Henry100
User

Soundoffs 14
Album Ratings 282
Objectivity 51%

Last Active 11-07-12 1:55 pm
Joined 04-24-12

Review Comments 5

Average Rating: 4.07
Rating Variance: 0.25
Objectivity Score: 51%
(Somewhat Balanced)

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5.0 classic
Between the Buried and Me Colors
Brand New The Devil and God Are Raging Inside Me
Comus First Utterance
Converge Jane Doe
David Bowie The Rise and Fall of Ziggy Stardust and the Spiders From Mars
Deafheaven Sunbather
Death Grips Exmilitary
Death Grips The Money Store
Frank Zappa Hot Rats
Gorguts Obscura
This is true madness. Uncharted territory. Here be dragons (and beasts far worse). Precision and chaos co-exist, but not peacefully. This is a jazz holocaust, a prog genocide. This is more than tech death. This is Beefheart metal. It might serve as lobby muzak in hell. But this snarling, gnashing abomination was never meant for mortal ears. Approach at your own risk.
Joanna Newsom Ys
King Crimson In the Court of the Crimson King
Led Zeppelin Led Zeppelin IV
Modest Mouse The Lonesome Crowded West
My Bloody Valentine Loveless
Neutral Milk Hotel In the Aeroplane Over the Sea
Nine Inch Nails The Downward Spiral
Radiohead Amnesiac
Radiohead Kid A
Refused The Shape Of Punk To Come
Rosetta The Galilean Satellites
Slint Spiderland
Talk Talk Laughing Stock
The Cure Disintegration
The Mars Volta Frances the Mute
The Velvet Underground The Velvet Underground & Nico
Yes Close to the Edge

4.5 superb
AJJ People Who Can Eat People are the Luckiest People
Alcest Écailles De Lune
Animal Collective Strawberry Jam
Animal Collective Fall Be Kind
At the Drive-In Relationship of Command
Between the Buried and Me The Great Misdirect
Black Sabbath Paranoid
Black Sabbath Master of Reality
Boris Boris At Last -Feedbacker-
Botch An Anthology of Dead Ends
Angers me to think what these boys could have accomplished with a few more years, a little more refinement. But what a fucking swan song. An EP with all the power of an LP. A solid grasp of quiet/loud dynamics that would have elevated their LPs to a whole other level. Afghamistam, which is essentially an interlude, has the audacity to be the longest track on the album. A window into what the band's future might have held. Hushed emo vocals give way to some glorious Slint worship in the closing minutes. It gives new perspective to the uncompromising violence in Botch's sound. If this is a dead end, it was well worth the detour.
Brian Eno Ambient 1: Music For Airports
Distilled, elemental, patient and seemingly vacant. The few moments of trembling anticipation, that might prefigure some great breakthrough or climax, quickly subside. This would frustrate, if not for the record's ingenious use of space. Matter and antimatter. Void and volume. Inhalation and exhalation. Whispers, but never speech. What Eno offers sonically is not a cleansing rainstorm, nor a complex river system - all tributaries and runoff, green fingers fanning out across yellow land - but instead a solitary drop in an ocean. Yes, all well and good. But where are the guitar solos and drum fills, Brian?
Can Tago Mago
Candlemass Epicus Doomicus Metallicus
Cattle Decapitation Monolith of Inhumanity
Chance the Rapper Acid Rap
Circle Takes the Square As the Roots Undo
clipping. Midcity
Darkthrone A Blaze in the Northern Sky
David Bowie Hunky Dory
David Bowie Low
Death Grips No Love Deep Web
Death Grips Death Grips
Deftones White Pony
Drudkh Blood In Our Wells
Fiona Apple The Idler Wheel...
Four Tet Rounds
Funkadelic Maggot Brain
Godspeed You! Black Emperor Lift Your Skinny Fists Like Antennas to Heaven
Godspeed You! Black Emperor F♯ A♯ ∞
Jethro Tull Thick as a Brick
John Frusciante Niandra LaDes and Usually Just a T-Shirt
Jonny Greenwood There Will Be Blood OST
Joy Division Unknown Pleasures
Kanye West My Beautiful Dark Twisted Fantasy
Katatonia Brave Murder Day
Kendrick Lamar good kid, m.A.A.d city
King Crimson Red
La Dispute Somewhere at the Bottom of the River Between Vega and Altair
Lou Reed Transformer
Madvillain Madvillainy
Mercyful Fate Don't Break The Oath
Metallica Ride The Lightning
Miles Davis Kind of Blue
Mos Def Black on Both Sides
Negura Bunget OM
Panda Bear Person Pitch
Paul Simon Graceland
Peste Noire La Sanie des Siècles
Pink Floyd Meddle
Pixies Doolittle
Radiohead OK Computer
Radiohead In Rainbows
Shabazz Palaces Black Up
Sigh Imaginary Sonicscape
Slayer Reign In Blood
Spiritualized Ladies and Gentlemen We Are Floating in Space
Steely Dan Aja
Talk Talk Spirit of Eden
The Beatles Abbey Road
The Dismemberment Plan Emergency & I
The Doors The Doors
The Mars Volta De-Loused in the Comatorium
The Mothers of Invention Freak Out!
The Who Who's Next
Tool Lateralus
Unwound Leaves Turn Inside You
Vampire Weekend Modern Vampires of the City
Van Morrison Astral Weeks
Weezer Weezer
Wilco Yankee Hotel Foxtrot
Wolves in the Throne Room Two Hunters
The acme of Cascadian Black Metal. Natural beauty is channeled here in a way you'd never think possible in the hands of an extreme metal band. But to call this supremely calming and ambient record "extreme" seems a little misguided. You can get lost in the lush sonic expanse if you're not careful -- and once lost, you may not wish to find your way back again. This is living, breathing music. A wonderful re-contextualizing of Norwegian BM tropes. The macabre becomes the triumphant. The bleak becomes... well, bleak - but tempered by awe in the face of nature. This is the best kind of cultural appropriation and there needn't be any controversy.

