Bigwill2k
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Soundoffs 19
Album Ratings 318
Objectivity 82%

Last Active 02-03-22 3:12 pm
Joined 02-09-21

Review Comments 98

Average Rating: 3.37
Rating Variance: 0.66
Objectivity Score: 82%
(Well Balanced)

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5.0 classic
Kate Bush Hounds of Love
Pink Floyd The Dark Side Of The Moon
Porcupine Tree Coma Divine
Porcupine Tree Warszawa
Radiohead Kid A

4.5 superb
Alice in Chains Jar Of Flies
Anathema A Natural Disaster
Anathema Hindsight
dredg El Cielo
Gavin Harrison and 05ric Circles
The vividly bright vocal harmonies conjure an
image of paradise. They float serenely
above a complex weave of ambient, otherworldly
tones. The restless polyrhythmic funk will keep
your attention fully engaged.
Visionary and eclectic drumming pioneer Gavin
Harrison
has
plenty of room
to exhibit his melodic as well as rhythmic
sensibilities and he is matched at every twist
and turn by brilliantly original multi
instrumentalist and
musical soulmate 05ric. This is on the bleeding
edge, yet it still
remains remarkably accessible and
expressive even in its more jazzy or progressive
moments.
Incubus (USA-CA) S.C.I.E.N.C.E.
Kate Bush The Dreaming
Linkin Park Hybrid Theory
Live The Distance To Here
Mew Frengers
Mogwai Happy Songs for Happy People
Mogwai Rock Action
Mogwai Mogwai EP+2
Mogwai Zidane: A 21st Century Portrait OST
Mogwai EP+6
Muse Absolution
Muse Origin of Symmetry
Neurosis A Sun That Never Sets
Nirvana Nevermind
Nirvana MTV Unplugged in New York
Nirvana MTV Unplugged in New York (DVD)
Oceansize Effloresce
Oceansize Frames
Opeth Ghost Reveries
Opeth Blackwater Park
Paul Simon Graceland
Peter Gabriel So
Peter Gabriel Passion OST
Pink Floyd Wish You Were Here
Porcupine Tree In Absentia
Porcupine Tree Voyage 34: The Complete Trip
Porcupine Tree Signify
Radiohead The Bends
Radiohead OK Computer
Radiohead Hail to the Thief
Radiohead In Rainbows
Rage Against the Machine Rage Against the Machine
Refused The Shape Of Punk To Come
Sigur Ros ( )
SikTh The Trees Are Dead and Dried Out, Wait for Something Wild
The Mars Volta De-Loused in the Comatorium
The Mars Volta Frances the Mute
Thom Yorke The Eraser
Tool Lateralus
Tool Ænima
Type O Negative Bloody Kisses
Type O Negative October Rust

4.0 excellent
Alice in Chains Alice In Chains
Alice in Chains Dirt
Anathema A Fine Day to Exit
Biffy Clyro The Vertigo of Bliss
Bjork Vespertine
Car Bomb Meta
Cave In Antenna
Cave In Tides of Tomorrow
Converge You Fail Me
Deftones Koi No Yokan
Deftones White Pony
Deftones Deftones
Deftones Adrenaline
Deftones Around the Fur
Dream Theater Metropolis Pt. 2: Scenes from a Memory
Eschaton (USA) Techtalitarian
Genesis Calling All Stations
"One man's joy makes another man weep, nothing you can do will ever change it"

