| 5.0 classic |
| Architects Lost Forever // Lost Together |
| Architects All Our Gods Have Abandoned Us |
| August Burns Red Constellations |
| Carly Rae Jepsen Emotion |
| Caskets Ghost Like You |
| Funeral for a Friend Hours |
| The perfect blend of heavy and melodic tracks. I can listen to this album at any time of the day and during any mood I'm in because there will always be at least one song that perfectly matches how I'm feeling at the time. Funeral ditches a fair amount of what was heard on previous releases and fuses the rest with more of a mainstream sound. Kris and Darren's guitarwork is outstanding and Gareth's voice is a sufficient stubstitute for Ryan's. While the songs are great at face value, there are tons of subtle lines and beats that leave listeners finding something new every time they listen to it. |
| Mae The Everglow |
| Rise Against The Sufferer and the Witness |
| Once again Rise Against shows that they know how to improve the things they already do well while at the same time experimenting with new sounds. In The Sufferer and the Witness Rise Against finds a way to deepen the lyrical content and greatly improve the musicianship and adapt them to their trademark sound. Nearly all of these tracks are exceptional and memorable in one way or another. This is without question the band's best album to date. |
| Saosin Saosin |
| Sublime Sublime |
| This is one of the few albums where I can say it is a classic both inside and outside its genre. Songs like "Santeria" and "Doin' Time" make Sublime's self-titled an album that practically anyone can appreciate. The combination of a mainstream appealing sound and skillful musicianship from all of the band's members makes "Sublime" a gem that can be equally adored by music buffs and your everyday radio listener. While not every track may not be a classic, those that are ("What I Got", "Get Ready") definitely make up for them. |
| The Classic Crime The Silver Cord |
| Underoath Define the Great Line |
Define the Line is a superb album on all levels. Lyrically, instrumentally, and vocally it
destroys everything else Underoath had previously released. From the technicality in the
main riff of "In Regards to Myself" to the slow yet suspenseful build up to "Casting Such a
Thin Shadow," Define the Great Line provides something too look forward to and appreciate
after listening to the album. Alongside the obvious talent of Underoath's drummer/vocalist
Aaron Gillespie, Spencer Chamberlain's new found variation in singing and screaming styles
provide a true gem in vocal performances. |
| 4.0 excellent |
| A Day To Remember Homesick |
| A Day To Remember What Separates Me from You |
| A Day To Remember Common Courtesy |
| A Static Lullaby A Static Lullaby |
| A Static Lullaby Rattlesnake! |
| Adam Sandler What The Hell Happened To Me! |
| An all around hilarious album. I'm surprised its not rated higher on here. What the Hell Happened to Me? is filled with plenty of catchy yet funny songs like "The Chanukah Song" that will leave lyrics stuck in your head for weeks. While many might get annoyed with skits on albums, nearly all of the ones on here are comic gold. "The Excited Southerner" tracks might get old relatively fast but others such as "The Goat" and "Memory Lane" will have you laughing your a** off. What the Hell Happened to Me? displays some of Sandler's best solo material and is probably one of the quotable comedy albums out there. |
| Adept Death Dealers |
| Adept Silence The World |
| Adept Sleepless |
| AFI All Hallow's E.P. |
| Anberlin Vital |
| Angels and Airwaves I-Empire |
