| 5.0 classic |
| Akira Yamaoka Silent Hill 2 |
| Akira Yamaoka Silent Hill 3 |
| Akira Yamaoka Silent Hill 4: The Room |
| Akira Yamaoka Silent Hill |
| Akira Yamaoka Silent Hill Homecoming |
| Here Comes the Kraken Here Comes the Kraken |
| I recognize this album is not a 5 for everybody, but I find something strangely appealing about the production of this album. It's messy, sporadic and even illegible in parts. I also loved that there was a clear contrast between the hard, fast brutal majority of the album with the infrequent slower/interlude parts. (Underwater Visions, The Legend of The Rent Was Way Hardcore) |
| Jeff Buckley Grace |
| This album defines magnificence. Whether Jeff Buckley had more of this gold in him we will never know. |
| Nick Cave and The Bad Seeds The Boatman's Call |
| Nine Inch Nails The Downward Spiral |
| I literally cannot find fault in this album. The concept, the lyrics, the execution and the end result combined make this Reznor's Magnum Opus. The revulsion and spite in Reptile. The apathy and hopelessness of Hurt. The sense of determination and loathing from Ruiner, the toe-tappingly funky Closer. Every song on this album could be panned as a hit from the album and I would nod and smile. Reznor poured so much into the concept behind the album, it shows that even a part of himself was written into it. |
| Portishead Third |
| I genuinely did not expect this album to be this good. From what I hear, neither did the band. Just when I thought they couldn't improve on Dummy, they release what has become one of my all time favourite albums. |
| Tom Waits Swordfishtrombones |
| Tom Waits Orphans: Brawlers, Bawlers and Bastards |
| Tom Waits Nighthawks At The Diner |
| Underoath They're Only Chasing Safety |