4.0 excellent
Akira Yamaoka Silent Hill 2
Alcest Souvenirs D'Un Autre Monde
alt-J An Awesome Wave
Animal Collective Feels
Animal Collective Merriweather Post Pavilion
Animals As Leaders Animals as Leaders
Arcade Fire Funeral
Arcade Fire Reflektor
This was a pleasant surprise. The bombastic, but ultimately empty anthemics of earlier Arcade Fire releases is redressed here with a healthy dose of cheesy fun. There's still plenty of OTT emoting, but Win Butler sounds a little more self-aware this time around. James Murphy's influence is much appreciated. Synths often take precedence over guitars, highlighting the dance punk qualities of the band's sound. Love the clear and airy production on the back end of the album, too.
Beck Odelay
Behemoth The Satanist
Big Black Songs About Fucking
Big Black Atomizer
Blind Guardian Nightfall In Middle-Earth
Bob Dylan The Freewheelin' Bob Dylan
Botch We Are the Romans
Burial Untrue
Burzum Hvis Lyset Tar Oss
Burzum Filosofem
Camp Lo Uptown Saturday Night
Cerce Tour Sampler CD-R
Cerce Cerce
Coldworld Melancholie²
Converge You Fail Me
Cynic Focus
Danny Brown XXX
Danny Brown Old
Darkthrone Transilvanian Hunger
Deafheaven Roads To Judah
Death Grips Government Plates
Dinosaur Jr. You're Living All Over Me
Dirty Three Ocean Songs
It's like looking on as something tragic transpires, but not feeling compelled to intervene. You just sit and watch. And it works out in the end. For post-rock, which so often courts the bombastic, this record displays impressive restraint. This is all very pretty and has some solid catharsis on offer. But crescendo-core it is not. It's too understated to evoke the infinite or inspire awe, instead it's almost parochial - could only be Australian. Docking a point because of length and some occasionally unmemorable passages.
Discordance Axis The Inalienable Dreamless
DJ Shadow Endtroducing.....
Dr. Octagon Dr. Octagonecologyst
Drudkh Autumn Aurora
Earl Sweatshirt EARL
El-P Fantastic Damage
Elliott Smith Either/Or
Emperor In the Nightside Eclipse
Fire! Orchestra Exit!
Flying Lotus Cosmogramma
Frank Ocean channel ORANGE
Fripp and Eno No Pussyfooting
Germ Grief
Vocals like banshee shrieks. Sparkling metal guitars, almost blackgazy. Really good stuff. Could do with being a little shorter.
Godspeed You! Black Emperor 'Allelujah! Don't Bend! Ascend!
Gris À L'Âme Enflammée, L'Âme Constellée...
This was a consistently beautiful album. I want to give it a 4.5, but I just think it's a little on the long side. As a result, its ebb and flow becomes more predictable as it drags on. The dramatic peaks and atmospheric interludes are nicely arranged, though.
