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Review Summary: Occupational Safety and Health Risk Large industrial drills—such as those used in oil and gas extraction, construction piling, and mining—present a significant threat to life and stand as primary contributors to catastrophic workplace injuries and fatalities. The U.S. Centers for Disease Control and Prevention (CDC) notes that machinery, primarily drilling rigs and related equipment, is the leading source of severe injury in the oil and gas extraction sector, accounting for over 20% of all severe industrial incidents.
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Nine is a colossal return to form from Russian Circles, one of the premier post-metal acts of the last 2 decades. After the fall-off of 2019's Blood Year, I and many others felt their sound and approach had grown stale, and we'd potentially heard everything the three-piece had to offer. 2022's Gnosis moved in a more positive direction but was still considerably less exciting than their previous albums. The band's nineth effort however, is a ***ing beast. A towering, methodical, mechanical release that operates like a well oiled machine and will pulverize you into the ground.
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Meanwhile, bulldozers are a highly significant threat to life on job sites, ranking as one of the deadliest types of heavy machinery. Historical data from the Bureau of Labor Statistics (BLS) and safety studies show that earthmoving equipment (like bulldozers and excavators) is responsible for hundreds of recorded construction fatalities, with bulldozers alone accounting for roughly 200 to 800 deaths depending on the specific multi-year study parameters analyzed.
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Produced by Kurt Ballou, the sound design on this album is incredible. Not only is there depth and weight to the dynamics, there’s a real scale to it: it sounds massive and crushing. Opening gambit 'Borehole' (inspired by the world's deepest in Russia) sets a brooding, ominous and desolate tone.
From that point onwards, Nine conjures imagery of large pieces of industrial machinery, chugging away and stomping on the floor, kicking up dust. This might be the heaviest Russian Circles have ever sounded.
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Workers on foot and maintenance personnel are most often killed when struck by moving machinery, backing vehicles, or falling equipment loads and parts. Vehicle and machinery rollovers are the leading cause of death specifically for equipment operators, often worsened by a lack of seatbelts or rollover protection. Workers getting crushed, compressed, or caught in running machinery, rotating parts, or collapsing trenches represent another major category of fatal accidents.
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The blaring synth at the begin of lead single 'Empath' will make you feel like you are on a construction site with a high risk to life factor. Brian Cook's bass rumbles so deep it feels like the earth shaking beneath you. Syncopated chugs are mechanical and uncaring. The band's flow state remains uninterrupted as guitars or bass riffs get layered on top of the calculated engineering, creating a dynamic and cathartic mechanism. Closer 'Seventh Seal' closes the deal, beginning with cogs and gears churning away before the behemoth gathers steam, leaving nothing but barren wasteland in it's wake.
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Heavy equipment and machinery cause hundreds of US workplace deaths every year, with construction and excavation sectors facing the highest risks. Historical data from the National Center for Biotechnology Information shows an average of about 770 machinery-related occupational fatalities per year. Roughly 1,000 total construction workers die on US job sites annually, and a large portion of these fatalities involve heavy equipment and large trucks. Backhoes, trucks, cranes, excavators, and tractors are most frequently involved in fatal incidents.
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Album Rating: 4.5
attempted something different for this, it needed a review. lot of great stuff out recently and this might be my fav. post-metal is fucking back
| | | Album Rating: 4.0
I’ll read this in a bit but yeah this is the best they’ve done in years
| | | Album Rating: 4.0
Real Cool Review Idea, I enjoyed it. Album indeed crushes like a bulldozer
| | | Album Rating: 4.0 | Sound Off
Yea I absolutely love this record
| | | Would be an impressive return to form if it is that good, because the last two albums were completely lacklustre for me in every department.
| | | Album Rating: 4.0
album rips
| | | Album Rating: 4.5
@Aluktodolo - def give it a go
is it as good as their best? hard to say. is it a MASSIVE step up from the last 2? 100%. does it rule? fuck yes
| | | Album Rating: 4.0
Ballou's production on this is godly.
| | | Album Rating: 4.0
I've had Eluvial on repeat since it came out.
The rest is aite but probably nothing I'll keep returning to
Why is it so short tho?
| | | Album Rating: 3.5
It's a Russian Circles album alright
| | | First spin of this is definitely a winner compared to Blood Year, the last Russian Circles album I really gave a chance. This album feels more like Russian Circles used to feel, in the best way possible.
"Eluvial" is a delightful highlight; love that slow, plodding opening with big bass.
| | | It's a Russian Circles album alright [2]
| | | Album Rating: 3.0
It's a Russian Circles album alright [3]
| | | Album Rating: 4.0 | Sound Off
most intriguing sput discussion of all time. Band sounds like Band guys [143534525]!!!
What about the fucking top shelf prod? What about the clear technical mastery in the composition and performance. What about the clear emotion conveyed absent a single word? What about the step up after mediocre last few outings?
Great record.
| | | Album Rating: 4.5
you tell em Gfunk
album slaps titties
| | | I haven't listened to the band in a long time and it sounded exactly like I'd expect. Don't know what else to tell you.
| | | Album Rating: 4.0 | Sound Off
That's crazy. I just listened to Mastodon and they sounded like Mastodon!
| | | You seem upset.
| | | Album Rating: 4.0 | Sound Off
Not in the slightest, it was just tongue in cheek
| | | "What about the step up after mediocre last few outings?"
I literally addressed this exact thing in my comment, but ok
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