hydeyomoney
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Reviews 73
Approval 86%

Soundoffs 80
Album Ratings 781
Objectivity 87%

Last Active 10-05-10 2:09 am
Joined 10-19-09

Review Comments 934

Average Rating: 3.24
Rating Variance: 0.68
Objectivity Score: 87%
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5.0 classic
Big Daddy Kane Long Live The Kane
this makes Paid In Full whimper and cry for mercy. Big Daddy Kane is aided by the sparse production of Marley Marl, the humorous rhymes of Biz Markie, and Mister Cee's track. Other than "The Day You're Mine", a song that can be completely ignored, this album is completely classic. It also helps that Big Daddy Kane is one of the best rap lyricists out there.
Botch We Are the Romans
Charlie Parker Ken Burns Jazz: Charlie Parker
Converge Jane Doe
Cryptopsy None So Vile
Ghostface Killah Fishscale
GZA Liquid Swords
Probably my favorite record ever, completely changed my view on music as a whole, not just rap. Ever since this, i have barely have been really that happy with any Wu-Tang release since, but its hard to follow up to such a classic as this great, cutting piece of work. GZA has incredibly dexterity and knowledge behind the microphone and his flow shows a true mastery of his art, and he spits metaphoric rap masterworks over RZA's most complex, wonderous, and gloriously dark soundtrack yet. Truly rap's greatest and most potent classic.
Insane Clown Posse Bang! Pow! Boom!
FUCKING MAGNETS, HOW DO THEY WORK?!
Miracles is the best song evarz
Jay-Z Reasonable Doubt
Kyuss Welcome To Sky Valley
Madvillain Madvillainy
OutKast Aquemini
OutKast ATLiens
I can't decide which is the true Outkast classic, Aquemini or ATLiens. They're both aided by smooth, weird instrumentals, both scrawled with lyrics that are futuristic, braggadocios, and street-conscious all at once, and both are just built to perfection as albums. It's getting harder and harder to pick between the two because they're both so perfect, so we might as well make them both Outkast classics.
Prince Purple Rain
Quasimoto The Unseen
Raekwon Only Built 4 Cuban Linx...
UGK Ridin' Dirty
Wu-Tang Clan Enter the Wu-Tang (36 Chambers)

4.5 superb
A Tribe Called Quest The Low End Theory
Agalloch The Mantle
Atheist Unquestionable Presence
Big L Lifestylez ov da Poor & Dangerous
Circle Takes the Square As the Roots Undo
Coalesce Functioning on Impatience
Common Like Water for Chocolate
Converge Petitioning the Empty Sky
Converge No Heroes
Converge Axe to Fall
De La Soul 3 Feet High And Rising
Dead Kennedys Fresh Fruit For Rotting Vegetables
Dinosaur Jr. You're Living All Over Me
DJ Shadow Endtroducing.....
Dr. Octagon Dr. Octagonecologyst
Eminem The Slim Shady LP
Dr. Dre brought home a bunch of, by his high high standards, below average instrumentals that were still quite serviceable, and allowed Eminem to absolutely rip them to SHREDS. Eminem is a storyteller first and foremost, giving the listeners humorous stories of the life of a drug addicted white trash kid. Even with the occasional punchline-rama, like the albums best song "Role Model, the album mostly focuses on stories and rantings of one hyperaggressive motherfucker who's tired of it all. His best album by a good shot.
EPMD Strictly Business
Eric B and Rakim Paid in Full
Exodus Bonded by Blood
Frank Zappa Hot Rats
Ghostface Killah Supreme Clientele
Goodie Mob Soul Food
Gucci Mane The Burrprint: The Movie 3-D
This mixtape is currently climbing in my opinion, can't stop listening to this. Gucci's performance is at an all-time best here, comfortable rhyme schemes, hilarious lyrics, reliance on similar subjects, but at the same time, with the most flexible array of flows in the rap right now. The wizzing electronic beats give Gucci both a darker aurora and a considerable bounce, making The Burrprint a flowing, diverse experience with very little filler ("More" is about it).
Hot Cross Cryonics
Ice Cube Death Certificate
Ice Cube AmeriKKKa's Most Wanted
Immolation Majesty and Decay
John Coltrane A Love Supreme
John Frusciante The Empyrean
King Crimson In the Court of the Crimson King
KMD Bl_ck B_st_rds
Kyuss Blues For The Red Sun
Led Zeppelin Led Zeppelin IV
Led Zeppelin Houses Of The Holy
LL Cool J Mama Said Knock You Out
MAMA SAID KNOCK YOU OUT... I'M GONNA KNOCK YOU OUT...
Best LL Cool J album, one of the best rap albums of the time.
Marvin Gaye What's Going On
The review written about this album here states that his political stature is weak, but rather, Marvin Gaye is taking a much different approach. Instead of going all out, Malcolm X-style revolt music, he's making an approach that is more like Gandhi than anything else. His music is smooth, subtle, warm to the touch, but still gets message across effectively. This album isn't so much about it's politics neither, rather, it's a showing on Motown's musical strength, and Gaye's light vocals, lacing it.
Massive Attack Mezzanine
Melvins Bullhead
Miles Davis Kind of Blue
Mobb Deep The Infamous
N.W.A. Niggaz4Life
Nas Illmatic
Neurosis The Eye Of Every Storm
OutKast Southernplayalisticadillacmuzik
Queens of the Stone Age Rated R
Raekwon Only Built 4 Cuban Linx... Pt II
Royce da 5'9 Death is Certain
Scarface The Diary
Sigh Scenes from Hell
Slick Rick The Great Adventures of Slick Rick
Suffocation Pierced From Within
Suffocation Effigy of the Forgotten
Suffocation Breeding the Spawn
Tha Alkaholiks 21 & Over
Far from deep, and maybe thats the good thing about this record. It's party hop at it's simplest, sweetest best. Tash and J-Ro consistently kill the mic with clever metaphors and punchlines while E-Swift's production is consistently funky and bassy, creating the perfect enviorment for just jumping around the some real hip hop. Kind of like Illmatic without the surreal look into the street life and without the terrible hooks, it's quick to the punch and gets its point in over ten tracks and thirty-four minutes. Very close to a classic.
The Dillinger Escape Plan Option Paralysis
The Fall of Troy Doppelganger
The Mars Volta De-Loused in the Comatorium
The Notorious B.I.G. Ready to Die
The Pharcyde Bizarre Ride II the Pharcyde
UGK UGK (Underground Kingz)
UGK Super Tight...

