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King Crimson
Starless and Bible Black


3.5
great

Review

by Nagrarok USER (219 Reviews)
May 16th, 2010 | 13 replies


Release Date: 1974 | Tracklist


Although the Wetton-fronted Crimson was relatively constant in membership, it was never completely stable. The quintet on Larks’ had been reduced to a quartet on Starless and Bible Black, percussionist Jamie Muir only playing on one album in the end. While the dark sounds of Larks’ were still very much present, Starless and Bible Black is a completely different album. Most of the tracks not longer than 5 minutes, only the last 2 surpassing 9, and on top of that, a lot of the material was recorded live during improvisational sessions, some of the vocals having been overdubbed in the studio. Still, that fact does not mar the overall idea and purpose of the album.

The only tracks recorded entirely in the studio are the first two, The Great Deceiver and Lament. Both of them, while not as notably dark as most of the material on Larks’, are full of aggressive, driving riffs and manic playing, the former more so than the latter, and for anyone who’s heard In the Court of the Crimson King, it’s not difficult to hear what it reminds you of. Like its other milestone tune Epitaph, the classic 21st Century Schizoid Man still carries over its influence in the group’s later music.

What makes this album slightly inferior to its predecessor is that the live improvised tunes are mostly not strong enough. Once again, half of the tracks here are instrumental, and while Larks’ showed this formation excelled at those above the vocal songs, Starless and Bible Black means to prove quite the opposite. The aforementioned two opening songs are highlights, and so is the beautiful, melancholic The Night Watch (also mostly recorded in the studio). The fault with three out of the four improvisational pieces is that they do not really go anywhere. We’ll Let You Know builds up some excellent tension, and has a jazzy feel to it, but ends up closing before having used that tension at all. The title track is the most disappointing of all: it keeps building and building, and a few minutes in, you’ll be asking yourself whether it will actually do something worth hearing. That, it does not, and unfortunately makes for an unnecessary nine minutes of boredom.

There are some counterweights though, as Trio is a very good and unusually soft (for Crimson, at least) improvisation, with Cross’ violin taking front seat, predominantly accompanied by mellotron. What really takes the cake however, and also makes up for the preceding title track, is the 11-minute monster Fracture. Called by Fripp ‘the most difficult guitar piece I have ever played’, the entire track is credited to the guitarist, and is by far the most satisfying piece on the album, as well as the only improvisational track that manages to build, move and climax in a truly satisfying manner. Particularly the end is brilliant, Fripp’s intense trademark jazzy playing teaming up with Wetton’s aggressive-as-usual bass, as Bruford’s polyrhythmic drumming supports and Cross’ violin powerfully overflows with a haunting edge.

Those last minutes of Starless and Bible Black are this formation performing cohesive interplay at its very best, and if that had being going on more throughout, the album would have certainly equalled, if not surpassed Larks’ Tongues in Aspic. The record is also a document of how this King Crimson functioned: it was a formation that actively included improvisation in the albums they released in their short lifespan. You can love or hate that, but it is without doubt some of the best work the group ever created comes out of this era. Because of its inconsistent nature, Crimson’s sixth album ends up as the weakest of its trilogy, but is still definitely worth acquiring for any more-than-casual fan of the group. For those that deem themselves not to fall into that category, they should stick with the last superb piece of fully-British Crimson, and follow-up to this: Red.

Starless and Bible Black’s King Crimson was:

- Robert Fripp ~ Guitar, Mellotron, Devices, Electric Piano
- John Kenneth Wetton ~ Bass Guitar, Vocals
- William Scott Bruford ~ Drums, Percussion
- David Cross ~ Violin, Viola, Mellotron, Electric Piano

Lyrics by Richard Palmer-James


TO BE CONTINUED...



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user ratings (841)
3.9
excellent


Comments:Add a Comment 
Nagrarok
May 16th 2010


8629 Comments

Album Rating: 4.0

Red will be up tomorrow.

Observer
Emeritus
May 16th 2010


8390 Comments


very good stuff. Yet to listen to any king crimson, even when I was in a little classic rock phase a few years back. pos

Digging: Inanna - Transfigured in a Thousand Delusions

Nagrarok
May 16th 2010


8629 Comments

Album Rating: 4.0

Anyone needs to have heard In The Court of the Crimson King at some point. If you don't like that, don't really bother with the rest.

TheSmilingCreep
May 16th 2010


137 Comments


fumpbhax

shindip
May 16th 2010


3538 Comments

Album Rating: 4.0

great review. other than the title track, this album is gold

Nagrarok
May 16th 2010


8629 Comments

Album Rating: 4.0

Thanks guys. Namechange there greatlakes?

EVedder27
May 16th 2010


6088 Comments


Sweet review Nag, will get to listening to this eventually

Voivod
Staff Reviewer
May 16th 2010


8842 Comments

Album Rating: 4.0

Kudos to you Nagrarok for reviewing the entire KC discography

Digging: Falkonera - ?????? ???? ??????

Rhino
May 16th 2010


71 Comments

Album Rating: 3.0

Good job on the reviews. Crim is my favourite band. I think of this album as the poor man's Larks' Tongues.

Jethro42
May 16th 2010


16135 Comments

Album Rating: 4.0

Cigarettes.. ICE CREAM ..Figurines OF THE VIRGIN MARY

Quality review, pos'd

I agreed with your comments about some unconvincing improvised songs.

Despite Bruford and Wetton's good intentions to save the title track's jam, it remained quite

cacophonous, patchy, pointless and overlong (ugh Mr Fripp, watta mess on that one).

But not that bad. Oh well...

'The Mincer' and title track are the two least good, but I usually don't skip any of them.

'Fracture' roools



NeutralThunder12
May 17th 2010


8742 Comments

Album Rating: 3.5

excellent record and review

qwe3
May 17th 2010


21814 Comments

Album Rating: 3.5

KC rulessss

facupm
July 26th 2020


11640 Comments

Album Rating: 3.0

nice review





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