I will admit I am no prog connoisseur but Im gonna stick up for this album. I unashamedly like
easy listening, power ballads and
understated, mature pop music. This has all that within the scaffolding of well crafted, yet
simple and
accessible prog musicianship. I don't think letting rip would suit these songs. I really enjoy
Wilson's smooth tone, but he also has range as
seen on 'There must be Some Other Way' where he adds some bite. I think the songs are
consistent, even Small Talk and Congo which sound dated, even for the time. Sometimes I get David
Gilmour song
writing vibes with the
heavy
keyboard emphasis and crying blues guitar. Then theres the fact both bands recorded in an era of
tasteless engineering techniques. Furthermore the lyrics about relationships and communication.
It's all very competent, beautiful but lacking edge or a leader with a truly incisive, Water's
type
wit which would have raised it to another level. Luckily we are spared the Gilmour styleoveruse of
backing soul singers. However I could have done without the cold
and loud sound gated drums though, which are an occasional headache on the pop tunes. Sometimes
its ugly
spectre makes an unwelcome appearance on the ballads. Id have liked to hear more of this iteration
of the band but for foolhardy business decisions by the band. Maybe the backlash was
too severe to carry on without damaging the legacy further.
Hammock Raising Your Voice... Trying to Stop an Echo
Incubus (USA-CA) Enjoy Incubus
Ion Dissonance Minus the Herd
Ion Dissonance Cursed
Katatonia Night Is the New Day
Kate Bush Never for Ever
Kate Bush The Kick Inside
Kate Bush Director's Cut
Limp Bizkit Significant Other
Limp Bizkit Chocolate Starfish and the Hot Dog Flavored Water
This is the best angsty rap metal! You may cringe and call it juvenile, but it was never meant to
be taken seriously! Rather that than 6th form common room level politics.
Fred Durst
is good at what he does, has a pleasing flow and and hype-man vocals get the blood flowing. How
can you listen to the intro to 'My Generation' and not want to jump da fuck up??? He is more self
aware than given credit for.
Instrumentals are fire. Borland wields a chainsaw, but also provides sublime extra terrestrial
soundscapes. Rhythm section bring heft and also the slinky grooves which makes
you want to move your body. Its an amazing fusion. The album shows a surprisingly softer melodic
side too, which shows
they are more than a party band. Im not going
to self consciously say I grew up and don't like it anymore, it still sounds good today.
The only thing i can leave are the pure hip hop tracks, especially Rollin Urban Assault
Vehicle. They're trying to broaden their audience with some smart features but they make the album
a little flabby.

Mrs Aguilera come and get some!
Linkin Park Minutes to Midnight
Meshuggah None
Meshuggah Chaosphere
Meshuggah Nothing
Meshuggah Destroy Erase Improve
Meshuggah I
Mew And the Glass Handed Kites
Mogwai Come On Die Young
Muse Showbiz
Muse Hullabaloo
Oceansize Everyone Into Position
Oceansize Self Preserved While The Bodies Float Up
Oceansize Home & Minor
Oceansize Walking In The Air
Opeth Damnation
Opeth Deliverance
Opeth Still Life
Pantera Far Beyond Driven
Pantera Vulgar Display of Power
Pink Floyd Animals
Porcupine Tree Nil Recurring
Porcupine Tree Arriving Somewhere...
Porcupine Tree The Sky Moves Sideways
Porcupine Tree Deadwing
Porcupine Tree Fear of a Blank Planet
Radiohead The King of Limbs
Rage Against the Machine Evil Empire
Red Hot Chili Peppers Live at Slane Castle
Reuben Racecar Is Racecar Backwards
Reveille Laced
SikTh Death of a Dead Day
Staind Dysfunction
System of a Down System of a Down
The Dillinger Escape Plan Miss Machine
The Dillinger Escape Plan Calculating Infinity
The Offspring Americana
The Smashing Pumpkins Rotten Apples
Tool Opiate
Tori Amos Under the Pink
Tori Amos Little Earthquakes
Type O Negative World Coming Down
Type O Negative Symphony For The Devil (DVD)
Type O Negative Life Is Killing Me