4.0 excellent
2Pac Me Against the World
Aerosmith Rocks
Agoraphobic Nosebleed Frozen Corpse Stuffed With Dope
Agoraphobic Nosebleed Agorapocalypse
Arghoslent Hornets of the Pogrom
Arsis A Celebration of Guilt
August Burns Red Constellations
B.B. King One Kind Favor
Big Pun Capital Punishment
Binary Star Masters of the Universe
Blackalicious Blazing Arrow
Botch An Anthology of Dead Ends
Botch American Nervoso
Brother Ali Shadows On The Sun
Brother Ali The Undisputed Truth
Burzum Filosofem
Cam'ron Purple Haze
Cap'n Jazz Analphabetapolothology
Cap'n Jazz Shmap'n Shmazz
Cave In Jupiter
Clipse Hell Hath No Fury
Coalesce 0:12 Revolution in Just Listening
Coalesce OX
Company Flow Funcrusher Plus
Converge You Fail Me
Converge When Forever Comes Crashing
Corrosion of Conformity Animosity
Currensy Fast Times at Ridgemont Fly
Currensy Jet Files
Currensy Smokee Robinson
Currensy Pilot Talk
Danger Mouse and Jemini Ghetto Pop Life
Darkthrone Transilvanian Hunger
De La Soul De La Soul Is Dead
Dead Kennedys Plastic Surgery Disasters
Dinosaur Jr. Farm
Dirty Projectors Bitte Orca
Dr. Dre The Chronic
Drudkh Microcosmos
Eazy-E It's On (Dr. Dre) 187um Killa
Eminem The Marshall Mathers LP
I don't see how this is a classic. It's very good, but it doesn't have the highlight power of Slim Shady LP, and along with a bunch of very crappy beats a la Dre, should've been a failure. Eminem's rapping pulled this one out of the dumps, but in every sense, Slim Shady LP is better. "Kim" and "Stan" are two of the best songs of his career, but ultimately that's mostly what's memorable from here.
Eric B and Rakim Follow the Leader
Eric B and Rakim Let the Rhythm Hit 'Em
Erykah Badu New Amerykah Part Two: Return of the Ankh
Fang Island Fang Island
Freddie Gibbs midwestgangstaboxframecadillacmuzik
Freddie Gibbs The Miseducation Of Freddie Gibbs
Freeway Philadelphia Freeway
Gary Wilson You Think You Really Know Me
Gaza He Is Never Coming Back
GOT DAMN! Gaza mixes a dark cloud of sludgy riffs with some brutal as fuck late 90s metalcore and creates an effort truly worth your ears.
Genghis Tron Board Up the House
Gil Scott-Heron Pieces of a Man
Guilty Simpson Ode to the Ghetto
Redman, my all time favorite MC, is sampled twice. That's enough win for one album.
But no seriously, some of the most tuneful underground production ever heard from Madlib and Black Milk, and since both already make some of the smoothest, most artistic beats in hip hop already that only helps Guilty Simpson. Guilty also speaks on behalf of the streets of Detroit, and does so in a believable, considerate, and at times hilarous manner. Great album.
Handsome Boy Modeling School So ... How's Your Girl?
Harvey Milk Life... The Best Game in Town
He Is Legend I Am Hollywood
Heltah Skeltah Nocturnal
HORSE the band Desperate Living
Ildjarn Ildjarn
Incantation Onward to Golgotha
Iron Maiden Iron Maiden
Iron Maiden Killers
J Dilla Donuts
Jay-Z The Blueprint
Other than the silly eastern influenced "Jigga That Nigga" and the below average verse lyrics of "Girls Girls Girls" (a wasted beat if i ever heard one), The Blueprint is one of the most solid and enticing rap albums out there, but is not deserving of classic status simply because it's just not up to that level yet. That belongs to 'Reasonable Doubt'.
Jay-Z The Black Album
Jay-Z American Gangster
Jeru the Damaja The Sun Rises in the East
John Coltrane Blue Train
Jon Lajoie You Want Some Of This?
Kanye West Late Registration
Kanye West The College Dropout
Kayo Dot Choirs of the Eye
Killer Mike I Pledge Allegiance to the Grind II
Kyuss ...And The Circus Leaves Town
La Dispute Somewhere at the Bottom of the River Between Vega and Altair
Led Zeppelin Led Zeppelin III
Lightning Bolt Wonderful Rainbow
Lil B Blue Flame
Madlib Shades of Blue
Madlib's mindfulness for jazz shows its truest colors on here, mixing exotic, newer sounds from his hip hop influences, and the smooth intricacies of everything Blue. It sounds like a mad scientists concoction of all types of Jazz from all era's and a spice of hip hop, and it sounds AWESOME. Madlib is a genius.
Mastodon Blood Mountain
Megadeth Rust In Peace
Method Man Tical
Method Man and Redman Blackout!
MF Grimm American Hunger
Miles Davis Nefertiti
Minus the Bear Planet of Ice
Mobb Deep Hell on Earth
Mudvayne L.D. 50
Muse Absolution
Mystikal Tarantula
Opeth Blackwater Park
Panacea (USA) Corkscrew Gaps
Pat D & Lady Paradox Soulscapes & Jazz Breaks
It's smooth, creamy, jazzy production-wise, sort of like a more straight-forward, less experimental Madlib. This mixed lively lyrics of Lady Paradox, we get a record that hails the 90s without trying to mimic their sounds in it's entirety. If only the Lady sounded a bit more lively while rapping her lyrics :-(.
Pharoahe Monch Internal Affairs
Prodigy Return of the Mac
Rage Against the Machine Evil Empire
Redman Muddy Waters
Redman Doc's Da Name 2000
RJD2 Deadringer
Scarface The Fix
Scarface Mr. Scarface Is Back
Scarface Made
Sean Price Monkey Barz
Sean Price Jesus Price Supastar
Slayer South Of Heaven
Snoop Dogg Doggystyle
G-Funk at it's true height, bouncy funky waddlings, and Snoops clear throat and oddly hyper flowing comparatively to his later material. Also, oddly good compared to his later works. Due to Snoop's lively delivery and the records general consistency, it might be a small deal better than the The Chronic. Truly legit.
Sole and the Skyrider Band Plastique
Surfer Blood Astro Coast
System of a Down System of a Down
T.I. King
Tera Melos Untitled
The Decemberists The Crane Wife
The Dillinger Escape Plan Calculating Infinity
The Dillinger Escape Plan Irony Is a Dead Scene
The Magnetic Fields Holiday
basically "Strange Powers" might be my new favorite song, and this is really solid and good stuff.
The Red Chord Fused Together in Revolving Doors
The Red Chord Fed Through the Teeth Machine
The Roots Things Fall Apart
Various Artists A Christmas Gift For You
Viktor Vaughn Vaudeville Villain
Weezer Weezer
Xzibit 40 Dayz & 40 Nightz
Yelawolf Trunk Muzik
The year starts off already with one of the best mixtapes out there, by the first real great white hope since Eminem. His incessant speed rapping reminds the listeners of Eminem if he was raised in the south, but his taste for bloopy, off-the-wall electronic beats and booming bass is top notch, and his lyrics are constantly improving, mixing syrup sippin UGK-isms, syllable bending abilities of New York rappers, and mind ripping flows of the already mentioned obvious influence. Not to mention "Pop The Trunk", "I Wish", and the title track will be three of the most memorable tracks this year, i can only hope for more from Yelawolf this year.
Z-Ro The Life of Joseph W. McVey

