
Andrew Bird I Want to See Pulaski at Night
ASAP Rocky Live.Love.A$AP.
Despite A$AP Rocky's obvious follies, this record is quite good from top to bottom. Credit that to the legion of internet producers like Clams Casino that give this album life. And for all of A$AP flaws, his inability to connect beyond bland clich?s and penchant for brand names, he's charismatic and has energy, which really works in this mixtape format. "Trilla" is the best song that hack A$AP Nast (of "trillmatic" fame, one of the worst songs ever recorded) will ever be a part of.
Beanie Sigel The B. Coming
Beanie Sigel The Truth
Beyonce Beyonce
Big Tymers I Got That Work
Black Milk Tronic
Brand New Deja Entendu
Busta Rhymes The Coming
Busta Rhymes When Disaster Strikes...
Chief Keef Finally Rich
Common Be
Common Like Water for Chocolate
Common Nobody's Smiling
Currensy Pilot Talk II
Daniel Johnston Welcome to My World
Danny Brown XXX
David Bowie Space Oddity
Death Cab for Cutie Transatlanticism
Dinosaur Jr. Beyond
Domo Genesis Rolling Papers
Dr. Dre 2001
Elvis Perkins Ash Wednesday
Eminem The Marshall Mathers LP
Fleet Foxes Sun Giant
Freeway Free At Last
Freeway Philadelphia Freeway
Future Astronaut Status
Future Streetz Calling
Future 56 Nights
Future DS2
Future rarely, if ever, disappoints (the aimless rage of Monster was as close to a fumble as he's had so far), and this record is no exception. Future engages with the listener emotionally like no one else. And after a period of experimentation with the limits of autotune and vocal gurgles, has seemed to hit his stride in terms of writing. But for all of that, Dirty Sprite 2 bogs down towards the end as predictable, treading a lot of the same ground the great 56 Nights covered. It's a great record, make no mistake, but it doesn't match the heights of Pluto and Honest, which makes it something of a disappointment.
G-Side Island
Grizzly Bear Yellow House
Grizzly Bear Veckatimest
Grizzly Bear Shields
Gucci Mane The State vs. Radric Davis
Gucci Mane Trap Back
Gucci Mane Trap God
HORSE the band R. Borlax
Iron And Wine The Shepherd's Dog
Jay-Z The Blueprint
Jay-Z The Black Album
Jay-Z Reasonable Doubt
Jeezy Let's Get It: Thug Motivation 101
Jeezy The Recession
Jeezy Trap Or Die 2: Reloaded
Judas Priest Painkiller
Juicy J Hustle Till I Die
Justin Timberlake FutureSex/LoveSounds
Ka The Night's Gambit
Kanye West The College Dropout
Kanye West Graduation
Kanye West My Beautiful Dark Twisted Fantasy
Kendrick Lamar Overly Dedicated
Kevin Gates Stranger Than Fiction
Killer Mike Pl3dge
Killer Mike Bang X3
Killer Mike I Pledge Allegiance to the Grind
Kool G Rap 4, 5, 6
Mac DeMarco 2
Mac DeMarco Salad Days
Mac Miller Watching Movies With The Sound Off
Meek Mill Dreamchasers
Metallica ...And Justice for All
Method Man Tical
Mount Eerie Dawn
Mount Eerie Clear Moon
Mr. Bungle California
The lyrics make no sense but it doesn't even matter because the music makes even less sense. But it's almost so little sense that you suddenly start realizing nuances that do make sense. It's fascinating. And I can't stop doing the bop ba ba haaaahs in "Sweet Charity".
Mt. Egypt Perspectives
Nico The Marble Index
Okkervil River The Stand Ins
Okkervil River Away
Ol' Dirty Bastard Return to the 36 Chambers: The Dirty Version
PeeWee Longway Running Round The Lobby
Prodigy The Bumpy Johnson Album
Project Pat Mista Don't Play: Everythang's Workin
Pusha T King Push – Darkest Before Dawn: The Prelude
Rae Sremmurd SremmLife
Definitely not a perfect album, but it is a definitive party rap album of 2015. Rae Sremmurd, any weakness they have in traditional rap writing, make up for with energy, song ideas, flow, and "swag". And it doesn't hurt that the album, from bottom to top, bangs, thanks to an array of raps best producers at the top of their game. Some flaws obviously, as Sremmurd fall into many of the rap album tropes, but beyond that this is my summer album.