3.5 great
(hed) p.e. Blackout
This album proves that they have cool grooves, flow and heaviness but couldnt quite master the art of writing a great pop chorus to put the cherry on the cake. Blackout was a great MTV single, its peak nu metal with prerequisite skating, decks and baggy trousers, but i always preferred their wild side. A valient effort to break into the mainstream.
36 Crazyfists Bitterness the Star
A Perfect Circle Mer de Noms
A Perfect Circle eMOTIVe
Amplifier Amplifier
Architects Nightmares
I listened to this and enjoyed all the way through. The other albums before the oddly titled r'For Those That Wish to Exist' usually had some good highlights but this is rmy favourite as a listen-in-one-sitting affair. It has a pretty lo-fi sound compared to the rintense production of their later work and as a result is less ear fatiguing. They were rstill teenagers when they recorded it, which is why it comes off as their most overly rsincere and overwrought work. Its perhaps why they seemed embarrassed by it in interviews, ralong with the cheesy and 'scene' album 'The Here and Now'. Nightmares has an honesty and redge that is sorely lacking in the premeditated and lacklustre modern Architects sound. rThats the problem with this band, theyre always trying to imitate someone, hop on some rbandwagon, or cater to a certain demographic and they never had a proper identity. This ralbum, even though it owes a great debt to The Dillinger Escape Plan, is amazing compared to rthe fertiliser theyre putting out now.
Between the Buried and Me Colors
Biffy Clyro Blackened Sky
Bjork Medulla
Bjork Homogenic
Boy Hits Car Boy Hits Car
Converge Axe to Fall
Cypress Hill Black Sunday
Cypress Hill Cypress Hill III: Temples of Boom
Deftones Diamond Eyes
Deftones Gore
Dream Theater Train of Thought
Funeral for a Friend Seven Ways To Scream Your Name
Incubus (USA-CA) Make Yourself
Incubus (USA-CA) Morning View
Kate Bush Lionheart
Kate Bush The Sensual World
Kate Bush 50 Words for Snow
Kate Bush Aerial
Killswitch Engage (Set This) World Ablaze
Limp Bizkit Three Dollar Bill Y'all
Muse Black Holes & Revelations
My Dying Bride The Dreadful Hours
Nirvana Incesticide
Pink Floyd Meddle
Pink Floyd The Endless River
Porcupine Tree The Incident
Radiohead Amnesiac
Rammstein Mutter
Red Hot Chili Peppers Blood Sugar Sex Magik
Red Hot Chili Peppers Californication
Reuben Very Fast Very Dangerous
Sevendust Home
One trick pony but it's an exceptional trick! The
drummer is just so cool and the vocals are strong.
I did start to tire of it by the second half and
wished they would deviate from the formula a tad.
Sigur Ros Agætis byrjun
Sigur Ros Von
System of a Down Toxicity
The Dillinger Escape Plan Option Paralysis
The Dillinger Escape Plan Ire Works
The Mars Volta Octahedron
The Smashing Pumpkins Gish
The Smashing Pumpkins Mellon Collie and the Infinite Sadness
The Smashing Pumpkins Siamese Dream
Thrice The Artist in the Ambulance
Tori Amos Scarlet's Walk