3.5 great
50 Cent Power of the Dollar
Aerosmith Toys In The Attic
Agoraphobic Nosebleed Altered States of America
Andre Nickatina Conversation With a Devil
B. Dolan Fallen House Sunken City
Beanie Sigel The B. Coming
Big Noyd Episodes Of A Hustla
Black Milk Tronic
At points, Black Milk wants badly to be Royce Da 5'9" as a rapper, and he comes out with a decent flow and decent lyrics, but he's truly a beast behind the boards.
Black Moon Enta Da Stage
Blackalicious Nia
Blackalicious The Craft
Blind Illusion The Sane Asylum
Boris Flood
Broken Bells Broken Bells
Brother Ali The Truth Is Here
Bun B Trill
Bun B II Trill
Bun B 2 Damn Trill
Burzum Hvis Lyset Tar Oss
Busta Rhymes The Coming
Busta Rhymes When Disaster Strikes...
By The End Of Tonight/Tera Melos Complex Full of Phantoms
Cam'ron Come Home With Me
Cam'ron Crime Pays
Camron Giles, top of the food chain of wit-filled, oddball, blizzardous coke rappers, is fairly bi-polar. Say what? Killa Cam has different sides to himself, he acts like he's a numbskull, but in truth he knows word for word what he's talking about (Don't believe me? ://www.youtube.com/watch?v=5oLGjhpY9jM) , and, like a lot of rappers in his area, switches moods quite often in a single record. On Crime Pays, one of his better albums, and his most recent, he mostly discusses his life of luxury and his dealings in the snow business ("Cookin Up" and "I Get It In Ohio"), but he also switches to topics like the ladies ("Bottom Of The Pussy" and "Spend The Night"), and Cam even puts his persona in a new persons eyes, rapping in the view of a middle class white person, trapped in their plain cubicle lifestyle. Cam's soundtrack sounds dated, like they were outtakes from Cam's earlier albums, but they sound perfected in their datedness as Camron isn't exactly the most modernly relevant MC. Although Crime Pays sounds like it could have been recorded in 2004, it's a great record, and although it has filler, Cam is an awesome lyricist, and manages to fit these lyrics with fitting beats, and thus Crime Pays is fairly solid.

"Come thru in ta zipper god damn I mite white nike her yeah she straight buh get it straight underestimate I mite just dike her
You fight and fuss wanna bite her lock your girl down just like rikers I ain't gottah do that once I hit your shit the damn bitch will lifer"
Cam'ron Boss of All Bosses II
Canibus Rip The Jacker
Canibus Miclub: The Curriculum
Cannibal Corpse The Bleeding
Capone-N-Noreaga The War Report
Cave In Planets of Old
Clipse Lord Willin'
Coalesce Give Them Rope
Common Be
Common Resurrection
Cryptopsy Blasphemy Made Flesh
Dark Time Sunshine Vessel
Davinci The Day The Turf Stood Still
De La Soul Are You In?: Nike+ Original Run
Def Squad El Nino
Domo Genesis Rolling Papers
dredg El Cielo
Eazy-E Eazy-Duz-It
Elzhi The Preface
EPMD Unfinished Business
EPMD Business Never Personal
Eric B and Rakim Don't Sweat the Technique
Exodus Fabulous Disaster
Exodus Another Lesson in Violence
Falkenbach ...Magni Blandinn Ok Megintiri...
Foo Fighters Foo Fighters
Foo Fighters The Colour and the Shape
Freeway Free At Last
Freeway & Jake One The Stimulus Package
Genghis Tron Dead Mountain Mouth
Ghostface Killah Ironman
The production is like a mesh of soulful-ness of Cuban Linx and the eerie atmospheres of Liquid Swordz, and it sort of lacks the usual touch of amazingness from RZA, rather sounding a bit more, dare i say, workman-like of him. Same goes for Ghostface here. Ghostface Killah would shape into his own artist later on, with fantastic internal rhymes, ridicolous crime stories, and beats that fit him better, but here he sounds like a technically proficient Wu-member who hasn't quite found his niche yet. This is great, but lacks the same sort of found-ness and uniqueness of Rae's and GZA's or even ODB's and Meth's debuts.
Ghostface Killah Bulletproof Wallets
Ghostface Killah The Big Doe Rehab
Ghostface Killah Ghostdini: The Wizard of Poetry in Emerald City
Gnarls Barkley St. Elsewhere
Grizzly Bear Veckatimest
Two Weeks is probably one of my favorite pop songs this year. Oh... the rest of this album is pretty awesome too.
Gucci Mane Writing on the Wall
Gucci Mane The State vs. Radric Davis
The Burrprint was an amazing step from an underrated artist: he did an entire mixtape with the renowned producer Zaytoven and created an effort that shows that Gucci Mane can rap with a certain amount of skill, and for once in his career, his mediocre flow was ignorable. Other than the mediocre "Spotlight", however, Gucci's flow is completely good throughout all of The State vs. Radric Davis. Lyrically, as comedically inclined and blizzardous as he's ever been, and the beats are, dare I say it, the best he's ever had. "Lemonade" might just be my favorite song of the year.
Gucci Mane The Movie Pt. 2 - The Sequel
Gucci Mane The Movie: Gangsta Grillz
Guilty Simpson O.J. Simpson
GZA Pro Tools
Hot Cross Risk Revival
Iron Maiden The Number Of The Beast
J Dilla The Shining
J Dilla Welcome 2 Detroit
J's a mediocre MC, but he gets a lot of friends that make this sound better, and along with his awesome production chops, Welcome 2 Detriot is a great album only hindered a bit by his lack of MCing skill.
J. Cole The Warm Up
Jake One White Van Music
Jedi Mind Tricks Violent by Design
Jedi Mind Tricks Servants in Heaven, Kings in Hell
Jeezy The Inspiration
Jelani Wait, You Can Rap?!?!
John Coltrane Lush Life
John Legend Get Lifted
John Legend Once Again
John Legend Evolver
Johnny Polygon Rebel Without Applause
Juvenile 400 Degreez
Kanye West Graduation
Kayo Dot Dowsing Anemone With Copper Tongue
Keith Murray The Most Beautifullest Thing In This World
Keith Murray Enigma
Killah Priest Heavy Mental
KMD Mr. Hood
fun, old school rap with some political undertones. If you like late 80s early 90s rap like A Tribe Called Quest and Eric B. and Rakim, you might like this a lot too.
Kool G Rap 4, 5, 6
Krallice Krallice
KXNG Crooked Mr. Pig Face Weapon Waist
Lightning Bolt Ride The Skies
Lightning Bolt Earthly Delights
Lil B The Based God: Based Blunts Vol. 1
Lil B Roses Exodus
Lil Wayne Tha Carter II
Ludacris Theater of the Mind
Ludo Broken Bride EP
Massive Attack 100th Window
Massive Attack Heligoland