| Stated to be ?the second half? of We Don?t Need to Whisper, I-Empire wasn?t much of a step in a new direction. However Angels and Airwaves managed to cut out nearly everything that made their previous album seem to drag on. I-Empire saw more subtle changes as well such as improved lyrics, catchier hooks, and a couple interludes. The arrival of new bassist Matt Watcher is surely welcome as the bass lines are clearly better than before. One of the main downfalls of the album is the lack of dominating drum parts from Atom Willard who single handedly kept We Don?t Need to Whisper interesting whenever it was needed. |
| Architects Holy Hell |
| August Burns Red Messengers |
| August Burns Red Rescue & Restore |
| August Burns Red Found in Far Away Places |
| Beastie Boys Licensed to Ill |
| Beastie Boys Paul's Boutique |
| Between Home And Serenity Power Weapons In The Complex |
| Billy Talent Billy Talent II |
| Billy Talent Dead Silence |
| Bleed The Dream Built By Blood |
| Blindside Silence |
| blink-182 Blink-182 |
| blink-182 Neighborhoods |
| Bring Me The Horizon There Is a Hell, Believe Me I've Seen It... |
| Bring Me The Horizon amo |
| Broadway Gentleman's Brawl |
| Burden of a Day Blessed Be Our Ever After |
| Carly Rae Jepsen Emotion: Side B |
| Carly Rae Jepsen Dedicated Side B |
| Caskets Lost Souls |
| CKY An Answer Can Be Found |
| Closure in Moscow The Penance and the Patience |
| Coheed and Cambria In Keeping Secrets of Silent Earth: 3 |
| Coheed and Cambria No World for Tomorrow |
| Comeback Kid Symptoms + Cures |
| Conditions Conditions EP |
| Conditions You Are Forgotten |
| Conditions Full of War |
| Copeland In Motion |
| Copeland Eat, Sleep, Repeat |
| Copeland You Are My Sunshine |
| Counterparts Heaven Let Them Die |
| Cry of the Afflicted The Unveiling |
| Probably the most overlooked 2007, The Unveiling establishes Cry of the Afflicted as a merited band in the Post-Hardcore genre and earn their recently made deal at Solid State Records. The Unveiling isn't groundbreaking or full of superb musicianship; however it does fit the band's niche perfectly. The mixture of chugging guitars and screaming alongside harmonized vocals and clean guitar riffs is arguably done better than any other in the genre gives Cry of the Afflicted their signature sound. It seems as though the band has finally established what they want to sound like and where they want to take their music in the future. |
| Dayseeker Sleeptalk |
| Dead Poetic New Medicines |
| Fightstar Grand Unification |
| Fort Minor The Rising Tied |
| Funeral for a Friend Memory and Humanity |
| Hands Like Houses Unimagine |
| Hands Like Houses Dissonants |
| Haste the Day Pressure the Hinges |
| Haste the Day Haste the Day VS. Haste the Day |
| In Her Own Words Unfamiliar |
| Iron Maiden Powerslave |
| Ivoryline There Came A Lion |
| Kingdom of Giants Ground Culture |
| Led Zeppelin Houses Of The Holy |
| letlive. Fake History |
| Linkin Park Hybrid Theory |
| Linkin Park Hybrid Theory EP |
| Linkin Park Minutes to Midnight |
| Minutes to Midnight presented a very interesting step in a new direction for Linkin Park?s music. Their long awaited musical progression presented a considerable number more of ballads and fewer hard-rocking headbangers. One major detriments to Minutes to Midnight is the fact that Mike Shinoda and Joe Hahn sat out for the majority of the album. Both of whom were major players in Linkin Parks unique sound, now have been nearly taken out of the picture completely. Minutes to Midnight does have plenty of positive features though. Many of the ballads come off as very heartfelt and Chester Bennington?s vocals are executed better than ever. The improved musicianship on the guitar and bass levels were also welcome features. |
| Linkin Park Road to Revolution |
| Lostprophets Start Something |
| Lostprophets Liberation Transmission |
| Mae (m)orning |
| Mae (e)vening |
| Matisyahu Live At Stubb's |
| Matisyahu Youth |
| Metallica Master Of Puppets |