3.0 good
(hed) p.e. Back 2 Base X
(hed) p.e. New and Improved
Cheap and cheerful album, with a punk DIY ethos. It's honest, no polish and sounds like four guys having a good time in a proper band. These fun, well chosen, well arranged covers will go down well live and it's interesting to find out some of Jahred and co's influences. It seems to be a shock to those living in the noughties, but if youre living in the now, this ska punk album is a smart evolution of their sound!
Alice in Chains Black Gives Way to Blue
Architects Daybreaker
Architects Hollow Crown
Architects Ruin
Biffy Clyro Infinity Land
Bjork Debut
Bush Golden State
Creed Human Clay
Creed My Own Prison
Creed Weathered
Cult of Luna Salvation
Decapitated Carnival Is Forever
Deftones Saturday Night Wrist
Deftones Ohms
Drowning Pool Sinner
I was hoping for more exciting , unique tracks like Bodies. What we got was a solid set of grooving power chord based songs but nothing that really caught my ear. There is an over reliance on guitar pedals instead of great riffage. It gets a 3 because of William's singing and screams. It's a better than average nu metal album, but it still bored me a little bit.
Dry Kill Logic The Dead and Dreaming
Empire State Bastard Rivers Of Heresy
I expected something a bit more novel given Mike
rVennart's previously stellar output. This seems
rlike he Is just copying some of his favourite
rbands of his youth and letting off some steam
post rpandemic. The rraspy shrieksrcut though the
abrasive punk riffs and jack hammer rdrums. I like
the slow smouldering rdistortion of The rLooming
with it's unpredictable, lumbering stride rand
refreshing synth. I'd have liked them to have
rleaned in to more of this side to make it stand
rout more from other noisy rock.rDave Lombardo is
rabsolutely phenomenal in Palms of Hands, one
snare rroll in particular resembling a tornado
wreaking rhavoc. The rHarvest has charming woo woo
woos and a much rneeded call for personal
responsibility at this rtime.rThe guitar in
general is a bit unimaginative, but it's tight
rand rweighty. The bare bones 'Tired, Aye?'
doesn't work rfor me, the rbacking rvocals feel
naked and dont match Lombardo's rintensity.
Filter Short Bus
Filter The Amalgamut
Finch What It Is to Burn
Finch Say Hello to Sunshine
Funeral for a Friend Hours
Hundred Reasons Ideas Above Our Station
Kate Bush The Red Shoes
Killswitch Engage The End of Heartache
Korn Issues
Lamb of God Ashes of the Wake
Limp Bizkit Results May Vary
Meshuggah The Violent Sleep of Reason
Meshuggah Catch Thirtythree
Million Dead A Song to Ruin
Mogwai Young Team
Muse Drones
Nickelback Silver Side Up
Nirvana In Utero
Nirvana Bleach
Nirvana Live at Reading
Omar Rodriguez-Lopez Omar Rodriguez
One Minute Silence Available in All Colors
Opeth Watershed
Papa Roach Infest
Periphery Periphery
Pig Destroyer Head Cage
Porcupine Tree Up the Downstair
Porcupine Tree Metanoia
Rage Against the Machine The Battle of Los Angeles
Rammstein Sehnsucht
Red Hot Chili Peppers Stadium Arcadium
Red Hot Chili Peppers One Hot Minute
Red Hot Chili Peppers Mother's Milk
Red Hot Chili Peppers By the Way
Sigur Ros Takk...
SikTh Let the Transmitting Begin
Silverchair Young Modern
Sinch Sinch
Snot Get Some
Soundgarden Superunknown
Soundgarden Badmotorfinger
Sparta Wiretap Scars
Staind 14 Shades of Grey
Staind Break The Cycle
System of a Down Steal This Album!
System of a Down Mezmerize
Tallah The Generation of Danger
The Dillinger Escape Plan One of Us Is the Killer
The Dillinger Escape Plan Under the Running Board
The Ernies Meson Ray
I must admit I wanted more "jump da fuck up!"
riffage like
'Here and
Now'and 'Organism', the latter of which has a
fantastic Beatles-esque ending.
They can write a catchy, fun chorus, groove away
pleasantly and arrange
some interesting vocal harmonies. The lyrics
are what I can only describe as thought provoking,
edgy, new age physics-core! I do like the
Incubus, The Police and Alice in Chains
amalgamation.

Highlights: Polarized, Here and Now, Winter Stars,
Organism,
You are Everywhere
The Mars Volta Amputechture
The Mars Volta The Bedlam in Goliath
Tool 10,000 Days
Tool Undertow
Tori Amos American Doll Posse

2.5 average
36 Crazyfists A Snow Capped Romance
Alice in Chains Rainier Fog
Alice in Chains Live
Anathema We're Here Because We're Here
Architects The Here and Now
Architects Lost Forever // Lost Together
Promising opening collection of songs, especially the incensed and bitter Naysayer ripping
your face off. If only their actions matched their words, the lyrics are a classic "Do as i
say not as i do"

When listening to this album it soon become apparent their thought process was: "people like
the breakdown to These Colours Dont Run at 'Generic Core Festival' lets make 11
Songs like that"

So the blaring power chords, engulfing chugs and exhausting
screams are the building blocks of this album. Punctuate that with some 'deep' spoken word
sections, some dispirited atmospheric synths and violins, some djent of the day and some
nasal emo whimpers sung in a different accent to their native tongue.