Mastodon Remission
Mastodon Leviathan
Mastodon Crack the Skye
Megadeth Peace Sells... But Who's Buying?
Megadeth United Abominations
Megadeth Endgame
Meth, Ghost and Rae Wu-Massacre
Some of the worst drum sounds in rap right now, but the beats are mostly pretty good. Ghostface switches from love rap mode to super extreme story telling, Raekwon stays slightly less inspired than usual, and Method Man does his thing in the most inspired way he's been since Tical.
Method Man and Redman Blackout! 2
MF DOOM Operation: Doomsday
MF DOOM MM.. Food
MF DOOM Born Like This
MF Grimm The Hunt For The Gingerbread Man
MF Grimm & MF DOOM Special Herbs and Spices Volume 1
Miles Davis Bitches Brew
Miles Davis Jack Johnson
Mos Def The Ecstatic
Mudvayne Mudvayne
Mystikal Let's Get Ready
N.W.A. Straight Outta Compton
Ne-Yo Year of the Gentleman
Neon Indian Psychic Chasms
Neurosis A Sun That Never Sets
Neurosis Times Of Grace
Neurosis Given To The Rising
Neutral Milk Hotel In the Aeroplane Over the Sea
Obie Trice Second Round's On Me
Obie Trice Cheers
Oh No Exodus Into Unheard Rhythms
Ol' Dirty Bastard Return to the 36 Chambers: The Dirty Version
Opeth Damnation
Opeth Ghost Reveries
Opeth Watershed
Panacea (USA) Ink Is My Drink
Panacea (USA) A Mind on a Ship Through Time
While the music is pretty, and technically it's one of the better rap releases out there, it reeks of unoriginality, and while it does feel like a complete piece, the lack of highlights is a bit perturbing in some cases. Also that Cappadonna sample was just embarrassing to hear on what is an actual GOOD album.
Panacea (USA) The Scenic Route
Pantera Vulgar Display of Power
Pharoahe Monch Desire
Phat Kat Carte Blanche
Phat Kat isn't the greatest MC, but he works with gangster-isms to paint a truly brooding character of a gangster rapper. Despite Phat Kat's work as a rapper, Carte Blanche is truly Dilla's show. J Dilla, best known for his soulful, yet unique way of making beats, changes his style up to make menacing soundscapes, similar to that of Mobb Deep in the 90s, but rather than using an abundance of samples, J uses his skills as an instrumentalist to create a natural darkness in the production. This effort would inspire Madlib to do the very same with Guilty Simpson's Ode To The Ghetto.
Pill (USA-GA) 4180 The Prescription
Pill (USA-GA) 4075 The Refill
Portishead Third
Prince 3121
Project Pat Real Recognize Real
Project Pat & Juicy J Cut Throat
Trap at some of it's height, kudos to Bulldog for finding this. Juicy J, as usual, keeps the beats bumpin and banging, sometimes even gets the clubs erotic and moving. Juicy J and Project Pat step up their game, making absolutely hilarious metaphors about cars, hoes, and money and create bloody dark images of the streets. Despite some faults, including the fact they're surrounded by an entourage of entirely inferior MC's, and the fact that "Twerk" is one of the shittest songs Three 6 has ever been involved with, Cut Throat is one of my favorite mixtapes of the year, and as an album it actually isn't that bad either.
Protest the Hero Kezia
Protest the Hero Fortress
Q-Tip The Renaissance
Quasimoto The Further Adventures of Lord Quas
R. Kelly 12 Play
R.A. The Rugged Man Die, Rugged Man, Die
Raekwon Coke Up In Da Dollar Bill
Rage Against the Machine Rage Against the Machine
Redman Whut? Thee Album
Rich Boy Bigger Than the Mayor
Rick Ross Teflon Don
Royce da 5'9 Street Hop
Run-D.M.C. Run DMC
Run-D.M.C. Raising Hell
Saafir Boxcar Sessions
Saafir drops one of the most unorthodox, absolutely weird flows ever, and mixes it with hazzy, dizzy productions. The beats have a distinctive 90s New York flavor, muddy up-right bass thudding, down-tuned samples, and simplistic pounding drums that mix with an overall dark vibe, and you get one of rap's most experimental (mood and flow-wise) albums yet. Despite a massive amount of filler, Boxcar Sessions is a killer 90s rap album.
Sauce Money Middle Finger U
Scarface Emeritus
Sigur Ros ( )
Silversun Pickups Swoon
Slayer Reign In Blood
Slick Rick The Art Of Storytelling
Smoke DZA Substance Abuse 1.5
Smoke DZA's voice sounds a bit too much like Jermaine Dupri, but thats one of the few negatives of this EP-Mixtape. He's not a master lyricist, but Smoke DZA makes up for that by slipping in a very conversational, unconventional flow, making his words slither within the lush grooves. His affiliation with more charismatic rappers like Curren$y and Big K.R.I.T. boost his music too, giving us hope that DZA continues his affiliation to the majors. One of the few New Yorkers bringing a unique style nowadays.
Snoop Dogg Tha Doggfather
Son House Delta Blues & Spirituals
Son House Preachin' The Blues
Spoon Ga Ga Ga Ga Ga
Strong Arm Steady In Search of Stoney Jackson
Styles P The Green Ghost Project
Sunn O))) Black One
T.I. Trap Muzik
Talib Kweli Eardrum
Talib Kweli Liberation
Tera Melos Drugs to the Dear Youth
The Alchemist 1st Infantry
The D.O.C. No One Can Do It Better
The Dead Weather Horehound
The Dillinger Escape Plan Miss Machine
The Dillinger Escape Plan Ire Works
The Game Doctor's Advocate
The Game The Documentary
The Mars Volta The Bedlam in Goliath
The Notorious B.I.G. Life After Death
The Pharcyde Labcabincalifornia
The Roots Game Theory
The Roots Do You Want More?!!!??!
The Roots Illadelph Halflife
The Roots Rising Down
The White Stripes White Blood Cells
Jack White is innovative and all, re-inventing minimalistic, bareing-of-the-soul blues in his own form of garage rock. Having Meg White on the drums is really a part of the sound, and it works together well. The bare bones nature of his records is incredibly effective, especially here. However, as usually with Jack White's type of song writing, it's brimming with filler, which short hands White Blood Cells effectiveness. Still White Stripes best record though.
Them Crooked Vultures Them Crooked Vultures
Three 6 Mafia Chapter 1: The End
Too $hort Short Dog's In the House
Tusche Costa Crucifix
UGK UGK 4 Life
UGK Dirty Money
Ulver Kveldssanger
Ulver Bergtatt - Et eeventyr i 5 capitler
Wale Mixtape About Nothing
Weezer Pinkerton
Wu-Tang Clan Wu-Tang Forever
Wu-Tang Clan 8 Diagrams
Xzibit Restless
Xzibit At The Speed of Life
Zion I True & Livin'