Rae Sremmurd SremmLife 2
Red House Painters Down Colorful Hill
Red House Painters Songs for a Blue Guitar
Redman Muddy Waters
Redman Dare Iz A Darkside
Redman Doc's Da Name 2000
Songs: Ohia The Lioness
Soulja Boy Supreme
Spoon Gimme Fiction
Starlito Cold Turkey
Sun Kil Moon Among the Leaves
T.I. Trap Muzik
T.I. Fuck Da City Up
The Dodos Visiter
The Microphones It Was Hot, We Stayed In The Water
The Microphones Song Islands
The Notorious B.I.G. Life After Death
The Roots Rising Down
Tyler, the Creator Goblin
Ugly Casanova Sharpen Your Teeth
Vic Mensa INNANETAPE
Wilco A Ghost Is Born
Wilco Summerteeth
Wiz Khalifa Flight School
Yo Gotti Live From the Kitchen
Young Thug I Came From Nothing 3
Young Thug I Came From Nothing 2
Young Thug Barter 6
Young Thug I'm Up
Young Thug Slime Season 3
Z-Ro Crack

3.0 good
50 Cent The Massacre
America America
Andrew Bird Armchair Apocrypha
Big Boi Vicious Lies and Dangerous Rumors
Big Daddy Kane It's A Big Daddy Thing
Big K.R.I.T. ReturnOf4eva
Big K.R.I.T. 4Eva N A Day
Big L Lifestylez ov da Poor & Dangerous
Big Sean Hall of Fame
Big Sean Dark Sky Paradise
Big Sean I Decided.
Black Star Black Star
Both rappers at their best and it's... marginally better than the average rap album. Solid production throughout, strong song ideas, and is well rounded as an album release. But Mos Def and Talib Kweli both have their weaknesses on display here: There have been few, if any, occurrences where Talib Kweli did not utterly trample over the beat with his flow. Mos Def, whose flow and writing is both more musical and more compact than Kweli's, values his singing voice more than he probably should. Overall, it's a cohesive album with not too much in name of highlights.
Blu and Exile Below the Heavens
Bon Iver For Emma, Forever Ago
Bon Iver Blood Bank
Bon Iver Bon Iver, Bon Iver
Boosie Badazz Touch Down 2 Cause Hell
Boosie is one of the great rappers of our generation - forceful yet graceful, an aggressive snarl that conveys so much, and most importantly, he's getting better and better. Better at writing, as he's starting to develop a political angle, and amazing at emotion. It's no secret that he's never had a very good cohesive album, but that's never bothered me when he had a great palate for regional producers. Unfortunately, in Touch Down 2 Cause Hell, he takes every rap cliche and makes some Rap Album. He tries his hardest to make it worthwhile, the first five tracks or so are great and the last two (particularly "I'm Sorry") are some of the best stuff he's done, but a large chunk of the album is mediocre or worse and it all sounds like Boosie trying to conform to the world around him, when he spent so many years trying to make the world conform to him. What a shame.
Built to Spill The Normal Years
Chamillionaire The Sound of Revenge
Chance the Rapper 10 Day
Inconsistent, wishy washy, and (once again) Soundcloud beats, but Chance shows an amazing amount of promise on this release and a lot of energy.
Coldplay Viva la Vida or Death and All His Friends
Currensy Pilot Talk
Currensy The Stoned Immaculate
Death Cab for Cutie Narrow Stairs
Deerhunter Cryptograms
Deerhunter Microcastle
Digable Planets Reachin' (A New Refutation of Time and Space)
Dinosaur Jr. Farm
Disturbed Ten Thousand Fists
Drake Take Care
Drake Nothing Was the Same
Elliott Smith XO
Elzhi The Preface
Erykah Badu New Amerykah Part Two: Return of the Ankh
Father John Misty Pure Comedy
Meh - I found this pretentious but also much more engaging than Josh Tillman's other work as Father John Misty.
