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06.11.25 Chevelle, Ranked02.05.22 Top 20 RHCP Tracks with John Frusciante
10.11.12 My Top 25 Most Played: Help me find new

Chevelle, Ranked

The 3.8-est band of all time, Chevelle, is set to drop a new album, Bright as Blasphemy, on August 15, 2025. They were my favorite band in high school (2006-2010), and a band I continue to enjoy and admire all these years later. Standing alongside Deftones in a class above the the nu-metal / post-grunge / butt-rock wave of the new millennium, Chevelle continues, nearly 30 years in, to churn out crunchy, infectious rock tracks that seamlessly straddle the line between mainstream accessibility and a more complex, soulful sound. So, in honor of all the 3.8 memories and the band’s upcoming release, I wanted to put together a list of my favorite Chevelle tracks to date. This list is purely subjective: I’m not trying to present myself as an authority with the “final say” of what Chevelle’s “best” songs are - this list is just to share my personal preferences and spark discussion/reflection on Chevelle’s impressive career.
21Chevelle
Honorable Mentions

Closure
Forfeit
Shameful Metaphors
I Get It
Another Know It All
Emotional Drought
Bend the Bracket
Hats Off to the Bull
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Now let's get to it.
20Prove to You

Starting off this list with a token inclusion from their first album, Point #1, aka the album *before* Chevelle evolved into the 3.8 band we all know and love. Point #1 asks the question, “what if a nu metal band reallyyy liked Tool?” “Prove to You” served as proof-of-concept for this lesser, but still solid, pre-WWW version of Chevelle.
19Jars / Self Destructor / Rabbit Hole - Cowards Pt. 1 / Face to the Floor / The Fad / Joyride (An Ome

Lead singles off their respective albums with super-catchy, groovy guitar hooks and catchy choruses. March 26, 2025 release “Rabbit Hole - Cowards Pt. 1” fits extremely comfortably in this lineage of “pretty freaking good” lead singles. These songs are all solid tracks but don’t do much to elevate themselves into the upper echelon of Chevelle’s material.

Yeah yeah, “The Fad” is a third single, not a lead single. But it belongs here.
18Sleep Apnea (Acoustic Version)

Ok - THIS is the last gimmicky one before I get into the real list. A cool remix of the excellent album opener to Sci-Fi Crimes, found on the band’s 12 Bloody Spies: B-Sides and Rarities compilation. Chevelle + acoustic instruments and egg shakers = pretty freaking fun.
17Mars Simula

Ultra-groovy, riffy track off of 2021's NIRATIAS with a bouncy chorus that also doubles as an Elon Musk diss track? Sign me up. Seriously, F that guy and also this song rules.
16Send the Pain Below

Coming in at #16 is the first one on my list off of Wonder What’s Next, aka the album that made Chevelle who they are today. Chevelle’s second album introduced them to the world as they remain today: a confident, crunchy, 3.8, emotive group with a dark aesthetic, a knack for earworms on vocals and guitar, and zero interest in rhyme schemes. Send the Pain Below is something of an outlier off the album: it’s as straightforward of an alt rock / emo track as they’ve released. It was a radio hit (back when those existed) and, along with The Red, introduced them as a force to be reckoned with in mainstream rock.
15The Meddler

Speaking of earworms… The Meddler is groovy, catchy bliss, with one of the band’s catchiest choruses they’ve written to date. Hats Off to the Bull is, by and large, a lesser Chevelle album (at a catastrophic 3.7), but man, Pete put together some banging choruses on that one.
14An Evening with El Diablo

Every now and then, Chevelle sets aside the crunchy-guitar hook and serves up a “slow burn” track that starts soft and gradually builds tension. “An Evening with El Diablo” is one of these tracks, with a hypnotic, magnetic, bass-driven pulse that only occasionally bursts into heavy, nu-metal-style breakdowns.
13Roswell's Spell

A fabulous vocal performance and a prog/post-hardcore-infused bridge make this track an engaging, unique listen off of Sci-Fi Crimes.
12Vitamin R (Leading Us Along)

This Type of Thinking’s lead single leads with a slick, haunting 6/8 groove, a punchy chorus, and anthemic vocals throughout. It was a hit for a reason, though it drops a few spots by hewing a touch too closely to “The Red” for my taste.
11Twinge

Twinge, the closer off of standout album La Gargola, is a soft, hypnotic, multilayered track with an absolutely gorgeous chorus. The vocal harmonies, always a strength of Chevelle’s, are a career-best on this track and clinch this song a spot on my list.
10Punchline

Y’all. Chevelle released a Depeche Mode / Nine Inch Nails number. With a drum machine and reverb up the wazoo. Uhhh yeah sign me TF up.
9Panic Prone

The first of two standout soft tracks off This Type of Thinking, Panic Prone features delicate guitar, lovely vocal melodies (both lead and harmony), standout bass work from former member Joe Loeffler, and an explosive bridge section that lands a hard emotional punch.
8Sleep Apnea