| Definitely a landmark in metal history. Master of Puppets remains Metallica's album as it shows thier ability to play thrash better than just about anyone in the business. But not only does Metallica thrash on this album, they have numerous slow verses and breakdowns which make this album stand out from everything else in the genre when Master of Puppets was first released. "Master of Puppets", "Welcome Home (Sanitarium)", and "Orion [Instrumental]" present some of the most memorable riffs in metal in my opinion. |
| Minus the Bear Highly Refined Pirates |
| My Chemical Romance The Black Parade |
| No Doubt Tragic Kingdom |
| Norma Jean Redeemer |
| Norma Jean Meridional |
| Northlane Singularity |
| Oh, Sleeper When I Am God |
| Oh, Sleeper Children of Fire |
| P.O.D. Satellite |
| Papa Roach The Paramour Sessions |
| Paper Route The Peace Of Wild Things |
| Paper Route Real Emotion |
| Point North Retrograde |
| Red Hot Chili Peppers Californication |
| Refused The Shape Of Punk To Come |
| Rise Against Revolutions per Minute |
| Probably Rise Against's most raw effort, Revolutions Per Minute shows that the band finally perfected the hardcore punk sound with tracks like "To the Core". While it isn't as varied as other Rise Against albums, RPM features some of Rise Against's best guitar solos and bass lines. The more political tracks such as "Blood Red, White, and Blue" are probably the best in Rise Against's catalogue as they pack the biggest punch both lyrically and instrumentally. |
| Rise Against The Unraveling |
| Saosin In Search Of Solid Ground |
| Scary Kids Scaring Kids The City Sleeps In Flames |
| Search The City Ghosts |
| Search The City Flight |
| Secret And Whisper Great White Whale |
| Secret And Whisper Teenage Fantasy |
| Senses Fail Still Searching |
| Senses Fail Life Is Not a Waiting Room |
| Showbread No Sir, Nihilism Is Not Practical |
| Showbread Anorexia Nervosa |
| Showbread The Fear of God |
| Silverstein Rescue |
| Sparks The Rescue Worst Thing I've Been Cursed With |
| Sparks The Rescue Sparks the Rescue |
| Stand Atlantic F.E.A.R. |
| Story of the Year In The Wake Of Determination |
| Determination was a huge step away from Page Avenue for SOTY. While the catchy choruses remained, Ryan Phillips and Phil Sneed introduced a completely new element to Story of the Year's music. The heavy riffs like that in "Our Time is Now" and face-melting solos like the one in "Taste the Poison" made In the Wake of Determination one of the biggest surprises of 2005. The quick adaptation of chugging guitars and heavily screamed songs proves Story of the Year's sophomore album to be a headbanging, sing-along, rock rollercoaster. |
| Story of the Year Wolves |
| Strike Anywhere Dead FM |
| Sublime 40 Oz. to Freedom |
| Sum 41 Chuck |
| System of a Down Toxicity |
| The Beatles Abbey Road |
| The Bled Silent Treatment |
| The Classic Crime Seattle Sessions |
| The Mission in Motion A Curse, A Calling |
| The Mission in Motion Somewhere Safe |
| The Who Quadrophenia |
| The Who Who's Next |
| There For Tomorrow Nightscape |
| Thirty Seconds to Mars This Is War |
| Thrice The Artist in the Ambulance |
| Thrice Vheissu |
| Too Close to Touch Nerve Endings |
| Underoath Lost in the Sound of Separation |
| Underoath Ø (Disambiguation) |
| We Came As Romans Tracing Back Roots |
| Wolves at the Gate Captors |
| Young Lions Burn |
| Young Lions Blue Isla |
| 3.5 great |
| +44 When Your Heart Stops Beating |
| A Day To Remember For Those Who Have Heart |
| A Day To Remember You're Welcome |
| Adept Another Year of Disaster |
| AFI The Art of Drowning |
| AFI Black Sails in the Sunset |
| AFI Decemberunderground |
| AFI Burials |
| Anberlin Dark Is the Way, Light Is a Place |
| Angels and Airwaves We Don't Need to Whisper |
| Angels and Airwaves Love |
| Architects Daybreaker |
| Architects For Those That Wish to Exist |