Fetty Wap Fetty Wap
Fetty Wap is an American treasure and his album is actually kinda good. It's immature, it's sloppy, but Fetty got them hits, got them songs. Don't even need them verses!
Fleet Foxes Fleet Foxes
Fleet Foxes Helplessness Blues
Frank Ocean Blonde
Freddie Gibbs Baby Face Killa
Ghostface Killah Ironman
Ghostface Killah Bulletproof Wallets
Gucci Mane Back to the Trap House
Gucci Mane Trap God 2
Guilty Simpson Ode to the Ghetto
GZA Pro Tools
This lightyears ahead of GZA's last two turds, but behind Liquid Swords a good deal. Also see: The beginning of Ka, who has developed quite a solo career despite a mediocre start here.
Heatmiser Mic City Sons
Jay-Z American Gangster
Jesu/Sun Kil Moon 30 Seconds to the Decline of Planet Earth
Better than the last one of these by a decent margin. The last one had one highlight ("Fragile"), this has a few. Please don't listen to the Michael Jackson song though, it's kind of embarrassing.
John Maus We Must Become the Pitiless Censors of Ourselves
Juelz Santana From Me To U
Juicy J Rubba Band Business
Justin Timberlake The 20/20 Experience
Kanye West 808s and Heartbreak
Kanye West Yeezus
Katy Perry One of the Boys
Keith Murray The Most Beautifullest Thing In This World
Kevin Gates By Any Means
Killer Mike R.A.P. Music
Kurt Vile Wakin on a Pretty Daze
Kurt Vile b'lieve i'm goin' down...
Lil Wayne Tha Carter III
Mac DeMarco Another One
Mac Miller GO:OD AM
Mark Kozelek Finally
Mark Kozelek and Desertshore Mark Kozelek and Desertshore
Most Sun Kil Moon records seem deeply entrenched in Mark Kozelek's head, both lyrically and musically. In Kozelek's works with Desertshore, we very much get the same lyrical approach, but the biggest surprise of this release is that the music sounds so... ordinary. Oddly enough, it works very well on a couple of songs - "Mariette", complemented by sunny soft jazz guitars is a surprisingly good compliment to Kozelek's vocals, "Hey You Bastards I'm Still Here" is deeply moving and relatable in a way only a Kozelek song. The rest of the album has its moments, but unfortunately falls flat and ordinary, with Kozelek almost falling into the music rather than standing out from it.
Meek Mill Dreams and Nightmares
Megadeth United Abominations
Method Man 4:21... The Day After
MF DOOM MM.. Food
Mirah Advisory Committee
The name of the album seems - a bit suspect, considering Phil Elverum had a big hand in this.
Mobb Deep Murda Muzik
Modest Mouse Good News for People Who Love Bad News
Muse Origin of Symmetry
Nas It Was Written
Neil Young Harvest
Okkervil River The Silver Gymnasium
At least "Down Down the Deep River" fucking jams.
Paul Wall The Peoples Champ
Port O'Brien The Wind And The Swell
Project Pat Real Recognize Real
Project Pat Layin' Da Smack Down
Puff Daddy Last Train to Paris
Random Axe Random Axe
Red House Painters Red House Painters II
Sean Price Monkey Barz
Sean Price Jesus Price Supastar
Shy Glizzy LAW 3: Now or Never
Slim Thug Already Platinum
Snoop Dogg Tha Doggfather
Songs: Ohia Songs: Ohia
Spoon Transference
Spoon They Want My Soul
Stalley Savage Journey To The American Dream
Stephen Malkmus and the Jicks Mirror Traffic
Stevens/Dessner/Muhly/McAlister Planetarium
Sufjan Stevens Seven Swans
Sun Kil Moon Universal Themes
Sun Kil Moon Common As Light and Love Are Red Valleys of Blood
Makes Universal Themes sound downright normal and small. Take that to mean what you want it to
mean. "I Love Portugal" rocks. "Lone Star" is not good. Other songs vary in quality. Life happens
on this album.
