robertsona
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Last Active 01-10-23 3:58 pm
Joined 05-13-09

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Congolese music: Franco

It’s crazy what’s happening in the Congo right now. The decentralization makes everything feel incredibly dense: you can google and genuinely be taking in facts for an hour straight and still come away with so little. Probably worth it, though. Anyways in the 1960s a guy named Franco and a guy named Tabu Ley Rochereau absolutely dominated the charts in the Congo, starting to record as young musicians in the traditions of Congolese rumba music: light and bright guitar lines, a loping and lightly syncopated bassline often sketching out perfect fifths and quick to return to the beat, shakers and light drums and an overall breezy danceability. Though they recorded together a handful of times, Rochereau and Franco were considered “rivals,” and their efforts to outdo each other had much the same effect on Congolese popular music as did that whole Rubber Soul-Pet Sounds-Revolver sequence. The effect was to push the extant popular genre, rumba, into a new and more complex form as soukous, which transition I’d say you can start to hear especially on Volume 2 here. Soukous adds more guitars as well as a wider palette of timbres and instrumentation, faster tempos, and increasing reliance on polyrhythms and overlapping syncopation—you’ll notice the motif of the bass falling on each “1” in the “1-2-3-1-2-3-1-2” rhythmic breakdown of each bar, e.g.—to deliver its considerably more dense danceability. Here is a Spotify-friendly rendering, based on their assy compilations, of some good music Franco made as he pushed this sonic movement forward. It’s very pleasant music but there’s a lot to it. Enjoy!
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