| 2.5 average |
| At the Drive-In in•ter a•li•a |
| Circa Survive On Letting Go |
| Coheed and Cambria Vaxis II: A Window of the Waking Mind |
| Coheed and Cambria Vaxis I: The Unheavenly Creatures |
| Coheed and Cambria The Color Before The Sun |
| Coheed and Cambria The Afterman: Descension |
| Coheed and Cambria The Afterman: Ascension |
| Coheed and Cambria Year of the Black Rainbow |
| Deftones Ohms |
| Deftones Gore |
| dredg The Pariah, The Parrot, The Delusion |
| Fair to Midland The Carbon Copy Silver Lining |
| Glassjaw Material Control |
| Happy Body Slow Brain Dreams of Water |
| HRVRD From the Bird's Cage |
| Kaddisfly Horses Galloping on Sailboats |
| Kaddisfly Set Sail The Prairie |
| Night Verses Out of the Sky |
| Opeth Heritage |
| Soen Imperial |
It has a couple highlights, like Illusion or Dissident, but I can never find myself
enjoying it. The perfect example I can give for this album is like if you'd share a bowl of
ice cream with your friend, but you leave to get your phone, and when you come back he has
already eaten the best parts of it. Sadly, what your left with is the generic vanilla that
is at the bottom of the bowl, but you're already sick of the vanilla. You came to eat the
ice cream for the new and tasty parts, but it's already all gone. That's what my experience
was. I just wish they could have just stuck with what they had early on and varied instead
of using the same deadbeat riffs that is so generic that I keep slapping myself in the
face, only to realize that this is Soen just sounding like another generic metal band.
|
| The Mars Volta Noctourniquet |
| The Mars Volta Octahedron |
| The Mars Volta The Mars Volta |
| The Mars Volta The Bedlam in Goliath |
| The Mars Volta Amputechture |
| The Mayan Factor Yesterday's Son |
| Tool Fear Inoculum |
| Tool 10,000 Days |