The Alchemist Russian Roulette
Fairly directionless, and most of the rapping is subpar, but a couple of tracks are good enough to raise the rating quite a bit. That Roc Marciano track in particular is quite good.
The Decemberists The Hazards of Love
The Shins Chutes Too Narrow
The Tallest Man on Earth Shallow Grave
Trinidad James Don't Be S.A.F.E.
Tweedy Sukierae
Viktor Vaughn Vaudeville Villain
Wilco Being There
Wilco Sky Blue Sky
Wu-Block Wu-Block
Young Thug JEFFERY
Young Thug BEAUTIFUL THUGGER GIRLS
Of course everybody gon' love Thugger when he goes mediocre.r"I do not fuck with America" - Young Thug
Z-Ro I'm Still Livin

2.5 average
50 Cent Curtis
50 Cent Before I Self Destruct
ASAP Rocky At.Long.Last.A$AP
ASAP Rocky still has impeccable taste, as parts of this album would sound absolutely amazing in the hands of a truly great rapper. That rapper is not ASAP Rocky. ASAP Rocky still is the Blue Steel of Hip Hop - Constantly putting out the same old thing as something DIFFERENT and NEW. Bleh. Better than his last one though, by a good margin.
Atlas Sound Parallax
Big K.R.I.T. Live From The Underground
Cam'ron Killa Season
Cam'ron Crime Pays
Chamillionaire Ultimate Victory
Clipse Exclusive Audio Footage
Common The Dreamer/The Believer
D'Angelo Black Messiah
Deerhunter Monomania
Eminem The Eminem Show
Eminem Relapse
Fashawn Boy Meets World
Father John Misty Fear Fun
Father John Misty I Love You, Honeybear
Future Monster
Of course Sputnik likes Sleepwalking Future more than Breaking the Universe in Half Future.
Future Beast Mode
Future EVOL
Ghostface Killah The Big Doe Rehab
Gucci Mane Everybody Looking
ILOVEMAKONNEN ILOVEMAKONNEN
On paper I should like ILOVEMAKONNEN, the first truly post-Lil B rapper to make it big, and I am a fan of both some of his more experimental material ("Sneaky Lady" is on some Rap Game Billy Joel ish) and some of his more normal stuff (who doesn't love "I Don't Sell Molly"? Ish bangs), but there is too much inconsistency, and ILOVEMAKONNEN sometimes gets the beats right, but most of the time he falls into soundcloud level thinness and he's not nearly the guy to do heavy lifting to make it worth listening. Makonnen is sloppy and writes poorly, but he makes up for it for his concepts, his weird voice, and his positivity. Hopefully he can put out some oddball rap sanga masterpiece, until then we have to dig through all of his material to find a dozen or so songs worth it.
ILOVEMAKONNEN Drink More Water 5
J. Cole 2014 Forest Hills Drive
J. Cole is the most average rapper on the planet. He's not bad, he's very appealing in a way most rap is, but beyond that he doesn't do anything particularly well. This is his best album - Cole albums are usually exercises of finding ways to create a generic rap albums that attempt to act like time machines (something that greatly appeals to his audience, who seem to like not very special rappers if they reject the premise that music changes), and while this one isn't fundamentally different, it seems to actually try to find out who J. Cole is. Unfortunately, J. Cole still can't tell a story without using every other character as a prop or tell any story, can't paint a picture beyond imaging himself as the "Fredrick Douglas of rhetoric" (in a song that is otherwise very good that is not on this album). He just kind of raps. But at least he sounds more comfortable about the kind of album he wants to make.
Jay-Z Kingdom Come
Jeezy Thug Motivation 103: Hustlerz Ambition
Jeru the Damaja The Sun Rises in the East
Lil Wayne No Ceilings
Method Man Tical 2000: Judgement Day
MF DOOM Born Like This
Migos No Label II
Mike Jones Who Is Mike Jones?