Its a pretty bleak album and the leads and rhythms are not exciting enough to make it worth
trudging through the whole thing. Despite that there are select cuts that are worth
listening to in isolation if you want burly, knuckle dragging breakdowns.
Architects The Sky, the Earth & All Between
Bloodsimple A Cruel World
Crazy Town The Gift Of Game
Disturbed The Sickness
Dream Theater Octavarium
Dry Kill Logic The Darker Side Of Nonsense
Godsmack Awake
Great Falls Objects Without Pain
In Flames Come Clarity
Incubus (USA-CA) A Crow Left of the Murder...
ISIS Oceanic
Killswitch Engage Alive or Just Breathing
Kittie Spit
I like the expressive screams and moans on Spit, they're something unique and genuinely menacing.
They are way more emotive than the average male grunt! The music was a little sloppy, especially
the cohesion of the instruments. Its a sign of the times
that that's almost refreshing to hear in 2023 where everything in the mainstream is a nice shiny
product.
Unfortunately the ramshackle musicianship means it doesn't have the propulsion Id like it to have,
the guitar tone is
very 'brown' but they do grind away nicely sometimes. The drums get swamped occasionally which
contributes to the feeling of being stuck in the mud. The singing never quite lands, finale of
Charlotte excluded, that's an unexpectedly touching passage of music and I wish they explored
their post rock side a bit more!
I'll put some of the teething problems down to this being a debut. However it is growing on me
after a bad first impression. I hope the next album fixes some of the issues.
Korn Follow the Leader
Lana Del Rey Born to Die
Limp Bizkit Gold Cobra
Limp Bizkit Still Sucks
People remember LB being worse than they actually
were.rThis album is rated as their best because
its been revised as less embarrassing by the cool
people to like LB now, even if it's only on an
ironic, self conscious, hipster wanker level.
rOnly thing is Significant Other is miles better.
Even Choc Starfish is much better. Out of Style
and Dad Vibes are the only bangers. The rest of
the songs are undercooked and the bands
instrumental strength is under utilised by Durst,
in order to make way for acoustic guitar and more
traditional hip hop elements. For a late career
album in a genre that has aged like milk, this is
a dignified effort. However the auto tune is not
welcome and the groove is tainted by computers,
like most modern rock.
Meshuggah Immutable
They're mostly playing within the established
formula, playing it safe yet
occasionally pushing the needle
with a slight tinker to the mathematical
equation.
There are a
handful of winning tracks that I will listen to in
isolation but as an album it's grimly
monotonous. The same guitar ambience rising and
falling over
shifting tectonic plates of rhythm. The
unrelenting, flatlined heaviness. Frederik
Thordendal's trademark post modern
guitar solos, inharmonic and arrhythmic as always.
Jens Kidman replicating his last
performance, the one before that, and before that.
What's worse than the numbing
familiarity is
the sound has taken a nose dive. It's all attack
and very rigid and
characterless.
Mogwai Mr. Beast
Muse Will of the People
Pelican The Fire in Our Throats Will Beckon...
Pink Floyd The Wall
Pink Floyd The Division Bell
Porcupine Tree On the Sunday of Life
Prophets of Rage Prophets of Rage
Let's address the elephant in the room. The vocalists are not as fiery nor witty as De la Rocha
in his prime, obviously it's
untouchable.
They sound a little complacent and cliched in middle age. Chuck D does seem like he cant be
arsed
sometimes, especially on the opening dialogue of 'Take Me Higher'. He is awfully dated and
pedestrian. B Real still has a great laid back, staccato
flow and is by far the more interesting of the two MCs. He is more than a match for this
talented
band,
stylistically at least.

