King Crimson



by pulseczar USER (67 Reviews)
October 7th, 2005 | 723 replies

Release Date: 1970 | Tracklist

If you were to ask someone which pet they like the most: cat, dog or lizard, most wouldn't choose the last one. I don't know why, a lizard doesn't hump legs or shed hair, but that's the crazy world we live in today. And so, King Crimson's Lizard is one of their more unpopular releases. That being said, mostly anybody who's heard of King Crimson hasn't heard anything beyond In the Court of the Crimson King, their groundbreaking, prog-defining 1969 debut. It's really a surprise the Kings made it up to this third album, their band line-up was constantly changing and falling apart. But King Crimson mustered out Lizard in the same year as their sophomore In the Wake of Poseidon, a poor imitation of their first, and made a radical change in sound.

Lizard is King Crimson's jazziest album. They had played with it before, but here the jazz/jazz fusion takes over pretty much completely. But that isn't revealed just yet; with the opening track Cirkus (they used a "k", how edgy!) A typical opener for Crimson, with the same menacing feel as other openers like One More Red Nightmare (Red, 1974) and 21st Century Schizoid Man (1969, In the Court of the Crimson King), but starts out nicely enough to dismiss that thought. With a jingling piano it starts out but suddenly bursts into a Mellotron lead evil-sounding theme, the orchestral sounds sound very artificial so it sounds like a loop or sample heard in electronic music. Guitarist Robert Fripp evocates incredible classical style guitar playing in Cirkus; he spreads his nylon stringed noise throughout the song.

Indoor Games and Happy Family both flow together nicely, both with honky-tonk piano, funny sounding horns, and a jazz vibe mixed with strange themes. Both get lost at some point in the song, in a mess of free style jazz lead by the piano and horns, Fripp's guitar, surprisingly enough, is left out. But undoubtedly the thing that gives Lizard that really strange edge, are Gordon Haskell's vocals. He replaced Greg Lake (future Emerson, Lake & Palmer front man, another big name in 70s prog) during the recording of In the Wake of Poseidon, which was unfortunate since Lake's raw voice was probably the best King Crimson ever had in their long history of swapping singers. Haskell's voice sounds like an old hippy running around singing about LSD-induced fairy tales. It's shaky, deep and even goofy. The short acoustic, transition track The Lady of Dancing Water is really the only time he sings somewhat 'properly'.

Lizard, the album's closer, is really the whole point of this album. It's unlike any other epic King Crimson had done before, virtually guitar-free and is horn/Mellotron/piano lead. The first movement a) Prince Rupert Awakes is sung by none other than Yes front man Jon Anderson, which helps makes it have the most catchiness and melody on the entire album. It's the most linear movement of the album as a song, because by the second movement the horn guided jamming returns, but much more elegant and organized than previous jams, and not as jazzy. The first movement is the last place you'll clearly hear guitar for quite a while in this 23 minute semi-suite, quietly accompanying Anderson's vocals throughout the verses and some cool guitars parts played backwards. The third section/movement c) The Battle of the Glass Tears is the biggest one, divided into three sub-sections, the first a quiet song featuring some Jethro Tullesque flute that reintroduces Haskell's voice, the second a grand revisiting of symphonic noise reminiscent of Cirkus. The third is the bass and drums providing a solemn rhythm while guitarist Robert Fripp finally comes back into the spotlight and plays a slow electric guitar solo. The drumming has gotten less interesting since Michael Giles left after Crimson's second album, replaced by Andy McCulloch, who fills aren't as captivating. The bass is also a bit of a snooze, an instrument that plays big roles in Crimson's other albums. Lizard ends with the Big Top, a small reprise of the piano heard in Cirkus, along with the horn section noodling around.

Lizard is a hard album to get into, especially if you've only heard their more hard rock stuff. The title track is specifically more difficult, not being a conventional progressive rock epic. But that's what I love about this album, that iy's very different and fascinating in way. Once you do learn to appreciate it, it's very easy to listen to it again and again. While Lizard is a departure from King Crimson's previous album, that previous album wasn't very interesting anyway, being a copy of their debut.

Lizard-----------> 4 stars

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Comments:Add a Comment 
October 7th 2005


Good, informative review.

My Spanish teacher keeps talking about how I should listen to King Crimson...I had one of their albums for a while, but could never really get into it.

Maybe I should start listening to them again.

October 7th 2005


Very nice, detailed review. The first track is my favorite and once I get into this album I can't get out.

October 7th 2005


Entwistle is gonna be pissed... he was gonna review all the KCs.

Great review though.

/jumps up in joy for commenting Galapogos' review.

October 10th 2005


[quote= beyondtheblueprint] Entwistle is gonna be pissed... he was gonna review all the KCs. [/quote]

Umm, no. Just no. Stop posting, now.

Anyways, great review. Indoor Games is great. But Greg Lake's voice did it for me. I'd just like to say, your intro sentences are very creative.

June 17th 2006


Album Rating: 4.5

I love this album, and your review is what convinced me to get it. Fripp is amazing.

July 20th 2006


Im considering getting this one soon.

August 31st 2006


Brilliant album!

One More Red Nightmare isn't the opening track of Red, though.
That's umm... Red!

December 2nd 2006


After listening to this one again its not that bad at all.
*changes rating from 3 to 3.5*

December 28th 2006


I like every other crimson album i have ever heard, but I cant even listen to this one, I think the vocals are awful.

December 28th 2006


I think the vocals are awful.


December 28th 2006


Album Rating: 4.5

I wish there were more recordings of this material live.

For anyone who doesn't like Cirkus, just listen to the live version on Ladies of the Road and prepare to have your opinion transformed.

March 18th 2007


Album Rating: 4.0

Good album, but doesn't hold a candle to Red and In the Court. Indoor Games, Cirkus, and Lizard are all pretty much ballin' though.

April 19th 2007


Album Rating: 4.0

Ah, 2005, back when I was a young, sexy, virile reviewer. /cue Neil Young's Old Man

While they have two or three albums better than this, when you're in the right mood Lizard can bitch-slap the rest of their discography.

April 29th 2007


Album Rating: 4.5

[QUOTE=pulseczar]While they have two or three albums better than this, when you're in the right mood Lizard can bitch-slap the rest of their discography. [/QUOTE]

This is so unutterably god damn correct that I want to have sex with you.This Message Edited On 04.29.07

Pig on the wing
June 2nd 2007


Album Rating: 3.5

At times there is nothing better than listening to Happy Family incredibly loud, and getting lost in all the chaos. Marvelous stuff.

May 9th 2009


from the songs ive heard, this is really underrated.

May 9th 2009


Album Rating: 3.5

yes. the title track is genius. as is Cirkus. and the rest is great too actually.

May 9th 2009


those are the 2 i checked out actually. really impressive stuff, love the flirtations with jazz.

May 9th 2009


I've been planning to go through KC's discography. At the very least, ITCOTCK and Discipline are two of my favourite albums of all time, I enjoyed Lark's Tongue In Aspic from what I remember. The only album I listened to I didn't like much as first was Red, but i'll have to give that some more attention. This release sounds interesting, I might work through chronologically.

May 9th 2009


Islands (1971 i think) might not be worth checking out, you can tell that the compositions are lazy.
But seriously, try Red again. the overall sound is quite abrasive and certainly dark at first. i'm getting this one soon because i'm really getting into Jazz Fusion right now.

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