Modest Mouse We Were Dead Before the Ship Even Sank
Mos Def Black on Both Sides
Mos Def The Ecstatic
Nicki Minaj Pink Friday
Nicki Minaj Pink Friday: Roman Reloaded – The Re-Up
OFWGKTA The OF Tape Vol. 2
OJ Da Juiceman The Otha Side of the Trap
Okkervil River I Am Very Far
Ol' Dirty Bastard Nigga Please
Paul Simon Graceland
Prince Planet Earth
Prodigy H.N.I.C.
Pusha T My Name Is My Name
Reflection Eternal Train of Thought
Rick Ross Teflon Don
Run the Jewels Run the Jewels
Run the Jewels Run the Jewels 2
ScHoolboy Q Oxymoron
Schoolboy Q made a rap album. It sounds like just some rap album. Move along, folks.
Shabazz Palaces Black Up
Shy Glizzy Young Jefe
Spoon Hot Thoughts
Sun Kil Moon Tiny Cities
I hated this album on first listen, and it's grown on me since, but there are still a lot of problems on this album. While he re-makes "Trucker's Atlas" into a managable, somber song which is a nice touch, for every "Trucker's Atlas", there's at least one "Ocean Breathes Salty" where there's a complete mis-match between the tone of the song and the lyrics sung, to the point where it's jarring to listen to. The best re-inventions on this include: "Space Travel is Boring", "Neverending Math Equation", and "Exit Does Not Exist".
T.I. Trouble Man: Heavy Is the Head
Heavy is the Head is far from great... but its a start. He improves massively on his last album, and its only slightly worse than his last mixtape. Considering everything this album could've been (though "Guns and Roses" is a disaster), it's a surprise there are as many as good songs on this as there are. Hopefully its a sign of good things for T.I., a turning around of his career.
Tame Impala Innerspeaker
The Game The Documentary
The Shins Oh, Inverted World
The Smashing Pumpkins Zeitgeist
Tyler, the Creator Wolf
Tyler, the Creator Cherry Bomb
Unknown Mortal Orchestra Unknown Mortal Orchestra
Unknown Mortal Orchestra II
Waka Flocka Flame Triple F Life
Wale Attention Deficit
Young Buck Buck the World

2.0 poor
2 Chainz Based On a T.R.U. Story
Action Bronson Rare Chandeliers
Animal Collective Merriweather Post Pavilion
Ariel Pink's Haunted Graffiti Before Today
ASAP Rocky LONG.LIVE.A$AP
AZ Pieces of a Man
Big Sean Finally Famous: The Album
Bon Iver 22, A Million
Bun B Trill O.G.
Chance the Rapper Coloring Book
Summing up this release: Meandering, tired, bored guests and SoundCloud beats. It's almost as if he listened to Life of Pablo and wanted to follow the model: this release has a similar lifelessness and total forget-ability. The only thing that saves it is that Chance raps like he's alive while Kanye, who has clearly angered his ghost-writers beyond belief, does not. How disappointing.
Clipse Til the Casket Drops
Common Finding Forever
Danny Brown Old
Let's be real - the first half is pretty good, but nothing that wasn't already done better or more interestingly in Danny Brown's underrated The Hybrid or XXX. The second half is completely trash, trying to go in that dubstep direction doesn't suit him at all. People referring to this album as Trap rap have not heard "Lincoln Continental", one of Brown's best songs.
De La Soul Stakes Is High
Deerhunter Fading Frontier
Desiigner New English
fuck man we know Kanye's true colors every time he signs a Travis Scott or a Desiigner - dude's a fucking thief.
Devin The Dude One For The Road
bruh please stop listening to Curren$y you're better than this bruh
Dom Kennedy From the Westside with Love, II
Drake Thank Me Later
Drake If You're Reading This It's Too Late
Drake and Future What a Time to Be Alive
Father Who's Gonna Get Fucked First?
Freddie Gibbs and Madlib Pinata
I guess I appreciate what Madlib and Freddie Gibbs are trying to do - add two out of character companions together. But what I thought would be at least a semi-decent album turned out to be a dull dull experience. Great underground hip hop lives or die by the thump, and Madlib very rarely gets it correct inspite of his obvious skills with finding interesting samples and cutting them in inventive ways. Freddie Gibbs is strong enough as a traditional rap writer but very rarely exceeds workingman quality. The combination of the two is a record that, I can obviously see why other people like, but it's so dull to me.