3.0 good
2Pac All Eyez on Me
50 Cent Get Rich or Die Tryin'
50 Cent Guess Who's Back?
50 Cent Before I Self Destruct
Afroman The Good Times
good ol' fashion fun music. i mean if you expect more you're a faggot.
Afu-Ra Body Of The Life-Force
Afu Ra is a MC characterized by his affiliation with Jeru Da Damaja and his kung fu influences that are even more direct than the Wu-Tang. His voice is nasally and annoying, and his lyrics are mostly the same kind of 'self-aware' gibberish that invades this kind of rap, but the production and Afu Ra's general sense of what's going on saves this record from hip hop mediocrity. Check out if you like this type of music, but be fore-warned, the best tracks feature guests.
Animal Collective Merriweather Post Pavilion
Arsis Starve for the Devil
Asher Roth Seared Foie Gras With Quince & Cranberry
Augury Concealed
August Burns Red Messengers
Beanie Sigel and Freeway The Roc Boys
this is pretty good, if only because "Average Cat" is a surprisingly epic diss to Jay-Z from Beanie Sigel. Impressive MCing from both, excellent chemistry, but most of the record is packed to the brim with inconsistent beats and crappy Young Chris appearances. Oh and they're all like 'it's not beef, we're cool' all the time, which is obnoxious. It's like they're holding back, when this could be great if they didn't.
Between the Buried and Me Alaska
Between the Buried and Me Colors
Big Six Mid-South Trappin
Black Milk Album Of The Year
Boosie Badazz Superbad: the Return of Boosie Bad Azz
Boosie Badazz Bad Azz
Boosie Badazz Incarcerated
Brother Ali Us
Busta Rhymes Extinction Level Event
Busta Rhymes The Big Bang
Cam'ron Killa Season
Cannibal Corpse Tomb Of The Mutilated
Chamillionaire Ultimate Victory
Chino XL I Told You So
Chiodos Bone Palace Ballet
Clipse Til the Casket Drops
the beats aren't as weird as they used to be, but they're still pretty legit. As for the rapping, it's changed a little bit. Malice still raps the same way he ever did and the same talent he ever did, but Pusha switches from his best and worst performances yet, sometimes just writing simplistic bravado lines that would fit on any generic rap albums, and sometimes like on 'Freedom" writing such lines that could easily compare to their old stuff. Other than a few real highlight tracks, like the descending piano notes and hilarious lyrics courtesy of the group and Cam'ron of the anthemic "Popular Demand (Popeyes)" and the melodic guitar and realism of "Freedom", it's easily the worst Clipse release yet, but it's still far from bad.
Common Finding Forever
Converge Caring and Killing
Craig Mack Project: Funk da World
Crystal Castles Crystal Castles
DangerDoom The Mouse And The Mask
this isn't that good, but most of the songs work and sound pretty good. I don't get why people like "Benzie Box" though, and overall, DOOM has definitely more comfortable over the course of his career.
Dilated Peoples The Platform
DJ Clue The Professional 2
DJ Paul Scale-A-Ton (Skeleton)
DJ Quik & Kurupt BlaQKout
DMX It's Dark and Hell Is Hot
Dr. Dre 2001
Drake So Far Gone
E-40 Revenue Retrievin': Day Shift
E-40 Revenue Retrievin': Night Shift
Earl Sweatshirt EARL
El-P Fantastic Damage
El-P I'll Sleep When You're Dead
EPMD Business as Usual
Fabolous From Nothin' To Somethin'
Fabolous There Is No Competition 2 (The Funeral Service)
Fashawn Boy Meets World
Exile should get a better rapper to rap over these beats, because it's disappointing to hear this guy slobber all over beats that honestly deserve WAY better.
Ghostface Killah More Fish
Gucci Mane Back to the Trap House
Gucci Mane Mr. Zone 6
Gucci Mane Jewelry Selection
GZA Legend of the Liquid Sword
Heltah Skeltah D.I.R.T. (Da Incredible Rap Team)
Hi-Tek Hi-Teknology 3
Ice Cube The Predator
Ildjarn Forest Poetry
Illa J Yancey Boys
Illa J is an absolutely chill singer, giving the listener a shakey, soulful withering effect that fits J Dilla subdued production style. Illa J's rapping however, suffers from ADHD, and he switches from topic to topic like every couple of lines, and going into stuff that should not be gotten into. The digressing can be incredibly interesting, but most of the time it's just boring, and not showing Illa's skill as a rapper. J Dilla's beats are ILL though.
Inspectah Deck The Manifesto
Surprisingly good, his lyrics and voice sound rejuvenated, his flow is as multi-syllabic as ever, and best of all, the beats are actually sounding competent this time around. Overall, the best Inspectah Deck rap album out there, but it still lacks any personality, as Inspectah lacks it. Shallow, but good.
Iron Maiden The Final Frontier
J. Stalin Prenuptial Agreement
this dude is pretty average other than a couple of worthwhile similes and punchlines, but the beats are pretty legit. its like a 2.8, but i'll round up to be nice mang.
Jay Rock Watts Finest Vol. 1
Jay Rock From Hood Tales to the Cover of XXL
I like his lyrics, but this is really boring. Jay's constant aggression is monotonous, and his beat choice is so inconsistent, switching from the best West Coast beats since 2001 to awful 'soul' sampling ("Real Bloods"). Overall, If Jay Rock weren't such a monotonous MC and the beats weren't so crazily inconsistent, this would be utterly amazing. Rather, this is kinda good, but a bit far from great.
Jay-Z Kingdom Come
Jedi Mind Tricks Visions of Gandhi
Jedi Mind Tricks Legacy of Blood
Jeezy Let's Get It: Thug Motivation 101
Jeezy The Recession
Jeru the Damaja Wrath of the Math
Jim Jones Pray IV Reign
Joe Budden Padded Room
Juelz Santana What the Game's Been Missing!
Katy Perry One of the Boys
Kayo Dot Blue Lambency Downward
Keith Murray It's a Beautiful Thing
Keith Murray Rap-Murr-Phobia (The Fear of Real Hip Hop)
Kid Cudi Man on the Moon: The End of Day
King Chip The Cleveland Show
Chip is a rock solid rapper, his voice is soothing, he has a lot of charisma, and although his lyrics feel generic at first, there's a certain charm and punch to everything he says. Everything sort of sways on the album, and that's a real problem over seventy-nine minutes and twenty-seven tracks, it's just too relaxing to listen to all of this beast. The middle seems to be filled with filler, but most of the opening tracks and closers are excellent, and that results in a good mixtape. "Fat Raps" is worth a stand-out mention, because Chip, Curren$y, and even Big Sean rip the track to shreds.
Krallice Dimensional Bleedthrough
KRS-One I Got Next
The very tiny amount of mainstream that reaps its head on here, the Puff Daddy remix of "Step Into The World (Rapture's Delight)", inspired KRS-One's decline from one of the best rappers of all time to one of the biggest assholes of all time while no longer having anything to back it up. He hated this album, but this is honestly is better than anything he produced later on despite its general inconsistency.
Lightning Bolt Hypermagic Mountain
Lil B 6 Kiss
Lil B Base World Pt. 1
Lil Wayne Tha Carter III
Lil Wayne Tha Carter
Lil Wayne I Am Not a Human Being
LL Cool J Radio
Lupe Fiasco Lupe Fiasco's Food & Liquor
Lupe Fiasco The Cool
Maroon 5 It Won't Be Soon Before Long
Megadeth Youthanasia
Megadeth The System Has Failed
Meshuggah Destroy Erase Improve
Metallica Kill 'Em All
Metallica ...And Justice For All
Method Man 4:21... The Day After
MF Grimm & MF DOOM MF EP
Miles Davis In a Silent Way
Mudvayne The End of All Things to Come
Murs Murs For President
Muse Black Holes & Revelations
N.W.A. N.W.A. and the Posse
Nas It Was Written
It Was Written has the potential. Nas certainly sounds good here, but the problem is, while Illmatic is the debut, It Was Written sounds much rougher, and thus sounds more like it was made by inexperienced artist. So much inconsistency on this album, ranging from the horrible "Watch Dem Niggas" and "Black Girl Lost", the average "Suspect" and "Street Dreams", to the amazingly awesome "If I Ruled The World", "Affirmative Action". and "Shootouts". Despite rave reviews, it's certainly not even close to Illmatic, and Nas's inconsistency in songwriting is the reason why.
Nas God's Son
Ne-Yo Because of You
Nicki Minaj Beam Me Up Scotty
Nipsey Hussle Slauson Boy, Vol.1
Noreaga N.O.R.E.
Obie Trice Special Reserve
OJ Da Juiceman I Got The Juice
One Day as a Lion One Day as a Lion
Opeth Still Life
Pantera Cowboys from Hell
Paul Wall The Peoples Champ
Payso The Charlie Brown Tape
This absolutely slaughters his Mario tape, while only being around nine minutes long. Payso is the epitome of the mixtape rapper, all punchlines and no song, but he realizes this and writes short snippets that are only about one to two minutes long, and perfects the art. Highlights include the humorous stoner confrontation of "Charlie Brown", the Cam'ron sampled hussle of "The Hunger", and the ridiculously bad in a good way story telling of "True Story". It's still around a 3, but that's about as it goes for the shoddy sounding drums of the closer and the general lack of ability to write songs.
Prince Planet Earth
Prince LOtUSFLOW3R
Q-Tip Amplified
Q-Tip Kamaal The Abstract
Queens of the Stone Age Songs for the Deaf
Queens of the Stone Age Lullabies to Paralyze
Queens of the Stone Age Era Vulgaris
Radiohead Kid A
Radiohead OK Computer
Rage Against the Machine The Battle of Los Angeles
Rakim The 18th Letter
Ras Kass Soul on Ice
Ras Kass Van Gogh
Real Estate Real Estate
Redman Dare Iz A Darkside
Redman Red Gone Wild: Thee Album
Rich Boy Rich Boy
Rich Boy is a genuinely average rapper here, so what keeps this above water? The simple fact that Polow Da Don was at his production height here and absolutely made every beat excellence. "Throw Some D's" was one of the best ringtone rap songs of '07, and Rich Boy has a decent flow, but this album is nothing more than awesome beats with average raps.
Rick Ross Deeper Than Rap
RJD2 Since We Last Spoke
RJD2 The Colossus
Run-D.M.C. King Of Rock
RZA RZA as Bobby Digital in Stereo
Sex Pistols Never Mind the Bollocks, Here's the Sex Pistols
Silversun Pickups Carnavas
Skyzoo The Salvation
This is mostly a productionists affair. Blaring, wonderous, the beats are mostly EPIC. The rapper, however, sounds like he wants to be Jay-Z, and although he proves he can spit long lengths, he's not that good, and is nowhere near Jay-Z's charisma. Overall, would've been a better group of beats for someone like Sean Price or Ras Kass, rather than a 'meh' Jay-Z wannabe.