| August Burns Red Phantom Anthem |
| Bleed The Dream Asleep/No Apologies |
| Blindside About A Burning Fire |
| Blindside The Great Depression |
| blink-182 Take Off Your Pants And Jacket |
| blink-182 Dude Ranch |
| Bone Thugs-N-Harmony The Collection Volume One |
| Bring Me The Horizon Sempiternal |
| Bring Me The Horizon That's the Spirit |
| Carly Rae Jepsen Dedicated |
| CKY Infiltrate Destroy Rebuild |
| Coheed and Cambria The Second Stage Turbine Blade |
| Coheed and Cambria From Fear Through the Eyes of Madness |
| Comeback Kid Wake the Dead |
| Comeback Kid Die Knowing |
| Comeback Kid Outsider |
| Conditions Missing Hours |
| Copeland Ixora |
| Counterparts Prophets |
| Counterparts The Current Will Carry Us |
| Dayseeker Dark Sun |
| Deas Vail All The Houses Look The Same |
| Deas Vail White Lights |
| Deas Vail Deas Vail |
| Drawing North Vision in Valour |
| Drawing North Of Sand and Stone |
| Drawing North El Dorado |
| Elton John Goodbye Yellow Brick Road |
| Emery The Question |
| Emery While Broken Hearts Prevail |
| Emery ...In Shallow Seas We Sail |
| Envy On The Coast Lucy Gray |
| Escape the Fate Dying Is Your Latest Fashion |
| Fightstar They Liked You Better When You Were Dead |
| Fightstar One Day Son This Will All Be Yours |
| With One Day Son, Fighstar take a considerable step away from harmonies and slow epics such as "Mono" and "Open Your Eyes" and instead turn out an array of headbangers. While the key ingredients of Fighstar's sound has remained the same, such as alternating Charlie Simpson and Al Westaway on lead vocals, the instrumentation behind each of the tracks is better than ever. Drummer Omar Abidi's work on "Tannhauser Gate" is probably the most obvious example of this. One Day Son, offers an extremely varied album offering some of Fightstar's slowest and heaviest material just two tracks apart. |
| Fightstar Be Human |
| Flee the Seen Doubt Becomes the New Addiction |
| Frank Zappa Apostrophe |
| Funeral for a Friend Seven Ways To Scream Your Name |
| Funeral for a Friend The Young And Defenseless |
| Funeral for a Friend Welcome Home Armageddon |
| Greek Fire Lost |
| Hands Like Houses Ground Dweller |
| Haste the Day Coward |
| Immortal Technique Revolutionary Volume 2 |
| In Hearts Wake Earthwalker |
| In Her Own Words Steady Glow |
| Inhale Exhale I Swear... |
| Ivoryline Vessels |
| Kingdom of Giants Every Wave of Sound |
| Kingdom of Giants All the Hell You've Got to Spare |
| Last Winter The Heart and The Broken Compass |
| Led Zeppelin Led Zeppelin |
| Led Zeppelin Untitled |
| Led Zeppelin Led Zeppelin II |
| Linkin Park Meteora |
| Linkin Park Reanimation |
| Linkin Park A Thousand Suns |
| Linkin Park Living Things |
| Lostprophets The Betrayed |
| LoveHateHero White Lies |
| White lies is one of the best Post-Hardcore albums of the year and definitely an improvement for Lovehatehero from their last album, Just Breathe. The instrumentation rhas increased on all levels except the bass guitarwork. Lovehatehero’s dual guitar onslaught keeps this album interesting from beginning to end regardless of how obnoxious Pierrick Berube’s lead vocals may be at times. The drums also do a good job of accenting certain songs either behind the other instruments or solo (“Hollywoodemia”, “Goodbye My Love”). With tracks like “To the End” and “She Puts the Ho in Homewrecker” Lovehatehero surpass everything they have done before and establish one of the most consistent, solid albums of 2007. |
| LoveHateHero Just Breathe |
| Mae Singularity |
| Maroon 5 Songs About Jane |
| Matisyahu No Place To Be |
| Metallica Kill 'Em All |
| Metallica ...And Justice For All |
| Metallica Metallica |
| Michael Jackson Thriller |
| Minus the Bear Menos El Oso |
| Minus the Bear They Make Beer Commercials Like This |