Hella Hold Your Horse Is
Interpol Turn on the Bright Lights
Oh, this is that band fronted by 'Generic Post-Punk Vocalist #17?' I've been meaning to check them out for years. Heard great things. This album is chill, for the most part. Sometimes it's beautiful even. Trying my hardest to get lost in the expansive, rippling sound-scape, I definitely feel something. But it's faint. The lights flicker expectantly, before being snuffed out by the vengeful ghost of Ian Curtis -- icy cold, drained of vitality. EDIT: grows on you once you get past the vocals.
ISIS Panopticon
J Dilla Donuts
James Blake James Blake
Jesu Jesu
Joanna Newsom The Milk-Eyed Mender
John Coltrane A Love Supreme
John Frusciante To Record Only Water for Ten Days
Joni Mitchell Blue
Kendrick Lamar Section.80
Kid Dynamite Shorter, Faster, Louder
Killer Mike R.A.P. Music
Korn Korn
Kvelertak Kvelertak
The most fun I've had with a black metal(?) record in a long time. Almost like listening to blackened party rock anthems. Maybe a little repetitive on occasion, but the album is a tasteful length, does not overstay its welcome.
Kyuss Welcome To Sky Valley
Lauryn Hill The Miseducation of Lauryn Hill
Leonard Cohen Songs of Love and Hate
Lisa Hannigan Sea Sew
Liturgy Aesthethica
Mac DeMarco 2
Mark Hollis Mark Hollis
Mastodon Leviathan
Megadeth Rust In Peace
Metallica Master Of Puppets
Michael Jackson Thriller
Milo I Wish My Brother Rob Was Here
Milo Things That Happen At Night
Milo Things That Happen At Day
Modest Mouse The Moon & Antarctica
Morbid Angel Altars of Madness
NAILS Unsilent Death
NAILS Abandon All Life
Neil Young Everybody Knows This Is Nowhere
OutKast Stankonia
P.O.S Never Better
Pink Floyd The Dark Side Of The Moon
Pink Floyd The Piper At The Gates Of Dawn
Pixies Surfer Rosa
Portishead Dummy
Protest the Hero Kezia
Protest the Hero Fortress
Radiohead Hail to the Thief
Radiohead The Daily Mail/Staircase
Rush Moving Pictures
Serge Gainsbourg Histoire de Melody Nelson
Simon and Garfunkel Bridge Over Troubled Water
Strand of Oaks Pope Killdragon
Swans White Light From the Mouth of Infinity
System of a Down Toxicity
Television Marquee Moon
The Beach Boys Pet Sounds
The Cure Pornography
The Jimi Hendrix Experience Electric Ladyland
The Jimi Hendrix Experience Are You Experienced
The National Alligator
The National Boxer
The National High Violet
The Rolling Stones Let It Bleed
The Rolling Stones Beggars Banquet
The Smashing Pumpkins Siamese Dream
The Smiths The Queen Is Dead
The Stooges Fun House
The Velvet Underground White Light/White Heat
The Who Tommy
Time To Burn Is.Land
Torche Harmonicraft
TV on the Radio Young Liars
Weezer Pinkerton
Wormrot Abuse