I included the acoustic version earlier, but the OG version of Sleep Apnea, the opener from 2009’s Sci-Fi Crimes, is a career highlight in its own right. The lead riff is tasty as hell, Sam’s performance on drums is propulsive and energetic, and the chorus is an absolute anthem. But to me, what tends to separate “good Chevelle” from “great Chevelle” is the quality of the bridge section. Sleep Apnea’s multi-part bridge knocks it out of the park, both with the crunchy crescendo and the soft rebuild back into the closing chorus.
7The Red

We have arrived. The Red is by far Chevelle’s most-streamed song and is a modern alt-rock classic. It’s got that seductive, slithery main riff, the dark/emotive aesthetic, that iconically angsty chorus. But I’d wager that this song reallyyy broke through because of the lyrics. Specifically, that opening line: “They say freak / when you’re singled out / The Red / It filters through.” Ohhhh boy, does that line hit hard for angsty, outcast teens. Now, “teen angst” is hardly unmined lyrical territory for the genre, but Chevelle’s writing brought a degree of elegance, maturity, and empathy that clearly resonated with a generation of alienated kids in the post-9/11 era. Musically it’s far from my favorite Chevelle track but it lands high on the list due to its cultural impact and impressive lyricism.
6Ghost and Razor

2021’s NIRATIAS was a mixed bag of an album but when it hit, it hit HARD. With Ghost and Razor, Chevelle basically said “Door to Door Cannibals was kinda cool but what if we did it again and it was freaking AWESOME.” This song boasts guitar riffs to make you bang your head, scrunch your face, and punch the air. It’s got a creepy, futuristic aesthetic with some really fun vocal mixing and a long, patient outro section. This one clocks in at nearly 6 minutes but man, that breezes by fast.
5Family System

If “Wonder What’s Next” is the album that introduced Chevelle to the world, “Family System” introduced us to “Wonder What’s Next.” It kicks the album off with that creepy, goosebump-inducing crooner of an intro, then smacks you in the freaking face with some of the nastiest, crunchiest riffs in Chevelle’s discography. The lyrics, dealing with family trauma and abuse, are pitch-black but executed with uncommon grace. Family System is a seething, intense track where the band confidently left behind the “nu-metal Tool” trappings of Point #1 and jumped into being the intense, emotive, complex, 3.8 rockers we know and love today.
4An Island

Hear me out: “An Island” is actually a funk song. And it funking rules. That main riff is fuzzy, syncopated bliss. The lyrics, in keeping with the horror-movie vibes of La Gargola, crank up the fun factor to 11: “Stay there don’t move / I think it’s getting fangs / Watch if they turn / Become the villains.” For all its charms, Chevelle could stand to have a little more fun from time to time. “An Island” is a rare Chevelle song that’ll slap a big, dumb smile on your face while you bob your head around to the beat.
3Letter from a Thief

If I had to name a “perfect song” from Chevelle’s discography, it’d be Letter from a Thief. One of their lighter cuts, it weaves seamlessly and efficiently between a groovy verse and anthemic chorus, with chunky bass pushing the song along quickly between sections. But this song lands this high on my list for that bridge section: it’s got fantastic lyrics (“Solitude / Waste of a Man / This fades as soon as the sun sets”); and a minimalistic guitar solo. But it’s that final vocal passage from this bridge (“I now own this fatal role that lives…”), paired with that delicate, arpeggiated guitar and rolling drums, that bring the song to a crescendo and move me, an incredibly manly man, to tears. There’s something puzzling, eerie, and gorgeous at the heart of this song, but it’s executed in such a fun, compact package.
2So Long, Mother Earth

If songs 1 and 3 on this list are there cuz they give me the feels, #2 takes the cake as a showcase of Pete Loeffler’s immense talent (on vocals and guitar), and as an unadulterated dose of balls-to-the-wall bada**ery. It’s got an unconventional, 4-section structure, with the bass cranked up to gut-grabbing levels throughout. What really puts this song over the top, though, are Pete’s vocals and their interplay with the guitar. He brings melodic tenor, falsetto, grungy growls, and screams, with each section as catchy and compelling as the last. So Long, Mother Earth is a verifiable orgy of awesome guitar riffs and catchy/compelling vocal hooks. It just. Freaking. Rules - a 5.0 song off a 3.8 album.
1Saferwaters

This mid-tempo, heavy ballad off of Vena Sera makes the cut as my all-time favorite Chevelle track. The lyrics are meditative and timeless, and the production adds an ethereal, wavelike quality that helps flesh out the lyrical themes. The chorus, which features–get this—a rhyme, is an immediate earworm. The bridge/solo is haunting and beautiful, and Sam brings his A game throughout with really tasteful fills that consistently match and embellish the emotion of the song. It’s an emotive, crunchy classic, and one that typifies and crystallizes what has made Chevelle such a compelling, consistently great listen over the last three decades.
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