also all critics that gave this really high scores should be kicking themselves, Skyzoo sounds more influenced than influential.
Slaughterhouse Slaughterhouse
Slick Rick Behind Bars
Slim Thug Already Platinum
Blurry, slow lazy moving Huston rap at a good level, but far from the best. The Neptunes seem like an odd couplet for Slim thug to team up with, but they combine together excellently occasionally ("Click Clack"), along with a couple of great tracks from Mr. Lee. Slim Thug's enormous voice and crackling productions that back him are what make this record what it is.
Snoop Dogg Paid tha Cost to Be da Bo$$
Snoop Dogg R&G (Rhythm & Gangsta) - The Masterpiece
Souls of Mischief Montezuma's Revenge
Styles P Time Is Money
Sunn O))) White2
Sunn O))) Monoliths and Dimensions
System of a Down Mezmerize
T.I. T.I. vs. T.I.P.
Talib Kweli The Beautiful Struggle
Talib Kweli Quality
Tenacious D The Pick of Destiny
Fun, humorous Hard Rock that is easily accessible, but also quite inconsistent quality-wise and humor-wise. Still, "Master Exploder", "Car Chase City", and "Beezleboss (The Final Showdown)" are all epically metal and riveting, combining Jack Black's over-the-top metal delivery with the sheerly rock n'roll guitars to near perfection. Most of the songs are filler, but what works here absolutely works.
Tha Joker We Do It For Fun Tha Mixtape
The Fall of Troy Phantom on the Horizon
The Game LAX
The Mars Volta Frances the Mute
The Shins Chutes Too Narrow
Mellow music, packed with a couple layers, and filled with insightful lyrics from James Mercer. However, that's not enough to stop me from being bored by their sound. Lullaby-ish in it's motions, the lush atmospheres that The Shins create are, in some cases, utterly boring to listen to. What they do to spice it up here is a bit nice, some electronics here, some more blatant flair of influences there, but when they head straight towards their sound plainly, it's a major drag even if they're doing it well. I think a 3.2 fits this album well, but since i can't go around there, I'll just round down to 3 and call it a day.
The White Stripes Elephant
The White Stripes Icky Thump
Three 6 Mafia Most Known Unknown
Lyrically, this album just shows how far this group has declined lyrically. DJ Paul's incessant rhyming the same word, Juicy J's gruff violence, and Crunchy Black's general generic crunk-isms are just boring to read from a lyric sheet, with only Project Pat even occasionally showing off glimpses of interesting lyricism, and that was just before he got REALLY good. One would say this group declined like they were a down south Mobb Deep, considering the drop in lyrical ability, but the fact is Three 6 MAfia are more entertaining than ever. The beats, unlike the plodding piano compositions of Mystic Stylez, are really bouncing and interesting. The way flows together and on their own are excellent, whether it's DJ Paul's rough like sandpaper bark, Juicy J's pulsing , Crunchy Black's singsongy delivery, or Project Pat's lyrically rhythmic blanket, each MC brings something different, but they still manage to come together perfectly. Overall, Most Known Unknown is a good album from a group that only continues to improve musically, but continually declines lyrically.
Three 6 Mafia Mystic Stylez
Three Six Mafia prove to be at their best here, but at a cost. Their satanic rapping and love for everything against that of the christian church is sound, but makes the album split into two secitons; the weed songs, and the devillish songs. The devillish songs contrast in quality, some take that slowed bounce of funeral drums and keys and make it into a purely menacing concoction, and others mix it into a bewilderingly boring mixture that horrors the listeners dreams forever. The smoke songs, however, are purely quality, mixing a funky element into their music, and is purely drawling in it's prowess. Koopsta Knicca's insanity aside, this just isn't a classic. It's cetainly good though.
Three 6 Mafia Live By Yo Rep (Bone Dis)
Tony Moon MOONshine: You Know, For Kids!!!
Too $hort Life is... Too Short
U-God Dopium
UGK Too Hard To Swallow
Unearth III: In the Eyes of Fire
Unearth The March
Usher Confessions
Usher is the master of the perfect singles. "Yeah!" is an absolute monster of a club track, with an absolutely bangin beat from Lil Jon, smooth yet jaunting vocals from Usher, and a quick nice verse from Ludacris, one of the singular greatest club bangers of the twenty first century. Shame, the rest of the album doesn't QUITE hold itself up to the singles.
Viktor Vaughn (VV:2) Venomous Villain
Wait What the notorious xx
Waka Flocka Flame Salute Me or Shoot Me
Wale Attention Deficit
Will Smith Big Willie Style
Wu-Tang Clan The W
Wu-Tang Clan Iron Flag
Wu-Tang Clan Wu-Tang Chamber Music
Young Buck Buck the World