Ghostface Killah Apollo Kids
Gucci Mane Mr. Davis
I like Gucci getting the kind of success his work has always deserved, but if we're being honest
everything he puts out now is *kanyeshrug*. It's so incredibly safe beyond belief. Despite claims
of Gucci releasing this records after just days of recording, they sound rehearsed in a way that
Gucci albums and tapes never used to sound - like doing anything even a bit off the wall will
cause his audience to vanish. Nothing on this is as bad as 90% of The Appeal, but nothings even as
good as that albums highlight "Weirdo", a track that at that time felt like a retread but in this
new context shows a stunning contrast between how inventive he was on his worst day compared to
how stale his work is today. I continue to hope for the best from Gucci - I just won't cop any of
the new stuff.
GZA Beneath the Surface
J. Cole Cole World: The Sideline Story
J. Cole Born Sinner
J. Cole 4 Your Eyez Only
Jeezy Trap Or Die 3
All there is all that's there on this disappointing but not surprising record.
Jeru the Damaja Wrath of the Math
Jesu/Sun Kil Moon Jesu/Sun Kil Moon
"Fragile" is miles away the best song on this album, but even that falls flat as a tribute to the fallen Chris Squire when compared to Kozelek's own cover of Yes's "Onward". The rest of this is pretty much a mess - for a kind of promising premise, it sounds more like a retread of Kozelek's own collaboration with Jimmy Lazelle (Perils from the Sea) than any sort of fusion of Jesu and Sun Kil Moon.
Juicy J Stay Trippy
Kid Cudi Man on the Moon: The End of Day
Kid Cudi Man on the Moon II: The Legend of Mr. Rager
Kurupt Streetlights
Lupe Fiasco Food & Liquor
Migos Rich Nigga Timeline
The promise of Young Rich Niggas looks further and further in the rearview mirror with another release that contains two or three hits and 20 tracks that go nowhere. It's like, after the game jacked the Migos flow, Migos became content, and as a result, this release and YRN 2 were both stagnant creatively.
Migos Yung Rich Nation
The intial energy in the metaphorical room has been sucked out completely now that Migos have been basically mimicked by the industry, and it really shows. Is "Versace" really comparable to "Piped Up"? In any way? Sad to see potential go to waste like this.
Migos Culture
bad and boujee being a number 1 hit despite being a super below average track by Migos is just another example of how awful meme culture is. After beginning their careers a fan and a defender, I now turn the tables and just am grossed out by all the insincere "lololol they're hilarious" people who bump Migos to make fun of it. And after every rapper imitated the style and flow, Migos seemed to prove either their talents were limited or they made an active career choice to maintain a certain level of medocrity. Either that or Offset is just the worst rapper in history and has proven to be a severe drag on the balancing act that Quavo and Takeoff had on the only good Migos mixtape.
Mobb Deep Blood Money
My Morning Jacket Evil Urges
Nas STILLmatic
Nas Hip Hop Is Dead
Neil Young On the Beach
Panic! at the Disco Pretty. Odd.
Prince Musicology
Raekwon Shaolin vs. Wu-Tang
Redman Red Gone Wild: Thee Album
Reflection Eternal Revolutions Per Minute
Rick Ross God Forgives, I Don't
Rome Fortune Beautiful Pimp II
RZA RZA as Bobby Digital in Stereo
Stalley Ohio
T.I. T.I. vs. T.I.P.
T.I. Paper Trail
T.I. No Mercy
Tame Impala Lonerism
The Flaming Lips Embryonic
The Weeknd Starboy
UGK UGK 4 Life
Viktor Vaughn (VV:2) Venomous Villain
Wiz Khalifa O.N.I.F.C.