First half is better than second but this is a fun and funky album if you ignore the nagging
thoughts of Champaign socialism. (would they be spared when they arm the homeless?)
The remaining members, writing as some form of 'Rage Against the Machine', have been out of
creative action for decades so sounds are understandably recycled from their heyday.
Unfortunately it does suffer from over compressed, monochrome songs all blending into one
another. Mind numbing platitudes about 'fuck
the cops', 'fighting back' or 'taking a stand' don't do
subtlety. Maybe being overly broad is the best way to get the revolutionary message out to as
many people as possible.
Zach De La Rocha was absolutely right to call it quits on Rage Against the Machine as they were
arguably on the decline since Battle of Los Angeles. The first two
RATM
records are the sharpest, most convincing and best sounding production wise.
This has the same problem as their last album, Renegades, being slightly underwhelming. If
Morello and co
team up with a hungry, up and coming, socially conscious vocalist with something original
to say, they might still be able to produce something vital. I dare say theyre just too
comfortable to do it these days.
The groove is still there, its undeniable, the three core instrumentalists weave in and out of
each other perfectly. It just deserves thought out songwriting, fresh ideas and clever lyrics.
Radiohead Pablo Honey
Rancid Let's Go
Red Hot Chili Peppers I'm With You
Roger Waters The Dark Side of the Moon Redux
SikTh The Future In Whose Eyes?
SikTh Opacities
Simon Says Shut Your Breath
System of a Down Hypnotize
Team Sleep Team Sleep
The Acacia Strain Wormwood
Lose some braincells to 'shugg-lite, with your fellow bros! Has its moments but is very
cheesy and too safe. Mandatory baseball caps.
Type O Negative Dead Again
The punk sections in the first half hit well and rare the rbiggest success on the album in my opinion. Some rof the sudden changes of pace will give you rwhiplash though. The proggish stuff has rinteresting melodic rsections but are buried within patience testing rshredding and rforgettable bluesy, stoner riffs. The rmusic is rbehind a wall of compression and auto tune, so compared to World rComing Down, the misery doesn't rhit nearly as hard. There isn't any pop rwriting like October Rust either, except September rSun rwhich they stretch out to a climactic 10 minutes. rSteele not at his peak, a lot of rincoherent ranting, sounding like a tin pot rdictator. A metal Roger Waters. rIt feels like they were overdue an album rand the band picked up a lot of the slack. Would rhave been rinteresting what a sober and focussed Steele able rto take the reigns properly could have rcome up with on the next album.
Type O Negative Slow, Deep, And Hard

2.0 poor
(hed) p.e. Detox
Alice in Chains The Devil Put Dinosaurs Here
Architects Holy Hell
Architects All Our Gods Have Abandoned Us
Biffy Clyro Ellipsis
Bjork Volta
Bury Your Dead Mosh n' Roll
Crazy Town The Brimstone Sluggers
Creed Full Circle
Cypress Hill Skull and Bones
Decapitated Blood Mantra
Decapitated Cancer Culture
Joy Division The Complete BBC Recordings
Killswitch Engage Killswitch Engage
Mogwai Hardcore Will Never Die, But You Will
Nirvana From the Muddy Banks of the Wishkah
Pink Floyd A Momentary Lapse Of Reason
Rage Against the Machine Renegades
Rammstein Rosenrot
SikTh Flogging the Horses
The Smashing Pumpkins Aghori Mhori Mei
I know his clean singing voice has always been an
acquired taste but it doesn't even have the
conviction anymore. The gutless vocals lack energy
and spirit, replaced by flaccid emo. I quite like
the
metallic crunch of the guitar, but the
instrumentals are too rigid to rock, drums sound
paper thin and
soulless (which is incredible they have the nerve
to do that to
a real character like Jimmy Chamberlain) The
overall mix
clips your speakers and it sounds trashy and
fuzzy. I'd rather listen to the classics than let
the last 2 decades lower my expectations so much
that I'd actually enjoy this. Just another album
to forget and pretend never happened.
Tori Amos Midwinter Graces
Type O Negative The Origin Of The Feces

1.5 very poor
(hed) p.e. Only In Amerika
You can tell key members have left. This was an angry reaction to their failed tilt at mainstream success and some of the original band members ditching. This is not the Hed PE as we we knew it. Jared Gomez seems lost after being dropped by the major label. Represent is the closest thing to a decent song here. Luckily Back 2 Base X was a revival in form.
(hed) p.e. New World Orphans
Architects For Those That Wish to Exist
Architects The Classic Symptoms of a Broken Spirit
Incubus (USA-CA) 8
Mogwai Rave Tapes
The Smashing Pumpkins ATUM: Act I
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