2.5 average
50 Cent Curtis
50 Cent Forever King
As I Lay Dying An Ocean Between Us
Asher Roth Asleep In The Bread Aisle
August Burns Red Thrill Seeker
Beatdealaz Excessive Force
Between the Buried and Me The Great Misdirect
I didn't like it that much at first, but damn this album is up there with the likes of "The Silent Circus" (but not quite there). Easily my favorite album of the year... this album is just so much fun from start to finish. Whether your going into a trance with the opening Mirrors, or jamming out to the groovy breakdown in Disease, Injury, Madness... or even headbanging to the most epic riff BTBAM have ever written 13:15 into Swim to the Moon, you will be thoroughly enjoying yourself the entire time.

oh rly?
Birdman 5 Star Stunna
Boosie Badazz Survival Of The Fittest
Brad Paisley Time Well Wasted
Probably my favorite album in the scene of poppy crappy nu-country that has ridden and infest the mainstream like mosquitos, and thats probably only because Paisley actually has a nack for guitar playing and occasionally has interesting lyrics ("Alcohol" is about as good as it gets for pop country). Despite this, the album is still riddled with over-production, and the fact that Paisley still doesn't know any other scale other than a friggin G. I'd recommend this on an odd day, otherwise, naaah.
Bun B Trill O.G.
Bun B is stuck at this point: he's old, but before that didn't affect his rhyming ability, or at least his confidence behind the mic. He's still got confidence, but no longer is he sound behind the mic. He's spitting the same ol' UGK nostalgia over and over again without any of the flashy mic wielding he used to possess. His albums have always been hit/miss, mostly because of guests and beats, but before it was never Bun's fault. Simply put, this is Bun's first album where BUN himself is the problem. The album's best moment is when we hear the voice of Pimp C again, it seems as if Bun B needs a foil to make an entire album work. At least "Countin' Money All Day" and "Just Like That" are serious street BANGERS.
Cannibal Corpse Kill
Chamillionaire The Sound of Revenge
Charles Hamilton This Perfect Life
Chino XL Here to Save You All
De La Soul Buhloone Mindstate
Diggy The First Flight
DJ Khaled We the Best
Dr. Dre Dr. Dre Presents... The Aftermath
Drake So Far Gone
Eminem The Eminem Show
Eminem Relapse
Eminem Recovery
EPMD Out of Business
Ghostface Killah The Pretty Toney Album
Gnarls Barkley The Odd Couple
Gucci Mane Trap House
Gucci Mane Hard to Kill
Gucci Mane The Appeal: Georgia's Most Wanted
Guru Jazzmatazz, Vol. 2: The New Reality
GZA Beneath the Surface
Handsome Boy Modeling School White People
Inspectah Deck Uncontrolled Substance
Jadakiss The Last Kiss
Jeezy 1,000 Grams
Jim Jones Hustler's P.O.M.E. Standard Edition
Joanna Newsom Have One on Me
Joe Budden Joe Budden
Joell Ortiz Road Kill
Juelz Santana From Me To U
Kanye West VH1 Storytellers: Kanye West
King Geedorah Take Me to Your Leader
Kurupt The Streetz iz a Mutha
Lil Wayne No Ceilings
Lloyd Banks The Hunger For More
Megadeth The World Needs A Hero
Metallica Master Of Puppets
Method Man Tical 2000: Judgement Day
Nas Stillmatic
Nas Hip Hop Is Dead
Nas Untitled
Ne-Yo In My Own Words
Necro Gory Days
Basically one of the reasons why the underground shouldn't be hailed as high as it should be. This guy is a bad lyricist and rapper in general. His beats are killer, but it's sort of like listening to Cappadonna's debut, the beats are the only thing worth listening to. +0.5 for Necro producing this himself.
Ol' Dirty Bastard Nigga Please
Opeth Apostle in Triumph
OutKast Speakerboxxx/The Love Below
Payso Super Mario All Stars
Prodigy H.N.I.C.
R. Kelly Double Up
R. Kelly Untitled
Ras Kass Institutionalized Pt. 2
Redman Malpractice
Rick Ross Port of Miami
Sean Price Kimbo Price
Sean Price is one of the best rappers out there, mixing generic bravado gangster-isms with one of the best flows out there, and some of the most technically proficient rhymes out there. If that's so, then how come, out of all of the lyrical underground rappers out there, he's putting out what may be some of the worst material of this rap renaissance? Well, it's clearly not him, it's just Kimbo Price has generally awful beats. Even worse than the dull 9th Wonder beats that occasionally drained his past efforts, these are just basement budget keyboard junk beats not worth two cents. I suppose that's to be expected from a rapper that calls himself an 'a thousandare', but this 23 track mixtape utterly fails as a showcase of Sean Price's talents, because although it does, it's muffled by horrid beats and absurd guests.
Slim Thug Boss of all Bosses
Snowing Fuck Your Emotional Bullshit
System of a Down Steal This Album!
System of a Down Toxicity
T.I. Paper Trail
The Alchemist Chemical Warfare
1st Infantry is a promising producer putting out a record with his potential up to it's fullest and the rapping staying consistently ace throughout. The Chemical Warfare is a mismatched, inconsistent mess of an album where the album's best song is the same grimey stuff on 1st Infantry ("Lose Ya Life"), and the rest is either good or terrible. Disappointing.
The Fall of Troy Manipulator
The Fall of Troy In the Unlikely Event
The Mars Volta Amputechture
The Notorious B.I.G. Born Again
This faggot who sounded off has clearly only heard this one album by Biggie, which is depressing, because this is probably his second worst, next to his other posthumous release. This has Diddy's grave robbing hands all over it, and it sounds sort of scattered and generally mediocre. But it's not AWFUL.
The White Stripes Get Behind Me Satan
Three 6 Mafia Chapter 2: World Domination
Timbaland Timbaland Presents Shock Value
Ulver Nattens Madrigal
Usher Here I Stand
Wale Back To The Feature
Weezer Hurley
The first non-awful Weezer album since Pinkerton. Rivers Cuomo, i no longer wish death upon you.
Will Smith Willennium
Xzibit Man vs. Machine
Xzibit Weapons Of Mass Destruction
Young Buck Straight Outta Cashville