3.5 great
Animal Collective Centipede Hz
Atheist Unquestionable Presence
Black Flag Damaged
Bon Iver For Emma, Forever Ago
Burzum Det Som Engang Var
Cannibal Ox The Cold Vein
Chelsea Wolfe Unknown Rooms: A Collection of Acoustic Songs
Childish Gambino Camp
Cocteau Twins Heaven or Las Vegas
Saccharine sweet, but lacking nutritional value. Hoping it's a grower. Immensely likable, but not loveable (yet).
Coheed and Cambria The Second Stage Turbine Blade
Death Human
Eminem The Marshall Mathers LP 2
Fripp and Eno Evening Star
Ghostface Killah Supreme Clientele
Grimes Visions
Husker Du Zen Arcade
Infest No Man's Slave
John Frusciante From the Sounds Inside
John Frusciante PBX Funicular Intaglio Zone
Killswitch Engage Alive or Just Breathing
The clean vox and the frequent, chugging bro-downs take away from the experience somewhat. But all musical snobbery aside, you have to be fairly soulless not to enjoy this stuff. This is really tight and catchy. And I'll be honest, a few of those bro-downs did get me awkwardly headbanging with headphones on, alone in my room at 2AM. Hey, I'm not going to deny what is essentially a good bit of fun. Metal can groove, too.
Mac DeMarco Rock and Roll Night Club
Mercyful Fate Melissa
Nas Illmatic
Neil Young After the Gold Rush
Nine Inch Nails Pretty Hate Machine
Angsty, grimy, vulnerable, suffering major growing pains. This is some profoundly adolescent music, but if you can get past that, you will find a synth pop record unlike any other. No twinkling, bubblegum wonderland here, just rusty razor blades and pounding machinery. At this point in Trent's development the industrial trappings are still just that, trappings. He is yet to realise the full potential of the aesthetic that would cement TDS as a modern classic. But this record represents a solid prototype for future projects. Things are taking shape. It's more than a curiosity. It stands alone, youthful, impetuous, and catchy as hell.
Nirvana Nevermind
Oneohtrix Point Never Replica
OutKast Aquemini
Paul Simon Paul Simon
Pink Floyd Animals
Porcupine Tree In Absentia
Porcupine Tree The Sky Moves Sideways
Queensryche Operation: Mindcrime
Radiohead The Bends
Radiohead The King of Limbs
Red Hot Chili Peppers Californication
Red Hot Chili Peppers Blood Sugar Sex Magik
Run the Jewels Run the Jewels
Sigur Ros Kveikur
St. Vincent Strange Mercy
Tame Impala Innerspeaker
Tame Impala Lonerism
The Flaming Lips The Soft Bulletin
The Jesus and Mary Chain Psychocandy
The National Trouble Will Find Me
The Offspring Smash
The Offspring Americana
The Roots Things Fall Apart
The Stooges The Stooges
The Velvet Underground Loaded
Thy Art Is Murder Hate
Tool Ænima
TR/ST TRST
tUnE-yArDs w h o k i l l
Vampire Weekend Vampire Weekend

3.0 good
Bosnian Rainbows Bosnian Rainbows
Chelsea Wolfe Pain Is Beauty
I love this girl. Pains me to give a lukewarm rating. The album is let down constantly by weak, unmemorable melodies. As usual, there's a persistent, haunting atmosphere. But it's not enough.
CHVRCHES Recover
Daft Punk Discovery
Food for Animals Belly
Iggy Pop Lust For Life
Kraftwerk Trans-Europe Express
Porcupine Tree Stupid Dream
Prince Purple Rain
Sly and The Family Stone There's A Riot Goin' On
Wavves Afraid of Heights

2.0 poor
Noel Gallagher's High Flying Birds Noel Gallagher's High Flying Birds
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