| Minus the Bear Planet of Ice |
| Minus the Bear Omni |
| Minus the Bear Infinity Overhead |
| Norma Jean O' God, the Aftermath |
| Normandie Inguz |
| Northlane Discoveries |
| Now And On Earth Blacked Out |
| Of Machines As If Everything Was Held In Place |
| Oh, Sleeper Son of the Morning |
| Oh, Sleeper The Titan |
| Oh, Sleeper Bloodied/Unbowed |
| P.O.D. Payable on Death |
| P.O.D. Testify |
| P.O.D. When Angels and Serpents Dance |
| Papa Roach Infest |
| Papa Roach lovehatetragedy |
| Papa Roach Getting Away With Murder |
| Paper Route Absence |
| Rise Against Endgame |
| Scary Kids Scaring Kids After Dark |
| Scary Kids Scaring Kids Scary Kids Scaring Kids |
| The Kids made in interesting move with their self-titled album. Rather than thrive on what they know how to do best, heavily synth-oriented tracks ("My Darkest Hour") and fast-paced rock onslaughts ("The Only Medicine") Scary Kids Scaring Kids decided to slow down their sound and experiment with other musical directions. While some of the slower tracks may drag on a bit ("Star Crossed"), others such as "Faces" clearly shine as some of Scary Kids Scaring Kids' best songs in their catalogue. Scary Kids Scaring Kids turns out to be lengthier, more varied, and has more of a complete overall feel to it compared to The City Sleeps in Flames. |
| Senses Fail The Fire |
| Senses Fail Follow Your Bliss: The Best of Senses Fail |
| Serj Tankian Elect the Dead |
| Set Your Goals Mutiny! |
| Set Your Goals This Will Be the Death of Us |
| Showbread Cancer |
| Sigur Ros Agætis byrjun |
| Sigur Ros ( ) |
| Silverstein Discovering the Waterfront |
| Silverstein Arrivals and Departures |
| Silverstein This Is How the Wind Shifts |
| Silverstein I Am Alive In Everything I Touch |
| Silverstein Dead Reflection |
| Sleeping With Sirens Madness |
| Sparks The Rescue Eyes to the Sun |
| Stand Atlantic Pink Elephant |
| Stand Atlantic Was Here |
| States Room To Run |
| Story of the Year Page Avenue |
| Story of the Year Tear Me to Pieces |
| Strike Anywhere Exit English |
| Strike Anywhere To Live in Discontent |
| Strike Anywhere Iron Front |
| Sum 41 Does This Look Infected? |
| System of a Down System of a Down |
| System of a Down Steal This Album! |
| System of a Down Mezmerize |
| Taking Back Sunday Tell All Your Friends |
| The Bled Heat Fetish |
| The Chariot Long Live |
| The Classic Crime Albatross |
| The Classic Crime Vagabonds |
| The Classic Crime Phoenix |
| The Jimi Hendrix Experience Electric Ladyland |
| The Lonely Island Incredibad |
| The Mission in Motion The Window |
| The Used Lies for the Liars |
| THe Used ditches much of their sound heard on previous albums and move in more of a rock direction while maintaing their signature sound . Some well executed hard rocking tracks include ?The Ripper? and ?Pretty Handsome Awkward.? The Used has always had a knack for writing groove-driven, dance tracks, previously most obvious on ?Lunacy Fringe? on their previous album. With Lies for the Liars, they emphasize this unusual talent and write the near flawless track ?Paralyzed.? Overall a great album. |
| The Used Artwork |
| There For Tomorrow A Little Faster |
| Thirty Seconds to Mars Love Lust Faith + Dreams |
| Thousand Below The Love You Let Too Close |
| Thousand Below Gone in Your Wake |
| Thousand Below Hell Finds You Everywhere |
| Thrice The Illusion of Safety |
| Thrice The Alchemy Index Vols. I & II |
| Thrice The Alchemy Index Vols. III & IV |
| Too Close to Touch Too Close to Touch |
| Too Close to Touch Haven't Been Myself |
| Too Close to Touch I'm Hard to Love, But So Are You, Vol. 1 |
| Underoath They're Only Chasing Safety |
| Underoath The Changing of Times |
| Underoath Anthology: 1999-2013 |
| We Came As Romans To Plant a Seed |
| We Came As Romans Understanding What We've Grown to Be |