2.0 poor
50 Cent War Angel LP
Apator Masturbate in Praise of Black Satan
Beanie Sigel The Solution
Big Noyd Queens Chronicle
Body Count Body Count
Bone Thugs-N-Harmony E 1999 Eternal
Canibus Can-I-Bus
Cannibal Corpse Evisceration Plague
Cappadonna The Pillage
Chiodos All's Well That Ends Well
Chop Chop Authentic
DMX Flesh Of My Flesh, Blood Of My Blood
Swizz Beatz had a big part in chucking this record to the garbage bin, but this album just sealed its own fate the fact that DMX is all voice, no skill. His gruff tone was mixed with an array of merely decent productions on his debut, but on this album, other than the occasional highlight, Swizz Beatz shitty keyboard 'orchestrations' completely take this record off the roads of quality and take it to shit island. Chunky flowing, insipid rhyming, horrible beats, Flesh of My Flesh, Blood of My Blood is one of the most overrated rap records ever, and is just another shit-tacular album from an artist who has never proven himself any good without his gruff delivery or a legion of decent producers.
Duran Duran Rio
Eminem Relapse: Refill
Foo Fighters One by One
Foo Fighters Echoes, Silence, Patience & Grace
Gucci Mane Murder Was the Case
Gunther Pleasureman
Guru Jazzmatazz, Vol. 1
Heaven Shall Burn Iconoclast (Part 1: The Final Resistance)
Ice Cube Lethal Injection
Immortal Technique Revolutionary Volume 2
Inspectah Deck The Movement
Iron Maiden Fear Of The Dark
Iron Maiden No Prayer For The Dying
Jay-Z The Blueprint²: The Gift & the Curse
Jay-Z The Dynasty: Roc La Familia
Jedi Mind Tricks A History of Violence
Joanna Newsom The Milk-Eyed Mender
Joanna Newsom Ys
John Frusciante Smile from the Streets You Hold
Kanye West 808s and Heartbreak
Keith Murray He's Keith Murray
Kidz in the Hall The In Crowd
Lil Wayne Dedication 3
Lloyd Banks Rotten Apple
I mean his first album didn't have quite the highlight as this album does with "Cake", but overall this album just re-instates the fact that Lloyd Banks has a terrible ear for beats and the fact he just can't write a rap SONG worth a shit. He can write a couple decent punchlines, but his hooks and overall verse stamina fall flat.
Lone Ninja Burnt Sector
Ludacris Battle of the Sexes
Mase Welcome Back
MC Frontalot Nerdcore Rising
Miles Davis Doo Bop
Oh dear... Miles starts his one year acid jazz binge and does just that: trippy, hip hop smeared jazz that makes Miles lose a sense of who he once was. While this is interesting to see Miles do something absolutely different than anything he's done before, its difficult to call this anything other than trash.
Miles Davis Miles in the Sky
Muse The Resistance
Naked City Torture Garden
The ideas are ambitious, but the sound is completely unappealing and uninviting.
Nas Street's Disciple
Nas I Am...
Nas Nastradamus
Necro I Need Drugs
Nile Those Whom The Gods Detest
Nine Inch Nails The Downward Spiral
Nine Inch Nails The Fragile
Opeth Deliverance
Raekwon The Lex Diamond Story
Rakim The Seventh Seal
How'd it turn out this year, 50 Cent, usually considered a hated character in hip hop, put out a much better record than hip hop's most beloved Rakim. That's a little depressing, but ah well, this record was only to be expected from an MC who has showed little signs of success since his days with Eric B. Unbelievably Average.
Rick Ross Trilla
The beats are like the glaze on glazed donuts, so sugary, so knowingly bad for you, but you keep coming back for more. The rapper, however, is terrible, waddling around talking about his hussle in such a stripped down fashion that he will tell you up front he's a hustler and rhyme that with hustler over and over again. Basically thats all you need to know about Trilla.
RJD2 The Third Hand
Slick Rick The Ruler's Back
Soulja Boy iSouljaBoyTellEm
Soulja Boy Dat Piff
The Notorious B.I.G. Duets: The Final Chapter
Timbaland Timbaland Presents Shock Value II
Tony Moon Lunar Plexus
Tony Moon's brand of socio-politico babble was at least tolerable and cohesive in the soul-drenched Moon Shine: For The Kids!, but here Moon jumps from good beat to completely different good beat and ruining it with even more babble. Moon's flow is ace, but just about everything else about his rapping, his one-dimensional, preachy lyricism, his obnoxious, Lupe meets Big Boi voice, and his annoying beyond belief delivery, just shit all over everything here. Basically, listen to "Rebel Hell", "Midnight Music", and "Requiem for a Lunatic", because everything else here is pretentious as hell. Sorry Bowldog
Violent J Wizard Of The Hood
I blame Bulldog for me ever hearing this. The concept, is over-filled with buckets and buckets of CHEESE, it's basically the stoner's wizard of OZ. The beats switch from terribly low-fi poopty rock rap, mellow keyboard tracks (the best), and WTF accoustic rap. The production is hay-wire, the concept sucks, and it's ICP, where's the good stuff? well, the lyrics for like a couple of times are vulgar enough, and mixed with the concept, are actually kind of FUNNY, and it kind of works together as a whole. Other than that though, sheesh this is BAD.

STUPID BULLDOG
Will Smith Born To Reign
Xzibit Full Circle
Young Money We Are Young Money

1.5 very poor
50 Cent The Massacre
As I Lay Dying Frail Words Collapse
Birdman Pricele$$
Bone Thugs-N-Harmony The Art of War
Okay Bone Thugs, I can KINDA see why people might enjoy E 1999 Eternal, but this is ridiculous. Two hours of some of the most monotonous, uncharismatic rappers out there. The most plain rap music out there, and it goes on for so long that you may want to kill yourself. At least I can stay awake while listening to Mike Jones.
Busta Rhymes Back On My B.S.
Fabolous Loso's Way
Fort Minor The Rising Tied
Grandmaster Flash The Bridge - Concept of a Culture
In Flames A Sense of Purpose
Inspectah Deck The Resident Patient
Kevin Rudolf In The City
Method Man Tical 0: The Prequel
Owl City Ocean Eyes
Pharrell Williams In My Mind
Raekwon Immobilarity
RZA Digi Snacks
Six Feet Under Haunted
Snoop Dogg Da Game is to Be Sold, Not to Be Told
Poopty No Limit Snoop Dogg, along with appearances from every No Limit artists of all time. Boring and cheap.
Soulja Boy Souljaboytellem.com
System of a Down Hypnotize
*sigh* terrible terrible terrible metal. shame these guys went this far from their self-titled, and only are digging their grave even further with the new solo albums.
Too $hort Get Off the Stage
U-God Golden Arms Redemption

1.0 awful
Attack Attack! Someday Came Suddenly
Common Universal Mind Control
DMX Year of the Dog... Again
The same beatz from Swizz Beatz? kill yourself please. The same hyper aggressive rapping? kill yourself please. The same guy who hasn't been able to rhyme in a comfortable way since ever and yet is praised for his early records and his gruff voice? kill yourself please. This guy has shown absolutely no passion to make other than mediocrity, and other than a couple of songs, DMX is an utterly worthless artist. The worst thing is, this album contains NONE of those good songs.
Dr. Octagon The Return of Dr. Octagon
Duran Duran Red Carpet Massacre
Eminem Encore
In Flames Soundtrack to Your Escape
In Flames Trigger
Jaldaboath Hark the Herald
Jay-Z The Blueprint 3
Jay-Z hit rock bottom right after we all thought he was getting his act together again. The beats usually are washed over and over in poppy over production, but its the rapping that really faults this record. His flow is stagnant, lazy, abrupt, and his writing is anything but clever. Just with "Empire State of Mind" alone, Jay-Z commits lyrical suicide after the years of work he's put in as a one of raps better lyricists ("YOU KNOW I BLEED BLUE/BUT I AINT A CRIP THO//BUT I GOT A GANG OF NIGGAS RIDIN IN MY CLIQUE THO"). Seriously the WORST record he's put out.
Lil Wayne Rebirth
*hides* DONT HIT ME DAD!!! NOT THE BASE BALL BAT!!!!!!
Rebirth by Lil Wayne will evoke the same reaction just from hearing it one track at a time.
Weezer The Green Album
For a lot of people, there is a thin line between a 4.5 and a 5 star album. For me; there's a huge difference between a 1.5 and a 1 star album. 1.5 albums are albums that have major flaws, but are for the most part, tolerable, and their sounds are completely listenable from beginning to end. WHAT.THE.FUCK. is this though? Weezer had a good streak before critics, foolishly, raped and murdered Pinkerton, a record that spelled a new hope for a promising band, and that killed all of the serious nature out of Rivers Cuomo. Now he makes superficial, 'power pop' records that are completely and utterly terrible. Everything from this point on has been unlistenable entirely and it's depressing. There's always the song that, at first, sounds decent enough, and there's a crowd of people that claim Weezer's back because of it. As soon as the terrible terrible album comes out, however, it obliterates the fans hope and dreams to nothing. Stop hoping, this album already should have eliminated it. Terrible terrible terrible rock abomination.
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