| 2.5 average |
| Abiotic Symbiosis |
| Alien Ant Farm TruANT |
| Big Sean Finally Famous: The Album |
| Circle of Contempt Artifacts in Motion |
| I imagine when they wrote this album it went something like this:r"Hey man what should come after this part?"r"Idk man, how about another guitar solo?" , yea dude. r*slide, bend, sweep, tap, sweep tap, bend slide annnnnd back to chugrRepeat for entire album. |
| Combichrist What The Fuck Is Wrong With You People? |
| Drake Nothing Was the Same |
| Earl Sweatshirt Doris |
| Frank Ocean channel ORANGE |
| From Autumn to Ashes Holding a Wolf by the Ears |
| Glass Cloud The Royal Thousand |
| Too much hype. I had very high expections. None of that is the bands fault though. I'm not sure I understand what they're trying to accomplish with this album, although I do enjoy it for the most part. Songs with openings like Ivy & Wine remind of old school KoRn, groovy, down tuned, extended range guitars adjusted for todays Hot Topic crowd. Any part that had a keyboard seemed so out of place, this is a trend that has carried over from TTDTDE. The 8 and 9 strings guitars seem to only one purpose and that is total destruction so it didn't make sense in context with so many clean singing moments. |
| Guns N' Roses Appetite for Destruction |
| Misfits American Psycho |
| Mudvayne Lost and Found |
| Primus Antipop |
| Primus Green Naugahyde |
| Sleepytime Gorilla Museum In Glorious Times |
