mouton0ir
User

Soundoffs 7
Album Ratings 65
Objectivity 64%

Last Active 08-20-16 3:37 am
Joined 08-20-16

Review Comments 3

Average Rating: 3.77
Rating Variance: 0.40
Objectivity Score: 64%
(Fairly Balanced)

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5.0 classic
Kate Bush Hounds of Love
An A-side of hit after hit and a B-side that's arguably something of a concept 'album'. This sounds as though it would be disjointed, but somehow, it all ties perfectly together and is a gorgeous, haunting experience that ends on a jarringly cheery epilogue (Which took me a few listens to get used to-- for the longest time, I thought the album should've just ended with Hello Earth. Viewing Morning Fog as an epilogue rather than a true ending made it make a lot more sense).
Modest Mouse The Moon & Antarctica
Sun Kil Moon Ghosts of the Great Highway
Talking Heads Speaking in Tongues
The Replacements Pleased To Meet Me

4.5 superb
Brand New Deja Entendu
Brand New The Devil and God Are Raging Inside Me
Sun Kil Moon April
Swans The Great Annihilator
The Afghan Whigs Black Love
The Hotelier Home, Like NoPlace Is There
The Hotelier Goodness
I seem to have a weakness for bittersweet albums; albums about moving on from losses yet still holding onto them a little too tightly; about trying to find what is left; about trying to find constructive lessons from painful experiences. This album 100% fits that bill lyrically, and the music complements it perfectly (If I have one musical complaint, it's the percussion, which sounds a bit samey/overly repetitive at times).
The War On Drugs Lost in the Dream
"I don't mind you disappearing, 'cause I know you can be found." A beautiful, coherent, and
emotional experience that blends together seamlessly. A bit of a nostalgic sound-- Bob Dylan mixed
with Tom Petty, and Mike Scott of the Waterboys (Under the Pressure is a VERY early-Waterboys-
sounding song, and Granduciel's vocals share similarities to Scott's in general), -- but never trite. In
fact, I would argue that the 70s/80s heartland rock influence ties to the lyrical themes perfectly. It
complements the overall message the album (moving on from loss; giving that loss meaning). A few
songs sometimes blur together instead of just *blend*, but never in a way that truly detracts from the
experience. Truly flows like an ALBUM rather than a collection of songs: the first song is a clear
beginning, and the final song is a clear (and gorgeously bittersweet) ending.

4.0 excellent
Ani DiFranco Dilate
Ani DiFranco Not a Pretty Girl
Antarctigo Vespucci Soulmate Stuff
Beach Slang Broken Thrills
Beach Slang The Things We Do to Find People Who Feel
Chuck Ragan Los Feliz
This live album is better and more consistent than any of his studio releases, what's up with that.
CHVRCHES Every Open Eye
Florence and the Machine Ceremonials
Into It. Over It. Intersections
Killing Joke Night Time
Modest Mouse Good News for People Who Love Bad News
Modest Mouse The Lonesome Crowded West
Owen No Good for No One Now
This sounds very, very similar to mid-to-late period Red House Painters: a mixture of acoustic guitar and Neil Young-esque calm-yet-fuzzy electric riffage, melancholy lyrics, etc. And honestly, I'm fine with that. Some might dock points due to the obvious similarities (Everyone Feels Like You would arguably be right at home on Old Ramon), and if I was rating this album from a purely analytical standpoint I probably would, too. I factor personal enjoyment into my ratings, though, and have a special place in my heart for music that sounds like mid/late period RHP. It's also good to note that the guitar work by Kinsella on this album is a bit more complex at points than on RHP songs from the same period (Kozelek would embrace a more complex style later on in Sun Kil Moon). Therefore, I can easily bump this up to a 4.
Petal Shame
Preoccupations Preoccupations
Red House Painters Red House Painters
Red House Painters Songs for a Blue Guitar
Sun Kil Moon Admiral Fell Promises
Swans The Seer
The Afghan Whigs Gentlemen
The Replacements Tim

3.5 great
Ani DiFranco Evolve
Antarctigo Vespucci Leavin' La Vida Loca
Brand New Leaked Demos 2006
Car Seat Headrest Teens of Denial
Chuck Ragan Feast Or Famine
CHVRCHES The Bones of What You Believe
Florence and the Machine Lungs
Florence and the Machine How Big, How Blue, How Beautiful
Into It. Over It. Proper
Into It. Over It. Standards
Julien Baker Sprained Ankle
Low Drums and Guns
Modest Mouse We Were Dead Before the Ship Even Sank
Red House Painters Ocean Beach
Sun Kil Moon Benji
Tenement Bruised Music Volume 1
The Afghan Whigs Do to the Beast
The Hotelier It Never Goes Out
The Jezabels Synthia
A catchy, dark pop album that has its effectiveness somewhat neutered by flat, muffled production.
The War On Drugs Slave Ambient

3.0 good
Brand New Your Favorite Weapon
Brand New Daisy
Smog The Doctor Came at Dawn
Sun Kil Moon Among the Leaves
Tenement Predatory Headlights
The Afghan Whigs Congregation
The Hotelier We Are All Alone

2.5 average
Ani DiFranco Red Letter Year
Red House Painters Red House Painters II
The Afghan Whigs 1965

2.0 poor
Catch 22 Permanent Revolution
Do you want a lounge singer and a bar ska band performing a musical based off of Permanent
Revolution by Leon Trotsky? ok u got it bud (i think a concept album based on the russian revolution
and the fallout of it could definitely be great, the execution of this particular one is just Bad.)
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