| 4.0 excellent |
| Alexisonfire Alexisonfire |
| Alexisonfire Watch Out! |
| All Shall Perish The Price of Existence |
| As Cities Burn Come Now Sleep |
| As I Lay Dying An Ocean Between Us |
| At the Drive-In This Station Is Non-Operational |
| Avenged Sevenfold Waking The Fallen |
| Between the Buried and Me Between the Buried and Me |
| Blackalicious Nia |
| Brand New Deja Entendu |
| Children of Bodom Tokyo Warhearts |
| Chimaira Chimaira |
| Chimaira Resurrection |
| Chronic Future Lines in My Face |
| Lines in My Face is an excellent blend of rock and hip-hop with catchy riffs, vocal hooks and occasionally stellar lyrics. Its only flaws are a few cheesy moments and overall simplistic and repetitive song structure. |
| Circle Takes the Square Circle Takes the Square |
| Converge Jane Doe |
| Cryptopsy None So Vile |
| Daitro/Sed Non Satiata Split |
| Disturbed The Sickness |
| Dream Theater Train of Thought |
| Genghis Tron Cloak of Love |
| God Forbid IV: Constitution of Treason |
| Haste the Day Burning Bridges |
| HORSE the band R. Borlax |
| HORSE the band The Mechanical Hand |
| Hot Cross Fair Trades and Farewells |
| Jimmy Eat World Bleed American |
| Kanye West The College Dropout |
| Killswitch Engage Killswitch Engage |
| Killswitch Engage Alive or Just Breathing |
| Korn Korn |
| Lamb of God As the Palaces Burn |
| Loma Prieta Last City |
| Lupe Fiasco The Cool |
| Lupe Fiasco Lupe Fiasco's Food & Liquor |
| Machine Head The Blackening |
| Mastodon Blood Mountain |
| Mastodon Remission |
| Mihai Edrisch L'un Sans L'Autre |
| Misery Signals Controller |
| Mudvayne L.D. 50 |
| Mudvayne The End of All Things to Come |
| Off Minor Some Blood |
| Opeth Watershed |
| Orchid Chaos Is Me |
| pageninetynine Document #8 |
| pageninetynine / Majority Rule Document #12 |
| Poison the Well The Tropic Rot |
| Poison the Well The Opposite of December |
| Poison the Well You Come Before You |
| Propagandhi Supporting Caste |
| Protest the Hero A Calculated Use of Sound |
| Queen Greatest Hits I & II |
| Queen Sheer Heart Attack |
| Queens of the Stone Age Lullabies to Paralyze |
| System of a Down Steal This Album! |
| Talib Kweli Quality |
| The Fall of Troy Doppelganger |
| The Fall of Troy Phantom on the Horizon |
The Fall of Troy don't give a **** what you think.
Sure, I'm not in love with these re-recordings, but the band took a different approach on a bunch of old songs which I think is what they were supposed to do. The production is awkward, and the bass isn't loud enough most of the time. This is kind of a big deal for a trio. Thomas can't sing, but his singing is passable a fair share of the time, so you can then easily focus on the ridiculously good instrumental side of these tracks. The ambiance bits, while prolonged a bit too much in places, are a welcome addition as well, keeping the album cohesive throughout.
I like Frank's dreads. |
| The Jonbenet The Plot Thickens |
| The Number Twelve Looks Like You Nuclear. Sad. Nuclear. |
| The Roots Phrenology |
| The Sound of Animals Fighting Tiger and the Duke |
| The Sound of Animals Fighting The Ocean and the Sun |
| The Thirty Years War Martyrs Among the Casualties |
| Thrice The Alchemy Index Vols. I & II |
| Thrice The Artist in the Ambulance |
| Through the Eyes of the Dead The Scars of Ages |
| Through the Eyes of the Dead Bloodlust |
| I'm giving this the same score as The Scars of Ages only because this is longer. Its most evident problems are recycled drum patterns, some filler, and over-production. Otherwise, it is still excellent musically and the Bass plays a bigger part here thankfully. My favorite track off here is constantly changing, so I'm going to say Two Inches... is the best song here. |
| Thursday Full Collapse |
| Thursday/Envy Thursday/Envy |
| Unearth The Oncoming Storm |
| United Nations United Nations |