| We Came As Romans We Came As Romans |
| We Came As Romans Cold Like War |
| Wolves at the Gate We Are the Ones |
| Wolves at the Gate VxV |
| Young Lions Mr. Spaceman |
| 3.0 good |
| A Day To Remember Bad Vibrations |
| A Static Lullaby Faso Latido |
| AFI I Heard a Voice DVD |
| AFI play a great assortment of their hits along with numerous fan favorites. Though fans that disliked Decemberunderground might not enjoy this because there are quite a few tracks from that album, I?d argue they picked the best songs from it and it doesn?t ruin the show at all. The only exception might be that they ended the show with ?Miss Murder?, which though isn?t necessarily a bad song, it isn?t an epic, or sing-along type track that concerts are traditionally closed with. Other than that, I Heard a Voice is a great live album. The vocals and instrumentation are all performed flawlessly and a few tracks sound better than they do on their respective studio albums (?Prelude 12/21?). |
| AFI Crash Love |
| Anberlin Blueprints for the Black Market |
| Anberlin New Surrender |
| Anberlin Lowborn |
| Angels and Airwaves Love - Part II |
| Architects The Classic Symptoms of a Broken Spirit |
| August Burns Red Guardians |
| Bleed The Dream Awake |
| Bleed The Dream Killer Inside |
| Bleed the Dream should have really changed their name after losing Brandon Thomas and recruiting new lead vocalist Mark Holmes. A Killer Inside is a brand new sound for Bleed the Dream and in a few senses a step backwards. The band’s first album, Built By Blood, was full of tasteful bass lines and memorable vocal parts. But rather than take what the band was good at and build on it, Bleed the Dream very much started from scratch with their sound. Mark Holmes’ vocals sound very strained and forced in numerous parts throughout the album. However despite these cons, the full first half of the album is great. Tracks like “Closer” and “Vampires (Don’t Kill for the Money)” barely push this album above the average mark. |
| Blindside Blindside |
| Blindside A Thought Crushed My Mind |
| Blindside The Black Rose |
| The Black Rose EP is a decent release from Blindside. The band takes everything they experimented with on The Great Depression and adds a new level of individuality. While The Black Rose EP has Blindside's signature sound with Simon Grenehed's guitar riffs and Christian Lindskog's one of a kind vocals it seems as though amongst all those things Blindside has lost that fire that made them such a great band around the Silence era. Despite that step backward in Blindside's music, The Black Rose EP presents a few memorable tracks in "The Black Rose" and "Slowmotion". Overall this isn't a bad release, but definitely only for Blindside fans. |
| blink-182 Enema Of The State |
| Broadway Kingdoms |
| Broadway Contexture: Gods, Men & The Infinite Cosmos |
| Burden of a Day OneOneThousand |
| Carly Rae Jepsen The Loveliest Time |
| Closure in Moscow Pink Lemonade |
| Coheed and Cambria Year of the Black Rainbow |
| Comeback Kid Turn It Around |
| Comeback Kid Broadcasting |
| With the addition of new vocalist Andrew Neufeld, Comeback Kid releases its heaviest album yet. With the constant use of screaming and chugging guitars one might suddenly forget their listening what genre of music their listening to. Though Broadcasting… only clocks in at 33 minutes, it certainly delivers. Tracks like "Broadcasting…" and "Defeated" are guaranteed to leave listeners headbanging to and shouting along with group vocals. The only cons with this album are the easily forgettable "Give'r (Reprise)" and the fact that there aren't any bass intros or leads like the ones seen in Wake the Dead and Turn it Around. |
| Copeland Blushing |
| Counterparts The Difference Between Hell and Home |
| Dayseeker Dreaming Is Sinking /// Waking Is Rising |