The beats are light years ahead of his last album, which alone makes it the better album. But here is the main issue: the rapping might have gotten WORSE. Khalifa's formerly dexterousness flowing has now shifted into a stale delivery that has a hallow punch to it, thus ruining the entire appeal to him as a rapper. Luckily for him, his debut was a disaster that ALSO didn't know the entire appeal of Khalifa as a rapper, so its okay. Stick to this guys mixtapes and you'll be okay.
Yo Gotti I Am

1.5 very poor
2 Chainz B.O.A.T.S. II #METIME
50 Cent Animal Ambition
50 Cent is a great rapper, but c'mon, really? This album? Why?
Ab-Soul These Days...
Holy fuck how did Ab Soul actually make a worse record than Schoolboy Q (the most underrated and easily the worst member of TDE, respectively)?
Ariel Pink's Haunted Graffiti Mature Themes
Azealia Banks Broke With Expensive Taste
If her whole persona weren't so awful this would probably be a 2. For all of her talk, there is just nothing going on on this album or anything else.
Busta Rhymes The Big Bang
Elzhi Elmatic
Only two people should be allowed to re-imagine Illmatic - AZ and Cormega. Neither of these people are on this record.
French Montana Excuse My French
I'll preface my sound-off by saying this - French Montana is a very underrated rapper. Montana is a master of the slow flow - he can say a lot with very little, particularly when he's in the mood. He's also strong with hooks, has a voice that stands out, and a decent ear for beats (at least before this album he did). He sounds particularly good over dusty drum samples or chipmunk soul. Sadly, French Montana is also particularly craven - and on Mac and Cheese 3, he made a mixtape that fell into every modern rap cliche and then some, borrowing from all the artists people want to hear. For all of his positives, he's a positively sloppy rapper - which absolutely hinders his ability on southern beats, where his attempts to sound like Chief Keef or Ross falls flat. This makes most of the album unlistenable. But the worst part of it isn't just French's craveness - it's also the general lack of caring. From the producers, to the guests, to French himself, the caring wasn't in the product, and when we hear it we all feel it. This is a DJ Khaled album with only 3 less Rick Ross features. French has enough great songs to fill an album (perhaps someday he will do an album with Harry Fraud that will finally put all of his strengths to good use), none of them make this album. R.I.P. Chinx Drugz
Gucci Mane The Appeal: Georgia's Most Wanted
Iggy Azalea The New Classic
Her producers serve her up some pretty bumping tunes, but it doesn't matter because Iggy Azalea is a hack who says nothing of substance in rote, already trambled on ways for however long this god forsaken album is, and the worst part is, she's boring. She obviously wants to sell Nicki Minaj records but Nicki Minaj, even at her obvious worst, seems animated and energetic, as any great rapper (or in her case, Disney Princess) should be.
Jay-Z The Blueprint 3
Jay-Z Magna Carta... Holy Grail
Kanye West The Life of Pablo
For the amount of effort he is putting behind changing this thing, this album is shockingly insipid and uninspired in every aspect and every facet. Everything feels out of place, the writing is even worse than Yeezus, and some where on this album a top ten hit by The Artist currently known as a Future imitator just appears out of nowhere. The two highlights, "Real Friends" and "No More Parties in L.A.", feel like they belong as scraps off of My Dark Twisted Fantasy, not on this thing. Dj Quik had a point.
Leonard Cohen Various Positions
i can't respect it when dude make the worst version of his own song.
Lupe Fiasco Lasers
Muse The Resistance
Nas Nastradamus
Nas Untitled
Rick Ross Mastermind
Rick Ross Hood Billionaire
You thought God Forgives I Don't was an uninspired piece of dogshit, oh you haven't seen nothing yet! Rozay has never been a hip hop innovator - mostly using his loud bark to brag violently about how much cash he's got or his loud bark to brag somberly about how much cash he's got. His voice is perhaps the biggest waste of potential in hip hop history - and this album and his other albums are proof. Formulaic, predictable, unemotional, and full of filler - and even more uninspired than ever before! Rick Ross is Birdman without The Big Tymers legacy - worthless.
The Firm (USA) The Album
Travis Scott Days Before Rodeo
Well, at least Young Thug and Rich Homie Quan rule.
Wale The Album About Nothing
What a nightmare of a career this guy has had - Attention Deficit was the GOOD ALBUM of his career. Now we have this monstrosity - a self-indulgent mess that attempts to act like a concept album but really just allows Wale to smugly wander through rap and sneer at the opposition without making a compelling song or making his audience feel a thing, and good old Jerry Seinfeld gives him the thumbs up. Yuck.
Wiz Khalifa Rolling Papers

1.0 awful
Childish Gambino Camp
Childish Gambino phrases every line like a comedy actor. Makes sense, since he is. He should stick to acting, because it brings an unnatural feeling to the music that none of the themes connect and it makes it all sound hack. Terrible.
Common Universal Mind Control
Death Grips The Money Store
Eminem Encore
Eminem Recovery
Eminem The Marshall Mathers LP 2
Eminem Revival
Two words: shit sandwich. More words? only the shitty aspects of his last two pretty shitty
albums. Even more words? I'm now deeply nostalgic for all of Encore.
Flobots Fight with Tools
Kid Cudi Speedin' Bullet 2 Heaven
literally just listened to Nirvana for the first time and decided to record a Nirvana record. Cudi records usually are devoid of talent and taste, but at least usually people around him fix it so that he sounds even kind of ok. This record shows Cudi's brain is completely empty.
Lil Ugly Mane Mista Thug Isolation
Putrid, unoriginal, southern rap for people who don't like southern rap but do like following the latest blog trend. Listen to all of the great records that have emotion that this record clearly wants to be, instead of the empty, soulless experience this album is.
Lil Wayne Tha Carter IV
For someone who is an actual Wayne fan, this album is an atrocity. All of the trying and the effort in his music has left a while ago. and now its mundane punchlines that go nowhere, beats that go nowhere, and songs that, you guessed it, go nowhere. What a bad album, from a guy who, back in the day, put out some great material (even classic I'd argue, if you go to the first two Dedication mixtapes and Da Drought up to 3.)
Lil Yachty Lil Boat
Rappers tend to learn the wrong things from their predecessors - Wayne was good because he brought
energy to his verses, not because he used a ton of similes. Jay-Z was good because he created
great hit songs and made great rapping sound easy, not because he doesn't write. Now we finally
have the post-Lil B era of hip hop - rappers aren't learning that he was great because he rapped
from his heart and made unique sounds, they are learning they don't have to try any more at even
the basics. Lil Yachty makes ILoveMakonnen sound like a Hall of Fame type artist.

I mean, Original? listen to more rap music dudes.
Metallica St. Anger
Neil Young Landing on Water
People on the Street may be the worst song I've ever heard. Wow.
Ozzy Osbourne Black Rain
Post Malone August 26th
Post Malone Stoney
Redman Redman Presents...Reggie
RZA Digi Snacks
Travis Scott Rodeo
Travis Scott is the wackest rapper of the 2010s. Totally Milli Vanilli. The pioneer of the kewl sound segment of the Kanye West production palate. The problem? There's no Mike Dean to make it all make sense. Doesn't use talents of others in any coherent way like his boss does. You have kewl sounds, rappers conflicting with one another, and Travis Scott sucking all the energy out of the room with his one to zero dimesionial verses. Wackest non-Lil Dicky Rapper of the 2010s.
Various Artists (Hip Hop) Eminem Presents: The Re-Up
Waka Flocka Flame I Can’t Rap, Vol. 1
We all know Waka can't rap. That was never his problem. At his best, Waka's inability to rap merely showed how pretentious the idea that rappers being able to rap is: Flockaveli is a classic hip hop album because it deconstructed that idea, while banging in your speakers and grabbing you by your shoulders and shaking you like any hip hop album should. He made Flockaveli a great album by sheer force: Flocka no longer has that force. And honestly, the title is inaccurate because he's getting better at writing: he's more focused, more humorous, and he's working on his traditional rap flows. But even that's subpar, and when you combine all of the rap radio hits that he raps over and does absolutely nothing with, you get a subpar rapper making a subpar karaoke album. subpar karaoke comes out everyday, b.
Young Buck 10 Bodies
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