| Dead Poetic Vices |
| Deftones Around the Fur |
| Die Trying Die Trying |
| Envy On The Coast Lowcountry |
| Escape the Fate There's No Sympathy for the Dead |
| Fightstar Behind the Devil's Back |
| Funeral for a Friend Tales Don't Tell Themselves |
| The most disappointing album of 2007 in my opinion, Tale’s Don’t Tell Themselves abandon’s nearly everything that made Funeral for a Friend the great band they were on their last two albums. The days of drummer Ryan Richards screaming appear to be gone. The lack of technicality from nearly every musician almost destroys this album completely. While tracks such as “One for the Road” and “The Sweetest Wave” seem to carry on with no sufficient resolution, a handful of great tracks make a valiant effort to make up for them. “Into Oblivion (Reunion)” offers individual parts from each guitarist throughout the song and make it a diverse track. While in the past this has been a signature characteristic of Funeral for a Friend’s sound, unfortunately now it has become a rarity. |
| Funeral for a Friend Conduit |
| Future Idiots Neighborhoods & Morningwoods |
| Good Charlotte The Young And The Hopeless |
| Good Charlotte Good Charlotte |
| Hands Like Houses Reimagine |
| Hands Like Houses -Anon. |
| Haste the Day Dreamer |
| Hoobastank The Reason |
| Hoobastank Hoobastank |
| In Hearts Wake Skydancer |
| In Her Own Words Distance or Decay |
| Inhale Exhale The Lost, the Sick, the Sacred |
| Instruction God Doesn't Care |
| Jimmy Eat World Bleed American |
| letlive. The Blackest Beautiful |
| Linkin Park Live In Texas |
| Linkin Park The Hunting Party |
| Linkin Park One More Light |
| Lostprophets The Fake Sound Of Progress |
| Lostprophets Weapons |
| LoveHateHero America Underwater |
| Mae Destination: Beautiful |
| Mae (a)fternoon |
| Matisyahu Shake Off the Dust...Arise |
| Matisyahu Light |
| Minus the Bear This is What I Know About Being Gigantic |
| My Chemical Romance Three Cheers for Sweet Revenge |
| Norma Jean Bless the Martyr and Kiss the Child |
| Norma Jean The Anti Mother |
| Northlane Node |
| P.O.D. The Warriors EP Vol. 2 |
| Red Hot Chili Peppers Stadium Arcadium |
| Rihanna Good Girl Gone Bad |
| Senses Fail Let It Enfold You |
| Senses Fail If There Is Light, It Will Find You |
| Set Your Goals Reset EP |
| Sever Your Ties Safety in the Sea |
| Showbread Age of Reptiles |
| Showbread Showbread is Showdead |
| Silverstein When Broken Is Easily Fixed |
| Sparks The Rescue Truth Inside the Fiction |
| Story of the Year The Black Swan |
| Story of the Year The Constant |
| Strike Anywhere Change Is a Sound |
| Strike Anywhere Nightmares of the West |
| Sum 41 Half Hour Of Power |
| Sum 41 Underclass Hero |
| A rather disappointing album in my opinion. While it is in no way a bad album, it just lacks nearly everything that made Sum 41 a great band in the past. It only has a few tracks that could appear on All Killer No Filler. Instead, Underclass Hero is filled with slow, moody tracks. And while not all of those tracks are bad, it’s certainly not expected or completely welcome when one is looking to buy a Sum 41 album. Underclass Hero seemed to have taken a few features from previous release, Chuck, and developed them into a new sound. Darker tracks such as “Count Your Last Blessings” are clear examples of this. |
| System of a Down Hypnotize |
| Taking Back Sunday New Again |
| The Bled Pass the Flask |
| The Bled Found in the Flood |
| The Classic Crime Patterns in the Static |
| The Classic Crime Grim Age |
| The Mars Volta Frances the Mute |
| The Used The Used |
| The Used In Love and Death |
| The Used Berth |
| There For Tomorrow The Verge |
| Thirty Seconds to Mars A Beautiful Lie |
| Thrice Beggars |
| Too Close to Touch I'm Hard to Love, But So Are You, Vol. 2 |
| X-Ecutioners Built From Scratch |
